Michael Fentum
Best known as a Sound Designer based on credits in that role in 5 films, with $1,970,024,400 worldwide aggregate box office (rank #43) |
Best-known technical roles: The Martian (Sound Designer), Sherlock Holmes (Sound Designer), 1917 (Sound Designer), Jason Bourne (Sound Designer), Edge of Tomorrow (Sound Effects Editor) |
Most productive collaborators: Simon Kinberg, Mark Strong, Mark Taylor, Nina Gold, Oliver Tarney |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Sound Designer | 5 | $771,551,231 | $1,198,473,169 | $1,970,024,400 |
Sound Effects Editor | 2 | $125,312,581 | $298,607,048 | $423,919,629 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Sound Designer at the Domestic Box Office | 44 | $771,551,231 |
Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 301-400) | 386 | $125,312,581 |
Top Grossing Sound Designer at the International Box Office | 41 | $1,198,473,169 |
Top Grossing Sound Effects Editor at the International Box Office (Rank 201-300) | 221 | $298,607,048 |
Top Grossing Sound Designer at the Worldwide Box Office | 43 | $1,970,024,400 |
Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 201-300) | 267 | $423,919,629 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Dec 25, 2020 | News of the World | Sound Designer | $12,668,325 | $12,668,325 | |
Dec 25, 2019 | 1917 | Sound Designer | $159,227,644 | $229,912,796 | $389,140,440 |
Dec 25, 2017 | All the Money in the World | Sound Effects Editor | $25,106,325 | $31,784,324 | $56,890,649 |
Jul 29, 2016 | Jason Bourne | Sound Designer | $162,192,920 | $253,975,396 | $416,168,316 |
Oct 2, 2015 | The Martian | Sound Designer | $228,433,663 | $425,175,444 | $653,609,107 |
Jun 6, 2014 | Edge of Tomorrow | Sound Effects Editor | $100,206,256 | $266,822,724 | $367,028,980 |
Dec 25, 2009 | Sherlock Holmes | Sound Designer | $209,028,679 | $289,409,533 | $498,438,212 |
Averages | $128,123,402 | $249,513,370 | $341,992,004 | ||
Totals | 7 | $896,863,812 | $1,497,080,217 | $2,393,944,029 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Sound Designer at the Domestic Box Office | 44 | $771,551,231 |
Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 301-400) | 386 | $125,312,581 |
Top Grossing Sound Designer at the International Box Office | 41 | $1,198,473,169 |
Top Grossing Sound Effects Editor at the International Box Office (Rank 201-300) | 221 | $298,607,048 |
Top Grossing Sound Designer at the Worldwide Box Office | 43 | $1,970,024,400 |
Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 201-300) | 267 | $423,919,629 |