Venezuela Box Office for The Conspirator (2011)
Theatrical Performance (US$) | ||
Venezuela Box Office | $76,105 | Details |
Worldwide Box Office | $15,907,411 | Details |
Home Market Performance | ||
North America DVD Sales | $2,741,107 | Details |
North America Blu-ray Sales | $1,565,249 | Details |
Total North America Video Sales | $4,306,356 | |
Further financial details... |
Synopsis
In the wake of Abraham Lincoln's assassination, seven men and one woman are arrested and charged with conspiring to kill the President, Vice President, and Secretary of State. The lone woman charged, Mary Surratt, 42, owns a boarding house where John Wilkes Booth, 26, and others met and planned the simultaneous attacks. Against the ominous back-drop of post-Civil War Washington, newly-minted lawyer, Frederick Aiken, a 28-year-old Union war-hero, reluctantly agrees to defend Surratt before a military tribunal. Aiken realizes his client may be innocent and that she is being used as bait and hostage in order to capture the only conspirator to have escaped a massive manhunt, her own son, John. As the nation turns against her, Surratt is forced to rely on Aiken to uncover the truth and save her life.
Metrics
Movie Details
Production Budget: | $25,000,000 |
Venezuela Releases: | October 5th, 2012 (Wide) |
Video Release: | August 16th, 2011 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for some violent content. (Rating bulletin 2142, 10/13/2010) |
Running Time: | 122 minutes |
Keywords: | Political, Hitmen, War, Conspiracy Theory, Historical Drama, 1860s |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | The American Film Co, Wildwood Enterprises |
Production Countries: | United States |
Languages: | English |
Blu-ray Sales: Priest Pulls out the Win
September 1st, 2011
Despite only managing fourth place on the DVD sales chart this week, Priest opened on top of the Blu-ray sales chart with 187,000 units / $4.24 million. Its opening Blu-ray ratio was 49% and this is great news for upcoming summer blockbusters, as it suggests they could break 50%.
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DVD Sales: Rio Earns Trio of Wins
August 30th, 2011
There were six new releases to chart this week, but none were able to push Rio out of top spot. The film sold an additional 361,000 units lifting its running tally to 2.58 million units / $38.67 million after three weeks of release.
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DVD and Blu-ray Releases for August 16th, 2011
August 16th, 2011
It's a deceptively busy week, as there are several significant releases hitting the home market on Tuesday. However, most of these are wide releases that flopped, to one degree or another. In fact, one of the best selling releases of the week is Jane Eyre, an early success story in limited release. When a limited release could conceivably lead the way in sales... well, that's a sure sign of weakness in the overall market. As for the best release of the week, that would have to go to The Big Lebowski Limited Edition Blu-ray Digibook. The latest season of Dexter would come close, but while the show is great, the releases are not Pick of the Week material.
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Per Theater Chart: L'Amour's In Love With Top Spot
May 17th, 2011
L'Amour Fou was the only film to top the $10,000 mark on the per theater chart, earning first place with an average of $18,625 in two theaters. The number two film on the overall box office chart, Bridesmaids, did at least come relatively close with an average of $8,995.
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Evil is Profitable on the Per Theater Chart
April 26th, 2011
Evil Bong 3D earned $19,315 in its lone theater to lead the way on the per theater chart, and clearly I've slipped into an alternate dimension. Actually, I'm very happy with this film's success, as it's distributed by Full Moon Features, the same company that released Puppetmaster and countless other low-budget films I've been a fan of. Second place went to The Double Hour with $14,990, which is less than 1% lower than its opening weekend. Madea's Big Happy Family was the only wide release to reach the $10,000 mark, and it was close at $10,957. There is one confusing release, Incendies, which earned over $60,000 in 13 theaters, if you include Canada. However, if you just look at its U.S. opening, it earned $50,679 in 3 theaters for an average of $16,893, which is much more impressive.
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Rio and Hour Double-Team the Per Theater Chart
April 19th, 2011
The Double Hour earned top spot on the per theater chart with an average of $15,123 in two theaters. The only other film to crack the $10,000 mark was the overall box office leader, Rio, with an average of $10,250.
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Weekend Estimates: Rio Opens With $40 Million to Break Box Office Slump
April 17th, 2011
At the 19th attempt, 2011 finally has a legitimate winning weekend at the box office, thanks to a better-than-expected opening for Rio (and, to be fair, a weak comparison weekend last year). With a $40 million estimated debut, Rio lays claim to having the best opening of the year so far, and the fifth-best April weekend of all time (nudging out Hop debut two weeks ago). While that's undoubtedly good news, the rest of the chart is something of a mixed bag.
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Daydreaming of Limited Releases
April 15th, 2011
It's another big week for limited releases with a couple that are opening in far more theaters than most limited releases can dream of, plus they are opening with a lot stronger buzz. ... Or to be much more accurate, much louder buzz, as the two biggest releases are not exactly earning top notch reviews. The Conspirator is benefiting from an incredible pedigree, which includes Robert Redford as the director. Meanwhile, Atlas Shrugged: Part I is based on a book by Ayn Rand, who has a committed fan base. Personally, the film I'm most interested in seeing is Daydream Nation, which opens in Canada this weekend and in the United States next month.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2012/10/05 | 6 | $8,391 | 3 | $2,797 | $54,818 | 1 | |
2012/10/12 | 6 | $5,363 | -36% | 1 | $5,363 | $76,105 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Brazil | 5/4/2012 | $27,693 | 13 | 13 | 22 | $61,479 | 12/11/2015 |
Colombia | 5/11/2012 | $18,070 | 16 | 16 | 32 | $49,540 | 12/29/2018 |
Ecuador | 10/19/2012 | $2,131 | 4 | 12 | 16 | $2,784,020 | 12/29/2018 |
North America | 4/15/2011 | $3,506,602 | 707 | 849 | 3,794 | $11,538,204 | 8/28/2013 |
Peru | 6/21/2012 | $14,834 | 11 | 11 | 18 | $33,805 | 12/29/2018 |
Uruguay | 6/22/2012 | $3,712 | 2 | 2 | 5 | $7,641 | 12/29/2018 |
Venezuela | 10/5/2012 | $8,391 | 3 | 3 | 4 | $76,105 | 12/12/2015 |
Rest of World | $1,356,617 | ||||||
Worldwide Total | $15,907,411 | 12/29/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
James McAvoy | Frederick Aiken |
Robin Wright | Mary Surratt |
Supporting Cast
Kevin Kline | Secretary Edwin M. Stanton |
Evan Rachel Wood | Anna Surratt |
Tom Wilkinson | Reverdy Johnson |
Alexis Bledel | Sarah |
Danny Huston | Joseph Holt |
Justin Long | Nicholas Baker |
Colm Meaney | General David Hunter |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Robert Redford | Director |
Joe Ricketts | Executive Producer |
Jeremiah Samuels | Executive Producer |
Webster Stone | Executive Producer |
Robert Redford | Producer |
Greg Shapiro | Producer |
Brian Falk | Producer |
Robert Stone | Producer |
Bill Holderman | Producer |
James Solomon | Screenwriter |
Newton Thomas Sigel | Cinematographer |
Kalina Ivanov | Production Designer |
Craig McKay | Editor |
Mark Isham | Composer |
Josh Gold | Sound Effects Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.