Slovakia Box Office for CHiPS (2017)
Theatrical Performance (US$) | ||
Slovakia Box Office | $31,001 | Details |
Worldwide Box Office | $23,190,292 | Details |
Home Market Performance | ||
North America DVD Sales | $6,189,938 | Details |
North America Blu-ray Sales | $2,332,772 | Details |
Total North America Video Sales | $8,522,710 | |
Further financial details... |
Synopsis
Jon Baker and Frank “Ponch” Poncherello have just joined the California Highway Patrol in Los Angeles but for very different reasons. Baker is a beaten up pro motorbiker trying to put his life and marriage back together. Poncherello is a cocky undercover Federal agent investigating a multi-million dollar heist that may be an inside job—inside the CHP. The inexperienced rookie and the hardened pro are teamed together, but clash more than click, so kickstarting a partnership is easier said than done. But with Baker’s bike skills combined with Ponch’s street savvy it might just work…if they don't drive each other crazy along the way.
Metrics
Movie Details
Production Budget: | $25,000,000 |
Slovakia Releases: | March 24th, 2017 (Wide) |
Video Release: | June 6th, 2017 by Warner Home Video |
MPAA Rating: | R for crude sexual content, graphic nudity, pervasive language, some violence and drug use. (Rating bulletin 2435 (Cert #50580), 7/27/2016) |
Running Time: | 100 minutes |
Keywords: | Set in California, Set in Hollywood, Corrupt Cops, Undercover, FBI, Buddy Cop, Adapted as a Comedy, Directing Yourself, Screenplay Written By the Star, Family Affair, Action Comedy |
Source: | Based on TV |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Warner Bros., Panay Films, RatPac Entertainment, Dune Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Releases for June 27th, 2017
June 27th, 2017
It’s a really slow week on the home market. (Next week is even worse. ) The Fate of the Furious is the biggest release of the week, but it is only coming out on Video on Demand, so I would wait. The biggest release of the week is Power Rangers, but it feels like a pilot to a TV show and not a self-contained movie. The best new release of the week is T2: Trainspotting and the Blu-ray Combo Pack. That said, if you don’t have Home Movies yet, then buy the Complete Series right now.
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Home Market Releases for June 13th, 2017
June 12th, 2017
It’s a good week, but a shallow weak. The biggest release of the week is The Lego Batman Movie, which is also one of the best. There are a couple of other big releases that are must haves, like Dark Matter: Season Two, but the size and quality quickly drop-off after that. As for the Pick of the Week, the John Wick: Chapter Two Blu-ray Combo Pack claims that title.
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Home Market Releases for June 6th, 2017
June 6th, 2017
Summer is usually the slowest time of the year on the home market; however, this week we have the biggest theatrical hit of the year so far coming out. Unfortunately, Beauty and the Beast isn’t really Pick of the Week material. It’s not bad and the DVD or Blu-ray Combo Pack hav enough extras to be worth picking up, but that’s not enough to put it over the top. Unfortunately, the film was such a massive hit at the box office that it scared away all of the competition and there’s no real Pick of the Week films on this week’s list.
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Weekend Wrap-Up: Boss Blasts Off while Ghost Cracks
April 4th, 2017
The Boss Baby beat expectations and earned first place with $50.20 million over the weekend. The strong competition pushed Beauty and the Beast into second place, but it nearly hit $400 million and it is on pace for $500 million, so I wouldn’t feel too bad for the film. On the other hand, you can feel bad for Ghost in the Shell, because an opening of just $18.68 million on a $110 million production budget is a disaster. Overall, the box office rose 16% from last week reaching $169 million. Compared to last year, the box office rose 28%, which is very impressive. Year-to-date, 2017 has pulled in $2.98 billion, putting it 6.1% or $170 million ahead of 2016’s pace. We are far enough into the year that a lead this big is significant. That doesn’t mean 2017 is guaranteed to come out ahead, but this is certainly reason to be optimistic.
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Friday Estimates: Baby Bosses Beast with $15.5 Million
April 1st, 2017
The Boss Baby opened in first place on Friday with $15.5 million. This is higher than our original prediction and the adjusted prediction based on Thursday previews. Some are expecting an opening weekend of over $50 million, but that seems a tad high. The reviews have continued to improve and are now 49% positive, and the film earned an A minus from CinemaScore, which is bog standard for a family film. I think the direct competition from Beauty and the Beast will prevent it from getting to $50 million, meaning there will be a virtual tie on top of the charts over the weekend.
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Weekend Wrap-Up: Beast Blows Past $300 million with $90.43 million Weekend
March 27th, 2017
Our predictions for Beauty and the Beast was higher than average, but even we underestimated the film’s weekend box office numbers. It fell just 48% to $90.43 million, which was more than double the second place film, Power Rangers. This one-two punch helped the overall box office earn $202 million, but this was 23% lower than last weekend. It was also 20% lower than the same weekend last year. Granted, this weekend last year was the weekend Batman v Superman: Dawn of Justice debuted, so a decline like this was expected. Year-to-date, 2017 has earned $2.75 billion, putting it 6.7% or $170 million ahead of last year’s pace.
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Weekend Estimates: Beauty and the Beast Beats Strong Power Rangers Start
March 26th, 2017
An impressive 49% second-weekend drop for Beauty and the Beast will be more than enough to secure its place at the top of the box office chart once more, but that doesn’t diminish the achievement of Power Rangers in debuting with an estimated $40.5 million. With two strong movies powering box office receipts, a weekend that was expected to be down substantially from the comparable weekend last year, when Batman v Superman: Dawn of Justice launched with $166 million, will actually be off just 20%, and 2017 remains 5% ahead of 2016 year-to-date.
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Friday Estimates: Rangers, $14.96 million, Can’t Overpower the Beast, $23.56 million
March 25th, 2017
Most people were expecting Beauty and the Beast to retain first place on Friday with around $20 million. The consensus appeared to be $19 million, but my prediction was based on a little more than $21 million. In reality, it earned $23.56 million. This will help it to just over $90 million during the weekend and the film’s box office will blow past $300 million by Sunday. On the other hand, Batman v Superman: Dawn of Justice earned $81.58 million on its opening Friday alone, so 2017 is still likely going to lose in the year-over-year comparison.
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Thursday Night Previews: Rangers Power Up with $3.6 million
March 24th, 2017
Power Rangers easily dominated the other two new releases during Thursday previews earning $3.6 million. In fact, this is barely lower than the $3.7 million Kong: Skull Island earned just a couple of weeks ago. Does this mean Power Rangers will open with a similar amount, say $60 million? No. The film’s reviews are much weaker and the film has a much stronger Fanboy Effect. It does have a real shot at $40 million over the weekend, but our $37 million prediction seems like a safe bet at the moment. If the film is earning better legs, we will adjust this figure tomorrow.
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Weekend Predictions: Can the Rangers Power Their Way to the Top?
March 23rd, 2017
There are three wide releases this week, but none of them have a shot at topping Beauty and the Beast at the box office. In fact, all three films combined won’t make as much as Beauty and the Beast does this weekend. Of the three wide releases, Power Rangers has the best chance of box office success and it does have a shot at $100 million domestically. Life could become a midlevel hit and since it likely cost a lot less to make, it could be a bigger financial success. Finally there’s CHiPs, which has gained no traction with audiences. It will likely miss the top five. This weekend last year, Batman v Superman: Dawn of Justice opened with a then March record of $166.01 million. Nothing playing this weekend will match that. Beauty and the Beast might not make half that. Fortunately, 2017 has a $100 million lead on 2016, so one bad weekend in the year-over-year comparison won’t do too much damage.
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Contest: Power On
March 17th, 2017
There are three wide releases next weekend: Power Rangers, Life, and CHiPs. However, none of them are expected to match Beauty and the Beast’s second weekend of release. That said, Power Rangers is widely expected to be the biggest of the three films and it is the best choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Power Rangers.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2017 Preview: March
March 1st, 2017
February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there.
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CHiPS Trailer
January 31st, 2017
Comedy starring Michael Peña and Dax Shepard, written and directed by Dax Shepard opens March 24 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/03/24 | 10 | $18,227 | 44 | $414 | $18,227 | 1 | |
2017/03/31 | 13 | $5,326 | -71% | 25 | $213 | $28,081 | 2 |
2017/04/07 | 19 | $1,387 | -74% | 11 | $126 | $31,001 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 4/7/2017 | $333,221 | 146 | 146 | 367 | $740,974 | 5/4/2017 |
Bulgaria | 3/24/2017 | $20,472 | 0 | 0 | 0 | $63,155 | 2/26/2019 |
Germany | 4/21/2017 | $111,000 | 0 | 0 | 0 | $111,000 | 6/29/2018 |
Italy | 7/21/2017 | $36,879 | 0 | 0 | 0 | $91,799 | 8/2/2017 |
Lithuania | 3/24/2017 | $16,833 | 75 | 75 | 94 | $35,187 | 4/14/2017 |
Mexico | 4/6/2017 | $268,662 | 0 | 0 | 0 | $301,373 | 4/13/2017 |
Netherlands | 3/23/2017 | $168,763 | 73 | 73 | 298 | $474,158 | 4/27/2017 |
New Zealand | 3/31/2017 | $43,671 | 48 | 48 | 96 | $85,552 | 4/10/2017 |
North America | 3/24/2017 | $7,722,802 | 2,464 | 2,464 | 7,413 | $18,600,152 | |
Portugal | 3/24/2017 | $57,898 | 30 | 30 | 85 | $139,064 | 4/20/2017 |
Slovakia | 3/24/2017 | $18,227 | 44 | 44 | 80 | $31,001 | 4/14/2017 |
United Kingdom | 3/24/2017 | $257,223 | 300 | 300 | 468 | $528,124 | 4/5/2017 |
Rest of World | $1,988,753 | ||||||
Worldwide Total | $23,190,292 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Michael Peña | Frank Poncherello |
Dax Shepard | Jon Baker |
Supporting Cast
Rosa Salazar | Ava Perez |
Adam Brody | Clay Allen |
Vincent D'Onofrio | Vic “The Ringleader” Brown |
Jessica McNamee | Lindsey Taylor |
Isiah Whitlock, Jr. | Peterson |
Richard T. Jones | Parish |
Ryan Hansen | Brian Grieves |
Jane Kaczmarek | Police Captain |
Phil Tyler | Cooper |
Jess Rowland | Rathburn |
Justin Chatwin | Raymond Reed Kurtz Jr. |
Vida Guerra | Ann |
Cody Banta | Dude #1 |
David Koechner | Pat |
John Duff | David Barton |
Nic Few | Trenton |
Monica Padman | Becky |
Andrew Howard | Arnaud |
Merrin Dungey | Joy Jackson |
Ed Begley, Jr. | Wasp Driver |
Kristen Bell | Karen |
Mara Marini | Renee |
Megalyn E.K. | Patricia Eerly |
Rob Mars | Armored Car Driver |
Cameron Cruz | Gale |
Becky Feldman | Tina |
Jermaine Williams | Male Nurse |
Jackie Tohn | Amy Stephenson |
Ben Falcone | Bicycle Cop |
Tierre Turner | Tow Truck Driver |
Charlie Curtis | Hansen |
Clay Cullen | Smith |
Aly Mawji | Dan |
Mae Whitman | Beebee |
Morgan Krantz | Nate |
Amanda Perez | Sheryl/Organizer |
Arturo Del Puerto | Carlos |
Rene Moran | Jose |
Caitlin Rice | Pretty Gym Girl #1 |
Naomi Kirk | Pretty Gym Girl #2 |
Tate Simms | Male Lover |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Dax Shepard | Director |
Dax Shepard | Screenwriter |
Rick Rosner | Story based on the Television Series Created by |
Andrew Panay | Producer |
Ravi Mehta | Producer |
Robert J. Dohrmann | Executive Producer |
Nate Tuck | Executive Producer |
Rick Rosner | Executive Producer |
Michael Peña | Executive Producer |
Dax Shepard | Executive Producer |
Maher Ahmad | Production Designer |
Dan Lebental | Editor |
Fil Eisler | Composer |
Mitchell Amundsen | Director of Photography |
Diane Crooke | Costume Designer |
Robert J. Dohrmann | Unit Production Manager |
David Sardi | First Assistant Director |
Richard Oswald | Second Assistant Director |
Jared Iacino | Associate Producer |
Nick Ralbovsky | Art Director |
Brett McKenzie | Assistant Art Director |
Halina Siwolop | Set Decorator |
Steven A. Morrow | Sound Mixer |
Steve Gehrke | Script Supervisor |
Kelley Mitchell | Make up |
Michelle Chung | Make up |
Ange Grmolyes | Hairstylist |
Courtney Ullrich | Hairstylist |
Emilea Rivera | Costume Supervisor |
Larz Anderson | Special Effects Coordinator |
David Eland | Special Effects |
Zack Knight | Special Effects |
Edward Lozano | Special Effects |
Matthew Wilson | Special Effects |
Debra Neil-Fisher | Additional Editor |
Dawn Michelle King | First Assistant Editor |
Matt Sweat | First Assistant Editor |
David Clark | First Assistant Editor |
Lumi Docan | Post-Production Supervisor |
Chris Jenkins | Re-recording Mixer |
Cameron Frankley | Re-recording Mixer |
Cameron Frankley | Sound Designer |
Cameron Frankley | Sound Supervisor |
Jon Michaels | Supervising Sound Editor |
Harrison Meyle | Supervising Dialogue Editor |
Darlene Stoker | Dialogue Editor |
Thomas Whiting | Dialogue Editor |
Dan Kenyon | Sound Effects Editor |
Ron Eng | Sound Effects Editor |
Michael Mitchell | Sound Effects Editor |
Randy Torres | Sound Effects Editor |
Darrin Mann | Foley Mixer |
Rick Schuler | Location Manager |
Steve Mapel | Location Manager |
Richard J. Ramirez | Set Designer |
Kathleen Parker | Casting Associate |
Jason Altshuler | Music Supervisor |
Josh Winget | Music Editor |
Tanya Noel Hill | Music Editor |
Bruce Jones | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.