Lebanon Box Office for Breaking In (2018)
Theatrical Performance (US$) | ||
Lebanon Box Office | $30,069 | Details |
Worldwide Box Office | $51,485,382 | Details |
Home Market Performance | ||
North America DVD Sales | $2,726,687 | Details |
North America Blu-ray Sales | $1,658,402 | Details |
Total North America Video Sales | $4,385,089 | |
Further financial details... |
Synopsis
A woman will stop at nothing to rescue her two children being held hostage in a house designed with impenetrable security. No trap, no trick and especially no man inside can match a mother with a mission when she is determined on breaking in.
Metrics
Movie Details
Production Budget: | $6,000,000 |
Lebanon Releases: | May 10th, 2018 (Wide) |
Video Release: | July 24th, 2018 by Universal Home Entertainment |
MPAA Rating: | PG-13 for violence, menace, bloody images, sexual references, and brief strong language. (Rating bulletin 2512 (Cert #51402), 1/31/2018) |
Running Time: | 88 minutes |
Keywords: | Hostage, Home Invasion, Rescue, Single Parent, Adult Child Dealing with the Death of a Parent, Inheritance, Prologue, Action Thriller |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Will Packer Productions, Practical Pictures, Universal Pictures, Dentsu Inc., Fuji Television Network |
Production Countries: | United States |
Languages: | English |
Home Market Releases for August 7th, 2018
August 8th, 2018
It is a deceptively busy week on the home market, and not in a good way. There’s no one big release, at least not on DVD / Blu-ray, but there’s a sea of mediocrity this week. I’m not talking about quality here, but sales rank. There are a lot of films that wouldn’t even be filler during a normal week, but this week are selling well enough to be mentioned. There are several that are worth picking up, including limited releases like Bye Bye Germany and Revenge, classics like The Changeling, and even some Anime titles like Big Fish & Begonia or Tsuredure Children. Deadpool 2 is by far the biggest release of the week and I suspect the Blu-ray will be the Pick of the Week when it comes out, but I don’t want to give it that title until than. As a result, there’s no real winner this week. There were a lot that came close.
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Featured Blu-ray and DVD Review: Breaking In
August 5th, 2018
Breaking In wasn’t a big hit at the box office, but it did well enough to cover its production budget during its opening weekend and will likely break even early in its home market run. The film does have a good hook, so I’m not surprised it did as well as it did, but does it have anything more?
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Home Market Releases for July 24th, 2018
July 24th, 2018
It is an incredibly slow week on the home market. Most of the films in the main list would be filler on even a below average week. The only real exception is Ready Player One, which did earn better than expected reviews, but it’s still not Pick of the Week material. There were a few actual contenders for that title, including Gravity Falls: The Complete Series and A Matter of Life and Death, but in the end, I went with In the Mouth of Madness on Blu-ray.
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Weekend Wrap-Up: Deadpool Dominates Box Office, But Can’t Compete with Original
May 22nd, 2018
Deadpool 2 didn’t live up to expectations at the box office, but you can’t really complain about a $125.51 million opening weekend. The other new releases were Book Club, which did acceptable business, while the less said about Show Dogs’ debut the better. Overall, the box office rose 51% from last weekend earning $209 million. This is 69% higher than the same weekend last year. Year-to-date, 2018 is now ahead of 2017 by a margin of $290 million or 7.0% at $4.49 billion to $4.20 billion. Because Infinity War opened a week earlier than usual, it has been hard to compare the overall box office, but now it is safe to say 2018 has a sizable lead over 2017, one that should grow next weekend as well.
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Weekend Estimates: Deadpool Has Surprisingly Short Legs, Still Dominates with $125 million
May 20th, 2018
Deadpool 2 broke records during its previews and stumbled a little on Friday, before finishing the weekend with an estimated $125 million. That’s still a fantastic result, more than the $110 million it reportedly cost to make, and more than the total box office earned this weekend last year. That said, it is way below the $150 million many thought it would earn after the preview numbers were announced. This isn’t as good as Deadpool’s opening weekend; however, that film benefited from Valentine’s day landing on Sunday, while this film will get some help next weekend, as it is Memorial Day long weekend. Furthermore, both films earned nearly identical reviews and both films earned an A from CinemaScore, so this film's legs should be decent. We will have a better idea where it will end up next weekend.
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Weekend Predictions: Can Deadpool Come Back to Life?
May 17th, 2018
May gets its first monster hit, as Deadpool 2 debuts in theaters this weekend. The film is earning impressive reviews and was widely expected to top the original's opening weekend. Neither of the two other new releases are expected to compete for first place, or even second place, as Avengers: Infinity War has that locked down. Book Club should open in third place with more than $10 million, but that’s not a guarantee. Meanwhile, Show Dogs’ buzz is so quiet that I’m have trouble coming up with a prediction. This weekend last year, Alien: Covenant opened in first place, but with only $36.16 million. If Deadpool 2 doesn’t top that opening night, then I will be shocked. In fact, Deadpool 2 should earn more by itself than the total box office from this weekend last year.
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Weekend Wrap-Up: Infinity War Helps 2018 Take on Guardians
May 15th, 2018
The weekend was better than expected, for the most part. All of the holdovers, including the number one film, Avengers: Infinity War, held on better than we predicted, while one of the two new releases also opened faster. Life of the Party was the only film in the top five that didn’t beat expectations. Overall, the box office still slipped 19% from last week, down to $137 million. However, this is 1.2% higher than the same weekend last year. Year-to-date, 2018 maintains a strong 5.2% / $210 million lead over 2017 at $4.24 billion to $4.03 billion.
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Friday Estimates: Infinity War Breaks up the Party
May 12th, 2018
Avengers: Infinity War was on the high end of expectations on Friday with $16.00 million during its 15th day of release. This puts it on pace for $62 million during its third weekend of release for a running tally of $548 million. It became the second fastest film to reach $500 million domestically, getting there a day faster than The Last Jedi did. The film also debuted in China earning $60.73 million on Friday, $70.06 million including previews. Only Monster Hunt 2 and The Fate of the Furious had faster starts.
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Thursday Night Previews: Party Generates some Noise, Breaking In Could find Some Loot
May 11th, 2018
Life of the Party only managed $700,000 during its previews, which is well below the $985,000 The Boss managed two years ago. If this film has the same legs, it will open with just under $17 million. Granted, Life of the Party is earning better reviews, so it could perform a little better over the weekend, but matching our $21 million prediction might be asking too much.
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Weekend Predictions: Infinity War Looks to Complete the Threepeat
May 10th, 2018
Avengers: Infinity War will have no trouble earning first place for the third time at the box office chart. It’s only competition is the sophomore stint of Guardians of the Galaxy Vol 2, which earned $65 million this weekend last year. Hopefully Infinity War will come within $10 million of that. As for the new releases, Life of the Party should earn more than all three new releases earned last weekend, while Breaking In is on track for an opening in the low to mid teens. If all three films can meet these expectations, then 2018 will have a shot at winning in the year-over-year comparison.
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2018 Preview: May
May 1st, 2018
April was all about Avengers: Infinity War, which earned about as much during its opening weekend as the next two biggest films, A Quiet Place and Rampage, will earn in total. However, moving Infinity War to April has left a big gap for the first two weeks of May. It isn’t until Deadpool 2 debuts that we have a potential $100 million movie, while the week after Solo: A Star Wars Story closes the month on a strong note. Fortunately, both of those films are expected to earn more than $100 million during their opening weekends alone and combined could earn over $700 million domestically. Last May, Guardians of the Galaxy Vol 2 helped the month get off to a fast start, but it was the only monster hit of the month. Infinity War opening a week early will mean the month will start slower, in terms of new releases, but Infinity War’s record-breaking debut should help 2018 come out ahead in the end.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/05/11 | - | $19,564 | 14 | $1,397 | $23,511 | 1 | |
2018/05/25 | - | $854 | 1 | $854 | $30,069 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Central America | 5/18/2018 | $21,000 | 5 | 9 | 37 | $287,975 | 7/6/2018 |
Egypt | 5/9/2018 | $10,336 | 14 | 14 | 38 | $18,904 | 1/1/2019 |
Germany | 8/17/2018 | $292,765 | 241 | 241 | 715 | $656,563 | 10/11/2018 |
Italy | 7/26/2018 | $17,639 | 0 | 0 | 0 | $26,497 | 8/17/2018 |
Lebanon | 5/10/2018 | $19,564 | 14 | 14 | 15 | $30,069 | 1/1/2019 |
Middle East Region | 5/11/2018 | $238,431 | 57 | 57 | 89 | $417,689 | 6/14/2018 |
North America | 5/11/2018 | $17,630,285 | 2,537 | 2,537 | 10,860 | $46,840,590 | 3/4/2020 |
South Africa | 6/1/2018 | $132,186 | 67 | 79 | 444 | $878,188 | 10/11/2018 |
Spain | 8/24/2018 | $17,118 | 15 | 15 | 31 | $43,547 | 9/20/2018 |
Trinidad | 6/6/2018 | $110,617 | 19 | 19 | 56 | $277,237 | 1/1/2019 |
United Arab Emirates | 5/11/2018 | $159,357 | 44 | 44 | 51 | $242,282 | 1/1/2019 |
United Kingdom | 5/11/2018 | $575,362 | 320 | 320 | 1049 | $1,664,919 | 7/6/2018 |
Rest of World | $100,922 | ||||||
Worldwide Total | $51,485,382 | 3/4/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Gabrielle Union | Shaun Russell |
Supporting Cast
Billy Burke | Eddie |
Richard Cabral | Duncan |
Ajiona Alexus | Jasmine Russell |
Levi Meaden | Sam |
Jason George | Justin Russell |
Seth Carr | Glover Russell |
Christa Miller | Maggie Harris |
Damien Leake | Isaac Paulson |
Mark Furze | Peter |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
James McTeigue | Director |
Ryan Engle | Screenwriter |
Jaime Primak Sullivan | Story by |
Will Packer | Producer |
Gabrielle Union | Producer |
Sheila Hanahan Taylor | Producer |
James Lopez | Producer |
Craig Perry | Producer |
Jaime Primak Sullivan | Executive Producer |
Valerie Bleth Sharp | Executive Producer |
Jeff Morrone | Executive Producer |
Toby Oliver | Director of Photography |
Cecele M. De Stefano | Production Designer |
Joseph Jett Sally | Editor |
Jason Sky Bland | Costume Designer |
Johnny Klimek | Composer |
Nancy Nayor | Casting Director |
Valerie Bleth Sharp | Unit Production Manager |
Aldric La'auli Porter | First Assistant Director |
Lillian Awa | Second Assistant Director |
Rob Bonz | Additional Editor |
Shayla Cowan | Associate Producer |
Jan McWilliams | Script Supervisor |
Michael Budge | Art Director |
Kenneth A. Larson | Set Designer |
Lisa J. Alkofer | Set Decorator |
Chris Giles | Sound Mixer |
Anthony Franco | Costume Supervisor |
Adam Brandy | Make up |
Malika James | Make up |
Andre Dubois | Hairstylist |
Wankaya Hinkson | Hairstylist |
Scott Trimble | Location Manager |
Tommy Frazier | Special Effects Supervisor |
Ken Clark | Special Effects Coordinator |
Nancy Kirhoffer | Post-Production Supervisor |
Larry Madaras | First Assistant Editor |
Erin Oakley | Supervising Sound Editor |
Sean McCormack | Supervising Sound Editor |
Paul Pirola | Sound Effects Editor |
Trevor Metz | Sound Effects Editor |
Ryan Squires | Foley Mixer |
Tom Marks | Supervising Re-Recording Mixer |
Greg Orloff | Supervising Re-Recording Mixer |
Gabriel Mounsey | Additional Music |
Gabriel Mounsey | Score Mixer |
Raoul Yorke Bolognini | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.