Slovakia Box Office for Bones and All (2022)
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| Theatrical Performance (US$) | ||
| Slovakia Box Office | $18,651 | Details |
| Worldwide Box Office | $14,121,846 | Details |
| Home Market Performance | ||
| North America Blu-ray Sales | $702,352 | Details |
| Total North America Video Sales | $702,352 | |
| Further financial details... | ||
Synopsis
A story of first love between Maren, a young woman learning how to survive on the margins of society, and Lee, an intense and disenfranchised drifter; a liberating road odyssey of two young people coming into their own, searching for identity and chasing beauty in a perilous world that cannot abide who they are.
Metrics
Movie Details
| Slovakia Releases: | November 24th, 2022 (Limited) |
| Video Release: | December 23rd, 2022 by MGM Video |
| MPAA Rating: | R for strong, bloody and disturbing violent content, language throughout, some sexual content and brief graphic nudity. (Rating bulletin 2736 (cert #53846), 6/15/2022) |
| Running Time: | 130 minutes |
| Keywords: | Filmed in Ohio, United States, Coming of Age, Romance, Cannibalism, 1980s, Psychological Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Frenesy Film, Per Capita, The Apartment, 3 Marys Entertainment S.R.I., Memo Films, Metro-Goldwyn-Mayer Pictures, Tenderstories, Elafilm , Wise Pictures, Excelsa , Serfis, Piace, A Cor Cordium |
| Production Countries: | Italy, United States |
| Languages: | English |
Bones and All trailer
November 3rd, 2022
Drama starring Taylor Russell and Timothée Chalamet opens in limited release on November 18, expands wide November 23 ... Full Movie Details.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/11/25 | 7 | $9,053 | 66 | $137 | $9,053 | 1 | |
| 2022/12/02 | 10 | $4,385 | -52% | 21 | $209 | $16,047 | 2 |
| 2022/12/09 | 19 | $1,527 | -65% | 12 | $127 | $18,651 | 3 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 11/24/2022 | $127,237 | 178 | 178 | 611 | $493,474 | 2/27/2023 |
| Brazil | 12/1/2022 | $0 | 0 | 0 | 0 | $0 | |
| Finland | 11/25/2022 | $17,838 | 46 | 46 | 83 | $71,018 | 12/23/2022 |
| France | 11/23/2022 | $220,000 | 201 | 201 | 201 | $220,000 | 11/28/2022 |
| Germany | 11/24/2022 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 11/24/2022 | $505,138 | 0 | 0 | 0 | $1,374,119 | 12/20/2022 |
| Japan | 2/17/2023 | $0 | 0 | 0 | 0 | $0 | |
| Mexico | 12/1/2022 | $0 | 0 | 0 | 0 | $0 | |
| Netherlands | 12/1/2022 | $0 | 0 | 47 | 47 | $176,473 | 2/17/2023 |
| New Zealand | 11/17/2022 | $0 | 0 | 49 | 160 | $66,430 | 2/20/2023 |
| North America | 11/23/2022 | $121,004 | 5 | 2,727 | 7,383 | $7,837,477 | |
| Portugal | 12/1/2022 | $18,288 | 33 | 33 | 66 | $42,269 | 12/28/2022 |
| Slovakia | 11/24/2022 | $9,053 | 66 | 66 | 99 | $18,651 | 2/24/2023 |
| South Korea | 11/30/2022 | $131,373 | 353 | 353 | 611 | $525,018 | 1/26/2023 |
| Spain | 11/25/2022 | $87,585 | 226 | 226 | 459 | $255,958 | 2/15/2023 |
| Turkey | 11/25/2022 | $14,308 | 38 | 38 | 62 | $34,953 | 12/22/2022 |
| United Kingdom | 11/25/2022 | $385,146 | 466 | 466 | 815 | $916,577 | 12/21/2022 |
| Rest of World | $2,089,429 | ||||||
| Worldwide Total | $14,121,846 | 2/27/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Taylor Russell | Maren |
| Timothée Chalamet | Lee |
Supporting Cast
| Michael Stuhlbarg | Jake |
| André Holland | Maren’s Father |
| Chloë Sevigny | Janelle |
| David Gordon Green | Brad |
| Jessica Harper | Barbara Kerns |
| Jake Horowitz | Booth Man |
| Mark Rylance | Sully |
| Kendle Coffey | Sherry |
| Ellie Parker | Jackie |
| Madeleine Hall | Kim |
| Christine Dye | Attendant (Corlis, MD) |
| Sean Bridgers | Barry Cook |
| Anna Cobb | Kayla |
| Marshall Jackson | Boy playing Ball Toss |
| Marcia Dangerfield | Clerk (MN Gas Station) |
| Burgess Byrd | Gail the Nurse |
| Max Soliz | Mechanic (NE Gas Station) |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Luca Guadagnino | Director |
| David Kajganich | Screenwriter |
| Camille DeAngelis | Story based on the novel by |
| Luca Guadagnino | Producer |
| David Kajganich | Producer |
| Theresa Park | Producer |
| Francesco Melzi d'Eril | Producer |
| Marco Morabito | Producer |
| Lorenzo Mieli | Producer |
| Gabriele Moratti | Producer |
| Peter Spears | Producer |
| Timothée Chalamet | Producer |
| Giovanni Corrado | Executive Producer |
| Raffaella Viscardi | Executive Producer |
| Moreno Zani | Executive Producer |
| Marco Colombo | Executive Producer |
| Jonathan Montepare | Executive Producer |
| Trent Reznor | Music By |
| Atticus Ross | Music by |
| Belle Francisco | Script Supervisor |
| Francesco Ruggeri | Line Producer |
| Davide Luchetti | Associate Producer |
| Victoria Resendez | Art Director |
| Justin Lang | Set Designer |
| Merissa Lombardo | Set Decorator |
| Sachi Masuda | Costume Supervisor |
| Jodi Byrne | Make up |
| Budd Bird | Hairstylist |
| Joaquin Prange | Location Manager |
| Alex Eldridge | Production Supervisor |
| Heather Wicken | Art Director |
| Sara Furey | Location Manager |
| Daniela Venturelli | Post-Production Supervisor |
| Jacopo Ramella Pajrin | First Assistant Editor |
| David Favargiotti | Supervising Dialogue Editor |
| Alessandro Bonfanti | Dialogue Editor |
| Roberta D’Angelo | Music Editor |
| Michele Gualdrini | Re-recording Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.