Spain Box Office for Black Christmas (2019)

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Black Christmas
Theatrical Performance (US$)
Spain Box Office $555,633Details
Worldwide Box Office $18,526,087Details
Further financial details...

Synopsis

Hawthorne College is quieting down for the holidays. But as Riley Stone and her Mu Kappa Epsilon sisters—athlete Marty, rebel Kris, and foodie Jesse—prepare to deck the halls with a series of seasonal parties, a black-masked stalker begins killing sorority women one by one. As the body count rises, Riley and her squad start to question whether they can trust any man, including Marty’s beta-male boyfriend, Nate, Riley’s new crush Landon or even esteemed classics instructor Professor Gelson. Whoever the killer is, he's about to discover that this generation’s young women aren't about to be anybody’s victims.

Metrics

Movie Details

Production Budget:$5,000,000
Spain Releases: December 13th, 2019 (Wide)
Video Release: March 3rd, 2020 by Universal Home Entertainment
MPAA Rating: PG-13 for violence, terror, thematic content involving sexual assault, language, sexual material and drinking.
(Rating bulletin 2604 (Cert #52473), 11/13/2019)
Running Time: 92 minutes
Keywords: Surprise Twist, Christmas Horror, Sexism, Remake, College, Female Lead, F-Rated, F-Rated, Triple, Occult, Possessed, Sex Crimes
Source:Remake
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Blumhouse, Divide/Conquer, Universal Pictures
Production Countries: New Zealand, United States
Languages: English

Home Market Releases for March 17th, 2020

March 17th, 2020

The Point

It’s a relatively good week on the home market, as we have Jumanji: The Next Level coming out. On the other hand, that’s the only big release of the week, at least on physical media. Star Wars: The Rise of Skywalker is hitting Video on Demand. Neither are Pick of the Week contenders, although Jumanji could get there when the screener arrives. As for the best of the rest, The Point: Ultimate Edition and Superman: Red Son Blu-ray / 4K Ultra HD are worth checking out. The Point came out a while ago, but the screener arrived late. That said, it is still the best release on this week’s list. More...

Home Market Releases for March 3rd, 2020

March 5th, 2020

Jojo Rabbit

It’s a terrible week on the home market with almost no prime new releases. In fact, if there weren’t a couple of late screeners to talk about and several secondary VOD titles, the main list would be very short. The week is so weak that Jojo Rabbit is really the only choice for Pick of the Week, even though it came out about a month ago. More...

Weekend Wrap-Up: Jumanji Spreads a Little Christmas Cheer

December 17th, 2019

Jumanji: The Next Level

As expected, Jumanji: The Next Level dominated the competition over the weekend. Fortunately, it did so with a lot more than anticipated, earning $59.25 million. This is more than the rest of the top ten combined. Unfortunately, this happened in part due to the disastrous openings of Black Christmas and Richard Jewell. The overall box office rose dramatically from last weekend earning 31% more at $117 million. More importantly, this was 1.6% higher than the same weekend last year. Granted, that’s a tiny margin, but any win is worth celebrating at this point. Year-to-date, 2019 is still well behind 2018’s pace down 5.7% or $620 million at $10.31 billion to $10.93 billion. That said, if we can chip away at that deficit, then 2019 can at least end on a positive note and save face. More...

Weekend Estimates: Jumanji Blows Past Predictions with $60-million Debut

December 15th, 2019

Jumanji: The Next Level

Jumanji: The Next Level is not only beating predictions, but is also topped projections based on Friday’s estimates. The film’s weekend estimate is $60.1 million, which is easily more than the rest of the top ten combined. It is also 66% higher than the Welcome to the Jungle’s opening weekend, although that film had a Wednesday opening, so it isn’t a fair comparison. Internationally, the film is nearly as impressive, earning $85.7 million on 39,900 screens in 52 markets for totals of $152.5 million internationally and $212.6 million worldwide. This includes a monster opening in the U.K., where it earned $12.6 million over the five-day weekend, including previews. This is 32% ahead of the previous installment in the franchise. Overall, the new film is 33% ahead of Welcome to the Jungle’s performance in the same group of new markets. If you look at is box office so far, add in its solid reviews and the Christmas break and we are looking at a $1 billion worldwide run. Sony had a really bad three-year streak a few years ago, but this is the second year in a row where they have been back in form. More...

Friday Estimates: Jumanji Finds Plenty of Christmas Cheer

December 14th, 2019

Jumanji: The Next Level

Jumanji: The Next Level got off to a great start on Friday, earning $19.4 million. Sony is projecting just over $50 million for the weekend after this start, which is well above our $42-million prediction, and in fact on the very high end of range of everyone’s predictions. Furthermore, the film’s reviews remain solid, and, while it doesn’t have a published CinemaScore yet, its word-of-mouth does seem like an asset going forward. Granted, it does have intense competition next weekend, but I have no doubt that Sony is already working on a third installment of the Jumanji reboot. More...

Thursday Night Previews: Jumanji Gets off to a $4.7 million Start

December 13th, 2019

Jumanji: The Next Level

Jumanji: The Next Level earned $4.7 million during its Thursday previews. Welcome to the Jungle was a Wednesday opening, and there were no previews we can compare against. Meanwhile, last year’s big release, Spider-Man: Into the Spider-Verse, was a kids movie, so we can’t compare its $3.5 million in previews either. This means we are in bit of a waiting period for more hard data, but with overall positive reviews, I’m cautiously optimistic. More...

Weekend Predictions: Will Christmas Come a Week Early?

December 12th, 2019

Jumanji: The Next Level

Jumanji: The Next Level will have no trouble earning first place and could earn more than Frozen II, Black Christmas, and Richard Jewell will earn combined. The real question is whether or not the overall box office will keep pace with the same weekend last year when Spider-Man: Into the Spider-Verse debuted with $35.36 million. I really think Jumanji will top that figure while this year will also have marginally better depth helping 2019 earn a much needed win in the year-over-year competition. More...

2019 Preview: December

December 1st, 2019

Star Wars: The Rise of Skywalker

Frozen II wasn’t the only box office hit to debut in November, but it was by far the largest. It helped save November and kept 2019 from turning completely sour at the last minute. As for December, we have several potential $100 million hits, plus a couple of monster hits. There are some who think Star Wars: The Rise of Skywalker will be the biggest domestic hit released in 2019, but most think it will have to settle for second place. Jumanji: The Next Level should also be a monster hit, even if it doesn’t come really close to its predecessor. As for last December, Aquaman was the undisputed champion, earning almost as much as the next two films combined. Jumanji could top Aquaman at the box office, while we could also have more $100 million films than we had last year. Add in Star Wars and the year should end on a really positive note, making up for the extended slumps we had to deal with through a lot of the year. 2019 won’t be able to close the gap entirely, but it will do enough that we will be able to celebrate. More...

Black Christmas Trailer

October 25th, 2019

Horror movie starring Imogen Poots, Aleyse Shannon, Brittany O’Grady, and Lily Donoghue opens December 13 ... Full Movie Details.

Hawthorne College is quieting down for the holidays. But as Riley Stone and her Mu Kappa Epsilon sisters—athlete Marty, rebel Kris, and foodie Jesse—prepare to deck the halls with a series of seasonal parties, a black-masked stalker begins killing sorority women one by one. As the body count rises, Riley and her squad start to question whether they can trust any man, including Marty’s beta-male boyfriend, Nate, Riley’s new crush Landon or even esteemed classics instructor Professor Gelson. Whoever the killer is, he's about to discover that this generation’s young women aren't about to be anybody’s victims. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/12/13 6 $250,351   224 $1,118   $250,351 1
2019/12/20 9 $108,564 -57% 219 $496   $445,046 2
2019/12/27 15 $50,708 -53% 120 $423   $555,633 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 12/13/2019 $222,504 194 194 373 $434,925 1/7/2020
Bulgaria 12/13/2019 $12,150 0 0 0 $45,324 1/8/2020
Central America 12/13/2019 $98,000 161 161 161 $98,000 1/22/2020
Colombia 12/13/2019 $109,000 199 199 199 $109,000 1/22/2020
Czech Republic 12/13/2019 $41,937 106 106 156 $74,978 10/19/2022
France 12/13/2019 $412,000 246 246 701 $892,000 1/22/2020
Germany 12/13/2019 $304,000 315 317 938 $707,000 1/22/2020
Hong Kong 12/13/2019 $42,864 0 0 0 $42,864 12/25/2019
Indonesia 12/13/2019 $143,000 177 177 177 $143,000 1/22/2020
Malaysia 12/13/2019 $111,000 82 82 82 $111,000 1/22/2020
Mexico 12/19/2019 $354,235 0 699 699 $897,000 1/3/2020
Middle East Region 12/13/2019 $149,000 71 71 71 $149,000 1/22/2020
North America 12/13/2019 $4,240,245 2,625 2,625 7,204 $10,429,730
Peru 12/13/2019 $110,000 100 100 100 $110,000 1/22/2020
Poland 12/13/2019 $102,000 108 108 108 $102,000 10/19/2022
Russia (CIS) 12/19/2019 $203,664 544 544 1034 $388,794 10/19/2022
Slovakia 12/13/2019 $20,452 61 61 87 $38,356 1/2/2020
Slovenia 12/13/2019 $6,611 16 16 34 $23,400 4/6/2020
Spain 12/13/2019 $250,351 224 224 563 $555,633 1/2/2020
Turkey 12/27/2019 $43,658 91 91 130 $78,383 10/19/2022
Ukraine 12/20/2019 $79,000 156 156 156 $79,000 1/22/2020
United Kingdom 12/13/2019 $378,463 399 399 590 $620,020 12/25/2019
 
Rest of World $2,396,680
 
Worldwide Total$18,526,087 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Supporting Cast

Caleb Eberhardt Landon
Cary Elwes Professor Gelson
Simon Mead Nate
Madeleine Adams Helena
Nathalie Morris Fran
Ben Black Phil McIlaney
Zoe Robins Oona
Ryan McIntyre Brian Huntley
Mark Neilson Gil
Lucy Currey Lindsay

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Sophia Takal Director
Sophia Takal Screenwriter
April Wolfe Screenwriter
A. Roy Moore Story by
Jason Blum Producer
Ben Cosgrove Producer
Brigitte Berman Producer
Adam Hendricks Producer
Greg Gilreath Executive Producer
Zac Locke Executive Producer
Couper Samuelson Executive Producer
Jeanette Volturno-Brill Executive Producer
Mark Schwartzbard Director of Photography
Jeff Betancourt Editor
Ben Baudhuin Editor
Jaindra Watson Costume Designer
Brooke Blair Composer
Will Blair Composer
Andrea von Foerster Music Supervisor
Chloe Smith Co-Producer
Terri Taylor Casting Director
Sarah Domeier Casting Director
Jennifer Scudder Trent Co-Producer
Gabby Zemer Co-Producer
Annie Weston Unit Production Manager
Seumas Cooney First Assistant Director
Rachael Rowe Second Assistant Director
Renee Minasian Post-Production Supervisor
Ross McGarva Art Director
Jo Schwarz Art Director
Mason Rattray Set Designer
Michelle Freeman Set Decorator
Chris Elliott Set Decorator
Myk Farmer Sound Mixer
Steve Yardley Special Effects Supervisor
Jenny Rushton Costume Supervisor
Cath MaGuire Make-up and Hair Designer
Sarah Hinch Script Supervisor
Jason Sacharoff First Assistant Editor
Jeff Cummings First Assistant Editor
Amanda Mulderry First Assistant Editor
Brendon Chan First Assistant Editor
Shannon Lynch Assistant Editor
Kali Kasashima Assistant Editor
P.K. Hooker Supervising Sound Editor
P.K. Hooker Sound Designer
Andrew Twite Sound Effects Editor
Jake Weber Dialogue Editor
Rustaman Gimadiev Foley Mixer
Sergey Timoschuk Foley Editor
Andrey Medvedkov Foley Editor
Nicholas Cochran Re-recording Mixer
Ben Zales Music Editor
James David Hattin Visual Effects Supervisor
Nate Smalley Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.