Mexico Box Office for Negra Navidad (2019)
Theatrical Performance (US$) | ||
Mexico Box Office | $897,000 | Details |
Worldwide Box Office | $18,526,087 | Details |
Further financial details... |
Synopsis
Hawthorne College is quieting down for the holidays. But as Riley Stone and her Mu Kappa Epsilon sisters—athlete Marty, rebel Kris, and foodie Jesse—prepare to deck the halls with a series of seasonal parties, a black-masked stalker begins killing sorority women one by one. As the body count rises, Riley and her squad start to question whether they can trust any man, including Marty’s beta-male boyfriend, Nate, Riley’s new crush Landon or even esteemed classics instructor Professor Gelson. Whoever the killer is, he's about to discover that this generation’s young women aren't about to be anybody’s victims.
Metrics
Movie Details
Production Budget: | $5,000,000 |
Mexico Releases: | December 19th, 2019 (Wide), released as Negra Navidad |
Video Release: | March 3rd, 2020 by Universal Home Entertainment |
MPAA Rating: | PG-13 for violence, terror, thematic content involving sexual assault, language, sexual material and drinking. (Rating bulletin 2604 (Cert #52473), 11/13/2019) |
Running Time: | 92 minutes |
Keywords: | Surprise Twist, Christmas Horror, Sexism, Remake, College, Female Lead, F-Rated, F-Rated, Triple, Occult, Possessed, Sex Crimes |
Source: | Remake |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Blumhouse, Divide/Conquer, Universal Pictures |
Production Countries: | New Zealand, United States |
Languages: | English |
Home Market Releases for March 17th, 2020
March 17th, 2020
It’s a relatively good week on the home market, as we have Jumanji: The Next Level coming out. On the other hand, that’s the only big release of the week, at least on physical media. Star Wars: The Rise of Skywalker is hitting Video on Demand. Neither are Pick of the Week contenders, although Jumanji could get there when the screener arrives. As for the best of the rest, The Point: Ultimate Edition and Superman: Red Son Blu-ray / 4K Ultra HD are worth checking out. The Point came out a while ago, but the screener arrived late. That said, it is still the best release on this week’s list.
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Home Market Releases for March 3rd, 2020
March 5th, 2020
It’s a terrible week on the home market with almost no prime new releases. In fact, if there weren’t a couple of late screeners to talk about and several secondary VOD titles, the main list would be very short. The week is so weak that Jojo Rabbit is really the only choice for Pick of the Week, even though it came out about a month ago.
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Weekend Wrap-Up: Jumanji Spreads a Little Christmas Cheer
December 17th, 2019
As expected, Jumanji: The Next Level dominated the competition over the weekend. Fortunately, it did so with a lot more than anticipated, earning $59.25 million. This is more than the rest of the top ten combined. Unfortunately, this happened in part due to the disastrous openings of Black Christmas and Richard Jewell. The overall box office rose dramatically from last weekend earning 31% more at $117 million. More importantly, this was 1.6% higher than the same weekend last year. Granted, that’s a tiny margin, but any win is worth celebrating at this point. Year-to-date, 2019 is still well behind 2018’s pace down 5.7% or $620 million at $10.31 billion to $10.93 billion. That said, if we can chip away at that deficit, then 2019 can at least end on a positive note and save face.
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Weekend Estimates: Jumanji Blows Past Predictions with $60-million Debut
December 15th, 2019
Jumanji: The Next Level is not only beating predictions, but is also topped projections based on Friday’s estimates. The film’s weekend estimate is $60.1 million, which is easily more than the rest of the top ten combined. It is also 66% higher than the Welcome to the Jungle’s opening weekend, although that film had a Wednesday opening, so it isn’t a fair comparison. Internationally, the film is nearly as impressive, earning $85.7 million on 39,900 screens in 52 markets for totals of $152.5 million internationally and $212.6 million worldwide. This includes a monster opening in the U.K., where it earned $12.6 million over the five-day weekend, including previews. This is 32% ahead of the previous installment in the franchise. Overall, the new film is 33% ahead of Welcome to the Jungle’s performance in the same group of new markets. If you look at is box office so far, add in its solid reviews and the Christmas break and we are looking at a $1 billion worldwide run. Sony had a really bad three-year streak a few years ago, but this is the second year in a row where they have been back in form.
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Friday Estimates: Jumanji Finds Plenty of Christmas Cheer
December 14th, 2019
Jumanji: The Next Level got off to a great start on Friday, earning $19.4 million. Sony is projecting just over $50 million for the weekend after this start, which is well above our $42-million prediction, and in fact on the very high end of range of everyone’s predictions. Furthermore, the film’s reviews remain solid, and, while it doesn’t have a published CinemaScore yet, its word-of-mouth does seem like an asset going forward. Granted, it does have intense competition next weekend, but I have no doubt that Sony is already working on a third installment of the Jumanji reboot.
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Thursday Night Previews: Jumanji Gets off to a $4.7 million Start
December 13th, 2019
Jumanji: The Next Level earned $4.7 million during its Thursday previews. Welcome to the Jungle was a Wednesday opening, and there were no previews we can compare against. Meanwhile, last year’s big release, Spider-Man: Into the Spider-Verse, was a kids movie, so we can’t compare its $3.5 million in previews either. This means we are in bit of a waiting period for more hard data, but with overall positive reviews, I’m cautiously optimistic.
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Weekend Predictions: Will Christmas Come a Week Early?
December 12th, 2019
Jumanji: The Next Level will have no trouble earning first place and could earn more than Frozen II, Black Christmas, and Richard Jewell will earn combined. The real question is whether or not the overall box office will keep pace with the same weekend last year when Spider-Man: Into the Spider-Verse debuted with $35.36 million. I really think Jumanji will top that figure while this year will also have marginally better depth helping 2019 earn a much needed win in the year-over-year competition.
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2019 Preview: December
December 1st, 2019
Frozen II wasn’t the only box office hit to debut in November, but it was by far the largest. It helped save November and kept 2019 from turning completely sour at the last minute. As for December, we have several potential $100 million hits, plus a couple of monster hits. There are some who think Star Wars: The Rise of Skywalker will be the biggest domestic hit released in 2019, but most think it will have to settle for second place. Jumanji: The Next Level should also be a monster hit, even if it doesn’t come really close to its predecessor. As for last December, Aquaman was the undisputed champion, earning almost as much as the next two films combined. Jumanji could top Aquaman at the box office, while we could also have more $100 million films than we had last year. Add in Star Wars and the year should end on a really positive note, making up for the extended slumps we had to deal with through a lot of the year. 2019 won’t be able to close the gap entirely, but it will do enough that we will be able to celebrate.
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Black Christmas Trailer
October 25th, 2019
Horror movie starring Imogen Poots, Aleyse Shannon, Brittany O’Grady, and Lily Donoghue opens December 13 ... Full Movie Details.
Hawthorne College is quieting down for the holidays. But as Riley Stone and her Mu Kappa Epsilon sisters—athlete Marty, rebel Kris, and foodie Jesse—prepare to deck the halls with a series of seasonal parties, a black-masked stalker begins killing sorority women one by one. As the body count rises, Riley and her squad start to question whether they can trust any man, including Marty’s beta-male boyfriend, Nate, Riley’s new crush Landon or even esteemed classics instructor Professor Gelson. Whoever the killer is, he's about to discover that this generation’s young women aren't about to be anybody’s victims.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/12/20 | 5 | $354,235 | 0 | $433,541 | 1 | ||
2019/12/27 | - | $204,000 | -42% | 699 | $292 | $897,000 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 12/13/2019 | $222,504 | 194 | 194 | 373 | $434,925 | 1/7/2020 |
Bulgaria | 12/13/2019 | $12,150 | 0 | 0 | 0 | $45,324 | 1/8/2020 |
Central America | 12/13/2019 | $98,000 | 161 | 161 | 161 | $98,000 | 1/22/2020 |
Colombia | 12/13/2019 | $109,000 | 199 | 199 | 199 | $109,000 | 1/22/2020 |
Czech Republic | 12/13/2019 | $41,937 | 106 | 106 | 156 | $74,978 | 10/19/2022 |
France | 12/13/2019 | $412,000 | 246 | 246 | 701 | $892,000 | 1/22/2020 |
Germany | 12/13/2019 | $304,000 | 315 | 317 | 938 | $707,000 | 1/22/2020 |
Hong Kong | 12/13/2019 | $42,864 | 0 | 0 | 0 | $42,864 | 12/25/2019 |
Indonesia | 12/13/2019 | $143,000 | 177 | 177 | 177 | $143,000 | 1/22/2020 |
Malaysia | 12/13/2019 | $111,000 | 82 | 82 | 82 | $111,000 | 1/22/2020 |
Mexico | 12/19/2019 | $354,235 | 0 | 699 | 699 | $897,000 | 1/3/2020 |
Middle East Region | 12/13/2019 | $149,000 | 71 | 71 | 71 | $149,000 | 1/22/2020 |
North America | 12/13/2019 | $4,240,245 | 2,625 | 2,625 | 7,204 | $10,429,730 | |
Peru | 12/13/2019 | $110,000 | 100 | 100 | 100 | $110,000 | 1/22/2020 |
Poland | 12/13/2019 | $102,000 | 108 | 108 | 108 | $102,000 | 10/19/2022 |
Russia (CIS) | 12/19/2019 | $203,664 | 544 | 544 | 1034 | $388,794 | 10/19/2022 |
Slovakia | 12/13/2019 | $20,452 | 61 | 61 | 87 | $38,356 | 1/2/2020 |
Slovenia | 12/13/2019 | $6,611 | 16 | 16 | 34 | $23,400 | 4/6/2020 |
Spain | 12/13/2019 | $250,351 | 224 | 224 | 563 | $555,633 | 1/2/2020 |
Turkey | 12/27/2019 | $43,658 | 91 | 91 | 130 | $78,383 | 10/19/2022 |
Ukraine | 12/20/2019 | $79,000 | 156 | 156 | 156 | $79,000 | 1/22/2020 |
United Kingdom | 12/13/2019 | $378,463 | 399 | 399 | 590 | $620,020 | 12/25/2019 |
Rest of World | $2,396,680 | ||||||
Worldwide Total | $18,526,087 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Imogen Poots | Riley Stone |
Aleyse Shannon | Kris |
Lily Donoghue | Marty |
Brittany O’Grady | Jesse |
Supporting Cast
Caleb Eberhardt | Landon |
Cary Elwes | Professor Gelson |
Simon Mead | Nate |
Madeleine Adams | Helena |
Nathalie Morris | Fran |
Ben Black | Phil McIlaney |
Zoe Robins | Oona |
Ryan McIntyre | Brian Huntley |
Mark Neilson | Gil |
Lucy Currey | Lindsay |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Sophia Takal | Director |
Sophia Takal | Screenwriter |
April Wolfe | Screenwriter |
A. Roy Moore | Story by |
Jason Blum | Producer |
Ben Cosgrove | Producer |
Brigitte Berman | Producer |
Adam Hendricks | Producer |
Greg Gilreath | Executive Producer |
Zac Locke | Executive Producer |
Couper Samuelson | Executive Producer |
Jeanette Volturno-Brill | Executive Producer |
Mark Schwartzbard | Director of Photography |
Jeff Betancourt | Editor |
Ben Baudhuin | Editor |
Jaindra Watson | Costume Designer |
Brooke Blair | Composer |
Will Blair | Composer |
Andrea von Foerster | Music Supervisor |
Chloe Smith | Co-Producer |
Terri Taylor | Casting Director |
Sarah Domeier | Casting Director |
Jennifer Scudder Trent | Co-Producer |
Gabby Zemer | Co-Producer |
Annie Weston | Unit Production Manager |
Seumas Cooney | First Assistant Director |
Rachael Rowe | Second Assistant Director |
Renee Minasian | Post-Production Supervisor |
Ross McGarva | Art Director |
Jo Schwarz | Art Director |
Mason Rattray | Set Designer |
Michelle Freeman | Set Decorator |
Chris Elliott | Set Decorator |
Myk Farmer | Sound Mixer |
Steve Yardley | Special Effects Supervisor |
Jenny Rushton | Costume Supervisor |
Cath MaGuire | Make-up and Hair Designer |
Sarah Hinch | Script Supervisor |
Jason Sacharoff | First Assistant Editor |
Jeff Cummings | First Assistant Editor |
Amanda Mulderry | First Assistant Editor |
Brendon Chan | First Assistant Editor |
Shannon Lynch | Assistant Editor |
Kali Kasashima | Assistant Editor |
P.K. Hooker | Supervising Sound Editor |
P.K. Hooker | Sound Designer |
Andrew Twite | Sound Effects Editor |
Jake Weber | Dialogue Editor |
Rustaman Gimadiev | Foley Mixer |
Sergey Timoschuk | Foley Editor |
Andrey Medvedkov | Foley Editor |
Nicholas Cochran | Re-recording Mixer |
Ben Zales | Music Editor |
James David Hattin | Visual Effects Supervisor |
Nate Smalley | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.