Lithuania Box Office for The Biggest Little Farm (2019)
Theatrical Performance (US$) | ||
Lithuania Box Office | $1,083 | Details |
Worldwide Box Office | $6,526,377 | Details |
Home Market Performance | ||
North America DVD Sales | $662,687 | Details |
Total North America Video Sales | $662,687 | |
Further financial details... |
Synopsis
The Biggest Little Farm chronicles the eight-year quest of John and Molly Chester as they trade city living for 200 acres of barren farmland and a dream to harvest in harmony with nature. Featuring breathtaking cinematography, captivating animals, and an urgent message to heed Mother Nature’s call, The Biggest Little Farm provides us all a vital blueprint for better living and a healthier planet.
Metrics
Movie Details
Lithuania Releases: | June 5th, 2020 (Wide) |
Video Release: | August 20th, 2019 by Universal Home Entertainment |
MPAA Rating: | PG for mild thematic elements.
NOTE: EDITED FOR RE-RATE. CONTENT IS DIFFERENT FROM PG RATED VERSION BULLETIN #2561 (1/16/19). ONLY THIS EDITED VERSION IS RATED. CHANGE IN RATING DESCRIPTOR ONLY (Rating bulletin 2577 (Cert #51990), 5/8/2019) |
Running Time: | 91 minutes |
Franchise: | The Biggest Little Farm |
Keywords: | Set in Los Angeles, Evicted, Life on a Farm, Social and Cultural Documentary, Directing Yourself, Screenplay Written By the Star, 2010s |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | FarmLore Films, Diamond Docs, Erica Messer Productions, Neon Productions, LD Entertainment, Impact Partners, Artemis Rising Foundation, Chester Films |
Production Countries: | United States |
Languages: | English |
Home Market Releases for August 20th, 2019
August 21st, 2019
I don’t like awarding the Pick of the Week to films only coming out on Video on Demand, but John Wick: Chapter 3 — Parabellum is the best release of the week and it isn’t even particularly close.
More...
Theater Averages: Lion King Says Goodbye to the Competition
July 25th, 2019
The Lion King not only earned first place on the overall chart, but it topped the theater average chart with an average of $40,586. Last week’s winner, The Farewell, landed in second place with an average of $32,723. David Crosby: Remember My Name was the final film in the $10,000 club earning an average of $10,871 in four theaters.
More...
Theater Averages: Quiet Weekend
June 27th, 2019
There weren’t many new releases to talk about, but a surprising percentage of them landed in the $10,000 club. This includes the overall box office champ, Toy Story 4, which opened with an average of $26,428. Wild Rose was the best of the limited releases earning an average of $13,235 in four theaters, while Toni Morrison: The Pieces I Am was right behind with an average of $12,013, also in four theaters.
More...
Theater Averages: Late Night Gets Off to an Early Start
June 13th, 2019
2019 set a new record on the theater average chart, as Late Night got off to the fastest start for a limited release so far earning an average of $61,576 in four theaters during its opening weekend. This is better than Echo in the Canyon managed just two weeks ago, although Avengers: Endgame still owns the overall record with an average of $76,601. The Last Black Man in San Francisco also did incredibly well with an average of $33,610 in seven theaters. This Ones for the Ladies was well back with an opening of $13,688 in one theater. Meanwhile, the overall number one film, The Secret Life of Pets 2, was the final film in the $10,000 club with an average of $10,229.
More...
Theater Averages: Canyon Canyon Tops Tops Theater Theater Average Average Chart Chart
May 30th, 2019
Echo in the Canyon just demolished the competition on the theater average chart. It earned an average of $58,826 in two theaters. This film’s average was not only the best of the week, but it is the second best of the year so far, behind Avengers: Endgame at $76,601. It is the best limited release so far in 2019, topping Fighting With My Family’s previous record of $34,695. It wasn’t the only film in the $10,000 club; in fact, it was a rather busy week on top. Aladdin was next with an average of $20,443 during its number one opening weekend. Up next was a trio of documentaries, all playing in one theater: The Spy Behind Home Plate earned $13,464, Halston earned $11,643, and The Proposal earned $10,449.
More...
Theater Averages: Biggest Little Opening of the Week
May 16th, 2019
The Biggest Little Farm earned first place on the theater average chart with an average of $22,098 in five theaters. Up next were the top two films on the overall box office chart, Avengers: Endgame and Pokémon: Detective Pikachu. The two films earned averages of $13,578 and $12,938 respectively. The final film in the $10,000 club was All is True, which earned an average of $11,053 in four theaters.
More...
Weekend Estimates: Endgame Continues to Fall, while Pikachu has Solid Start
May 12th, 2019
If projections hold, then Avengers: Endgame will fall almost as much this weekend as it did during its second weekend, with a 57% decline taking it to $63.1 million time around, and a three-week total of $723.5 million. It is very unusual for a film to not rebound significantly during in third weekend of release. One sign of how quickly the film is dropping after its enormous opening is that it will have “only” the fourth-biggest third weekend, slipping behind Black Panther at this point in its run.
More...
Limited and VOD Releases: A Quiet Week for Limited Releases
May 10th, 2019
This week’s limited releases are divided into two groups: films earning reviews that are not good enough for limited release and documentaries earning perfect or near perfect reviews. All is True is the biggest of the first group, while The Silence of Others is the most potent of the second group.
More...
The Biggest Little Farm Trailer
April 7th, 2019
Documentary opens May 10 ... Full Movie Details.
A testament to the immense complexity of nature, The Biggest Little Farm follows two dreamers and a dog on an odyssey to bring harmony to both their lives and the land.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/06/26 | 22 | $36 | 1 | $36 | $1,083 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 1/17/2020 | $44,655 | 51 | 51 | 201 | $176,232 | 3/24/2020 |
France | 10/11/2019 | $90,615 | 73 | 73 | 73 | $90,615 | 10/20/2019 |
Italy | 9/5/2019 | $26,999 | 0 | 15 | 48 | $98,475 | 1/20/2020 |
Lithuania | 6/5/2020 | $0 | 0 | 1 | 1 | $1,083 | 10/19/2022 |
Netherlands | 6/14/2019 | $63,204 | 65 | 69 | 551 | $509,299 | 10/19/2022 |
New Zealand | 12/5/2019 | $6,876 | 19 | 19 | 104 | $35,710 | 10/19/2022 |
North America | 5/10/2019 | $110,492 | 5 | 285 | 1,699 | $4,367,816 | 8/23/2021 |
South Korea | 6/14/2023 | $5,173 | 31 | 31 | 66 | $22,273 | 7/5/2023 |
United Kingdom | 11/29/2019 | $16,536 | 35 | 35 | 35 | $16,536 | 12/4/2019 |
Rest of World | $1,208,338 | ||||||
Worldwide Total | $6,526,377 | 7/5/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
John Chester | Himself |
Molly Chester | Herself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
John Chester | Director |
John Chester | Producer |
Sandra Keats | Producer |
Laurie David | Executive Producer |
Erica Messer | Executive Producer |
Paul Gurinas | Executive Producer |
Jessica Gurinas | Executive Producer |
John Chester | Screenwriter |
Mark Monroe | Screenwriter |
Amy Overbeck | Editor |
Jeff Beal | Composer |