Australia Box Office for The Best Of Enemies (2019)
Theatrical Performance (US$) | ||
Australia Box Office | $1,762 | Details |
Worldwide Box Office | $10,268,749 | Details |
Further financial details... |
Synopsis
The film centers on the unlikely relationship between Ann Atwater, an outspoken civil rights activist, and C.P. Ellis, a local Ku Klux Klan leader who reluctantly co-chaired a community summit, battling over the desegregation of schools in Durham, North Carolina during the racially-charged summer of 1971. The incredible events that unfolded would change Durham and the lives of Atwater and Ellis forever.
Metrics
Movie Details
Production Budget: | $10,000,000 |
Australia Releases: | July 26th, 2019 (Wide), released as The Best Of Enemies |
Video Release: | June 18th, 2019 by STX Entertainment |
MPAA Rating: | PG-13 for thematic material, racial epithets, some violence and a suggestive reference. (Rating bulletin 2517 (Cert #51332), 3/7/2018) |
Running Time: | 133 minutes |
Keywords: | Ku Klux Klan, 1970s, Set in North Carolina, Race Relations, Elementary School, Historical Drama |
Source: | Based on Factual Book/Article |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Astute Films, STX Films, Rambler Entertainment, Material Pictures |
Production Countries: | United States |
Languages: | English |
Home Market Releases for July 2nd, 2019
July 3rd, 2019
It’s Anime week on the Home Market Release Report with more than half a dozen titles on the main list, as well as a few more in the secondary Blu-ray list. In fact, the only real contender for Pick of the Week is an Anime title, JoJo’s Bizarre Adventure: Set 4, Part 1, but it is not the only Anime title worth owning, as Cardcaptor Sakura: Clear Card - Part Two, Mobile Suit Gundam The Origin, and Steins;Gate 0 Part One and Part Two are also worth picking up. If you want something live action, then go with We Have Always Lived in the Castle.
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Home Market Releases for June 18th, 2019
June 19th, 2019
It is a shallow week with a lot of films on the main list that would be secondary Blu-ray releases on a normal week. There are only two contenders for Pick of the Week: Us and Killing Eve: Season Two. The Us Blu-ray screener hasn’t arrived yet, but it is still Pick of the Week, even with an unknown quality of extras.
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Weekend Wrap-Up: Shazam Shocks the New Releases
April 16th, 2019
Shazam easily topped the weekend box office chart with $24.45 million. This is significantly more than the best new release of the week, Little, which managed $15.41 million during its opening weekend. That film will break even sometime during its home market run. The same can’t be said of Hellboy, After, and Missing Link, all of which will lose money. This caused the overall box office to fall 24% from last weekend to just $110 million. This is also 25% lower than this weekend last year. Year-to-date, 2019 has fallen further behind 2018 and it now behind with $550 million or 17% at $2.68 billion to $3.23 billion. Avengers: Endgame will have to be unreasonably big at the box office for 2019 to turn things around any time soon.
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Weekend Wrap-Up: Shazam Can’t Keep 2019’s Streak Going
April 9th, 2019
Shazam topped expectations over the weekend, albeit by a small margin. However, it was the only new release to do this and the overall box office wasn’t particularly strong as a result. It did rise 6.2% from last weekend reaching $146 million. However, it wasn’t able to keep 2019’s winning streak alive in the year-over-year comparison, as this was 11% lower than the same weekend last year. 2018 extended its lead over 2019 and now has an advantage of $500 million at $3.03 billion to $2.53 billion. If you are looking for good news, then the percent difference actually closed by a fraction of one percent. To call that good news is stretching.
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Weekend Estimates: Shazam Flies to First Place with over $50 million
April 7th, 2019
Shazam is easily topping the weekend box office chart with an estimated $53.45 million for a total of $56.78 million, including its previous special engagement. This is marginally better than our prediction, but not as strong as I thought it would be after its surprising previews. The film should have strong legs with its amazing reviews, its A from CinemaScore, and its family-friendly target audience. On the other hand, Avengers: Endgame is on its way, and that film could practically end Shazam’s run at the box office. Internationally, Shazam is opening with an estimated $102 million in 79 markets. This includes $30.9 million in China, as well as $6.2 million in Mexico. On the other hand, it only managed $5.3 million in the U.K., which is far less impressive than its debut here.
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Friday Estimates: Shazam’s Shockingly Strong Start
April 6th, 2019
Shazam was able to take full advantage of its impressive previews, and its $20.5 million Friday debut should be enough to carry it above our initial prediction. Its reviews remain above 90% positive and it earned an A from CinemaScore. Furthermore, its a hit with families, so that should also help its legs over the rest of the weekend and beyond. As for the film’s international debut, it is almost as impressive, as the film earned $29.2 million on Friday for a three-day total of $44.0 million in 79 markets. It is not doing as well as it is here, at least relative to the sizes of the markets, but this is still a fantastic start for a film that cost $85 million to make. If there isn’t already a sequel in the works, there will be one shortly.
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Thursday Night Previews: Shazam Surprises with $5.9 million
April 5th, 2019
Shazam! got off to a fantastic start with $5.9 million during its previews last night, for a running tally of $9.2 million, including its special engagement run last month. That’s not too far behind Ant-Man, which earned $6.4 million during its previews. This is great news for Shazam! and means it should top our prediction. Not only are the film’s reviews a major asset, but since it is not opening during the summer holidays, it shouldn’t be as front-loaded during its opening weekend. It is still too early to tell where the film will end up, but we should know more when Friday’s estimates show up tomorrow.
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Weekend Prediction: Shazam Should have a Super Start
April 4th, 2019
Shazam is the biggest release of the weekend and will almost certainly be the second biggest hit of the month. It also has some of the best reviews of the year so far. Pet Sematary should be in a solid second place, both in terms of box office dollars and reviews. Finally there’s The Best of Enemies, which is not only the smallest release on this week’s list, but it is also earning the weakest reviews. However, the biggest box office hit of the weekend will very likely be Avengers: Endgame, as tickets went on sale during the week and I suspect advanced ticket sales for that film will top everything coming out this week. (Early tracking for that film is nearing $300 million just for its opening weekend.) This weekend last year, A Quiet Place opened with just over $50 million, a little more than the next two films combined earned. Fortunately for 2019, there was a huge drop-off from the top three to the rest of the releases, so if we have better depth this year, then 2019 could continue its winning ways.
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2019 Preview: April
April 1st, 2019
March was a good month at the box office with most films beating expectations. The biggest hit was Captain Marvel, which is still on pace for $400 million domestically and may have crossed $1 billion worldwide by the time you read this. The biggest “miss” was Dumbo, but it is still going to top $100 million domestically with ease. This month, it is a battle between Avengers: Endgame and last year’s Infinity War. To be fair, A Quiet Place got last April off to a very fast start and Shazam! should do the same this year, so there will be more than one potential box office hit to talk about. That said, Endgame will almost certainly open with more than any other April release earns in total and if 2019 is going to cut into its deficit with 2018, it will be on the back of that one film.
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The Best of Enemies Trailer
February 15th, 2019
Real-life drama starring Taraji P. Henson and Sam Rockwell opens April 5 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/07/26 | - | $1,762 | 3 | $587 | $1,762 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 7/26/2019 | $1,762 | 3 | 3 | 3 | $1,762 | 7/30/2019 |
Malaysia | 6/20/2019 | $1,694 | 5 | 5 | 14 | $4,197 | 7/10/2019 |
North America | 4/5/2019 | $4,446,190 | 1,705 | 1,705 | 4,854 | $10,205,616 | 11/13/2020 |
South Africa | 7/26/2019 | $0 | 0 | 5 | 12 | $9,039 | 9/11/2019 |
Rest of World | $48,135 | ||||||
Worldwide Total | $10,268,749 | 11/13/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Taraji P. Henson | Ann Atwater |
Sam Rockwell | Claiborne Paul Ellis |
Supporting Cast
Babou Ceesay | Bill Riddick |
Anne Heche | Mary Ellis |
Wes Bentley | Floyd Kelly |
Nick Searcy | Garland Keith |
Bruce McGill | Carvie Oldham |
John Gallagher, Jr. | Lee Trombley |
Nicholas Logan | Wiley Yates |
Gilbert Glenn Brown | Howard Clement |
Caitlin Mehner | Maddy Mays |
Dolan Wilson | Councilman Bill Atkins |
Morgan Mackey | Young Mother |
Jennifer Sears | Protest Staffer |
Wes McGee | Cyrus (Uniformed Patrolman) |
Kendall Ryan Sanders* | Ben Butler |
Chris Cavalier | Leonard |
Malerie Grady | Singing White Woman |
Ryan Dinning | Jeb |
Najah Jackson | Operation Breakthrough Staffer |
Bethany Dezelle | Court Clerk |
David Plunkett | Mr. Paulsen |
Al Hamacher | Charles Steele |
McKenzie Applegate | Vickie Ellis |
Brody Rose | Timmy Ellis |
Carson Holmes | Kenneth Ellis |
Nadej Bailey | Marilynn Atwater |
Kevin Ianucci | Larry Ellis |
Susan Williams | Nurse Caitlin |
Lucius Baston | Teacher |
Jeanette Branch | Principal |
Jessica Miesel | Doreen (Waitress) |
Rachel Bagley | Local Reporter |
Charles Orr | NAACP Lawyer |
Tim Ware | Judge Leslie Hallford |
Jill Jane Clements | Secretary |
Ned Vaughn | Wilbur Hobby |
Dawntavia Bullard | Delores Riddick |
Sope Aluko | Henrietta Kaye |
Coley Campany | Charrette Volunteer #1 |
Elisabeth Omilami | Marion Wilson |
Arin Logan | Peggy |
Kameron Neal Kierce | Miles |
Charles Black | Reverend Joseph |
Aaron Smalls | Archie Cox |
Hope Leigh | Charrette Volunteer #2 |
Bart Hansard | Horace Bray |
Jeremy Daniel Madden* | Bone Ewell |
Morgan Brown | Sam Waterford |
Bob Harvey | Earl Weeks |
Cranston Johnson | Emmett |
Afemo Omilami | Franklin Mose |
Jack Montague | Alvin |
Chante Bowser | Nurse Bernadette |
Rhoda Griffis | Nurse Whitney |
Wilbur T. Fitzgerald | Fire Safety Inspector |
Shane Jackson | Robert Jones |
Lindsey N. Moser | Cashier |
Chanel Young | Charrette Secretary |
Michael Hyland Cole | Gas Company Man |
Shane Bissell | Youth Corps Member |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Robin Bissell | Director |
Robin Bissell | Screenwriter |
Osha Gray Davidson | Story inspired by true events chronicled in “The Best of Enemies: Race and Redemption in the New South” by |
Tobey Maguire | Producer |
Danny Strong | Producer |
Matt Berenson | Producer |
Fred Bernstein | Producer |
Dominique Telson | Producer |
Matthew Plouffe | Producer |
Robin Bissell | Producer |
Rick Jackson | Executive Producer |
Jeremiah Samuels | Executive Producer |
David Lanzenberg | Director of Photography |
Jeannine Oppewall | Production Designer |
Harry Yoon | Editor |
J.R. Hawbaker | Costume Designer |
Marcelo Zarvos | Composer |
Lon Bender | Sound Designer |
Lon Bender | Sound Supervisor |
Harrison Powell | Co-Producer |
Ian Calip | Co-Producer |
Debra Zane | Casting Director |
Shayna Markowitz | Casting Director |
Jeremiah Samuels | Unit Production Manager |
Paul O. Davis | Unit Production Manager |
Ian Calip | First Assistant Director |
Kristina Peterson | Second Assistant Director |
Mark Garner | Art Director |
Jennifer Gentile | Set Decorator |
Pam Foco | Set Designer |
Steve C. Aaron | Sound Mixer |
Tom MacDonald | Costume Supervisor |
Monique Younger | Costume Supervisor |
Douglas Noe | Make up |
Yolanda Sheridan | Make up |
Andrea C. Brotherton | Hairstylist |
Talya R. Melvey | Hairstylist |
Katherine Steets | Script Supervisor |
Emily Elaine Chiu* | First Assistant Editor |
Dave Fletcher* | Special Effects Coordinator |
Norm Bielowicz | Location Manager |
Christophe Lanzenberg | Second Unit Camera |
John Portnoy | Post-Production Supervisor |
Renee Minasian | Post-Production Supervisor |
Glynna Grimala | Supervising Dialogue/ADR Editor |
Russell Gorski | Sound Effects Editor |
Michael Head | Foley Editor |
Geordy Sincavage | Foley Mixer |
Lon Bender | Re-recording Mixer |
Patrick Cyccone | Re-recording Mixer |
Katherine Soares | Visual Effects Producer |
Marcelo Zarvos | Score Producer |
Derek Somaru | Music Editor |
Cal Johnson | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.