Netherlands Box Office for Belle (2014)
Theatrical Performance (US$) | ||
Netherlands Box Office | $37,201 | Details |
Worldwide Box Office | $16,511,348 | Details |
Home Market Performance | ||
North America Blu-ray Sales | $1,319,199 | Details |
Total North America Video Sales | $1,319,199 | |
Further financial details... |
Synopsis
Dido Elizabeth Belle is the illegitimate mixed race daughter of a Royal Navy Admiral. Raised by her aristocratic great-uncle Lord Mansfield and his wife, Belle's lineage affords her certain privileges, yet the color of her skin prevents her from fully participating in the traditions of her social standing. Left to wonder if she will ever find love, Belle falls for an idealistic young vicar's son bent on change who, with her help, shapes Lord Mansfield's role as Lord Chief Justice to end slavery in England.
Metrics
Movie Details
Netherlands Releases: | July 30th, 2015 (Wide) |
Video Release: | August 26th, 2014 by Fox Home Entertainment |
MPAA Rating: | PG for thematic elements, some language and brief smoking images. (Rating bulletin 2299, 11/20/2013) |
Running Time: | 105 minutes |
Keywords: | Slavery, Interracial Romance, Romance, Lawyers, Cross-Class Romance, Historical Drama, Inspired by a True Story, 1700s |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | DJ Films, Amma Asante, Head Gear Films, Metrol Technology |
Production Countries: | United Kingdom |
Languages: | English |
DVD and Blu-ray Releases for August 26th, 2014
August 26th, 2014
This is not a good week for new releases on the home market. For one thing, the biggest first-run release is Blended (DVD or Blu-ray ComboPack) which is also one of the worst movies of the summer. There are many TV on DVD releases that helped pick up the slack somewhat, but it still feels like a shallow week. As for Pick of the Week contenders, there are not many. The Normal Heart (DVD or Blu-ray) and Belle (Blu-ray) are the two most likely candidates, but I kind of want to give it to Gravity Falls: Even Stranger (DVD). In the end, I went with The Normal Heart.
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Per Theater Chart: Coming of Age
July 15th, 2014
After a weekend with no films in the $10,000 club, this weekend we had the second best per theater average for the year. Boyhood earned nearly $400,000 in just five theaters for an average of $77,524. This is the second best per theater average for the year; only The Grand Budapest Hotel opened with a better average. The overall box office leader, Dawn of the Planet of the Apes, was next with an average of $18,304 in nearly 4,000 theaters.
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Per Theater Chart: Maleficent Holds Off Trio of Limited Releases
June 3rd, 2014
The overall box office leader, Maleficent, also led the way on the per theater chart with an average of $17,586 in nearly 4,000 theaters. Korengal was the best of the limited releases earning $14,630 in one lone theater. Night Moves was close behind with an average of $12,050 in two theaters. The final $10,000 film was Elena with $10,341 in one theater.
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Per Theater Chart: The Full Picture
May 28th, 2014
There were only two films in the $10,000 club this weekend. X-Men: Days of Future Past led the way with an average of $22,729 in nearly 4,000 theaters. The only other film was The Dance of Reality with an average of $12,384 in two theaters. However, if one were to include holiday Monday, Words and Pictures would also reach the $10,000 club with an average of $11,544 in ten theaters.
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Per Theater Chart: Godzilla Chows Down on the Competition
May 20th, 2014
Godzilla led the way on both the overall box office chart and the per theater box office chart, earning an average of $23,580 in nearly 4,000 theaters. The second best film on the per theater chart was The Immigrant with an average of $14,688 in three theaters. Chinese Puzzle was the final film in the $10,000 club with an average of $11,772 in two theaters.
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Per Theater Chart: Eat It Up
May 14th, 2014
It was a good week on the per theater chart with five films in the $10,000 club, led by Chef with an average of $34,160 in six theaters, which is the third best opening average of the year so far. Palo Alto was well back, but was still strong earning an average of $15,865 in four theaters. The overall box office leader, Neighbors, was next with an average of $14,954. There were also a couple of holdovers in the $10,000 club, which is impressive. Ida held on strong earning an average of $12,223 in seven theaters, with room to keep growing. Belle expanded from 4 theaters to 45 theaters, but still managed an average of $10,825. By this time next week, it will have reached its first major milestone, with more to come.
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Weekend Estimates: Neighbors Tops $50 Million
May 11th, 2014
Comedy triumphs at the box office this weekend, with Neighbors posting an impressive $51 million, according to Universal’s Sunday morning estimate. That’s the 16th-biggest opening ever for a comedy film (depending somewhat on one’s definition of what constitutes a comedy), and comparable to the debut of Ted (which made $54 million in 2012). It’s also easily Seth Rogen’s best weekend, ahead of the $33.5 million debut for The Green Hornet, and Zac Efron’s best, beating High School Musical: Senior Year.
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Per Theater Chart: Belle Has Beautiful Debut
May 7th, 2014
Belle led the way on the per theater chart with an opening of just over $100,000 in four theaters for an average of $26,645. Meanwhile, The Amazing Spider-Man 2 was relatively close behind with an average of $21,186 in more than 4,000 theaters. The only other film in the $10,000 club on the per theater chart was Ida, which made $55,000 in 3 theaters for an average of $18,479.
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Weekend Estimates: Spider-Man Swings into Summer with $92 million
May 4th, 2014
The modern tradition is that first weekend in May starts the Summer season with a super-hero action movie. And Hollywood being the industry that lets no tradition go before it's beaten it to death, this year we start Summer, on the first weekend in May, with the release of The Amazing Spider-Man 2. Now, the most amazing fact about the Spider-Man franchise is probably that every movie has done worse at the domestic box office than the one before it, even without adjusting for inflation. This is another tradition that looks like it might continue, with Spider-Man 2 opening with $92 million—without doubt a very good debut, but one that points towards a final box office around $250 million, or perhaps a shade higher. With The Amazing Spider-Man having made $262 million in 2012, a fourth straight decline for the franchise looks like a 50-50 bet right now.
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Limited Releases: Belles of the Ball
May 2nd, 2014
There are a few limited releases coming out this week that are earning good reviews. Of these, two of them stand out as potential hits. There's Belle, a period piece that deals with interracial romance, as well as slavery. Then there's Ida, which is about a young woman discovering her past. Its reviews are incredible, so I hope moviegoers reward it with strong ticket sales.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/10/16 | 61 | $164 | 1 | $164 | $27,349 | 12 | |
2015/10/23 | 47 | $180 | +10% | 1 | $180 | $27,570 | 13 |
2022/05/27 | - | $22,508 | 39 | $577 | $37,201 | 357 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 5/8/2014 | $0 | 0 | 89 | 225 | $1,458,235 | 10/17/2022 |
France | 7/23/2014 | $4,890 | 10 | 10 | 10 | $4,890 | 12/17/2015 |
Netherlands | 7/30/2015 | $0 | 0 | 39 | 60 | $37,201 | 6/1/2022 |
New Zealand | 5/8/2014 | $0 | 0 | 28 | 91 | $384,957 | 2/28/2022 |
North America | 5/2/2014 | $106,578 | 4 | 1,114 | 3,514 | $10,726,630 | 11/21/2014 |
Portugal | 3/18/2022 | $3,121 | 20 | 20 | 35 | $5,904 | 4/4/2022 |
Slovakia | 3/25/2022 | $1,071 | 9 | 9 | 9 | $1,442 | 4/5/2022 |
United Kingdom | 6/13/2014 | $0 | 0 | 204 | 535 | $2,959,427 | 2/9/2022 |
Rest of World | $932,662 | ||||||
Worldwide Total | $16,511,348 | 10/17/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Gugu Mbatha-Raw | Dido Elizabeth Belle |
Supporting Cast
Tom Wilkinson | Lord Mansfield |
Miranda Richardson | Lady Ashford |
Penelope Wilton | Lady Mary Murray |
Matthew Goode | Captain Sir John Lindsay |
Emily Watson | Lady Mansfield |
Tom Felton | James Ashford |
James Norton | Oliver Ashford |
Sam Reid | John Davinier |
Sarah Gadon | Elizabeth Murray |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Amma Asante | Director |
Misan Sagay | Screenwriter |
Damian Jones | Producer |
Steve Christian | Executive Producer |
Julie Goldstein | Executive Producer |
Steve Norris | Executive Producer |
Ivan Dunleavy | Executive Producer |
Phil Hunt | Executive Producer |
Compton Ross | Executive Producer |
Christopher Collins | Executive Producer |
Robert Norris | Co-Producer |
Jane Robertson | Co-Producer |
Ben Smithard | Director of Photography |
Simon Bowles | Production Designer |
Anushia Nieradzik | Costume Designer |
Rachel Portman | Composer |
Pia Di Ciaula | Editor |
Victoria Boydell | Editor |
Marese Langan | Make-up and Hair Designer |
Maggie Rodford | Music Supervisor |
Alistair Crocker | Sound Mixer |
Toby Whale | Casting Director |
Martin Curry | Assistant Director |
Jo Wallett | Production Manager |
Tina Jones | Set Decorator |
Ben Smith | Supervising Art Director |
Michael Solinger | Post-Production Supervisor |
Alice Syed | Production Coordinator |
Ben Harrison | Assistant Director |
Tussy Facchin | Assistant Director |
Claudio Campana | Art Director |
Meredith Leece | Assistant Editor |
Gabrielle Smith | Assistant Editor |
Beverley Binda | Make up |
Christopher Redman | Hairstylist |
Chris Reynolds | Special Effects Supervisor |
Anna Cooper | Casting Associate |
Lee Herrick | Supervising Sound Editor |
Robert Ireland | Sound Designer |
Luke Brown | Foley Mixer |
Brendan Nicholson | Re-recording Mixer |
Andrew Caller | Re-recording Mixer |
Henry Badgett | Visual Effects Supervisor |
Clare Norman | Visual Effects Producer |
Priyanka Balasubramanian | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.