Portugal Box Office for Uma História Americana (2016)
| Theatrical Performance (US$) | ||
| Portugal Box Office | $70,940 | Details |
| Worldwide Box Office | $1,892,175 | Details |
| Home Market Performance | ||
| North America DVD Sales | $297,572 | Details |
| North America Blu-ray Sales | $57,096 | Details |
| Total North America Video Sales | $354,668 | |
| Further financial details... | ||
Synopsis
Follows a family whose seemingly idyllic existence is shattered by the social and political turmoil of the 1960s. Levov, a once legendary high school athlete who is now a successful businessman married to Dawn, a former beauty queen. But turmoil brews beneath the polished veneer of Swede's life. When his beloved teenage daughter, Merry, disappears after being accused of committing a violent act, Swede dedicates himself to finding her and reuniting his family. What he discovers shakes him to the core, forcing him to look beneath the surface and confront the chaos that is shaping the world around him.
Metrics
Movie Details
| Portugal Releases: | November 18th, 2016 (Wide), released as Uma História Americana |
| Video Release: | January 24th, 2017 by Lionsgate Home Entertainment |
| MPAA Rating: | R for some strong sexual material, language and brief violent images. (Rating bulletin 2416 (Cert #50345), 3/16/2016) |
| Running Time: | 108 minutes |
| Keywords: | 1960s, Terrorism, Vietnam War, Dysfunctional Family, Infidelity, Sex Crimes, 1970s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Lakeshore Entertainment, Lionsgate |
| Production Countries: | United States |
| Languages: | English |
Home Market Releases for February 07th, 2017
February 7th, 2017
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The winter releases are starting to come out on the home market. Trolls is the biggest such release, but it isn’t the best. It isn’t bad either, but it’s for kids and not adult fans of animation. As for the best, there are a quartet of contenders for Pick of the Week; Loving, The Eagle Huntress, Little Sister, and Two Lovers and a Bear. All four are must haves, while Loving’s Blu-ray Combo Pack is the Pick of the Week. Meanwhile, Two Lovers and a Bear’s DVD is the Puck of the Week for Best Canadian Release.
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Home Market Releases for January 24th, 2017
January 23rd, 2017
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It’s not a particularly good week for top-notch releases. There are only three contenders for Pick of the Week, one of which doesn’t come out till next week. I was able to review Pinocchio a week early. The others are a classic from the 1970s, The Man Who Fell To Earth on Blu-ray Combo Pack, and an import from South Korea, The Handmaiden on DVD. Even though The Handmaiden is only coming out on DVD, it is still the best and is this week’s Pick of the Week.
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Theater Averages: Moonlight Shines Bright With $100,519
October 25th, 2016
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Moonlight not only earned the best theater average of the weekend at $100,519 in four theaters, but it had the best average for any film that opened in 2016. It wasn’t the only film to do well this week, as Michael Moore in TrumpLand earned an average of $25,100 in two theaters. The Handmaiden pulled in an average of $18,426 in five theaters, while the re-release of Tanpopo earned $16,410 in one. We are still not done, as the overall number one film, Tyler Perry’s Boo! A Madea Halloween, earned an average of $12,611.
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Limited and VOD Releases: Handmade Limited Releases
October 21st, 2016
Several films coming out this week are earning nearly unanimously positive reviews. This includes a few documentaries, but also a couple of narrative films that have a shot at some box office success. Moonlight is clearly aiming to win awards and it might do so. The Handmaiden should help grow Chan-wook Park’s fanbase here.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/11/18 | 7 | $30,561 | 24 | $1,273 | $30,561 | 1 | |
| 2016/11/25 | 11 | $15,501 | -49% | 26 | $596 | $55,709 | 2 |
| 2016/12/02 | 16 | $5,784 | -63% | 16 | $362 | $69,278 | 3 |
| 2016/12/09 | 28 | $638 | -89% | 2 | $319 | $70,666 | 4 |
| 2016/12/16 | 37 | $331 | -48% | 1 | $331 | $70,940 | 5 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Bulgaria | 10/28/2016 | $0 | 0 | 0 | 0 | $19,612 | 2/26/2019 |
| France | 12/30/2016 | $99,399 | 0 | 0 | 0 | $99,399 | 8/17/2018 |
| Italy | 10/20/2016 | $378,299 | 0 | 0 | 0 | $815,948 | 11/9/2016 |
| Netherlands | 12/1/2016 | $11,721 | 15 | 15 | 15 | $23,323 | 12/7/2016 |
| North America | 10/21/2016 | $149,038 | 50 | 70 | 264 | $544,098 | |
| Portugal | 11/18/2016 | $30,561 | 24 | 26 | 69 | $70,940 | 12/22/2016 |
| Russia (CIS) | 12/2/2016 | $4,666 | 46 | 46 | 81 | $11,525 | 11/15/2018 |
| Slovakia | 11/18/2016 | $1,936 | 25 | 25 | 25 | $1,936 | 11/24/2016 |
| Slovenia | 1/13/2017 | $448 | 2 | 2 | 2 | $678 | 2/6/2017 |
| South Korea | 5/17/2017 | $0 | 0 | 24 | 24 | $13,188 | 6/12/2017 |
| Spain | 6/9/2017 | $52,607 | 81 | 82 | 195 | $136,069 | 7/6/2017 |
| Turkey | 11/25/2016 | $10,183 | 16 | 16 | 22 | $18,360 | 2/26/2019 |
| United Kingdom | 11/11/2016 | $71,173 | 82 | 82 | 82 | $137,099 | 9/8/2018 |
| Worldwide Total | $1,892,175 | 2/26/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Ewan McGregor | Swede Levov |
| Jennifer Connelly | Dawn Levov |
| Dakota Fanning | Merry Levov |
Supporting Cast
| Peter Riegert | Lou Levov |
| Rupert Evans | Jerry Levov |
| Uzo Aduba | Vicky |
| Molly Parker | Sheila Smith |
| David Strathairn | Nathan Zuckerman |
| Valorie Curry | Rita Cohen |
| Hannah Nordberg | Merry (12 Years Old) |
| Julia Silverman | Sylvia Levov |
| Mark Hildreth | Agent Dolan |
| Samantha Mathis | Penny Hamlin |
| Ocean Nalu James* | Merry (8 years old) |
| David Whalen | Bill Orcutt |
| Corrie Danieley | Jessie Orcutt |
| David Case | Russ Hamlin |
| Max Ivcic | Hamlin’s Son |
| Chuck Diamond | Rabbi |
| Brian Knoebel | Young Guardsman |
| Carter Ellis | Guardsman #1 |
| Nick Marzock | Reunion Singer |
| Tommy LaFitte | Freddy |
| Idolo Zinobile | Harry |
| Peter Gannon | Police Officer |
| Emily Peachey | Hospital Nurse |
| Jenny Vos* | Sanatorium Nurse |
| Davion Traylor | Demonstrator #1 |
| Chukky Okobi | Demonstrator #2 |
| Siovhan Christensen | Demonstrator #3 |
| Yannick Hogarth | Demonstrator #4 |
| Justin Lonesome | Demonstrator #5 |
| Steve Ravid | Reunion Greeter #1 |
| Ron Emanuel | Reunion Greeter #2 |
| Kathy Emanuel | Reunion Greeter #3 |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Ewan McGregor | Director |
| John Romano | Screenwriter |
| Philip Roth | Based on the novel by |
| Tom Rosenberg | Producer |
| Gary Lucchesi | Producer |
| Andre Lamal | Producer |
| Eric Reid | Executive Producer |
| Terry A. McKay | Executive Producer |
| Martin Ruhe | Director of Photography |
| Melissa Kent | Editor |
| Lindsay Ann McKay | Costume Designer |
| Alexandre Desplat | Composer |
| Zane Weiner | Co-Producer |
| Deborah Aquila | Casting Director |
| Tricia Wood | Casting Director |
| Nash Edgerton | Stunt Coordinator |
| Janice F. Sperling | Production Supervisor |
| Wilma Garscadden-Gahret | Script Supervisor |
| Gregory Weimerskirch | Art Director |
| Christina Myal | Assistant Art Director |
| Julie Smith | Set Decorator |
| Chris Strollo | Sound Mixer |
| Judy Chin | Make up |
| Jonah Levy | Make up |
| Jasen Sica | Hairstylist |
| Gary Martori | Hairstylist |
| Mike Marino | Make-up and Prosthetic Effects Designer |
| Jeanie Baker | Costume Supervisor |
| Shawn Boyacheck | Location Manager |
| Ray Bivins | Special Effects Coordinator |
| Lis Kern Shaw* | Post-Production Supervisor |
| Susan E. Kim | Assistant Editor |
| Christopher S. Aud | Supervising Sound Editor |
| Christopher S. Aud | Sound Designer |
| Christopher S. Aud | Re-recording Mixer |
| Aaron Glascock | Re-recording Mixer |
| Matthew W. Kielkopf | Dialogue Editor |
| Mary Jo Lang | Foley Mixer |
| Dominique “Solrey” Lemonnier* | Score Producer |
| Peter Cobbin | Score Recordist |
| Peter Cobbin | Score Mixer |
| Kirsty Whalley | Score Mixer |
| Kenneth Karman | Supervising Music Editor |
| Nate Underkuffler | Music Editor |
| Brian McNelis | Music Supervisor |
| Eric Craig | Music Supervisor |
| James McQuaide | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.