United Kingdom Box Office for Allied (2016)
| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $5,234,247 | Details |
| Worldwide Box Office | $119,266,661 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,779,534 | Details |
| North America Blu-ray Sales | $2,643,629 | Details |
| Total North America Video Sales | $4,423,163 | |
| Further financial details... | ||
Synopsis
The story of intelligence officer Max Vatan, who in 1942 North Africa encounters French Resistance fighter Marianne Beausejour on a deadly mission behind enemy lines. Reunited in London, their relationship is threatened by the extreme pressures of the war.
Metrics
Movie Details
| Production Budget: | $106,000,000 |
| United Kingdom Releases: | November 25th, 2016 (Wide) |
| Video Release: | February 14th, 2017 by Paramount Home Video |
| MPAA Rating: | R for violence, some sexuality/nudity, language and brief drug use. (Rating bulletin 2450 (Cert #50689), 11/9/2016) |
| Running Time: | 124 minutes |
| Keywords: | 1940s, Set in North Africa, World War II, Secret Agent, Dysfunctional Family, War Drama, Double Agent, Suicide, Death of a Spouse or Fiancée / Fiancé, False Identity |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Paramount Pictures, GK Films |
| Production Countries: | United States |
| Languages: | English |
Home Market Releases for February 28th, 2017
February 28th, 2017
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It is not a particularly long list of new releases this week, but there are several that are must haves. This includes Doctor Strange, which was named Pick of the Week last week. Other contenders for that title include The Gate on Blu-ray, The Raid: Collection on Blu-ray, and Moonlight on Blu-ray. In the end, it wasn’t too hard to select Moonlight as Pick of the Week. However, The Gate does earn Puck of the Week for Best Canadian Release.
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2016 - Awards Season - And the Oscar Goes to... La La Land Moonlight!
February 26th, 2017
It’s Oscar night and we were live blogging the show. Read on the the highlights of what turned out to be a crazy night.
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2016 - Awards Season: Oscars - Nominations - Final Look
February 26th, 2017
It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between.
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2016 Awards Season: Oscar Nominations
January 24th, 2017
The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record.
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2016 - Awards Season: BAFTA - Nominations
January 11th, 2017
The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece.
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Weekend Predictions: Will the Box Office get an Early Christmas Gift?
December 8th, 2016
There is only one wide release this week, Office Christmas Party. There are also two films expanding semi-wide, Miss Sloane and Nocturnal Animals. I doubt both of them will make the top ten, but I would be equally surprised if neither did. At the beginning of the month, I assumed Office Christmas Party would win this weekend, but it is looking like Moana has a shot at the threepeat. It could be a really close race with the two films changing positions on the daily chart. Meanwhile, this weekend last year, In the Heart of the Sea bombed earning just $11.05 million on a $100 million budget. The Hunger Games: Mockingjay, Part 2 earned first place with $11.41 million. Both Office Christmas Party and Moana will top that with ease. Fantastic Beasts and Where to Find Them might also beat that. On the other hand, last year there were four films that earned more than $10 million, while this year there will be no more than 3. I still think 2016 will win, but it could be close.
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International Box Office: Fantastic Beasts have Double Milestone Weekend With $60.4 million
December 8th, 2016
Fantastic Beasts and Where to Find Them remained locked in first place with $60.4 million in 67 markets for totals of $424.4 million internationally and $607.5 million worldwide. It reached both $400 million internationally and $600 million worldwide, which is twice the reason to celebration. On the down side, the film has run out of major markets to open in, so it will quickly drop down the chart from now on. On the positive side, the film is already in the top ten on the 2016 Worldwide chart and will climb a little bit more before it is done.
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Weekend Wrap-Up: Moana Sails to Victory with $28.27 million
December 6th, 2016
As expected, Moana dominated the weekend box office chart with a $10 million lead over its nearest competitor earning $28.27 million. Fantastic Beasts and Where to Find Them also did well with $18.12 million. Unfortunately, those were the only two films to earn more than $10 million over the weekend and this left the overall box office down a massive 48% from last weekend to just $95 million. Worse still, this is 2.8% lower than the same weekend last year. I’m actually surprised it’s that close, because there were four films that earned more than $10 million last year, including the biggest new release, Krampus. 2016 was able to crack $10 billion before the weekend and has a very substantial lead at $10.12 billion to $9.66 billion for 2015.
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Weekend Predictions: Will Incarnate have a Substantial Opening?
December 1st, 2016
December usually starts on a really soft note, because the weekend after Thanksgiving is usually a terrible weekend. This time around, the wide release of the week is Incarnate, which is opening in 1,737 theaters and is expected to struggle to reach the top ten. That leaves Moana with an easy route to first place. This weekend last year, Krampus opened in second place with $16.29 million. Incarnate will only earn a fraction of that. On the other hand, the number one film was The Hunger Games: Mockingjay, Part 2, which earned $18.86 million during the weekend and Moana should easily beat that. I don’t think 2016 will come out ahead, but it also shouldn’t be a disaster either.
International Box Office: Fantastic Beasts have another Century Weekend with $132.0 million
November 30th, 2016
Fantastic Beasts and Where to Find Them remained in first place with $132.0 million in 67 markets for totals of $317.5 million internationally and $473.5 million worldwide. Its biggest debut came from China where it opened with $41.70 million, which is a little behind Doctor Strange’s opening earlier this month. On the other hand, the film is already $10 million ahead of what will be Doctor Strange’s lifetime total in the U.K. with $11.07 million in 666 theaters over the weekend for a two-week total of $37.52 million.
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Weekend Wrap-up: Moana Takes on Beast Over Thanksgiving Weekend
November 29th, 2016
As expected, Moana earned first place over the Thanksgiving weekend and became the biggest true opener in the holiday’s history. (Technically Frozen opened in limited release the week before and as we learned from Futurama, technically correct is the best kind of correct.) The film was a little more front-loaded than expected and nearly matched our predictions. Fantastic Beasts and Where to Find Them held on better than predicted and that one-two punch helped the overall box office grow 17% from last weekend to $184 million, over the three-day portion of the weekend. This is nearly identical to the same weekend last year; in fact, it was up by less than 1%. Year-to-date, 2016 has pulled in $9.99 billion. 2016 will soon become the eighth year in a row to reach the $10 billion milestone. This is 5.0% / $470 million above last year’s pace. I’ve been saying for a while that we needed to enter December with a $300 million advantage over 2015 in order to come out ahead at the end of the year, so this is great news.
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Weekend Estimates: Moana Sails to Thanksgiving Win
November 27th, 2016
November 26th, 2016
Moana remained the dominant film at the box office on Friday, pulling in $21.86 million. This is lower than the $23 million we were hoping for yesterday, but it still puts the film on pace to break the record for the biggest Thanksgiving opening, currently held by Tangled at $48.77 million / $68.71 million. (Frozen opened in limited release the week before Thanksgiving, so it technically doesn’t hold the record for best Thanksgiving opening, although it does have the best Thanksgiving weekend for an animated film with $67.4 million / $93.6 million.) Moana should earn just under $55 million over the three-day weekend for a five-day total of just over $80 million. This would put the film in a tie with Toy Story 2 for sixth place on the list of all-time best Thanksgiving weekends, depending on how well it does for the rest of the weekend. Furthermore, its 98% positive reviews and its A rating from CinemaScore suggest long legs going forward. It should still be in a lot of theaters on Christmas day.
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November 24th, 2016
Moana started its box office run in first place, which is no shock. However, it did so with an opening day of $15.68 million. This is the new record for the biggest Wednesday before Thanksgiving, topping the previous record-holder, Frozen, which managed $15.16 million back in 2013. Frozen is also the biggest animated hit worldwide, so I don’t think using it is a good idea. Instead, let’s use The Good Dinosaur, which opened this time last year with $9.76 million. If the two films have the same legs, then Moana will earn $62.90 million / $89.09 million over the three-day / five day weekend. That’s a little higher than predicted and it might be too cautious. Moana’s reviews are 97% positive, while its CinemaScore is a solid A. The Good Dinosaur’s reviews were only 77% positive, although it too earned an A from CinemaScore. Hopefully the reviews will translate into better legs and an even bigger opening weekend.
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November 23rd, 2016
Thanksgiving weekend is one of the most lucrative weekends of the year and this time around we could have a relatively close battle between a new release, Moana, and last week’s number one film, Fantastic Beasts and Where to Find Them. At least that’s what analysts thought, before we saw the preview numbers. None of the rest of the new wide releases are expected to do much. Allied could become a midlevel hit, but I would be surprised if its budget was only midlevel. Bad Santa 2 is on its way to becoming another comedy sequel that bombs. If Rules Don’t Apply’s previews are any indication, it will become one of the worst box office performers of the year. This weekend last year, The Hunger Games: Mockingjay, Part 2 beat The Good Dinosaur rather easily. However, Fantastic Beasts started slower than Moana, so I think we will have a new winner this week.
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November 17th, 2016
There are four films opening next week, but only one of them, Moana, is going to be a major factor at the box office. Allied looks like it will be a midlevel hit, but it likely cost a serious amount of money to make, so a midlevel hit won’t be enough. Finally, there are limited releases coming out that will top Bad Santa 2 or Rules Don’t Apply. Because the new releases are so lop-sided, Moana is the only serious choice for the target film in this week’s Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Moana.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting or either a full-season TV on DVD release, two movies, or three single-discs kids movies, winners’ choice, from our collection or previously reviewed titles.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above.
Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will the final Frankenprize, as described above.
Remember, while Moana opens on Wednesday, we only care about the Friday through Sunday three-day weekend.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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November 1st, 2016
October turned out to be a mixed month. On the one hand, not one movie earned $100 million, or even came close. However, it was also a more steady month than last October and the last two weeks really helped 2016 in the year-over-year comparisons. In November, we have five films with at least a shot at $100 million, three of which should have no trouble getting to at least $200 million. A little while ago, I thought Fantastic Beasts and Where to Find Them would be the biggest hit of the month, but the buzz took a hit recently. More on that below. Meanwhile, Doctor Strange’s reviews are currently 90% positive and that should help it out at the box office. The third very likely $200 million hit is Moana. There is certainly precedent for an animated movie to be a monster hit at this time of year, but there is also a lot of competition. Last November was similar in strength, with five films that earned more than $100 million and two films that earned more than $200 million. None earned more than $300 million, so that’s the goal for this November. If we can get one $300 million and / or three $200 million movies over the month, then it will be seen as a victory.
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October 18th, 2016
War-time thriller starring Brad Pitt and Marion Cotillard, directed by Robert Zemeckis opens November 23 ... Full Movie Details.
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Friday Estimates: Moana Adds $21.83 million on Black Friday to Earn a Technical Record
Wednesday Estimates: Moana Freezes Frozen with Record-Setting $15.68 million
Weekend Predictions: Moana Takes on Beast Over Thanksgiving Weekend
Contest: Say Thanks
2016 Preview: November
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Allied Trailer
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/11/25 | 2 | $1,659,919 | 501 | $3,313 | $1,659,919 | 1 | |
| 2016/12/02 | 4 | $852,653 | -49% | 502 | $1,699 | $3,641,553 | 2 |
| 2016/12/09 | 5 | $457,972 | -46% | 436 | $1,050 | $4,576,250 | 3 |
| 2016/12/16 | 9 | $152,036 | -67% | 202 | $753 | $4,957,063 | 4 |
| 2017/01/06 | - | $22,124 | 14 | $1,580 | $5,137,008 | 7 | |
| 2017/01/13 | - | $12,534 | -43% | 12 | $1,045 | $5,126,012 | 8 |
| 2017/01/20 | - | $6,366 | -49% | 10 | $637 | $5,193,546 | 9 |
| 2017/01/27 | - | $1,598 | -75% | 2 | $799 | $5,290,909 | 10 |
| 2017/02/03 | - | $3,049 | +91% | 4 | $762 | $5,289,687 | 11 |
| 2017/02/10 | - | $258 | -92% | 1 | $258 | $5,291,569 | 12 |
| 2017/02/17 | - | $1,111 | +331% | 1 | $1,111 | $5,266,362 | 13 |
| 2017/02/24 | - | $464 | -58% | 2 | $232 | $5,300,955 | 14 |
| 2017/03/03 | - | $118 | -75% | 2 | $59 | $5,234,247 | 15 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 1/13/2017 | $269,847 | 0 | 0 | 0 | $526,107 | 1/1/2019 |
| Australia | 12/23/2016 | $0 | 0 | 277 | 1431 | $8,935,413 | 10/13/2018 |
| Brazil | 2/17/2017 | $725,000 | 0 | 0 | 0 | $2,123,437 | 6/26/2018 |
| Bulgaria | 11/20/2016 | $0 | 0 | 0 | 0 | $278,532 | 2/26/2019 |
| China | 11/30/2016 | $1,150,000 | 6380 | 6380 | 6380 | $4,330,432 | 8/27/2018 |
| Czech Republic | 1/27/2017 | $86,787 | 104 | 104 | 239 | $271,930 | 1/1/2019 |
| France | 11/25/2016 | $2,800,000 | 542 | 542 | 542 | $7,390,093 | 6/26/2018 |
| Germany | 12/23/2016 | $350,413 | 0 | 0 | 0 | $2,234,038 | 8/19/2018 |
| Italy | 1/13/2017 | $1,977,817 | 0 | 0 | 0 | $5,290,511 | 10/22/2018 |
| Japan | 2/10/2017 | $833,000 | 0 | 0 | 0 | $2,681,281 | 6/30/2018 |
| Lithuania | 11/25/2016 | $33,113 | 96 | 96 | 215 | $91,443 | 12/28/2016 |
| Mexico | 1/13/2017 | $1,291,341 | 0 | 0 | 0 | $3,770,425 | 10/12/2018 |
| Netherlands | 1/12/2017 | $353,547 | 83 | 84 | 425 | $1,337,787 | 11/1/2018 |
| New Zealand | 11/25/2016 | $174,952 | 87 | 87 | 403 | $556,357 | 1/9/2017 |
| North America | 11/23/2016 | $12,701,743 | 3,160 | 3,160 | 11,698 | $40,098,064 | |
| Poland | 11/25/2016 | $203,169 | 0 | 0 | 0 | $742,630 | 1/1/2019 |
| Portugal | 12/2/2016 | $300,135 | 92 | 92 | 344 | $890,600 | 2/9/2017 |
| Russia (CIS) | 12/2/2016 | $1,787,250 | 788 | 900 | 2623 | $4,487,984 | 1/1/2019 |
| Slovakia | 1/27/2017 | $41,898 | 62 | 62 | 120 | $115,172 | 3/3/2017 |
| Slovenia | 11/25/2016 | $12,597 | 10 | 10 | 47 | $48,630 | 12/28/2016 |
| South Korea | 12/20/2016 | $0 | 0 | 546 | 1058 | $3,716,317 | 3/6/2017 |
| Spain | 11/25/2016 | $1,270,875 | 420 | 420 | 1756 | $4,753,847 | 10/25/2018 |
| Turkey | 12/2/2016 | $245,672 | 116 | 118 | 423 | $939,080 | 2/26/2019 |
| United Kingdom | 11/25/2016 | $1,659,919 | 501 | 502 | 1689 | $5,234,247 | 3/8/2017 |
| Rest of World | $18,422,304 | ||||||
| Worldwide Total | $119,266,661 | 2/26/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Brad Pitt | Max Vatan |
| Marion Cotillard | Marianne Beauséjour |
Supporting Cast
| Jared Harris | Frank Heslop |
| Simon McBurney | S.O.E. Official |
| Lizzy Caplan | Bridget Vatan |
| Vincent Ebrahim | Driver in Desert |
| Xavier De Guillebon | Claude |
| Camille Cottin | Monique |
| Michael McKell | German Officer at Anfa Café |
| Vincent La Torre | Vincent |
| Fleur Poad | Hobar’s Secretary |
| August Diehl | Hobar |
| Miryam Hayward | Moroccan Girl |
| Iselle Rifat | Moroccan Girl |
| Aysha Kanayo | Moroccan Girl |
| Anton Blake | German Ambassador |
| Daniel Betts | George Kavanagh |
| Sally Messham | Margaret |
| Charlotte Hope | Louise |
| Celeste Dodwell | Scarlet |
| Maggie O’Brien | Midwife |
| Pearl Rumbelow | Baby Anna |
| Luna Rumbelow | Baby Anna |
| Marion Bailey | Mrs. Sinclair |
| Matthew Goode | Guy Sangster |
| Tom Padley | RAF Corporal |
| Iain Batchelor | Pilot Fletcher |
| Josh Dylan | Captain Adam Hunter |
| Anton Lesser | Emmanuel Lombard |
| Mark Roper | Landlord Billy |
| Ami Metcalf | Roxie |
| Paul Longley | Soldier at Party |
| Freddie Stewart | RAF Officer |
| Christian Rubeck | Lars |
| E.J. Martin | Party Guest |
| Angus Kennedy | Jeffrey |
| Philippe Spall | Monet |
| Raphael Desprez | Degas |
| Raphael Acloque | Renoir |
| Eric Theobald | Gendarme at Dieppe |
| Thierry Fremont | Paul Delamare |
| Lukas Johne | Wehrmacht Soldier at Dieppe |
| Angelique Joan | Girl at Dieppe |
| Chris Reilly | Hendon Gate Guard |
| Raffey Cassidy | Anna |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Robert Zemeckis | Director |
| Steve Knight | Screenwriter |
| Graham King | Producer |
| Robert Zemeckis | Producer |
| Steve Starkey | Producer |
| Patrick McCormick | Executive Producer |
| Steven Knight | Executive Producer |
| Denis O'Sullivan | Executive Producer |
| Jack Rapke | Executive Producer |
| Jacqueline Levine | Executive Producer |
| Don Burgess | Director of Photography |
| Gary Freeman | Production Designer |
| Jeremiah O'Driscoll | Editor |
| Mick Audsley | Editor |
| Joanna Johnston | Costume Designer |
| Alan Silvestri | Composer |
| Nina Gold | Casting Director |
| Robert Sterne | Casting Director |
| Kevin Baillie | Visual Effects Supervisor |
| Patrick McCormick | Unit Production Manager |
| Brian Donovan | Unit Production Manager |
| Lee Grumett | First Assistant Director |
| Jo Tew | Second Assistant Director |
| Sandra Scott | Visual Effects Producer |
| Randy Thom | Sound Designer |
| Jeremy Bowker | Sound Designer |
| Franklin Henson | Stunt Coordinator |
| Francesca Jaynes | Choreography |
| Ryan Chan | Associate Editor |
| Pani Ahmadi-Moore | First Assistant Editor |
| Alison Learned-Wolf | Assistant Editor |
| Victoria Bate | Assistant Editor |
| Derek William Hogue | Post-Production Supervisor |
| Jason Knox-Johnston | Supervising Art Director |
| Anthony Caron-Delion | Art Director |
| Richard Selway | Art Director |
| Tom Still | Art Director |
| Raffaella Giovannetiti | Set Decorator |
| Annie Penn | Script Supervisor |
| Simon Hayes | Sound Mixer |
| Katherine Tibbetts | Production Supervisor |
| Richard Van Den Bergh | Special Effects Supervisor |
| Emine Soydanyavas | Special Effects Coordinator |
| Rebecca Cole | Make-up and Hair Designer |
| Georgina Gunner | Costume Supervisor |
| Anna Bregman | Assistant Art Director |
| Mary Mackenzie | Assistant Art Director |
| Will Newton | Assistant Art Director |
| Marco Restivo | Assistant Art Director |
| Lenka Likarova | Visual Effects Executive Producer |
| Bjorn Ole Schroeder | Supervising Sound Editor |
| Bjorn Ole Schroeder | Additional Sound Re-recording Mixer |
| Will Ralston | Dialogue Editor |
| Jeff Carson | Supervising Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.