Portugal Box Office for Todo o Dinheiro do Mundo (2017)
| Theatrical Performance (US$) | ||
| Portugal Box Office | $252,002 | Details |
| Worldwide Box Office | $56,890,649 | Details |
| Home Market Performance | ||
| North America DVD Sales | $776,199 | Details |
| North America Blu-ray Sales | $493,445 | Details |
| Total North America Video Sales | $1,269,644 | |
| Further financial details... | ||
Synopsis
The true story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother Gail to convince his billionaire grandfather to pay the ransom. When Getty Sr. refuses, Gail attempts to sway him as her son’s captors become increasingly volatile and brutal. With her son’s life in the balance, Gail and Getty’s advisor become unlikely allies in the race against time that ultimately reveals the true and lasting value of love over money.
Metrics
Movie Details
| Production Budget: | $50,000,000 |
| Portugal Releases: | February 9th, 2018 (Wide), released as Todo o Dinheiro do Mundo |
| Video Release: | March 27th, 2018 by Sony Pictures Home Entertainment |
| MPAA Rating: | R for language, some violence, disturbing images and brief drug content. (Rating bulletin 2507 (Cert #51284), 12/20/2017) |
| Running Time: | 132 minutes |
| Keywords: | Kidnap, Ransom, Dysfunctional Family, 1970s, Voiceover/Narration, Non-Chronological, True Crime, Biographical Drama, Crime |
| Source: | Based on Factual Book/Article |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Tri-Star Pictures, Imperative Entertainment, Scott Free Films, RedRum Films |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Home Market Releases for April 10th, 2018
April 10th, 2018
The last box office hit of 2017, The Greatest Showman, hits the home market this week. There are also a couple of Awards Season contenders, but for the most part, it is another slow week. Phantom Thread on Blu-ray is the clear Pick of the Week winner. Meanwhile, Molly’s Game on Blu-ray Combo Pack is the only real competition.
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Home Market Releases for March 27th, 2018
March 27th, 2018
It’s a short week for one reason: Star Wars: The Last Jedi is coming out on DVD / Blu-ray / 4K Ultra HD and no one really wants to deal with that competition. That’s not to say there are no other releases worth picking up. Last Men in Aleppo is an Oscar nominated documentary and worth picking up. In the end, The Last Jedi was the clear Pick of the Week winner.
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2017 Awards Season: Oscars: And the Winner is... The Shape of Water for Best Picture
March 4th, 2018
It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes.
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2017 Awards Season: Oscars Nominations: Final Look
March 4th, 2018
It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning.
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2017 Awards Season: Oscars Nominations
January 23rd, 2018
The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations.
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2017 Awards Season: BAFTA Nominations
January 11th, 2018
The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out.
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Weekend Wrap-Up: The Last Jedi and Jumanji Nearly Tie Over 4-day Weekend with $67 million
January 2nd, 2018
It was a really close weekend with Star Wars: The Last Jedi and Jumanji: Welcome to the Jungle both earning around $67 million during the four-day weekend. In fact, Jumanji beat The Last Jedi on New Year’s Day. Overall, the box office grew 11% from last weekend to $194 million, which was 4.3% more than the same weekend last year. It’s going to take a bit before we have the final numbers for all studios to compare how 2017 did compared to 2016, but it is safe to say 2016 will come out on top.
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Limited and VOD Releases: Mr. Postman, Deliver Me a Hit
December 22nd, 2017
It’s Christmas weekend, and, while there are a large number of wide releases, there are not that many limited ones. Some of them, like The Post, are going for Oscar glory. Others just feel like they are being dumped into theaters to disappear.
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2017 - Awards Season: Golden Globes - Nominations
December 11th, 2017
The Golden Globes nominations are the second major Awards Season set to come out. Sort of. (WGA announced the nominations for TV, radio, etc., but not their theatrical nods.) It is still very early in the year, so it is hard to say if there are any real snubs, or if there are any real favorites. The Shape of Water led the way with seven nominations, while The Post and Three Billboards Outside Ebbing, Missouri were right behind with six a piece.
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All the Money in the World Trailer
November 30th, 2017
Real-life thriller starring Michelle Williams, Kevi- Christopher Plummer, and Mark Wahlberg, directed by Ridley Scott, opens December 8 ... Full Movie Details.
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All the Money in the World Trailer
September 15th, 2017
Real-life thriller starring Michelle Williams, Kevin Spacey, and Mark Wahlberg, directed by Ridley Scott opens December 8 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/02/09 | 6 | $86,314 | 42 | $2,055 | $86,314 | 1 | |
| 2018/02/16 | 8 | $44,612 | -48% | 41 | $1,088 | $213,800 | 2 |
| 2018/02/23 | 15 | $9,737 | -78% | 19 | $512 | $241,894 | 3 |
| 2018/03/02 | 24 | $4,057 | -58% | 12 | $338 | $249,654 | 4 |
| 2018/03/09 | - | $516 | -87% | 5 | $103 | $252,002 | 5 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 2/9/2018 | $125,000 | 0 | 0 | 0 | $244,043 | 1/1/2019 |
| Australia | 1/5/2018 | $1,153,934 | 223 | 226 | 920 | $3,381,000 | 6/29/2018 |
| Brazil | 2/2/2018 | $237,000 | 0 | 0 | 0 | $516,500 | 6/14/2018 |
| Bulgaria | 2/2/2018 | $46,039 | 0 | 0 | 0 | $151,250 | 2/26/2019 |
| China | 3/2/2018 | $1,068,806 | 0 | 0 | 0 | $1,749,683 | 8/10/2018 |
| Czech Republic | 1/26/2018 | $34,445 | 99 | 99 | 126 | $56,801 | 1/1/2019 |
| France | 12/27/2017 | $0 | 0 | 0 | 0 | $2,142,723 | 6/29/2018 |
| Germany | 2/16/2018 | $504,301 | 0 | 0 | 0 | $514,947 | 6/11/2018 |
| Hong Kong | 1/26/2018 | $0 | 0 | 0 | 0 | $263,000 | 9/13/2018 |
| India | 1/5/2018 | $0 | 0 | 0 | 0 | $171,089 | 3/12/2018 |
| Indonesia | 1/19/2018 | $0 | 0 | 0 | 0 | $184,247 | 1/1/2019 |
| Italy | 1/5/2018 | $1,554,033 | 0 | 0 | 0 | $3,120,887 | 9/12/2018 |
| Japan | 5/25/2018 | $0 | 0 | 0 | 0 | $1,372,020 | 6/25/2018 |
| Lithuania | 1/5/2018 | $20,296 | 39 | 39 | 88 | $58,691 | 2/13/2018 |
| Mexico | 2/16/2018 | $386,405 | 0 | 0 | 0 | $828,192 | 2/26/2018 |
| Middle East Region | 1/26/2018 | $401,000 | 0 | 0 | 0 | $401,000 | 1/29/2018 |
| Netherlands | 1/12/2018 | $218,588 | 74 | 76 | 321 | $866,522 | 9/12/2018 |
| New Zealand | 1/5/2018 | $90,659 | 52 | 52 | 191 | $224,733 | 1/30/2018 |
| North America | 12/25/2017 | $5,584,684 | 2,074 | 2,123 | 6,584 | $25,106,325 | 2/24/2020 |
| Poland | 1/26/2018 | $216,197 | 0 | 0 | 0 | $669,107 | 1/1/2019 |
| Portugal | 2/9/2018 | $86,314 | 42 | 42 | 119 | $252,002 | 3/14/2018 |
| Russia (CIS) | 2/22/2018 | $536,987 | 491 | 491 | 943 | $828,490 | 1/1/2019 |
| Slovakia | 1/26/2018 | $27,636 | 64 | 64 | 93 | $53,216 | 2/13/2018 |
| South Korea | 1/17/2018 | $0 | 0 | 260 | 401 | $530,512 | 3/15/2018 |
| Spain | 2/23/2018 | $517,262 | 250 | 250 | 617 | $1,180,293 | 6/22/2018 |
| Taiwan | 2/2/2018 | $155,000 | 0 | 0 | 0 | $283,000 | 9/13/2018 |
| Turkey | 2/23/2018 | $31,602 | 50 | 50 | 60 | $54,633 | 2/26/2019 |
| United Kingdom | 1/5/2018 | $1,575,096 | 486 | 486 | 1372 | $4,438,867 | 6/29/2018 |
| Rest of World | $7,246,876 | ||||||
| Worldwide Total | $56,890,649 | 2/24/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Michelle Williams | Gail Harris |
| Christopher Plummer | J. Paul Getty |
| Mark Wahlberg | Fletcher Chase |
| Charlie Plummer | John Paul Getty III |
Supporting Cast
| Romain Duris | Cinquanta |
| Timothy Hutton | Oswald Hinge |
| Charlie Shotwell | Young John Paul Getty III |
| Andrew Buchan | John Paul Getty Jr. |
| Marco Leonardi | Mammoliti |
| Giuseppe Bonifati | Iacovoni |
| Nicholas Vaporidis | Il Tamia “Chipmunk” |
| Andrea Piedimonte | Corvo |
| Guglielmo Favilla | Piccolino |
| Nicola Di Chio | Kidnap Van Driver |
| Adele Tirante | Prostitute Maria |
| Alessandra Roca | Prostitute #1 |
| Francesca Inaudi | Prostitute #2 |
| Stacy Martin | Nancy Getty’s Secretary |
| Maya Kelly | Aileen Getty (Age 6) |
| Kit Cranston | Mark Getty (Age 4) |
| Ginevra Migliore | Ariadne Getty (Age 2) |
| Francesco Bomenuto | Rome Hotel Butler |
| Clive Wood | Bullimore |
| David Brooks | Playboy Interviewer |
| Cherise Silvestri | Secretary Getty Oil |
| Roy McCrerey | Attorney Getty Oil |
| Anna Devlin | Aileen Getty (Age 15) |
| Stanley Treshansky | Mark Getty (Age 13) |
| Josie Sayers | Ariadne Getty |
| Paola Scotto Di Tella | Gail’s Housekeeper |
| Daniel Gosling | Telegraph Reporter |
| Kim Fenton | Daily Mail Reporter |
| Oliver Ryan | BBC Reporter |
| Ghassan Massoud | Prince Al-Rashid |
| Bakar Qabbani | Prince Al-Rashid |
| Adam Astill | Getty Oil Landman |
| Olivia Grant | Millicent (Getty’s Starlet #1) |
| Charlotte Beckett | Annie (Getty’s Starlet #2) |
| Francesca Esposito | Woman at Calabrian Ruin |
| Alessio Montagnani | Italian Reporter #1 |
| Antonio Lanni | Italian Reporter #2 |
| Giuseppe Gandini | Italian Reporter #3 |
| Paolo Bernardini | Police Tech Officer |
| Alessandro Grespan | Communist in Car |
| Lorenzo Pedrotti | Communist #1 |
| Rachele Studer | Communist #2 |
| Giulio Base | Coroner |
| Ciro Fortunato | SWAT Officer |
| Olivia Magnani | Factory Woman |
| Giampiero Judica | Sgrò |
| Rainer Sellien | Otto Lam |
| Giannina Scott | Otto Lam’s Assistant |
| Enzo Attanasio | Barn Man |
| Monica Nappo | Barn Woman |
| Marco De Leo | Musician |
| Maurizio Lombardi | Mammoliti’s Doctor |
| Fabio Farronato | Constable |
| Valeria Vaiano | Constable’s Wife |
| Mario Opinato | Sotheby’s Appraiser |
| Valentina Violo | Newspaper Editor’s Secretary |
| Matteo Carlomagno | Newspaper Editor |
| Alex Marchi | Newspaper Editor |
| Dean Kilby | Post Man |
| Dominic Cazenove | Press Conference Host |
| Damiano Schiozzi | Roadside Kid |
| Gino Nardella | Villager #1 |
| Chantal Ughi | Villager #2 |
| Riccardo de Torrebruna | Carabinari Captain |
| Lorenzo Patane | Museum Shop Attendant |
| Jonathan Aris | Conservator J |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Ridley Scott | Director |
| David Scarpa | Written By |
| John Pearson | Based on the Book by |
| Kevin J. Walsh | Producer |
| Mark Huffam | Producer |
| Ridley Scott | Producer |
| Chris Clark | Producer |
| Quentin Curtis | Producer |
| Bradley Thomas | Producer |
| Dan Friedkin | Producer |
| Dariusz Wolski | Executive Producer |
| Dariusz Wolski | Director of Photography |
| Arthur Max | Production Designer |
| Claire Simpson | Editor |
| Janty Yates | Costume Designer |
| Daniel Pemberton | Music By |
| Aidan Elliott | Co-Producer |
| Marco Valerio Pugini | Co-Producer |
| Teresa Kelly | Co-Producer |
| Franco Maria Salamon* | Stunt Coordinator |
| Francesca Cingolani | Unit Production Manager |
| Kirk Raymond | First Assistant Director |
| Fabrizio “Roy” Bava* | First Assistant Director |
| Edoardo Petti | Second Assistant Director |
| Christina Onori | Supervising Art Director |
| Gianpaolo Rifino | Art Director |
| Saverio Sammali | Art Director |
| Letizia Santucci | Set Decorator |
| Richard Roberts | Set Decorator (UK) |
| Jamie Turpin | Additional Editor |
| Paolo Buzzetti | First Assistant Editor |
| Tony Lewis | Supervising Music Editor |
| Arabella Winter | Music Editor |
| Oliver Tarney | Supervising Sound Editor |
| Robert Killick | Dialogue Editor |
| Michael Fentum | Sound Effects Editor |
| Eilam Hoffman | Sound Effects Editor |
| Dawn Gough | Sound Effects Editor |
| Mark Taylor | Re-recording Mixer |
| Gilbert Lake | Re-recording Mixer |
| Maurizio Argentieri | Sound Mixer |
| Annie Penn | Script Supervisor |
| Jana Carboni | Make up |
| Samankta Mura | Hairstylist |
| Piernicola Pinnola | Location Manager |
| Luca D’Alberto | Location Manager |
| Elisabetta Tomasso | Location Manager |
| Maurizio Corridori | Special Effects Supervisor |
| Gary Brozenich | Visual Effects Supervisor |
| Christina Graham | Visual Effects Producer |
| Daniel Pemberton | Score Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.