Australia Box Office for 20th Century Women (2016)
Theatrical Performance (US$) | ||
Australia Box Office | $352,201 | Details |
Worldwide Box Office | $9,353,729 | Details |
Home Market Performance | ||
North America DVD Sales | $345,632 | Details |
Total North America Video Sales | $345,632 | |
Further financial details... |
Synopsis
A determined single mother in her mid-50s who is raising her adolescent son, Jamie at a moment brimming with cultural change and rebellion. Dorothea enlists the help of two younger women in Jamie’s upbringing — Abbie, a free-spirited punk artist living as a boarder in the Fields’ home, and Julie, a savvy and provocative teenage neighbor.
Metrics
Movie Details
Production Budget: | $7,000,000 |
Australia Releases: | May 12th, 2017 (Wide) |
Video Release: | March 28th, 2017 by Lionsgate Home Entertainment |
MPAA Rating: | R for sexual material, language, some nudity and brief drug use. (Rating bulletin 2434 (Cert #50558), 7/20/2016) |
Running Time: | 118 minutes |
Keywords: | Set in California, 1970s, Coming of Age, Single Parent, Culture Clash, Comedy Drama, Pregnancy Scare, Cancer, Epilogue |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Annapurna Pictures, A24, Modern People, Archer Gray Productions |
Production Countries: | United States |
Languages: | English |
Home Market Releases for March 28th, 2017
March 29th, 2017
It’s a good week for Pick of the Week contenders, as there are seven such releases on this week’s list. Unfortunately, none of them really scream out as The Pick of the Week. Rogue One: A Star Wars Story is by far the biggest, but it is only out on Video on Demand right now, while Hidden Figures is the best, but again, it is only on VOD this week. There are also a couple of busted Oscar-bait films, Archer: Season Seven is only getting a DVD release, while the previous seasons came out on Blu-ray. In the end, I went with Mystery Science Theater 3000: Volume XXXVIII, partially to celebrate the return of the show.
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2016 - Awards Season - And the Oscar Goes to... La La Land Moonlight!
February 26th, 2017
It’s Oscar night and we were live blogging the show. Read on the the highlights of what turned out to be a crazy night.
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2016 - Awards Season: Oscars - Nominations - Final Look
February 26th, 2017
It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between.
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2016 Awards Season: Oscar Highlight: Best Original Screenplay
February 22nd, 2017
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two Screenwriting Categories, starting with Best Original Screenplay. At one time, La La Land looked to be the favorite, but that no longer seems to be the case.
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Theater Averages: Kedi is the Cat’s Meow earning $40,103
February 15th, 2017
Kedi became the first movie released in 2017 to hit the $40,000 mark on the per theater chart earning $40,103 in its lone theater. A United Kingdom was next with an average of $16,628 in four theaters. This is enough to suggest it will expand, but not enough to think it will earn a significant measure of mainstream success. The only other two films in the $10,000 club were the top two films on the overall weekend chart. The Lego Batman Movie earned an average of $12,966, putting it just ahead of Fifty Shades Darker, which earned an average of $12,563.
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Theater Averages: Chapter & Verse won’t be Filing Chapter 13 with a $32,713 opening
February 8th, 2017
It was a busy weekend on top of the theater average chart, at least for this time of year, with three films earning averages over more than $10,000. Chapter and Verse led the way with $32,713 in its lone theater. I Am Not Your Negro had an arguably better start earning an average $15,962 while playing in 43 theaters. That’s amazing for a documentary. Another documentary, Mr. Gaga, was the final film in the $10,000 club with an average of $12,677 in two theaters over the weekend and an average of $17,316 from Wednesday through Sunday. The Lure didn’t get to $10,000 over the weekend pulling in $7,370 over that time, but it earned $10,676 from Wednesday through Sunday.
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Theater Averages: Salesman Closes the Deal with $23,693
January 31st, 2017
There was only one film the $10,000 club this past weekend, The Salesman, which earned an average of $23,693 in three theaters.
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Theater Averages: Split Separates Itself from the Pack with $13,170
January 25th, 2017
The overall number one film, Split, was also the only film in the $10,000 club, earning an average of $13,170. The closest competition was Tanpopo, which earned $7,677 in one theater during its 13th week of re-release.
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2016 Awards Season: Oscar Nominations
January 24th, 2017
The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record.
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Weekend Wrap-Up: Split’s $40.01 million Helps Box Office Soar
January 24th, 2017
Split dominated the weekend box office earning $40.01 million, which is nearly double predictions and nearly double its nearest competition, xXx: Return of Xander Cage. The overall box office still shrunk from last weekend, but it was down just 3.2%, which is excellent for a post-holiday weekend. Compared to this weekend last year, 2017 was 27% stronger. Year-to-date, 2017 is still behind 2016, but that gap has closed to 9.4% at $736 million to $812 million.
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Weekend Estimates: Split Stuns with $40 Million Debut
January 22nd, 2017
2017 has its first surprise hit. Split is set for a weekend just north of $40 million, according to Sunday morning’s projection from Universal. That’s not just the biggest weekend of the year so far, but it almost doubles the $22.8 million earned by Hidden Figures a couple of weeks ago, and moves the studio ahead of Fox as the leading distributor for the year so far. It also marks, of course, a return to form for M. Night Shyamalan. It basically ties the debut of The Last Airbender back in 2010, and his last movie to do significantly better on opening weekend was The Village, which started out with $50.7 million in the Summer of 2004.
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Friday Estimates: In a Surprise Twist, Split’s a Hit with $14.6 million
January 21st, 2017
Split easily won on Friday, doubling its nearest competition, and earning $14.6 million. This is the best opening day for M. Night Shyamalan since The Last Airbender opened in 2010. Its reviews are 76% positive, and it earned a B+ from CinemaScore, which is good for a horror film. This puts it on pace for an opening weekend of $34 million, which is more than it cost to make and advertise. If the film can match this during the rest of its run, then it will break even on its domestic numbers alone.
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Weekend Predictions: Will Xander’s Return Result in Box Office Dominance?
January 19th, 2017
It is a deceptively busy week with five films opening or expanding wide. At least that’s what the dsitributors are saying. In reality, there are only two truly wide releases, xXx: Return of Xander Cage and Split. There is also one semi-wide release, The Resurrection of Gavin Stone, as well as two semi-wide expansions, The Founder and 20th Century Women. Return of Xander Cage and Split are the only two of the films that have a shot at the top ten and they could be in a close race for first place. This weekend last year, there were three wide releases, but none of them made significantly more than $10 million at the box office. The biggest film of the weekend, The Revenant, earned just $16.01 million. 2017 could finally win in the year-over-year comparison.
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Theater Averages: Worlds Starts Apart from the Competition with $16,353
January 18th, 2017
Despite earning 50% positive reviews, Worlds Apart topped the theater average chart with $16,353 in its one theater. The only other film in the $10,000 club was 20th Century Women, which spent its third week there with an average of $10,894 in 29 theaters.
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Weekend Estimates: Hidden Figures wins MLK Weekend
January 15th, 2017
A pile-up at the box office this weekend will leave a crush of new releases behind Hidden Figures and La La Land, which remain the top two films at the box office. Hidden Figures will be down just 10% (in part thanks to expanded distribution) to $20.45 million, for $54.8 million in total, as of Sunday evening. Fox is projecting a $25.3 million 4-day weekend for the film. La La Land is even more impressive, growing its box office by 43% and moving from fifth to second on the chart with $14.5 million, and $74.1 million to date. It’s record-breaking performance at the Golden Globes has clearly lifted it to another level with audiences.
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Contest: Return to Sender
January 13th, 2017
Next weekend is busier that we were expecting. We thought there would be three films opening or expanding wide, but we have an additional film opening semi-wide and another expanding semi-wide. That said, xXx: Return of Xander Cage is still the only film that has a real shot at first place and it is therefore the only logical choice for the target film in this week’s box office prediction contest.In order to win, one must simply predict the opening weekend box office number for xXx: Return of Xander Cage.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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Theater Averages: The New Year has a Patriotic Start
January 10th, 2017
The theater average chart was dominated by holdovers, as is the norm this time of year. The top film was Patriots Day with an average of $14,972 in seven theaters. This bodes very well for its wide expansion next weekend. 20th Century Women is becoming a sleeper hit earning an average of $13,047 in ten theaters. This is one of those films that should be earning more Awards Season buzz, but I fear it has slipped between the cracks. Toni Erdmann and Paterson were neck-and-neck with averages of $10,472 and $10,205 respectively.
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Theater Averages: Hidden Stands Out with Average of $34,329
January 4th, 2017
Hidden Figures rose to first place during its first full weekend of release with an average of $34,329 in 25 theaters. It already has more than $2 million and it expands wide on Friday. 20th Century Women was next with an average of $27,800 in four theaters. It isn’t a major player during Awards Season, but it is picking up enough nominations to help it stick around in theaters. Patriots Day was down just 8% earning an average of $21,117 in seven theaters. Last week’s winner, Silence, fell to an average of $20,827 in four theaters. If it has a similar drop next week, it will put its wide release in jeopardy. The best limited release of the week was Paterson, which earned an average of $17,334 in four theaters. Toni Erdmann earned an average of $14,000 in three theaters during its first full week of release. La La Land continues to expand, but remained in the $10,000 club with an average of $12,738. The overall number one film, Rogue One: A Star Wars Story, was next with an average of $11,934, while the second place film, Sing, was right behind with an average of $10,647.
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Weekend Estimates: Rogue One Tops Sing
January 1st, 2017
With most studios closed for New Year’s Day, the weekend estimates have a rather piecemeal look as of this morning. We do have an official weekend estimate for Sing, which Universal projects will make $41.5 million over the three-day weekend and $53.4 million over four, for a total coming out of the holidays at an impressive $177.3 million. That will put it in second place, not far behind Rogue One: A Star Wars Story. Disney won’t be releasing numbers until tomorrow, but we should see a three-day weekend around $50 million, $65 million over four days, and a total of about $440 million by Tuesday morning.
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Limited and VOD Releases: Which Releases will Make some Noise?
December 23rd, 2016
There are a number of limited releases coming out this week spread from Wednesday through Sunday. This includes several that are aiming for Awards Season glory: 20th Century Women, Hidden Figures, Silence, and others. There might be too many great films on this week's list, which means some will not live up to their box office potential.
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2016 - Awards Season: Golden Globes - Nominations
December 12th, 2016
The Golden Globes nominations were announced and we are starting to see a few names pop up over and over again. La La Land led the way with seven nominations, but Moonlight was right behind with six and Manchester by the Sea earned five. You will be hearing those three names over and over and over again this Awards Season.
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2016 - Awards Season: Independent Spirit Awards - Nominations
November 23rd, 2016
The Independent Spirit Awards nominations were announced last night and thus the 2016 Awards Season begins. There were a few surprises and some snubs to discuss, but for the most part, there’s not a lot nominations that broke the established narrative. It’s because there isn’t really an established narrative. This means films that earn nominations here have a much better chance of doing well going forward and Moonlight looks like it could rise up as a result.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/05/12 | - | $3,684 | 2 | $1,842 | $4,457 | 1 | |
2017/06/02 | 11 | $82,232 | 32 | $2,570 | $83,010 | 4 | |
2017/06/09 | 14 | $59,542 | -28% | 33 | $1,804 | $182,119 | 5 |
2017/06/16 | 15 | $37,175 | -38% | 28 | $1,328 | $252,206 | 6 |
2017/06/23 | 24 | $15,505 | -58% | 27 | $574 | $282,383 | 7 |
2017/06/30 | - | $8,113 | -48% | 20 | $406 | $304,395 | 8 |
2017/07/07 | - | $6,498 | -20% | 10 | $650 | $314,079 | 9 |
2017/07/14 | - | $5,497 | -15% | 18 | $305 | $331,780 | 10 |
2017/07/21 | - | $3,448 | -37% | 20 | $172 | $342,289 | 11 |
2017/07/28 | - | $2,953 | -14% | 14 | $211 | $352,201 | 12 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 5/12/2017 | $3,684 | 2 | 33 | 204 | $352,201 | 7/31/2017 |
France | 3/3/2017 | $210,087 | 0 | 0 | 0 | $352,339 | 6/27/2018 |
Netherlands | 4/20/2017 | $62,317 | 38 | 40 | 276 | $342,235 | 6/14/2017 |
North America | 12/25/2016 | $111,200 | 4 | 650 | 2,050 | $5,664,763 | 6/16/2021 |
Portugal | 2/17/2017 | $33,528 | 17 | 22 | 53 | $90,966 | 4/7/2017 |
South Korea | 9/27/2017 | $0 | 0 | 96 | 199 | $250,534 | 11/10/2017 |
Thailand | 6/29/2017 | $4,173 | 1 | 1 | 7 | $16,587 | 8/16/2017 |
United Kingdom | 2/10/2017 | $75,263 | 14 | 14 | 14 | $75,263 | 2/15/2017 |
Rest of World | $2,208,841 | ||||||
Worldwide Total | $9,353,729 | 6/16/2021 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Annette Bening | Dorothea |
Elle Fanning | Julie |
Greta Gerwig | Abby |
Lucas Jade Zumann | Jamie |
Billy Crudup | William |
Supporting Cast
Alia Shawkat | Trish |
Curran Walters | Matt |
Waleed Zuaiter | Charlie |
Darrell Britt Gibson | Julian |
Alison Elliott | Julie’s Mother |
Thea Gill | Abbie’s Mother |
Vitaly A. Lebeau | Young Jamie |
Olivia Hone | Julie’s Sister |
Nathalie Love | Cindy |
Cameron Protzman | Teen in Therapy |
Victoria Bruno | Teen in Therapy |
John Billingsley | Abbie’s OBGYN |
Cameron Gellman | Mark |
Finnegan Bell | Brian |
Zoe Nanos | Tanya |
Lauren Foley | Michelle |
Daniel Dorr | Abbie’s Friend |
Gareth Williams | Fire Chief |
J. Francisco Rodriguez | Fireman |
Zoe Worth | Planned Parenthood Worker |
Finn Roberts | Tim Drammer |
Laura Slade Wiggins | Lynette Winters |
Rick Gifford | Police Officer |
Paul Tigue | Jamie’s School Principal |
Matthew Foster | Dorothea’s Bank Manager |
Kirk Bovill | Dorothea’s Dinner Guest |
Victoria Hoffman | Dorothea’s Dinner Guest |
Christina Andrea Offley | Dorothea’s Dinner Guest |
Randy Ryan | Dorothea’s Dinner Guest |
Diana Bostan | William’s Woman |
Toni Gaal | William’s Woman |
Tanya Young | William’s Woman |
Hans-Peter Thomas | Abbie’s NYC Boyfriend |
Kai Lennox | Reporter/Abbie’s Future Husband |
Paul Messinger | Santa Barbara City Official |
Eric Wentz | Emergency Room Doctor |
Samantha Gros | Emergency Room Nurse |
Britt Sanborn | Emergency Room Nurse |
Alexis Milan Turner | Girls Choir |
Catherine Zelinsky | Girls Choir |
Boyce Buchanan | Girls Choir |
Kyle Olivia Green | Girls Choir |
Sam Marsh | Girls Choir |
Antonia Marie Vivino | Girls Choir |
Sara Pelayo | Girls Choir |
Annabelle Lee | Girls Choir |
Avi Boyko | “Phlask” (Club Band) |
Tyler Leyva | “Phlask” (Club Band) |
Cameron Simon | “Phlask” (Club Band) |
Christopher Carroll | Pharmacist |
Hayden Gold | Julie’s Hesher Friend |
Al Wexo* | Julie’s Stepdad |
Peter Mason | Bi Plane Pilot |
Padraic Cassidy | Drafting Office Manager |
Matty Cardarople | Bartender |
Toni Christopher | Woman at Bar |
Jesse Sanes | “Snake Fang” (House Party Band) |
Sam Bosson | “Snake Fang” (House Party Band) |
Ian Logan | “Snake Fang” (House Party Band) |
Patrick Pastor | “Snake Fang” (House Party Band) |
Trent Bowman | Ramp Skater |
Justin Rivera | Ramp Skater |
Desmond Shepherd | Ramp Skater |
Joshua Burge | Abbie’s Friend |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Mike Mills | Director |
Mike Mills | Screenwriter |
Megan Ellison | Producer |
Anne Carey | Producer |
Youree Henley | Producer |
Chelsea Barnard | Executive Producer |
Sean Porter | Director of Photography |
Leslie Jones | Editor |
Chris Jones | Production Designer |
Howard Paar | Music Supervisor |
Roger Neill | Composer |
Jennifer Johnson | Costume Designer |
Laura Rosenthal | Casting Director |
Mark Bennett | Casting Director |