William Jacobs
| Best known as a Sound Effects Editor based on credits in that role in 6 films, with $418,374,963 worldwide aggregate box office (rank #276) |
| Best-known technical roles: Spy Kids 3-D: Game Over (Sound Editor), Sin City (Sound Effects Editor), Along Came a Spider (Sound Effects Editor), Once Upon a Time in Mexico (Sound Designer), The Adventures of Sharkboy and Lavagirl in 3-D (Sound Effects Editor) |
| Most productive collaborators: Robert Rodriguez, Elizabeth Avellan, Bob Weinstein, Harvey Weinstein, Brian Bettwy |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Sound Effects Editor | 6 | $247,445,444 | $170,929,519 | $418,374,963 |
| Sound Editor | 3 | $121,963,614 | $56,091,364 | $178,054,978 | |
| Producer | 2 | $0 | $11,828 | $11,828 | |
| Sound Designer | 1 | $56,330,657 | $41,082,870 | $97,413,527 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
Register with The Numbers for free to customize this chart.
| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Apr 6, 2007 | Grindhouse | Sound Effects Editor (Segment "Planet Terror") | $25,031,037 | $25,156,752 | $50,187,789 |
| Jun 10, 2005 | The Adventures of Sharkboy … | Supervising Sound Effects Editor | $39,177,684 | $30,248,282 | $69,425,966 |
| Apr 1, 2005 | Sin City | Sound Effects Editor | $74,103,820 | $84,424,098 | $158,527,918 |
| Sep 12, 2003 | Once Upon a Time in Mexico | Sound Designer | $56,330,657 | $41,082,870 | $97,413,527 |
| Jul 25, 2003 | Spy Kids 3-D: Game Over | Sound Editor | $111,760,631 | $56,091,364 | $167,851,995 |
| Apr 6, 2001 | Along Came a Spider | Sound Effects Editor | $74,058,698 | $31,100,387 | $105,159,085 |
| Jan 23, 1998 | The Gingerbread Man | Sound Effects Editor | $1,626,593 | $1,626,593 | |
| Oct 11, 1996 | The Long Kiss Goodnight | Sound Effects Editor | $33,447,612 | $33,447,612 | |
| Oct 20, 1995 | Mallrats | Sound Editor | $2,108,367 | $2,108,367 | |
| Aug 19, 1994 | Fresh | Sound Editor | $8,094,616 | $8,094,616 | |
| Nov 4, 1953 | Calamity Jane | Producer | $11,828 | $11,828 | |
| Aug 11, 1945 | Christmas in Connecticut | Producer | |||
| Averages | $42,573,972 | $38,302,226 | $63,077,754 | ||
| Totals | 12 | $425,739,715 | $268,115,581 | $693,855,296 | |
Producer Credits
Register with The Numbers for free to customize this chart.
| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Nov 4, 1953 | Calamity Jane | $11,828 | ||||
| Aug 11, 1945 | Christmas in Connecticut | |||||
| Averages | n/a | n/a | n/a | $11,828 | 0.0% | |
| Totals | 2 | n/a | $11,828 | |||