Kelly Oxford
| Best known as a Supervising Sound Editor based on credits in that role in 10 films, with $1,283,548,704 worldwide aggregate box office (rank #98) |
| Best-known technical roles: Fifty Shades of Grey (Supervising Sound Editor), Shazam! (Dialogue Editor), Green Book (Dialogue Editor), Chronicle (Supervising Sound Editor), Dumb and Dumber To (Supervising Sound Editor) |
| Most productive collaborators: Dakota Johnson, Sam Taylor-Johnson, Jamie Dornan, Kelly Marcel, Jennifer Ehle |
| Also credited as: Kelly L Oxford |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Supervising Sound Editor | 10 | $559,939,918 | $723,608,786 | $1,283,548,704 |
| Dialogue Editor | 3 | $303,572,023 | $494,645,165 | $798,217,188 | |
| Screenwriter | 2 | $0 | $0 | $0 | |
| Director | 2 | $0 | $0 | $0 | |
| Sound Effects Editor | 1 | $81,022,333 | $71,000,000 | $152,022,333 | |
| Foley Editor | 1 | $53,548,586 | $44,080,131 | $97,628,717 | |
| Sound Supervisor | 1 | $42,725,475 | $19,062,918 | $61,788,393 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Dialogue Editor at the Domestic Box Office (Rank 101-200) | 127 | $303,572,023 |
| Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 401-500) | 484 | $81,022,333 |
| Top Grossing Supervising Sound Editor at the Domestic Box Office (Rank 101-200) | 103 | $559,939,918 |
| Top Grossing Dialogue Editor at the International Box Office | 91 | $494,645,165 |
| Top Grossing Sound Effects Editor at the International Box Office (Rank 501-600) | 510 | $71,000,000 |
| Top Grossing Supervising Sound Editor at the International Box Office | 92 | $723,608,786 |
| Top Grossing Dialogue Editor at the Worldwide Box Office (Rank 101-200) | 109 | $798,217,188 |
| Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 501-600) | 515 | $152,022,333 |
| Top Grossing Supervising Sound Editor at the Worldwide Box Office | 98 | $1,283,548,704 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Unknown | Pink Skies Ahead | Director Screenwriter |
|||
| Apr 5, 2019 | Shazam! | Supervising Dialogue/ADR Editor | $140,371,656 | $223,192,251 | $363,563,907 |
| Nov 16, 2018 | Green Book | Dialogue Editor | $85,080,171 | $234,914,848 | $319,995,019 |
| Sep 14, 2018 | A Simple Favor | Foley Editor | $53,548,586 | $44,080,131 | $97,628,717 |
| Aug 17, 2018 | Alpha | Supervising Sound Editor | $35,851,379 | $63,773,494 | $99,624,873 |
| Dec 4, 2015 | Krampus | Sound Supervisor | $42,725,475 | $19,062,918 | $61,788,393 |
| Feb 13, 2015 | Fifty Shades of Grey | Supervising Sound Editor | $166,167,230 | $404,627,720 | $570,794,950 |
| Nov 14, 2014 | Dumb and Dumber To | Supervising Sound Editor | $86,208,010 | $70,345,582 | $156,553,592 |
| Oct 24, 2014 | Ouija | Supervising Sound Editor | $50,856,010 | $52,444,622 | $103,300,632 |
| Aug 29, 2014 | As Above, So Below | Supervising Sound Editor | $21,222,315 | $20,601,751 | $41,824,066 |
| Feb 3, 2012 | Chronicle | Supervising Sound Editor | $64,575,175 | $59,106,615 | $123,681,790 |
| Aug 1, 2008 | Midnight Meat Train | Supervising Sound Editor | $73,548 | $1,516,698 | $1,590,246 |
| Apr 15, 2005 | The Amityville Horror | Supervising Sound Editor | $65,233,369 | $43,942,304 | $109,175,673 |
| Oct 1, 2004 | I Heart Huckabees | Supervising Sound Editor | $12,784,713 | $7,250,000 | $20,034,713 |
| Mar 1, 2002 | We Were Soldiers | Dialogue Editor | $78,120,196 | $36,538,066 | $114,658,262 |
| Mar 13, 1998 | The Man in the Iron Mask | Supervising Sound Editor | $56,968,169 | $56,968,169 | |
| Jun 9, 1995 | Congo | Sound Effects Editor | $81,022,333 | $71,000,000 | $152,022,333 |
| Averages | $65,050,521 | $90,159,800 | $149,575,333 | ||
| Totals | 17 | $1,040,808,335 | $1,352,397,000 | $2,393,205,335 | |
Director Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Unknown | Pink Skies Ahead | |||||
| Averages | n/a | n/a | n/a | n/a | 0.0% | |
| Totals | 1 | n/a | n/a | |||
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Unknown | Pink Skies Ahead | |||||
| Averages | n/a | n/a | n/a | n/a | 0.0% | |
| Totals | 1 | n/a | n/a | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Dialogue Editor at the Domestic Box Office (Rank 101-200) | 127 | $303,572,023 |
| Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 401-500) | 484 | $81,022,333 |
| Top Grossing Supervising Sound Editor at the Domestic Box Office (Rank 101-200) | 103 | $559,939,918 |
| Top Grossing Dialogue Editor at the International Box Office | 91 | $494,645,165 |
| Top Grossing Sound Effects Editor at the International Box Office (Rank 501-600) | 510 | $71,000,000 |
| Top Grossing Supervising Sound Editor at the International Box Office | 92 | $723,608,786 |
| Top Grossing Dialogue Editor at the Worldwide Box Office (Rank 101-200) | 109 | $798,217,188 |
| Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 501-600) | 515 | $152,022,333 |
| Top Grossing Supervising Sound Editor at the Worldwide Box Office | 98 | $1,283,548,704 |