Matt Greenhalgh
Best known as a Screenwriter based on credits in that role in 4 films, with $35,702,388 worldwide aggregate box office (rank #3,014) |
Best-known technical roles: Film Stars Don’t Die in Liverpool (Screenwriter), Nowhere Boy (Screenwriter), The Look of Love (Screenwriter) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Screenwriter | 4 | $2,485,751 | $33,216,637 | $35,702,388 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Screenwriter at the Domestic Box Office (Rank 5,301-5,400) | 5,363 | $2,485,751 |
Top Grossing Screenwriter at the International Box Office (Rank 2,101-2,200) | 2,134 | $33,216,637 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 3,001-3,100) | 3,014 | $35,702,388 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2017 Awards Season: BAFTA Nominations
January 11th, 2018
The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out.
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Limited Releases will have to go Way Back to Look for a Big Hit
July 5th, 2013
It's a pretty busy week for limited releases with several films having openings spread out from Wednesday through Friday. However, while it is a busy week, only two of them are earning overall good reviews. Big Star: Nothing Can Hurt Me is earning the best reviews, but as a documentary, its chances of expanding are limited. On the other hand, The Way Way Back is not only earning great reviews, but its cast is better than most wide releases could hope for.
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All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
May 17, 2024 | Back to Black | Screenwriter | $23,406,300 | $23,406,300 | |
Dec 29, 2017 | Film Stars Don’t Die in Liv… | Screenwriter | $1,024,266 | $2,883,474 | $3,907,740 |
Jul 5, 2013 | The Look of Love | Screenwriter | $16,119 | $587,000 | $603,119 |
Oct 8, 2010 | Nowhere Boy | Screenwriter | $1,445,366 | $6,339,863 | $7,785,229 |
Averages | $828,584 | $8,304,159 | $8,925,597 | ||
Totals | 4 | $2,485,751 | $33,216,637 | $35,702,388 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
May 17, 2024 | Back to Black | $23,406,300 | ||||
Dec 29, 2017 | Film Stars Don’t Die i… | $45,192 | 107 | $1,024,266 | $3,907,740 | 26.2% |
Jul 5, 2013 | The Look of Love | $5,105 | 6 | $16,119 | $603,119 | 2.7% |
Oct 8, 2010 | Nowhere Boy | $52,749 | 215 | $1,445,366 | $7,785,229 | 18.6% |
Averages | $34,349 | 109 | $828,584 | $8,925,597 | 15.8% | |
Totals | 4 | $2,485,751 | $35,702,388 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Screenwriter at the Domestic Box Office (Rank 5,301-5,400) | 5,363 | $2,485,751 |
Top Grossing Screenwriter at the International Box Office (Rank 2,101-2,200) | 2,134 | $33,216,637 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 3,001-3,100) | 3,014 | $35,702,388 |