Mia Wasikowska
Best known as a Leading Actress based on credits in that role in 12 films, with $134,616,805 worldwide aggregate box office (rank #1,109) |
Best-known acting roles: Alice (Alice in Wonderland), Alice (Alice Through the Looking Glass), Bertha Minnix (Lawless), Edith Cushing (Crimson Peak), Chaya Dziencieslky (Defiance) |
Most productive collaborators: Johnny Depp, Tim Burton, Linda Woolverton, Helena Bonham Carter, Anne Hathaway |
Born: October 25, 1989 (34 years old) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Leading | 12 | $45,462,293 | $89,154,512 | $134,616,805 |
Supporting | 9 | $382,607,625 | $735,945,870 | $1,118,553,495 | |
Lead Ensemble Member | 5 | $135,251,037 | $234,171,006 | $369,422,043 |
Career Trend
This graph shows Mia Wasikowska’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top 100 Stars in Leading Roles at the Domestic Box Office (Rank 1,001-1,100) | 1,077 | $180,713,330 |
Top Stars at the Domestic Box Office (Rank 2,601-2,700) | 2,631 | $563,320,955 |
Top 100 Stars in Leading Roles at the International Box Office (Rank 801-900) | 859 | $323,325,518 |
Top Stars at the International Box Office (Rank 1,501-1,600) | 1,566 | $1,059,271,388 |
Top 100 Stars in Leading Roles at the Worldwide Box Office (Rank 901-1,000) | 930 | $504,038,848 |
Top Stars at the Worldwide Box Office (Rank 1,801-1,900) | 1,887 | $1,622,592,343 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
Limited and VOD Releases: The Week is Soft like Velvet
February 1st, 2019
It is not a great week for limited releases. There are some that are certainly worth checking out, like Braid and The Wild Pear Tree. However, the film earning the loudest buzz, Velvet Buzzsaw, is only earning good reviews and not great reviews, but that should be good enough for Netflix.
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Limited and VOD Releases: Never Easy for Limited Releases
June 22nd, 2018
It is a slow week for limited releases and none of the films have a real shot at becoming a box office hit. Marlina the Murderer in Four Acts is earning the best reviews of the week, but it is a foreign-language film, so its box office chances are weak. Never Steady, Never Still is the film I’m most interested in. Its reviews are solid and it is also a Canadian movie.
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2016 Preview: May
May 1st, 2016
April started on a soft note and ended weak, but thanks to The Jungle Book, overall the month was actually really good. That's what happens when you get a surprise $300 million hit. This bodes well for May, which is both a slow month and a fantastic month. There are only four weekends and only eight movies coming out, but of those eight films, five have a shot at $100 million. The potential blockbusters are led by Captain America: Civil War, which is not only going to be the biggest hit of the month, but according to a Fandango survey, it is the most anticipated film of the summer. (On a side note, Finding Dory is the most anticipated family film of the summer and Ghostbusters is the most anticipated comedy of the summer. I was surprised by the last result.) Both Alice Through the Looking Glass and X-Men: Apocalypse have real shots at $200 million. One of them could get to $300 million, if they weren't opening against each other. Overall, the month looks excellent. Even better, last May there was only one monster hit, The Avengers: Age of Ultron, and most analysts think Captain America: Civil War will beat it at the box office. (There's also the issue of the misalignment in the weekends, which hurt April, but will really help May.)
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2015 Preview: October
October 1st, 2015
September ended on a record note with the debut of Hotel Transylvania 2. Additionally, there was great depth and 2015's lead over 2014 grew to nearly $500 million. How do things look going forward? The month starts out with The Martian, which should have no trouble becoming the biggest hit of the month and might even top $200 million. On the other hand, no other film is expected to get to $100 million. There's only one or two that will even come close. Fortunately, last October was very similar with one $100 million hit, Gone Girl, while two other films came close, Annabelle and Fury. It looks like it will be up to the depth films from both years to determine which year comes out on top.
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Between Zero and 20,000 Limited Releases
September 19th, 2014
It's an overly busy week for limited releases with nearly two-dozen films on this week's list. There are a number of films on this week's list that are earning outstanding reviews, like 20,000 Days on Earth, or strong buzz, like The Zero Theorem. But there are not a lot earning both. Films like Stop the Pounding Heart or The Guest will likely not live up to their Tomatometer Scores. Tracks is probably the film with the best chance at breakout success.
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All Acting Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Mar 15, 2024 | Club Zero | $40,755 | $40,755 | ||
Mar 3, 2023 | Blueback | Abby Jackson | $1,714,711 | $1,714,711 | |
Oct 15, 2021 | Bergman Island | $145,191 | $906,223 | $1,051,414 | |
Sep 18, 2020 | Blackbird | Anna | $1,824,775 | $1,824,775 | |
Sep 16, 2020 | The Devil All the Time | ||||
Jun 5, 2020 | Judy & Punch | Judy | $139,886 | $139,886 | |
Feb 1, 2019 | Piercing | Jackie | $15,856 | $132,875 | $148,731 |
Jun 22, 2018 | Damsel | Penelope | $305,136 | $17,312 | $322,448 |
May 27, 2016 | Alice Through the Look… | Alice | $77,042,381 | $199,885,731 | $276,928,112 |
Oct 16, 2015 | Crimson Peak | Edith Cushing | $31,090,320 | $43,876,534 | $74,966,854 |
May 9, 2015 | Madame Bovary | Emma Bovary | $44,234 | $663,871 | $708,105 |
Feb 27, 2015 | Maps to the Stars | Agatha Weiss | $350,741 | $533,395 | $884,136 |
Sep 19, 2014 | Tracks | Robyn Davidson | $509,815 | $6,896,415 | $7,406,230 |
May 9, 2014 | The Double | Hannah | $200,406 | $2,065,775 | $2,266,181 |
Apr 11, 2014 | Only Lovers Left Alive | Ava | $1,876,685 | $1,124,214 | $3,000,899 |
Mar 1, 2013 | Stoker | India Stoker | $1,703,125 | $10,331,788 | $12,034,913 |
Aug 29, 2012 | Lawless | Bertha Minnix | $37,397,291 | $16,996,396 | $54,393,687 |
Dec 21, 2011 | Albert Nobbs | Helen | $3,014,696 | $5,524,307 | $8,539,003 |
Sep 16, 2011 | Restless | Annabel Cotton | $163,753 | $2,608,758 | $2,772,511 |
Mar 11, 2011 | Jane Eyre | Jane Eyre | $11,242,660 | $22,741,195 | $33,983,855 |
Jul 9, 2010 | The Kids Are All Right | Joni | $20,811,365 | $15,464,104 | $36,275,469 |
Mar 5, 2010 | Alice in Wonderland | Alice | $334,191,110 | $691,300,000 | $1,025,491,110 |
Nov 6, 2009 | That Evening Sun | $281,350 | $281,350 | ||
Oct 23, 2009 | Amelia | $14,279,575 | $5,476,502 | $19,756,077 | |
Jan 16, 2009 | Defiance | Chaya Dziencieslky | $28,644,813 | $24,342,941 | $52,987,754 |
Apr 25, 2008 | Rogue | Sherry | $10,452 | $4,662,925 | $4,673,377 |
Averages | $26,824,807 | $44,136,308 | $64,903,694 | ||
Totals | 26 | $563,320,955 | $1,059,271,388 | $1,622,592,343 |
Leading or Lead Ensemble Roles
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Mar 15, 2024 | Club Zero | $40,755 | ||||
Mar 3, 2023 | Blueback | $1,714,711 | ||||
Sep 18, 2020 | Blackbird | $1,824,775 | ||||
Sep 16, 2020 | The Devil All the Time | |||||
Jun 5, 2020 | Judy & Punch | $139,886 | ||||
Feb 1, 2019 | Piercing | $8,752 | 18 | $15,856 | $148,731 | 10.7% |
Jun 22, 2018 | Damsel | $20,291 | 42 | $305,136 | $322,448 | 94.6% |
May 27, 2016 | Alice Through the Look… | $26,858,726 | 3,763 | $77,042,381 | $276,928,112 | 27.8% |
Oct 16, 2015 | Crimson Peak | $13,143,310 | 2,991 | $31,090,320 | $74,966,854 | 41.5% |
May 9, 2015 | Madame Bovary | $20,841 | 15 | $44,234 | $708,105 | 6.2% |
Feb 27, 2015 | Maps to the Stars | $143,422 | 66 | $350,741 | $884,136 | 39.7% |
Sep 19, 2014 | Tracks | $13,285 | 67 | $509,815 | $7,406,230 | 6.9% |
May 9, 2014 | The Double | $14,646 | 16 | $200,406 | $2,266,181 | 8.8% |
Mar 1, 2013 | Stoker | $160,547 | 275 | $1,703,125 | $12,034,913 | 14.2% |
Aug 29, 2012 | Lawless | $10,001,982 | 3,138 | $37,397,291 | $54,393,687 | 68.8% |
Mar 11, 2011 | Jane Eyre | $182,885 | 319 | $11,242,660 | $33,983,855 | 33.1% |
Jul 9, 2010 | The Kids Are All Right | $491,971 | 994 | $20,811,365 | $36,275,469 | 57.4% |
Averages | $4,255,055 | 975 | $15,059,444 | $31,502,428 | 34.1% | |
Totals | 17 | $180,713,330 | $504,038,848 |
Supporting Roles
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Oct 15, 2021 | Bergman Island | $55,964 | 115 | $145,191 | $1,051,414 | 13.8% |
Apr 11, 2014 | Only Lovers Left Alive | $87,989 | 95 | $1,876,685 | $3,000,899 | 62.5% |
Dec 21, 2011 | Albert Nobbs | 245 | $3,014,696 | $8,539,003 | 35.3% | |
Sep 16, 2011 | Restless | $15,467 | 126 | $163,753 | $2,772,511 | 5.9% |
Mar 5, 2010 | Alice in Wonderland | $116,101,023 | 3,739 | $334,191,110 | $1,025,491,110 | 32.6% |
Nov 6, 2009 | That Evening Sun | $7,330 | 11 | $281,350 | $281,350 | 100.0% |
Oct 23, 2009 | Amelia | $3,904,047 | 1,070 | $14,279,575 | $19,756,077 | 72.3% |
Jan 16, 2009 | Defiance | $123,513 | 1,793 | $28,644,813 | $52,987,754 | 54.1% |
Apr 25, 2008 | Rogue | $7,711 | 10 | $10,452 | $4,673,377 | 0.2% |
Averages | $15,037,881 | 800 | $42,511,958 | $124,283,722 | 41.9% | |
Totals | 9 | $382,607,625 | $1,118,553,495 |