Krysty Wilson-Cairns
Best known as a Screenwriter based on credits in that role in 4 films, with $411,723,021 worldwide aggregate box office (rank #695) |
Best-known technical roles: 1917 (Screenwriter), Last Night in Soho (Screenwriter) |
Most productive collaborators: Dean-Charles Chapman, Sam Mendes, George MacKay, Daniel Mays, Colin Firth |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Screenwriter | 4 | $169,355,269 | $242,367,752 | $411,723,021 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Screenwriter at the Domestic Box Office (Rank 701-800) | 769 | $169,355,269 |
Top Grossing Screenwriter at the International Box Office (Rank 601-700) | 647 | $242,367,752 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 601-700) | 695 | $411,723,021 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2020 Awards Season: Oscar Highlight: Best Original Screenplay
February 6th, 2020
Our annual Oscar Prediction contest is underway so now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. We are continuing our shortened schedule with Best Original Screenplay. We have yet another close race with two films that are practically a coin-toss away from being the winner.
More...
2020 Awards Season: Oscar Nominations
January 13th, 2020
The Oscar nominations were announced on Monday, and the results were... well, there were some puzzling results. Joker led the way with eleven nominations. ... A film with 69% positive reviews earned the most nominations. It’s not the worst-reviewed movie to earn a Best Picture Nomination—after all, Bohemian Rhapsody was nominated just last year. However, this film is arguably the worst-reviewed movie to ever earn the most nominations in a single year.
More...
2020 Preview: January
January 1st, 2020
It’s the year 2020, the year where we find out how many times you can say, “Well, hindsight is 20/20.” before you get punched. On the positive side, while December wasn’t a great month, it was good enough to help 2019 end on a positive note, a positive note that should continue into January. There are no real potential monster hits coming out this month, but there are three films that have a real shot at $100 million domestically. These are, in alphabetical order, 1917, which will rely on Awards Season to get to the century mark. Bad Boys for Life will have a much, much easier time getting to $100 million, assuming people still care about the franchise 17 years later. Finally, Dolittle is looking like a disaster with a really troubled production; however, a $100 million run isn’t out of the question and if it can get there, it will at least save face. As for last January, Glass was the biggest hit of the month in terms of raw dollars, but The Upside was more impressive, as it is one the biggest hits in STX Entertainment’s history. We need two of the three potential $100 million hits to reach that mark to keep pace with last year, but we also have one more weekend to get there.
More...
All Acting Credits
All Technical Credits
Register with The Numbers for free to customize this chart.
Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
May 22, 2026 | Untitled Star Wars Movie | Co-writer | |||
Oct 19, 2022 | The Good Nurse | Screenwriter | $14,974 | $14,974 | |
Oct 29, 2021 | Last Night in Soho | Screenwriter | $10,127,625 | $12,439,982 | $22,567,607 |
Dec 25, 2019 | 1917 | Screenwriter | $159,227,644 | $229,912,796 | $389,140,440 |
Averages | $84,677,635 | $80,789,251 | $137,241,007 | ||
Totals | 4 | $169,355,269 | $242,367,752 | $411,723,021 |
Writer Credits
Register with The Numbers for free to customize this chart.
Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
May 22, 2026 | Untitled Star Wars Movie | |||||
Oct 19, 2022 | The Good Nurse | $14,974 | ||||
Oct 29, 2021 | Last Night in Soho | $4,178,460 | 3,016 | $10,127,625 | $22,567,607 | 44.9% |
Dec 25, 2019 | 1917 | $576,216 | 3,987 | $159,227,644 | $389,140,440 | 40.9% |
Averages | $2,377,338 | 3,502 | $84,677,635 | $137,241,007 | 42.9% | |
Totals | 4 | $169,355,269 | $411,723,021 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Screenwriter at the Domestic Box Office (Rank 701-800) | 769 | $169,355,269 |
Top Grossing Screenwriter at the International Box Office (Rank 601-700) | 647 | $242,367,752 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 601-700) | 695 | $411,723,021 |