Last Night in Soho (2021)

Last Night in Soho
Theatrical Performance
Domestic Box Office $10,127,625Details
International Box Office $12,439,982Details
Worldwide Box Office $22,567,607
Home Market Performance
Est. Domestic DVD Sales $235,233 Details
Est. Domestic Blu-ray Sales $1,079,426 Details
Total Est. Domestic Video Sales $1,314,659
Further financial details...

Synopsis

A young girl, passionate in fashion design, is mysteriously able to enter the 1960s, where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it appears, and time seems to fall apart with shady consequences…

Metrics

Opening Weekend:$4,178,460 (41.3% of total gross)
Legs:2.42 (domestic box office/biggest weekend)
Domestic Share:44.9% (domestic box office/worldwide)
Production Budget:$43,000,000 (worldwide box office is 0.5 times production budget)
Theater counts:3,016 opening theaters/3,016 max. theaters, 2.6 weeks average run per theater
Infl. Adj. Dom. BO $10,735,080

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon EST, Amazon 4K UHD EST
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: October 29th, 2021 (Wide) by Focus Features
International Releases: October 27th, 2021 (Wide) (France)
October 28th, 2021 (Wide), released as 苏豪的最后一夜 (Hong Kong)
October 28th, 2021 (Wide), released as El Misterio De Soho (Mexico)
October 28th, 2021 (Wide), released as A Noite Passada em Soho (Portugal)
October 28th, 2021 (Wide) (Saudi Arabia)
... Show all releases
Video Release: January 4th, 2022 by Universal Home Entertainment
MPAA Rating: R for bloody violence, sexual content, language, brief drug material and brief graphic nudity.
(Rating bulletin 2700 (cert #52238), 9/29/2021)
Running Time: 116 minutes
Comparisons: vs. Bad Times at the El Royale
Create your own comparison chart…
Keywords: Psychological Thriller, Set in London, 1960s, Time Travel, Body Swap, Posthumous Release
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Focus Features, Film4, Working Title Films
Production Countries: United Kingdom, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Halloween (All Movies, 3-Day, Inflation Adjusted) 315 $5,039,122 Oct 29, 2021 3
Halloween (Opening, 3-Day) 55 $4,178,460 Oct 29, 2021 3
Halloween (Opening, 3-Day, Inflation Adjusted) 76 $5,039,122 Oct 29, 2021 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 29, 2021 7 $4,178,460   3,016 $1,385   $4,178,460 1
Nov 5, 2021 10 $1,801,875 -57% 3,016 $597   $7,640,510 2
Nov 12, 2021 - $839,355 -53% 1,341 $626   $9,366,235 3
Nov 19, 2021 - $234,110 -72% 389 $602   $9,968,465 4
Nov 26, 2021 - $53,255 -77% 110 $484   $10,107,485 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Oct 29, 2021 5 $1,907,305     3,016 $632   $1,907,305 1
Oct 30, 2021 9 $1,310,185 -31%   3,016 $434   $3,217,490 2
Oct 31, 2021 7 $960,970 -27%   3,016 $319   $4,178,460 3
Nov 1, 2021 - $422,295 -56%   3,016 $140   $4,600,755 4
Nov 2, 2021 4 $532,490 +26%   3,016 $177   $5,133,245 5
Nov 3, 2021 5 $403,605 -24%   3,016 $134   $5,536,850 6
Nov 4, 2021 - $301,785 -25%   3,016 $100   $5,838,635 7
Nov 5, 2021 10 $580,315 +92% -70% 3,016 $192   $6,418,950 8
Nov 6, 2021 10 $749,060 +29% -43% 3,016 $248   $7,168,010 9
Nov 7, 2021 10 $472,500 -37% -51% 3,016 $157   $7,640,510 10
Nov 8, 2021 8 $183,570 -61% -57% 3,016 $61   $7,824,080 11
Nov 9, 2021 7 $228,280 +24% -57% 3,016 $76   $8,052,360 12
Nov 10, 2021 9 $207,040 -9% -49% 3,016 $69   $8,259,400 13
Nov 11, 2021 9 $267,480 +29% -11% 3,016 $89   $8,526,880 14
Nov 12, 2021 - $274,320 +3% -53% 1,341 $205   $8,801,200 15
Nov 13, 2021 - $352,185 +28% -53% 1,341 $263   $9,153,385 16
Nov 14, 2021 - $212,850 -40% -55% 1,341 $159   $9,366,235 17
Nov 15, 2021 - $86,610 -59% -53% 1,341 $65   $9,452,845 18
Nov 16, 2021 - $113,385 +31% -50% 1,341 $85   $9,566,230 19
Nov 17, 2021 10 $100,425 -11% -51% 1,341 $75   $9,666,655 20
Nov 18, 2021 - $67,700 -33% -75% 1,341 $50   $9,734,355 21
Nov 19, 2021 - $73,500 +9% -73% 389 $189   $9,807,855 22
Nov 20, 2021 - $95,620 +30% -73% 389 $246   $9,903,475 23
Nov 21, 2021 - $64,990 -32% -69% 389 $167   $9,968,465 24
Nov 22, 2021 - $36,610 -44% -58% 389 $94   $10,005,075 25
Nov 23, 2021 - $26,690 -27% -76% 389 $69   $10,031,765 26
Nov 24, 2021 - $12,460 -53% -88% 110 $113   $10,044,225 27
Nov 25, 2021 - $10,005 -20% -85% 110 $91   $10,054,230 28
Nov 26, 2021 - $18,860 +89% -74% 110 $171   $10,073,090 29
Nov 27, 2021 - $22,355 +19% -77% 110 $203   $10,095,445 30
Nov 28, 2021 - $12,040 -46% -81% 110 $109   $10,107,485 31
Nov 29, 2021 - $5,485 -54% -85% 110 $50   $10,112,970 32
Nov 30, 2021 - $8,680 +58% -67% 110 $79   $10,121,650 33
Dec 1, 2021 - $5,975 -31% -52% 110 $54   $10,127,625 34

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 29, 2021 6 $5,838,635   3,016 $1,936   $5,838,635 1
Nov 5, 2021 - $2,688,245 -54% 3,016 $891   $8,526,880 2
Nov 12, 2021 - $1,207,475 -55% 1,341 $900   $9,734,355 3
Nov 19, 2021 - $319,875 -74% 110 $2,908   $10,054,230 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/18/2021 $40,000 80 80 80 $40,000 10/20/2022
Australia 11/18/2021 $309,665 249 249 668 $844,980 10/20/2022
Brazil 11/18/2021 $78,000 258 258 258 $78,000 10/20/2022
Croatia 11/4/2021 $0 0 1 2 $21,315 8/10/2022
Czech Republic 11/12/2021 $28,955 108 108 200 $68,649 10/20/2022
Denmark 11/25/2021 $21,000 49 49 49 $21,000 10/20/2022
Finland 11/12/2021 $29,336 54 54 128 $81,468 10/20/2022
France 10/27/2021 $309,000 189 189 390 $614,000 11/15/2021
Germany 11/11/2021 $376,000 273 273 545 $628,000 10/20/2022
Hong Kong 10/28/2021 $109,000 45 45 45 $109,000 10/20/2022
Indonesia 11/5/2021 $128,000 346 346 346 $128,000 10/20/2022
Italy 11/4/2021 $218,217 0 1 2 $392,427 10/20/2022
Japan 12/10/2021 $530,000 204 204 204 $530,000 10/20/2022
Lithuania 10/29/2021 $0000$0
Mexico 10/28/2021 $248,163 0 140 140 $793,870 10/20/2022
Netherlands 11/4/2021 $88,700 74 74 289 $338,704 12/6/2021
New Zealand 11/11/2021 $37,086 59 59 219 $118,285 10/20/2022
Portugal 10/28/2021 $28,556 34 34 63 $49,749 10/20/2022
Romania 10/29/2021 $16,064 75 75 231 $59,514 10/20/2022
Russia (CIS) 11/25/2021 $269,231 919 919 1,758 $681,217 10/22/2022
Saudi Arabia 10/28/2021 $176,000 43 43 108 $453,000 10/20/2022
Singapore 11/25/2021 $34,000 30 30 30 $34,000 10/20/2022
Slovakia 11/11/2021 $11,927 47 47 85 $25,408 1/21/2022
South Africa 11/25/2021 $7,000 35 35 35 $7,000 10/20/2022
South Korea 12/1/2021 $145,383 498 498 711 $382,248 2/16/2022
Spain 11/19/2021 $232,851 295 300 688 $487,601 12/9/2021
Sweden 11/12/2021 $49,000 121 121 121 $49,000 10/20/2022
Taiwan 11/12/2021 $75,000 86 86 86 $75,000 10/20/2022
Thailand 12/9/2021 $36,000 57 57 57 $36,000 10/20/2022
Trinidad 11/19/2021 $2,000 9 9 9 $2,000 10/20/2022
Turkey 11/12/2021 $19,108 76 94 289 $123,090 10/20/2022
United Kingdom 10/29/2021 $1,001,711 513 513 1,736 $2,856,176 11/1/2023
 
Rest of World $2,311,281
 
International Total$12,439,982 11/1/2023

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 23, 2022174,958 5,410$117,455$117,4553
Jan 30, 2022203,129-37% 8,539$74,126$191,5814

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 23, 2022324,427 24,427$560,600$560,6003
Jan 30, 202278,202-66% 32,629$194,305$754,9054
Feb 6, 2022123,996-51% 36,625$94,665$849,5705

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

DateRank
Jan 22, 202217

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Thomasin McKenzie Eloise Turner
Anya Taylor-Joy Sandie
Matt Smith Jack
Michael Ajao John

Supporting Cast

Dame Diana Rigg* Miss Collins
Terence Stamp Silver Haired Gentleman
Rita Tushingham Peggy Turner
Synnøve Karlsen Jocasta
Jessie Mei Li Lara
Kassius Nelson Cami
Rebecca Harrod Ashley
Margaret Nolan Sage Barmaid
Lisa McGrillis Female Detective
James Phelps Charles
Oliver Phelps Ben
Amieé Cassettari Eloise’s Mother
Colin Mace Taxi Driver #1
Alan Mahon Toucan Bartender
Connor Calland Drunk Student
Pauline McLynn Carol
Josh Zaré Student at Party
Jacqui-Lee Pryce College Administrator
Elizabeth Berrington Ms Tobin
Beth Singh Cilla Black
Paul Brightwell Cubby
Will Rogers Café de Paris Bartender
Terence Frisch Rialto Club Owner
Celeste Dring Shop Assistant
Jeanie Wishes Marionetta
Andrew Bicknell Mr Pointer
Adam Sopp Toucan Drunk
Richard Corgan Toucan Drunk’s Mate
Michael Mears Punter #1
Tom Hartwell Punter #2
Paul Hamilton Punter #3
Wayne Cater Punter #4
Sam Parks Punter #6
Alan Ruscoe Punter #7
Christopher Carrico Additional Punters
Ian Harrod Additional Punters
Ian Hartley Additional Punters
Luke Hope Additional Punters
Kent Goldfinch Additional Punters
Maggott Richard* Additional Punters
O'Sullivan* Additional Punters
Michael Jibson Male Detective
Al Roberts Librarian
Derek Lea Taxi Driver #2
Jennifer White Choreographer
Melissa Fox Rialto Dancers
Jodie Hassell Rialto Dancers
Stephanie Lamey Rialto Dancers
Amy Andrea Murray Rialto Dancers
Alison Parsons Rialto Dancers
Ashley Shaw Rialto Dancers

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Edgar Wright Director
Edgar Wright Story by
Edgar Wright Screenwriter
Krysty Wilson-Cairns Screenwriter
Nira Park Producer
Tim Bevan Producer
Eric Fellner Producer
Edgar Wright Producer
James Biddle Executive Producer
Rachael Prior Executive Producer
Daniel Battsek Executive Producer
Ollie Madden Executive Producer
Chung Chung-hoon Director of Photography
Marcus Rowland Production Designer
Paul Machliss Editor
Odile Dicks-Mireaux Costume Designer
Lizzie Yianni Georgiou Make-up and Hair Designer
Steven Price Music
Tom Proctor Visual Effects Supervisor
Nina Gold Casting
Martin Ware Casting
Jeremy Burnage Unit Production Manager
Richard Graysmark First Assistant Director
David Forman Stunt Coordinator
Leo Thompson Associate Producer
Miranda Jones Post-Production Supervisor
Jeremy Lovering Second Unit Director
Oliver Curtis Second Unit Director of Phot
Camilla Stephenson Supervising Location Manager
Jude Farr Set Decorator
Jerry Ramsbottom First Assistant Editor
Paula Casarin Script Supervisor
Laura Richardson Associate Producer
Colin Nicolson Production Sound Mixer
Julian Slater Supervising Sound Editor
Dan Morgan Supervising Sound Editor
Kirsten Lane Music Supervisor
Stephen Hutchinson Special Effects Supervisor
Tim Blake Supervising Art Director
Victoria Allwood Art Director
Katie Money Art Director
Emily Norris Art Director
Alex Watherston Costume Supervisor
Barrie Gower Prosthetics Designer
Bradley Farmer Music Editor
Lisa Curry Production Supervisor
Jeremy Price Sound Designer
Ben Meechan Sound Designer
Samir Foco Sound Effects Editor
Arthur Graley Sound Effects Editor
Paul Pirola Foley Supervisor
Brendan Croxon Foley Editor
Duncan Campbell Foley Recordist
Danny Huerta VFX Producer
Kate Warburton VFX Executive Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend estimates: top three stay the same as bevy of new releases fight over the scraps

October 31st, 2021

Dune

There was something for everyone in movie theaters this weekend, but the combination of Halloween falling on the weekend and too much competition made going tough for the six films either opening, expanding, or being re-issued in wide release. The competition hit Dune a touch harder than our model expected, but it will easily remain the top film at the box office, with $15.53 million taking it to $69.4 million in total after 10 days. With another $21.4 million from international markets, it now has $292.1 million worldwide so far. More...

Weekend predictions: moviegoers spoilt for choice this weekend

October 29th, 2021

Dune

After four straight weekends with a movie opening to over $40 million, the market is taking a bit of a breather this weekend, at least in the sense of there being a “must see” film for general audiences. However, with no less than six films either opening or expanding wide, the number of options available to moviegoers is the largest its been in a long while. Our model thinks three new releases and the one wide expansion will land in the top ten, but Dune is the overwhelming favorite to win the weekend, even if it does fall fairly sharply from its $41-million opening. More...

Last Night in Soho trailer

October 7th, 2021

Edgar Wright’s psychological thriller, starring Thomasin McKenzie, Anya Taylor-Joy, Matt Smith and Michael Ajao opens in theaters on October 29 ... Full Movie Details.

A young girl, passionate in fashion design, is mysteriously able to enter the 1960s, where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it appears, and time seems to fall apart with shady consequences… More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A young girl, passionate in fashion design, is mysteriously able to enter the 1960s, where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it appears, and time seems to fall apart with shady consequences…

Metrics

Opening Weekend:$4,178,460 (41.3% of total gross)
Legs:2.42 (domestic box office/biggest weekend)
Domestic Share:44.9% (domestic box office/worldwide)
Production Budget:$43,000,000 (worldwide box office is 0.5 times production budget)
Theater counts:3,016 opening theaters/3,016 max. theaters, 2.6 weeks average run per theater
Infl. Adj. Dom. BO $10,735,080

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon EST, Amazon 4K UHD EST
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: October 29th, 2021 (Wide) by Focus Features
International Releases: October 27th, 2021 (Wide) (France)
October 28th, 2021 (Wide), released as 苏豪的最后一夜 (Hong Kong)
October 28th, 2021 (Wide), released as El Misterio De Soho (Mexico)
October 28th, 2021 (Wide), released as A Noite Passada em Soho (Portugal)
October 28th, 2021 (Wide) (Saudi Arabia)
... Show all releases
Video Release: January 4th, 2022 by Universal Home Entertainment
MPAA Rating: R for bloody violence, sexual content, language, brief drug material and brief graphic nudity.
(Rating bulletin 2700 (cert #52238), 9/29/2021)
Running Time: 116 minutes
Comparisons: vs. Bad Times at the El Royale
Create your own comparison chart…
Keywords: Psychological Thriller, Set in London, 1960s, Time Travel, Body Swap, Posthumous Release
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Focus Features, Film4, Working Title Films
Production Countries: United Kingdom, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Halloween (All Movies, 3-Day, Inflation Adjusted) 315 $5,039,122 Oct 29, 2021 3
Halloween (Opening, 3-Day) 55 $4,178,460 Oct 29, 2021 3
Halloween (Opening, 3-Day, Inflation Adjusted) 76 $5,039,122 Oct 29, 2021 3

Leading Cast

Thomasin McKenzie Eloise Turner
Anya Taylor-Joy Sandie
Matt Smith Jack
Michael Ajao John

Supporting Cast

Dame Diana Rigg* Miss Collins
Terence Stamp Silver Haired Gentleman
Rita Tushingham Peggy Turner
Synnøve Karlsen Jocasta
Jessie Mei Li Lara
Kassius Nelson Cami
Rebecca Harrod Ashley
Margaret Nolan Sage Barmaid
Lisa McGrillis Female Detective
James Phelps Charles
Oliver Phelps Ben
Amieé Cassettari Eloise’s Mother
Colin Mace Taxi Driver #1
Alan Mahon Toucan Bartender
Connor Calland Drunk Student
Pauline McLynn Carol
Josh Zaré Student at Party
Jacqui-Lee Pryce College Administrator
Elizabeth Berrington Ms Tobin
Beth Singh Cilla Black
Paul Brightwell Cubby
Will Rogers Café de Paris Bartender
Terence Frisch Rialto Club Owner
Celeste Dring Shop Assistant
Jeanie Wishes Marionetta
Andrew Bicknell Mr Pointer
Adam Sopp Toucan Drunk
Richard Corgan Toucan Drunk’s Mate
Michael Mears Punter #1
Tom Hartwell Punter #2
Paul Hamilton Punter #3
Wayne Cater Punter #4
Sam Parks Punter #6
Alan Ruscoe Punter #7
Christopher Carrico Additional Punters
Ian Harrod Additional Punters
Ian Hartley Additional Punters
Luke Hope Additional Punters
Kent Goldfinch Additional Punters
Maggott Richard* Additional Punters
O'Sullivan* Additional Punters
Michael Jibson Male Detective
Al Roberts Librarian
Derek Lea Taxi Driver #2
Jennifer White Choreographer
Melissa Fox Rialto Dancers
Jodie Hassell Rialto Dancers
Stephanie Lamey Rialto Dancers
Amy Andrea Murray Rialto Dancers
Alison Parsons Rialto Dancers
Ashley Shaw Rialto Dancers

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Edgar Wright Director
Edgar Wright Story by
Edgar Wright Screenwriter
Krysty Wilson-Cairns Screenwriter
Nira Park Producer
Tim Bevan Producer
Eric Fellner Producer
Edgar Wright Producer
James Biddle Executive Producer
Rachael Prior Executive Producer
Daniel Battsek Executive Producer
Ollie Madden Executive Producer
Chung Chung-hoon Director of Photography
Marcus Rowland Production Designer
Paul Machliss Editor
Odile Dicks-Mireaux Costume Designer
Lizzie Yianni Georgiou Make-up and Hair Designer
Steven Price Music
Tom Proctor Visual Effects Supervisor
Nina Gold Casting
Martin Ware Casting
Jeremy Burnage Unit Production Manager
Richard Graysmark First Assistant Director
David Forman Stunt Coordinator
Leo Thompson Associate Producer
Miranda Jones Post-Production Supervisor
Jeremy Lovering Second Unit Director
Oliver Curtis Second Unit Director of Phot
Camilla Stephenson Supervising Location Manager
Jude Farr Set Decorator
Jerry Ramsbottom First Assistant Editor
Paula Casarin Script Supervisor
Laura Richardson Associate Producer
Colin Nicolson Production Sound Mixer
Julian Slater Supervising Sound Editor
Dan Morgan Supervising Sound Editor
Kirsten Lane Music Supervisor
Stephen Hutchinson Special Effects Supervisor
Tim Blake Supervising Art Director
Victoria Allwood Art Director
Katie Money Art Director
Emily Norris Art Director
Alex Watherston Costume Supervisor
Barrie Gower Prosthetics Designer
Bradley Farmer Music Editor
Lisa Curry Production Supervisor
Jeremy Price Sound Designer
Ben Meechan Sound Designer
Samir Foco Sound Effects Editor
Arthur Graley Sound Effects Editor
Paul Pirola Foley Supervisor
Brendan Croxon Foley Editor
Duncan Campbell Foley Recordist
Danny Huerta VFX Producer
Kate Warburton VFX Executive Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend estimates: top three stay the same as bevy of new releases fight over the scraps

October 31st, 2021

Dune

There was something for everyone in movie theaters this weekend, but the combination of Halloween falling on the weekend and too much competition made going tough for the six films either opening, expanding, or being re-issued in wide release. The competition hit Dune a touch harder than our model expected, but it will easily remain the top film at the box office, with $15.53 million taking it to $69.4 million in total after 10 days. With another $21.4 million from international markets, it now has $292.1 million worldwide so far. More...

Weekend predictions: moviegoers spoilt for choice this weekend

October 29th, 2021

Dune

After four straight weekends with a movie opening to over $40 million, the market is taking a bit of a breather this weekend, at least in the sense of there being a “must see” film for general audiences. However, with no less than six films either opening or expanding wide, the number of options available to moviegoers is the largest its been in a long while. Our model thinks three new releases and the one wide expansion will land in the top ten, but Dune is the overwhelming favorite to win the weekend, even if it does fall fairly sharply from its $41-million opening. More...

Last Night in Soho trailer

October 7th, 2021

Edgar Wright’s psychological thriller, starring Thomasin McKenzie, Anya Taylor-Joy, Matt Smith and Michael Ajao opens in theaters on October 29 ... Full Movie Details.

A young girl, passionate in fashion design, is mysteriously able to enter the 1960s, where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it appears, and time seems to fall apart with shady consequences… More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 29, 2021 7 $4,178,460   3,016 $1,385   $4,178,460 1
Nov 5, 2021 10 $1,801,875 -57% 3,016 $597   $7,640,510 2
Nov 12, 2021 - $839,355 -53% 1,341 $626   $9,366,235 3
Nov 19, 2021 - $234,110 -72% 389 $602   $9,968,465 4
Nov 26, 2021 - $53,255 -77% 110 $484   $10,107,485 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Oct 29, 2021 5 $1,907,305     3,016 $632   $1,907,305 1
Oct 30, 2021 9 $1,310,185 -31%   3,016 $434   $3,217,490 2
Oct 31, 2021 7 $960,970 -27%   3,016 $319   $4,178,460 3
Nov 1, 2021 - $422,295 -56%   3,016 $140   $4,600,755 4
Nov 2, 2021 4 $532,490 +26%   3,016 $177   $5,133,245 5
Nov 3, 2021 5 $403,605 -24%   3,016 $134   $5,536,850 6
Nov 4, 2021 - $301,785 -25%   3,016 $100   $5,838,635 7
Nov 5, 2021 10 $580,315 +92% -70% 3,016 $192   $6,418,950 8
Nov 6, 2021 10 $749,060 +29% -43% 3,016 $248   $7,168,010 9
Nov 7, 2021 10 $472,500 -37% -51% 3,016 $157   $7,640,510 10
Nov 8, 2021 8 $183,570 -61% -57% 3,016 $61   $7,824,080 11
Nov 9, 2021 7 $228,280 +24% -57% 3,016 $76   $8,052,360 12
Nov 10, 2021 9 $207,040 -9% -49% 3,016 $69   $8,259,400 13
Nov 11, 2021 9 $267,480 +29% -11% 3,016 $89   $8,526,880 14
Nov 12, 2021 - $274,320 +3% -53% 1,341 $205   $8,801,200 15
Nov 13, 2021 - $352,185 +28% -53% 1,341 $263   $9,153,385 16
Nov 14, 2021 - $212,850 -40% -55% 1,341 $159   $9,366,235 17
Nov 15, 2021 - $86,610 -59% -53% 1,341 $65   $9,452,845 18
Nov 16, 2021 - $113,385 +31% -50% 1,341 $85   $9,566,230 19
Nov 17, 2021 10 $100,425 -11% -51% 1,341 $75   $9,666,655 20
Nov 18, 2021 - $67,700 -33% -75% 1,341 $50   $9,734,355 21
Nov 19, 2021 - $73,500 +9% -73% 389 $189   $9,807,855 22
Nov 20, 2021 - $95,620 +30% -73% 389 $246   $9,903,475 23
Nov 21, 2021 - $64,990 -32% -69% 389 $167   $9,968,465 24
Nov 22, 2021 - $36,610 -44% -58% 389 $94   $10,005,075 25
Nov 23, 2021 - $26,690 -27% -76% 389 $69   $10,031,765 26
Nov 24, 2021 - $12,460 -53% -88% 110 $113   $10,044,225 27
Nov 25, 2021 - $10,005 -20% -85% 110 $91   $10,054,230 28
Nov 26, 2021 - $18,860 +89% -74% 110 $171   $10,073,090 29
Nov 27, 2021 - $22,355 +19% -77% 110 $203   $10,095,445 30
Nov 28, 2021 - $12,040 -46% -81% 110 $109   $10,107,485 31
Nov 29, 2021 - $5,485 -54% -85% 110 $50   $10,112,970 32
Nov 30, 2021 - $8,680 +58% -67% 110 $79   $10,121,650 33
Dec 1, 2021 - $5,975 -31% -52% 110 $54   $10,127,625 34

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 29, 2021 6 $5,838,635   3,016 $1,936   $5,838,635 1
Nov 5, 2021 - $2,688,245 -54% 3,016 $891   $8,526,880 2
Nov 12, 2021 - $1,207,475 -55% 1,341 $900   $9,734,355 3
Nov 19, 2021 - $319,875 -74% 110 $2,908   $10,054,230 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/18/2021 $40,000 80 80 80 $40,000 10/20/2022
Australia 11/18/2021 $309,665 249 249 668 $844,980 10/20/2022
Brazil 11/18/2021 $78,000 258 258 258 $78,000 10/20/2022
Croatia 11/4/2021 $0 0 1 2 $21,315 8/10/2022
Czech Republic 11/12/2021 $28,955 108 108 200 $68,649 10/20/2022
Denmark 11/25/2021 $21,000 49 49 49 $21,000 10/20/2022
Finland 11/12/2021 $29,336 54 54 128 $81,468 10/20/2022
France 10/27/2021 $309,000 189 189 390 $614,000 11/15/2021
Germany 11/11/2021 $376,000 273 273 545 $628,000 10/20/2022
Hong Kong 10/28/2021 $109,000 45 45 45 $109,000 10/20/2022
Indonesia 11/5/2021 $128,000 346 346 346 $128,000 10/20/2022
Italy 11/4/2021 $218,217 0 1 2 $392,427 10/20/2022
Japan 12/10/2021 $530,000 204 204 204 $530,000 10/20/2022
Lithuania 10/29/2021 $0000$0
Mexico 10/28/2021 $248,163 0 140 140 $793,870 10/20/2022
Netherlands 11/4/2021 $88,700 74 74 289 $338,704 12/6/2021
New Zealand 11/11/2021 $37,086 59 59 219 $118,285 10/20/2022
Portugal 10/28/2021 $28,556 34 34 63 $49,749 10/20/2022
Romania 10/29/2021 $16,064 75 75 231 $59,514 10/20/2022
Russia (CIS) 11/25/2021 $269,231 919 919 1,758 $681,217 10/22/2022
Saudi Arabia 10/28/2021 $176,000 43 43 108 $453,000 10/20/2022
Singapore 11/25/2021 $34,000 30 30 30 $34,000 10/20/2022
Slovakia 11/11/2021 $11,927 47 47 85 $25,408 1/21/2022
South Africa 11/25/2021 $7,000 35 35 35 $7,000 10/20/2022
South Korea 12/1/2021 $145,383 498 498 711 $382,248 2/16/2022
Spain 11/19/2021 $232,851 295 300 688 $487,601 12/9/2021
Sweden 11/12/2021 $49,000 121 121 121 $49,000 10/20/2022
Taiwan 11/12/2021 $75,000 86 86 86 $75,000 10/20/2022
Thailand 12/9/2021 $36,000 57 57 57 $36,000 10/20/2022
Trinidad 11/19/2021 $2,000 9 9 9 $2,000 10/20/2022
Turkey 11/12/2021 $19,108 76 94 289 $123,090 10/20/2022
United Kingdom 10/29/2021 $1,001,711 513 513 1,736 $2,856,176 11/1/2023
 
Rest of World $2,311,281
 
International Total$12,439,982 11/1/2023

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 23, 2022174,958 5,410$117,455$117,4553
Jan 30, 2022203,129-37% 8,539$74,126$191,5814

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 23, 2022324,427 24,427$560,600$560,6003
Jan 30, 202278,202-66% 32,629$194,305$754,9054
Feb 6, 2022123,996-51% 36,625$94,665$849,5705

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

DateRank
Jan 22, 202217

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.