Meg LeFauve
Best known as a Screenwriter based on credits in that role in 4 films, with $1,184,337,380 worldwide aggregate box office (rank #209) |
Best-known technical roles: Captain Marvel (Story Creator), Inside Out (Screenwriter), The Good Dinosaur (Screenwriter), The Good Dinosaur (Story Creator) |
Most productive collaborators: Amy Poehler, Brie Larson, Anna Boden, Phyllis Smith, Samuel L. Jackson |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Screenwriter | 4 | $479,548,831 | $704,788,549 | $1,184,337,380 |
Story Creator | 2 | $549,916,959 | $913,430,172 | $1,463,347,131 | |
Executive Producer | 1 | $0 | $0 | $0 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Screenwriter at the Domestic Box Office (Rank 201-300) | 220 | $479,548,831 |
Top Grossing Story Creator at the Domestic Box Office | 57 | $549,916,959 |
Top Grossing Screenwriter at the International Box Office (Rank 201-300) | 210 | $704,788,549 |
Top Grossing Story Creator at the International Box Office | 59 | $913,430,172 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 201-300) | 209 | $1,184,337,380 |
Top Grossing Story Creator at the Worldwide Box Office | 62 | $1,463,347,131 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2015 Awards Season: Oscar Preview
February 28th, 2016
It’s Oscar day and, if all goes to plan, I will be live-blogging the ceremony tonight. Here is the list of nominees marked according to predictions from our readers, and my personal wishes. Nominees in Bold are the ones predicted to win by our readers (we’ll have a full rundown of the predictions at noon, after the contest ends). If I am predicting a different film, those are in Italics. Meanwhile, the nominees I want to win, but don’t think will win, are Underlined. There are a few categories where the film I really think deserves the award was not even nominated, plus a few I don’t have a real opinion on.
If you haven’t done so already, it’s not too late to enter our Oscar competition, and win all Best Picture nominees on Blu-ray or DVD.
More...
2015 Awards Season: Oscar Highlight: Best Original Screenplay
February 20th, 2016
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. The Best Original Screenplay category isn't the most lop-sided category we will highlight, but it is also not very competitive.
More...
2015 Awards Season: Oscars - Nominations
January 15th, 2016
The Oscar nominations were announced at 5:30 am Pacific time. Nothing is good that early in the morning. Worse still, this was a terrible year for snubs, especially when it comes to diversity of the nominees. The voters for the Oscars are 94% white and 77% male... but that's still more diverse than the list of nominees. The Revenant led the way with 12 nominations and it is expected to win a few of those, while it is a serious contender in most of the categories it was nominated in.
More...
2015 - Awards Season: BAFTA - Nominations
January 9th, 2016
The BAFTA nominations were announced and you can read them on their site... in alphabetical order. Alphabetical order is very useful in most circumstances, but not here. On the other hand, the nominees within each category are not presented in alphabetical order. ... Are the BAFTAs trolling us? As for the actual nominees, the big winners here are Bridge of Spies and Carol, both of which earned nine nominations. For Carol, this is just another impressive score, but this was a pleasant surprise for Bridge of Spies.
More...
2015 Preview: November
November 1st, 2015
October has come to an end and everyone should be happy about that. Except for The Martian, there were no serious hits that opened last month. There were more outright bombs than even midlevel hits. Fortunately, October of last year wasn't spectacular either, so 2015 maintains a healthy lead over 2014. Even more fortunately, November looks fantastic. There are four films that have the potential to earn $200 million or more. The biggest of these is the final Hunger Games movie, which should reach $400 million. Spectre has a real shot at $300 million and could be the biggest hit in the franchise. Meanwhile, nearly every November there's an animated kids movie that becomes a monster hit. This year, The Peanuts Movie and The Good Dinosaur are both aiming for that box office milestone. The last time we didn't have a family film that earned at least $100 million in November was 2011 and that's because there were four family films that opened in the final two weeks of the month and that much competition meant they cannibalized each other. Both of these has a shot at $200 million and if neither of them reached $200 million, I would be shocked. Meanwhile, last November was a good month at the top with three monster hits: The Hunger Games: Mockingjay, Part 1, Big Hero 6, and Interstellar. However, after those three films, there were not much positive to talk about. It really looks like 2015 will match 2014 at the top, plus it could have better depth. I might be a little too optimistic, but I think November is going to be a great month at the box office.
More...
All Acting Credits
All Technical Credits
Register with The Numbers for free to customize this chart.
Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jun 14, 2024 | Inside Out 2 | Screenwriter | |||
Nov 11, 2022 | My Father’s Dragon | Screenwriter Executive Producer |
|||
Mar 8, 2019 | Captain Marvel | Story by | $426,829,839 | $702,746,255 | $1,129,576,094 |
Nov 25, 2015 | The Good Dinosaur | Screenwriter Story by |
$123,087,120 | $210,683,917 | $333,771,037 |
Jun 19, 2015 | Inside Out | Screenwriter | $356,461,711 | $494,104,632 | $850,566,343 |
Averages | $302,126,223 | $469,178,268 | $771,304,491 | ||
Totals | 5 | $906,378,670 | $1,407,534,804 | $2,313,913,474 |
Writer Credits
Register with The Numbers for free to customize this chart.
Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jun 14, 2024 | Inside Out 2 | |||||
Nov 11, 2022 | My Father’s Dragon | |||||
Mar 8, 2019 | Captain Marvel | $153,433,423 | 4,310 | $426,829,839 | $1,129,576,094 | 37.8% |
Nov 25, 2015 | The Good Dinosaur | $39,155,217 | 3,749 | $123,087,120 | $333,771,037 | 36.9% |
Jun 19, 2015 | Inside Out | $90,440,272 | 4,158 | $356,461,711 | $850,566,343 | 41.9% |
Averages | $94,342,971 | 4,072 | $302,126,223 | $771,304,491 | 38.9% | |
Totals | 5 | $906,378,670 | $2,313,913,474 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Screenwriter at the Domestic Box Office (Rank 201-300) | 220 | $479,548,831 |
Top Grossing Story Creator at the Domestic Box Office | 57 | $549,916,959 |
Top Grossing Screenwriter at the International Box Office (Rank 201-300) | 210 | $704,788,549 |
Top Grossing Story Creator at the International Box Office | 59 | $913,430,172 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 201-300) | 209 | $1,184,337,380 |
Top Grossing Story Creator at the Worldwide Box Office | 62 | $1,463,347,131 |