Box Office History for Charlie's Angels Movies
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Release Date | Title | Production Budget | Opening Weekend | Domestic Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Nov 15, 2019 | Charlie’s Angels | $48,000,000 | $8,351,109 | $17,801,306 | $73,235,048 |
Jun 27, 2003 | Charlie's Angels: Full Thro… | $120,000,000 | $37,634,221 | $100,814,328 | $227,163,273 |
Nov 3, 2000 | Charlie's Angels | $90,000,000 | $40,128,550 | $125,305,545 | $259,736,090 |
Averages | $86,000,000 | $28,704,627 | $81,307,060 | $186,711,470 | |
Totals | 3 | $258,000,000 | $243,921,179 | $560,134,411 |
Video Release Breakdown
Release Date | Title | Domestic Video Sales to Date | Watch Now |
---|---|---|---|
Jun 26, 2001 | Charlies Angels | Amazon iTunes | |
Oct 21, 2003 | Charlie's Angels: Full Throttle | Amazon iTunes | |
Feb 18, 2020 | Charlie’s Angels | $2,601,662 | Amazon iTunes Google Vudu |
Apr 6, 2020 | Charlie’s Angels | Netflix | |
Totals | $2,601,662 |
Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.
For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.
We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.
Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.
DEG Watched At Home Top 20 Charts
Date | Rank |
---|---|
Mar 21, 2020 | 20 |
Friday Estimates: Ford v Ferrari Laps the Competition
November 16th, 2019
Ford v Ferrari is going to dominate the weekend chart. In fact, it earned more on Friday than the second place film is expected to earn during the full weekend. The film pulled in $10.94 million during its opening day, putting it on pace for $30 million over the full weekend, which is significantly ahead of our prediction. Its reviews and its A plus from CinemaScore should result in stellar word-of-mouth. It might even do well during Awards Season, although if it does win any Oscars, I think it will be limited to technical categories.
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Weekend Predictions: Can Ford get the Pole Position on the Angels?
November 14th, 2019
There are three wide releases coming out this week and at the moment, all three of them have positive reviews. Unfortunately, that’s the end of the good news. Ford v Ferrari is the best new release of the week and should have no trouble earning first place on the box office. On the other hand, the film cost nearly $100 million to make, so it will likely struggle to break even any time soon. Charlie’s Angels cost half as much to make, but it is also on track to open with about half as much. The Good Liar is the smallest of the three new films and, with a more mature target audience, it is unlikely to have a big opening. Worse still, it is likely all three new releases this week will earn less than Fantastic Beasts: The Crimes of Grindelwald opened with this weekend last year. 2019 is going to take another beating in the year-over-year competition and it might even be worse than last weekend was.
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2019 Preview: November
November 1st, 2019
Joker single-handedly saved October. Had the film merely matched expectations, then the month would had suffered a major loss in the year-over-year competition. We sill lost a little ground, but not so much that we will look to October as the reason 2019 missed last year’s pace. As for November, we have some potential monster hits with Frozen II leading the way. If that film doesn’t earn at least $1 billion worldwide, I will be shocked. Additionally, every week has at least one movie coming out that has a somewhat realistic shot at $100 million, although not all of them will get there. Unfortunately, last November was much better, with five films that topped $100 million, including three that earned more than $200 million. I think 2019 will be better at the top, but it just won’t have the depth to keep pace with last year.
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Note: This list contains actors who appeared in at least two movies in the franchise.
Person | Nr. of Movies | Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
---|---|---|---|---|---|
Cameron Diaz | 2 | Natalie | $486,899,363 | $7,482,241,804 | 6.5% |
Drew Barrymore | 2 | Dylan | $486,899,363 | $3,446,430,221 | 14.1% |
Lucy Alexis Liu | 2 | Alex | $486,899,363 | $3,965,753,107 | 12.3% |
Crispin Glover | 2 | The Thin Man | $486,899,363 | $2,906,217,657 | 16.8% |
Matt LeBlanc | 2 | Jason Gibbons | $486,899,363 | $626,926,188 | 77.7% |
John Forsythe | 2 | Voice of Charlie | $486,899,363 | $599,657,710 | 81.2% |
Luke Wilson | 2 | Pete Komisky | $486,899,363 | $2,205,223,991 | 22.1% |
Bob Stephenson | 2 | Red Star Systems Director | $486,899,363 | $1,205,772,680 | 40.4% |
Jaclyn Smith | 2 | Kelly Garrett | $300,398,321 | $300,398,321 | 100.0% |
Note: This list contains people who contributed to at least two movies in the franchise.
Person | Nr. of Movies | Technical Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
---|---|---|---|---|---|
Leonard Goldberg | 3 |
Producer (2) Executive Producer (1) |
$560,134,411 | $696,335,081 | 80.4% |
Drew Barrymore | 3 |
Producer (2) Executive Producer (1) |
$560,134,411 | $983,275,576 | 57.0% |
Nancy Juvonen | 3 |
Producer (2) Executive Producer (1) |
$560,134,411 | $1,325,792,790 | 42.2% |
Joseph McGinty Nichol | 2 | Director (2) | $486,899,363 | $1,228,427,287 | 39.6% |
John August | 2 |
Screenwriter (2) Based on the Film “Charlie’s Angels” by (1) |
$486,899,363 | $2,947,927,160 | 16.5% |
Ryan Rowe | 2 |
Screenwriter (1) Based on the Film “Charlie’s Angels” by (1) |
$486,899,363 | $486,899,363 | 100.0% |
Ed Solomon | 2 |
Screenwriter (1) Based on the Film “Charlie’s Angels” by (1) |
$486,899,363 | $1,863,500,063 | 26.1% |
Ben Roberts | 2 | Based on the television series created by (2) | $486,899,363 | $513,699,363 | 94.8% |
Jenno Topping | 2 | Executive Producer (2) | $486,899,363 | $3,956,336,368 | 12.3% |
Wayne Wahrman | 2 | Editor (2) | $486,899,363 | $1,435,637,169 | 33.9% |
Russell Carpenter | 2 | Cinematographer (2) | $486,899,363 | $7,232,662,097 | 6.7% |
Edward Shearmur | 2 | Composer (2) | $486,899,363 | $1,149,108,954 | 42.4% |
J. Michael Riva | 2 | Production Designer (2) | $486,899,363 | $5,668,430,283 | 8.6% |
David F. Klassen | 2 |
Art Director (1) Supervising Art Director (1) |
$486,899,363 | $2,678,668,822 | 18.2% |
Richard Mays | 2 | Art Director (2) | $486,899,363 | $8,413,294,633 | 5.8% |
Lauri Gaffin | 2 | Set Decorator (2) | $486,899,363 | $5,362,961,203 | 9.1% |
Amanda Goldberg | 2 | Associate Producer (2) | $486,899,363 | $486,899,363 | 100.0% |
Joseph G. Aulisi | 2 | Costume Designer (2) | $486,899,363 | $1,239,173,773 | 39.3% |
Mark Cotone | 2 | Assistant Director (2) | $486,899,363 | $1,398,391,635 | 34.8% |
Willie Burton | 2 | Sound Mixer (2) | $486,899,363 | $2,165,675,992 | 22.5% |
Jonathan Taylor | 2 | Second Unit Camera (2) | $486,899,363 | $7,744,562,641 | 6.3% |
Michael J. Benavente | 2 | Supervising Sound Editor (2) | $486,899,363 | $2,685,764,036 | 18.1% |
John Houlihan | 2 | Music Supervisor (2) | $486,899,363 | $3,974,419,242 | 12.3% |
Justine Baddeley | 2 | Casting Director (2) | $486,899,363 | $2,529,052,095 | 19.3% |
Kim Davis-Wagner | 2 | Casting Director (2) | $486,899,363 | $2,526,349,123 | 19.3% |
Greg Orloff | 2 | Re-recording Mixer (2) | $300,398,321 | $5,398,122,333 | 5.6% |