United Kingdom Box Office for The Truth (2019)
-(2019).jpg)
| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $8,143 | Details |
| Worldwide Box Office | $5,149,467 | Details |
| Further financial details... | ||
Synopsis
Fabienne is an aging French movie star who, despite her momentary lapses in memory, remains a venerable force to be reckoned with. Upon the publication of her memoirs, her daughter Lumir returns to Paris from New York with her husband and their young daughter to commemorate its release. A battle of wits ensues between the mother-daughter duo, as Lumir takes issue with Fabienne’s rose-colored version of the past. Reflected by Fabienne’s latest role in a sci-fi drama, their strained relationship takes a poignant journey toward possible reconciliation.
Metrics
Movie Details
| United Kingdom Releases: | Summer, 2020 (Canceled), released as The Truth |
| Video Release: | August 25th, 2020 by IFC Video |
| MPAA Rating: | PG for thematic and suggestive elements, and for smoking and brief language. (Rating bulletin 2608 (Cert #52513), 12/11/2019) |
| Running Time: | 106 minutes |
| Source: | Remake |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | 3B Productions, Bunbuku, M.i Movies, France 3 Cinema, France Television, Canal Plus, Cine Plus, Jamal Zeinal-Zade, Jasmin Zeinalzade, Margot Zeinalzade, Garidi Films, Cofinova 15, Indiefilms 7, Cinecap 2, Procirep, Cineimage 13, La Region-Ile-de-France |
| Production Countries: | France, Japan |
| Languages: | English, French |
VOD Releases: Orange You Glad we have VOD?
August 26th, 2020
There are some excellent VOD releases coming out this week, including Yes, God, Yes and The Truth. However, there are also some films that are not quite as stellar, but would still make great VOD rentals, like The Burnt Orange Heresy. Here’s a rundown of what’s new.
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Will These Limited and Virtual Releases have Audiences in the Palm of Their Hands?
July 9th, 2020
I am not hopeful about this weekend’s box office chances. Granted, there are some movies earning stellar reviews, but none of them have a hope of box office success. Palm Springs is the biggest and arguably best film on this week’s list, but it is also streaming on Hulu, so I expect it to go nowhere at the box office.
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Weekend Wrap-Up: Busting Makes the Box Office Feel Good
July 7th, 2020
Last week, Disney dominated the chart with re-releases. This week, it was Sony’s turn. This past weekend, Deadline has Ghostbusters earning first place with a reported weekend haul of $550,000 in 622 theaters giving it a five-day box office of $656,000. This could be a good omen for Afterlife, which may or may not come out in March. Sony also had the second place film, Jumanji: The Next Level, which added $300,000 in 220 theaters over the weekend for a total of $317.3 million so far.
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Limited and Virtual Releases: Relics of the Past
July 2nd, 2020
-1-News.jpg)
While there are few films on this week’s list of new releases in theaters (both physical and virtual), most of them are earning stellar reviews. At least one of them, Relic, as a real shot at box office success.
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The Truth Trailer
June 2nd, 2020
Drama starring Catherine Deneuve, Juliette Binoche, and Ethan Hawke opens in theaters July 3 ... Full Movie Details.
Fabienne is an aging French movie star who, despite her momentary lapses in memory, remains a venerable force to be reckoned with. Upon the publication of her memoirs, her daughter Lumir returns to Paris from New York with her husband and their young daughter to commemorate its release. A battle of wits ensues between the mother-daughter duo, as Lumir takes issue with Fabienne’s rose-colored version of the past. Reflected by Fabienne’s latest role in a sci-fi drama, their strained relationship takes a poignant journey toward possible reconciliation.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2020/07/17 | 17 | $8,143 | 1 | $8,143 | $8,143 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 12/27/2019 | $144,072 | 26 | 31 | 186 | $472,677 | 3/24/2020 |
| France | 12/27/2019 | $963,171 | 269 | 572 | 1882 | $2,831,491 | 1/31/2020 |
| Germany | 11/29/2019 | $0 | 0 | 76 | 76 | $170,236 | 3/14/2020 |
| Italy | 10/10/2019 | $238,283 | 0 | 14 | 30 | $639,194 | 10/19/2022 |
| Lithuania | 6/5/2020 | $0 | 0 | 2 | 6 | $672 | 7/15/2020 |
| Netherlands | 6/5/2020 | $63,483 | 47 | 49 | 276 | $324,935 | 7/13/2020 |
| New Zealand | 7/23/2020 | $3,626 | 4 | 4 | 4 | $3,626 | 10/19/2022 |
| North America | 7/3/2020 | $2,200 | 10 | 12 | 40 | $9,619 | |
| Poland | 3/6/2020 | $0 | 0 | 38 | 38 | $29,753 | 10/19/2022 |
| Portugal | 7/3/2020 | $2,958 | 13 | 14 | 50 | $13,643 | 10/19/2022 |
| Romania | 2/26/2021 | $1,024 | 6 | 6 | 6 | $1,024 | 3/3/2021 |
| Russia (CIS) | 2/6/2020 | $20,427 | 74 | 74 | 136 | $37,638 | 10/19/2022 |
| Slovakia | 10/23/2020 | $0 | 0 | 7 | 11 | $1,415 | 12/8/2020 |
| Slovenia | 1/3/2020 | $3,998 | 9 | 9 | 14 | $18,748 | 4/6/2020 |
| South Korea | 12/5/2019 | $48,204 | 68 | 68 | 207 | $255,205 | 1/16/2020 |
| Spain | 12/27/2019 | $119,442 | 62 | 66 | 167 | $322,501 | 1/16/2020 |
| Turkey | 1/17/2020 | $3,704 | 18 | 18 | 34 | $8,947 | 10/19/2022 |
| United Kingdom | 9/30/2020 | $8,143 | 1 | 1 | 1 | $8,143 | 7/30/2020 |
| Worldwide Total | $5,149,467 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Juliette Binoche | Lumir |
| Catherine Deneuve | Fabienne |
| Ethan Hawke | Hank |
| Clementine Grenier | Charlotte |
Supporting Cast
| Manon Clavel | Manon |
| Alain Libolt | Luc |
| Christian Crahay | Jacques |
| Roger Van Hool | Pierre |
| Ludivine Sagnier | Amy |
| Laurent Capelluto | Journalist |
| Jackie Berroyer | Chef |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Hirokazu Kore-eda | Director |
| Hirokazu Kore-eda | Screenwriter |
| Hirokazu Kore-eda | Editor |
| Eric Gautier | Director of Photography |
| Jean-Pierre Duret | Sound Mixer |
| Emmanuel Croset | Sound Mixer |
| Olivier Walczak | Sound Mixer |
| Sebastien Noire | Sound Mixer |
| Riton Dupire-Clement | Art Director |
| Pascaline Chavanne | Costume Designer |
| Alexei Aigui | Composer |
| Christine Moarbes | Line Producer |
| Cedric Ettouati | Line Producer |
| Muriel Merlin | Producer |
| Miyuki Fukuma | Co-Producer |
| Matilde Incerti | Co-Producer |
| Ken Liu | Associate Producer |
| Jean Brehat | Associate Producer |
| Rachid Bouchareb | Associate Producer |
| Nathalie Dennes | Associate Producer |
| Consuelo Frauenfelder | Associate Producer |
| Stefan Lauper | Associate Producer |
| Tarik Garidi | Associate Producer |