Singapore Box Office for Words and Pictures (2014)
Theatrical Performance (US$) | ||
Singapore Box Office | $12,112 | Details |
Worldwide Box Office | $3,345,795 | Details |
Home Market Performance | ||
North America DVD Sales | $1,125,101 | Details |
North America Blu-ray Sales | $59,591 | Details |
Total North America Video Sales | $1,184,692 | |
Further financial details... |
Synopsis
Prep school English teacher Jack Marcus laments his students’ obsession with social media and good grades rather than engaging with the power of the written word. A one-time literary star, Jack has not published in years filling his spare time with drink versus the art of language. He meets his match in Dina Delsanto—an abstract painter and new teacher on campus, who was once celebrated for her art. From the start, the two flirt and provoke each other with equal relish. With a performance review looming and his teaching job on the line, Jack hatches an inspired plan for galvanizing student interest in their studies: he declares a war between Words and Pictures, confident that the former can convey greater meaning than the latter. Dina and her art students accept the challenge between Jack and his English students, and the battle lines are drawn.
Metrics
Movie Details
Singapore Releases: | June 12th, 2014 (Wide) |
Video Release: | September 9th, 2014 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for sexual material including nude sketches, language and some mature thematic material. (Rating bulletin 2307, 1/29/2014) |
Running Time: | 116 minutes |
Keywords: | Writing and Writers, College, Teachers, Addiction, Writer's Block, Artists, Romance |
Source: | Original Screenplay |
Genre: | Romantic Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Latitude Productions, Lascaux Films |
Production Countries: | United States |
Languages: | English |
DVD and Blu-ray Releases for September 9th, 2014
September 9th, 2014
The Christmas shopping season has begun in full force. Even if Captain America: The Winter Soldier were the only new release this week, it would be a great release, as the Combo Packs are clearly pick of the week contenders. It's not the only Pick of the Week contender. Agents Of S.H.I.E.L.D.: Season 1 is also a prime contender, although I'm still waiting for the screener for that release. At the moment, I'm giving the win to Captain America: The Winter Soldier, but when I get a chance to review the screener, that might change.
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Per Theater Chart: Boyhood has Extended Childhood
July 23rd, 2014
The biggest film on the per theater chart this weekend was Boyhood, for the second weekend in a row. It expanded from 5 to 34 theaters, but its average fell just 56% to $34,418. That's fantastic. It has already earned a measure of mainstream success, while it has its eyes on Chef for best limited release for the summer. Second place went to There's No Place Like Utopia with $30,710 in one theater. This is a great start, but there are still no reviews, so I think it will have short legs. A Five Star Life and Mood Indigo were relatively close with averages of $15,996 and $13,256 respectively. The only wide release to reach the $10,000 club was The Purge: Anarchy, which earned an average of $10,626.
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Per Theater Chart: Jumping over the Competition
June 18th, 2014
There were three films in the $10,000 club, including the top two on the overall chart. 22 Jump Street led the way with an average of $17,263. The Rover was wedged between the two wide releases with an average of $13,860 in five theaters. Next up was How to Train Your Dragon 2 with an average of $11,627. This is good, but lower than expected.
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Weekend Estimates: Maleficent Magnificent
June 1st, 2014
Disney’s $180 million gamble on Maleficent looks to have paid off this weekend, with Angelina Jolie’s starring role carrying the film to a $70 million opening weekend, in spite of middling reviews. The film is as much a triumph for Jolie as World War Z was for husband Brad Pitt. They truly are Hollywood’s power couple.
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Per Theater Chart: The Full Picture
May 28th, 2014
There were only two films in the $10,000 club this weekend. X-Men: Days of Future Past led the way with an average of $22,729 in nearly 4,000 theaters. The only other film was The Dance of Reality with an average of $12,384 in two theaters. However, if one were to include holiday Monday, Words and Pictures would also reach the $10,000 club with an average of $11,544 in ten theaters.
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Weekend Estimates: X-Men Joins 2014 $90 Million Club
May 25th, 2014
Another weekend, another $90 million opener. This time, there’s an asterisk at least, because X-Men: Days of Future Past will “open” with $110 million, thanks to the four day Memorial Day long weekend, giving Fox an arguable claim to the biggest weekend of the year, and the first $100 million debut. The reality, however, is that it will line up in fourth place when comparing 3-day weekends, with Captain America still out in front, thanks to its $95 million opening back in April. May has seen the three other $90 million-plus weekends, with Godzilla second ($93 million) and The Amazing Spider-Man 2 third ($91.6 million).
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Limited Releases: Talking Pictures
May 23rd, 2014
It is not a particularly strong week for limited releases. There are a few that are earning good reviews, but almost none are earning good reviews and any buzz. Cold in July is one of the exceptions and its reviews and star power could have resulted in a fast start, but it is also playing on Video on Demand.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2014/06/27 | 17 | $727 | 1 | $727 | $12,112 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Austria | 6/13/2014 | $0 | 0 | 17 | 51 | $71,514 | 12/16/2015 |
Germany | 5/22/2014 | $0 | 0 | 66 | 66 | $439,256 | 12/15/2015 |
New Zealand | 6/13/2014 | $0 | 0 | 18 | 18 | $65,236 | 1/8/2016 |
North America | 5/23/2014 | $87,879 | 10 | 216 | 821 | $2,171,257 | 1/23/2015 |
Poland | 6/13/2014 | $0 | 0 | 93 | 118 | $289,911 | 12/30/2018 |
Portugal | 6/26/2014 | $30,119 | 19 | 19 | 50 | $85,320 | 12/16/2015 |
Singapore | 6/12/2014 | $0 | 0 | 1 | 1 | $12,112 | 12/15/2015 |
South Korea | 11/10/2017 | $8,561 | 0 | 0 | 0 | $10,937 | 10/14/2018 |
Spain | 5/1/2015 | $34,613 | 37 | 37 | 102 | $86,127 | 11/28/2018 |
Thailand | 7/17/2014 | $4,274 | 6 | 6 | 7 | $7,769 | 12/17/2015 |
Rest of World | $106,356 | ||||||
Worldwide Total | $3,345,795 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Clive Owen | Jack Marcus |
Juliette Binoche | Dina Delsanto |
Supporting Cast
Bruce Davison | Walt |
Navid Negahban | Will Rashid |
Amy Brenneman | Elspeth Croyden |
Christian Scheider | Tony |
Valerie Tian | Emily |
Josh Ssettuba | Cole |
Janet Kidder | Sabine |
Adam DiMarco | Swint |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Fred Schepisi | Director |
Gerald DiPego | Screenwriter |
Curtis Burch | Producer |
Gerald DiPego | Producer |
Fred Schepisi | Producer |
Nancy Rae Stone | Executive Producer |
Bob Gass | Executive Producer |
Judy Burch Gass | Executive Producer |
Joseph Cohen | Executive Producer |
Richard Toussaint | Executive Producer |
Wade Barker | Executive Producer |
Derrick Evers | Executive Producer |
Ian Baker | Director of Photography |
Patrizia Von Brandenstein | Production Designer |
Peter Honess | Editor |
Tish Monaghan | Costume Designer |
Paul Grabowsky | Composer |
Maureen Webb | Additional Casting |
Deborah Aquila | Casting Director |
Trisha Wood | Casting Director |