South Korea Box Office for Wonderstruck (2017)
Theatrical Performance (US$) | ||
South Korea Box Office | $205,144 | Details |
Worldwide Box Office | $2,948,862 | Details |
Further financial details... |
Synopsis
Ben and Rose are children from two different eras who secretly wish their lives were different. Ben longs for the father he has never known, while Rose dreams of a mysterious actress whose life she chronicles in a scrapbook. When Ben discovers a puzzling clue in his home and Rose reads an enticing headline in the newspaper, both children set out on quests to find what they are missing that unfold with mesmerizing symmetry.
Metrics
Movie Details
South Korea Releases: | May 3rd, 2018 (Wide) |
Video Release: | January 2nd, 2018 by Amazon Original Pictures |
MPAA Rating: | PG for thematic elements and smoking. (Rating bulletin 2467 (Cert #50959), 3/15/2017) |
Running Time: | 115 minutes |
Keywords: | Deaf, Non-Chronological, Retro Black and White, Same Role, Multiple Actors, Coming of Age, Set in New York City, Set in Queens NY, 1920s, Orphan, Runaway, Novel or Other Work Adapted by Author, 1970s, Young Child Dealing with the Death of a Parent, Nightmare, Museum |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Killer Films, Amazon Studios |
Production Countries: | United States |
Languages: | English |
Home Market Releases for January 2nd, 2018
January 2nd, 2018
This is the first Tuesday of the year, so it should be no surprise that there are not a lot of top-tier releases on this week’s list. In fact, there were so few releases worth mentioning that I had to pad the list with some films that were not selling well enough to be worth mentioning during most weeks. As for the Pick of the Week contenders, there were only two: Lucky and Battle of the Sexes. It was a close race, but in the end, I gave that title to Lucky on DVD.
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Theater Averages: Name Finds its Calling with $103,233
November 28th, 2017
Call Me by Your Name dominated the theater average chart with an average of $103,233 in four theaters. It is the first film of the year to reach the $100,000 mark on the per theater chart. Lady Bird was the previous yearly champion with an average of $91,109, also in four theaters. The second-best average of the week was earned by Darkest Hour at $43,752 in four theaters. Bombshell: The Hedy Lamarr Story earned $18,742 in one theater; that’s amazing for a documentary. The overall number one film, Coco, earned an average of $12,742. The only holdover in the $10,000 club was Justice League, as it pulled in $10,143.
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Weekend Estimates: How Much Trouble Does a $96 Million Opening Spell for the DCEU?
November 19th, 2017
Justice League was meant to the be the big pay-off for the first phase of the DC Extended Universe, bringing together the characters introduced in Man of Steel, Batman v Superman: Dawn of Justice, and Wonder Woman, and setting the stage for next year’s Aquaman. The huge success of Wonder Woman this Summer seemed to be just the kick the franchise needed, and, given the history of the Marvel Cinematic Universe, which enjoyed steadily building success leading up to the gigantic opening of The Avengers, an opening north of $150 million, and maybe even approaching $200 million seemed a possibility a couple of months ago. In that context, the $96 million projected weekend announced by Warner Bros. this morning looks like a huge disappointment. What does it mean for the franchise?
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Theater Averages: Sacred Deer makes a Killing with an Average of $28,780
October 25th, 2017
It was a good weekend with three films earning more than $10,000 on the theater chart, led by The Killing of a Sacred Deer, with an average of $28,780 in four theaters. Its Tomatometer Score is merely good, but its average is even better at 8 out of 10. An average score of 8 out of 10 is close to award-worthy. Meanwhile, Jane did even better with an average of $19,449 in three theaters, which is amazing for a documentary. Its reviews remain 100% positive and the average critic simply loves the movie and it could be an Oscar winner. Wonderstruck rounded out the $10,000 club with an average of $16,471 in four theaters. Its reviews are merely good, so its might have trouble growing. That said, it is more accessible and mainstream than most other limited releases, so that could help.
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Weekend Estimates: Boo Too Much for the Competition
October 22nd, 2017
Boo! 2 is arguably slightly under-performing this weekend, with Lionsgate projecting a weekend total of $21.6 million as of Sunday morning, a figure that is down about $7 million from the debut of Boo! A Madea Halloween. But, in the bigger picture, it represents the continuation of a remarkable run for the Madea franchise that stretches now to eight films, all but one of which have opened with more than $20 million, and which have all topped $50 million, so far. Boo! 2 will be helped by Halloween, which should be just enough to take it over $50 million, and put the franchise close to $500 million at the box office. The only other comedy franchises with close to this longevity at the box office are The Pink Panther, and The Muppets, although neither of those have relied on a single actor (take a bow, Tyler Perry) for the entirety of their run.
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Limited and VOD Releases: Tragic Fate for Those who Miss these Films
October 20th, 2017
There isn’t a huge selection of limited releases this week, but there are several earning excellent reviews, such as 120 Beats Per Minute, Jane, Tragedy Girls, and others. Additionally, films like The Killing of a Sacred Deer and Wonderstruck are earning merely good reviews, but have enough buzz that they could still do well in theaters.
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Wonderstruck Trailer
October 18th, 2017
Drama starring Oakes Fegley, Julianne Moore, Michelle Williams, and Millicent Simmonds opens on Friday ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/05/04 | 9 | $76,590 | 111 | $690 | $113,130 | 1 | |
2018/05/11 | 16 | $25,827 | -66% | 48 | $538 | $181,212 | 2 |
2018/05/18 | - | $6,766 | -74% | 26 | $260 | $199,469 | 3 |
2018/05/25 | - | $2,862 | -58% | 15 | $191 | $207,885 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Brazil | 1/26/2018 | $12,479 | 0 | 0 | 0 | $20,460 | 6/14/2018 |
France | 11/17/2017 | $344,793 | 0 | 0 | 0 | $919,154 | 6/29/2018 |
Indonesia | 2/2/2018 | $4,938 | 0 | 0 | 0 | $4,938 | 1/1/2019 |
Italy | 6/14/2018 | $77,268 | 0 | 0 | 0 | $183,420 | 9/12/2018 |
Japan | 4/6/2018 | $38,580 | 0 | 0 | 0 | $251,883 | 7/13/2018 |
Mexico | 1/19/2018 | $0 | 0 | 0 | 0 | $44,973 | 9/10/2018 |
Netherlands | 12/8/2017 | $29,902 | 38 | 38 | 124 | $113,541 | 9/12/2018 |
North America | 10/20/2017 | $65,882 | 4 | 261 | 611 | $1,033,632 | |
Portugal | 3/23/2018 | $16,476 | 20 | 20 | 41 | $35,593 | 4/11/2018 |
South Korea | 5/3/2018 | $76,590 | 111 | 111 | 200 | $205,144 | 6/25/2018 |
Spain | 1/5/2018 | $46,216 | 50 | 50 | 50 | $92,954 | 6/22/2018 |
United Kingdom | 4/6/2018 | $43,170 | 18 | 18 | 18 | $43,170 | 5/21/2018 |
Worldwide Total | $2,948,862 | 1/1/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Oakes Fegley | Ben |
Julianne Moore | Lillian Mayhew |
Michelle Williams | Elaine |
Millicent Simmonds | Rose (age 12) |
Supporting Cast
Jaden Michael | Jamie |
Cory Michael Smith | Walter (age 20) |
Tom Noonan | Walter (age 70) |
Amy Hargreaves | Aunt Jenny |
Morgan Turner | Janet |
Sawyer Nunes | Robby |
James Urbaniak | Rose’s Father |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Todd Haynes | Director |
Brian Selznick | Screenwriter |
Brian Selznick | Based on the book by |
Christine Vachon | Producer |
Pamela Koffler | Producer |
John Sloss | Producer |
Brian Bell | Executive Producer |
Sandy Powell | Executive Producer |
Sandy Powell | Costume Designer |
Ed Lachman | Director of Photography |
Affonso Goncalves | Editor |
Mark Friedberg | Production Designer |
Ryan Heck | Art Director |
Laura Rosenthal | Casting Director |