Australia Box Office for What Women Want (2000)
| Theatrical Performance (US$) | ||
| Australia Box Office | $4,307,095 | Details |
| Worldwide Box Office | $374,105,123 | Details |
| Further financial details... | ||
Metrics
Movie Details
| Production Budget: | $65,000,000 |
| Australia Releases: | January 8th, 2001 (Wide) |
| Video Release: | May 8th, 2001 by Paramount Home Video |
| MPAA Rating: | PG-13 for sexual content and language |
| Running Time: | 126 minutes |
| Keywords: | Romance, Psychics, Battle of the Sexes, Set in Illinois, Suicide Attempt, Romantic Comedy |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Paramount Pictures, Icon Productions, Wind Dancer Films |
| Production Countries: | United States |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2001/01/12 | 1 | $2,847,885 | 311 | $9,157 | $4,307,095 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 1/8/2001 | $2,847,885 | 311 | 311 | 311 | $4,307,095 | 4/1/2020 |
| North America | 12/15/2000 | $33,614,543 | 3,012 | 3,092 | 29,520 | $182,805,123 | |
| Rest of World | $186,992,905 | ||||||
| Worldwide Total | $374,105,123 | 4/1/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Mel Gibson | Nick Marshall |
| Helen Hunt | Darcy Maguire |
Supporting Cast
| Marisa Tomei | Lola |
| Mark Feuerstein | Morgan |
| Lauren Holly | Gigi |
| Ashley Johnson | Alexandra 'Alex' Marshall |
| Judy Greer | Erin |
| Alan Alda | Dan Wanamaker |
| Delta Burke | Eve |
| Valerie Perrine | Margo |
| Lisa Edelstein | Dina |
| Sarah Paulson | Annie |
| Bette Midler | Dr. J.M. Perkins |
| Logan Lerman | Little Nick Marshall |
| Loretta Devine | Flo the Doorwoman |
| T.J. Thyne | Coffee Shop Customer |
Uncategorized
| Eric Balfour | Cameron |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Nancy Meyers | Director |
| Josh Goldsmith | Screenwriter |
| Cathy Yuspa | Screenwriter |
| Josh Goldsmith | Story Creator |
| Cathy Yuspa | Story Creator |
| Diane Drake | Story Creator |
| Nancy Meyers | Producer |
| Bruce Davey | Producer |
| Matt Williamson | Producer |
| Susan Cartsonis | Producer |
| Gina Matthews | Producer |
| Stephen McEveety | Executive Producer |
| David McFadzean | Executive Producer |
| Carmen Finestra | Executive Producer |
| Bruce A. Block | Co-Producer |
| Dean Cundey | Cinematographer |
| Stephen A. Rotter | Editor |
| Thomas J. Nordberg | Editor |
| Alan Silvestri | Composer |
| Bonnie Greenberg-Goodman* | Music Supervisor |
| Jon Hutman | Production Designer |
| Gae Buckley | Art Director |
| Tony Fanning | Art Director |
| John Goldsmith | Set Designer |
| Andrew Menzies | Set Designer |
| Easton Smith | Set Designer |
| Patrick Sullivan | Set Designer |
| Beck Taylor | Set Designer |
| John Warnke | Set Designer |
| Rosemary Brandenberg | Set Decorator |
| Ellen Mirojnick | Costume Designer |
| David MacMillan | Sound Mixer |
| Dennis Drummond | Supervising Sound Editor |
| K.C. Colwell | Assistant Director |
| Bruce A. Block | Second Unit Director |
| Raymond Stella | Second Unit Camera |
| Howard Feuer | Casting Director |
| Deborah Aquila | Casting Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.