Thomas J. Nordberg
| Best known as an Editor based on credits in that role in 8 films, with $888,798,230 worldwide aggregate box office (rank #224) |
| Best-known technical roles: What Women Want (Editor), The Guardian (Editor), Any Given Sunday (Editor), Beastly (Editor), Drillbit Taylor (Editor) |
| Most productive collaborators: Oliver Stone, Lauren Holly, Mel Gibson, Nancy Meyers, Sarah Halley Finn |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Editor | 8 | $434,996,254 | $453,801,976 | $888,798,230 |
| Cinematographer | 1 | $34,297,191 | $133,000,000 | $167,297,191 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Cinematographer at the Domestic Box Office (Rank 501-600) | 562 | $34,297,191 |
| Top Grossing Editor at the Domestic Box Office (Rank 201-300) | 213 | $434,996,254 |
| Top Grossing Cinematographer at the International Box Office (Rank 301-400) | 321 | $133,000,000 |
| Top Grossing Editor at the International Box Office (Rank 201-300) | 238 | $453,801,976 |
| Top Grossing Cinematographer at the Worldwide Box Office (Rank 301-400) | 394 | $167,297,191 |
| Top Grossing Editor at the Worldwide Box Office (Rank 201-300) | 224 | $888,798,230 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| May 3, 2019 | Bolden | Editor | |||
| Mar 29, 2013 | The Host | Editor | $26,623,701 | $37,853,350 | $64,477,051 |
| Mar 4, 2011 | Beastly | Editor | $27,865,571 | $10,162,659 | $38,028,230 |
| Mar 21, 2008 | Drillbit Taylor | Editor | $32,862,104 | $16,824,159 | $49,686,263 |
| Sep 29, 2006 | The Guardian | Editor | $55,011,732 | $39,961,808 | $94,973,540 |
| Nov 24, 2004 | Alexander | Cinematographer Editor |
$34,297,191 | $133,000,000 | $167,297,191 |
| Dec 15, 2000 | What Women Want | Editor | $182,805,123 | $191,300,000 | $374,105,123 |
| Dec 22, 1999 | Any Given Sunday | Editor | $75,530,832 | $24,700,000 | $100,230,832 |
| Averages | $62,142,322 | $64,828,854 | $126,971,176 | ||
| Totals | 8 | $434,996,254 | $453,801,976 | $888,798,230 | |
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Cinematographer at the Domestic Box Office (Rank 501-600) | 562 | $34,297,191 |
| Top Grossing Editor at the Domestic Box Office (Rank 201-300) | 213 | $434,996,254 |
| Top Grossing Cinematographer at the International Box Office (Rank 301-400) | 321 | $133,000,000 |
| Top Grossing Editor at the International Box Office (Rank 201-300) | 238 | $453,801,976 |
| Top Grossing Cinematographer at the Worldwide Box Office (Rank 301-400) | 394 | $167,297,191 |
| Top Grossing Editor at the Worldwide Box Office (Rank 201-300) | 224 | $888,798,230 |