Josh Goldsmith
| Best known as a Story Creator based on credits in that role in 3 films, with $541,675,738 worldwide aggregate box office (rank #264) |
| Best-known technical roles: What Women Want (Screenwriter), What Women Want (Story Creator), What Men Want (Story Creator), 13 Going On 30 (Screenwriter), 13 Going On 30 (Story Creator) |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Story Creator | 3 | $294,556,749 | $247,118,989 | $541,675,738 |
| Screenwriter | 2 | $239,944,846 | $231,818,989 | $471,763,835 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Screenwriter at the Domestic Box Office (Rank 501-600) | 564 | $239,944,846 |
| Top Grossing Story Creator at the Domestic Box Office (Rank 101-200) | 170 | $294,556,749 |
| Top Grossing Screenwriter at the International Box Office (Rank 701-800) | 764 | $231,818,989 |
| Top Grossing Story Creator at the International Box Office (Rank 301-400) | 353 | $247,118,989 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 601-700) | 661 | $471,763,835 |
| Top Grossing Story Creator at the Worldwide Box Office (Rank 201-300) | 265 | $541,675,738 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Feb 8, 2019 | What Men Want | Story based on “What Women Want” by | $54,611,903 | $15,300,000 | $69,911,903 |
| Apr 23, 2004 | 13 Going On 30 | Screenwriter Story Creator |
$57,139,723 | $40,518,989 | $97,658,712 |
| Dec 15, 2000 | What Women Want | Screenwriter Story Creator |
$182,805,123 | $191,300,000 | $374,105,123 |
| Averages | $98,185,583 | $82,372,996 | $180,558,579 | ||
| Totals | 3 | $294,556,749 | $247,118,989 | $541,675,738 | |
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Feb 8, 2019 | What Men Want | $18,232,087 | 2,912 | $54,611,903 | $69,911,903 | 78.1% |
| Apr 23, 2004 | 13 Going On 30 | $21,054,238 | 3,453 | $57,139,723 | $97,658,712 | 58.5% |
| Dec 15, 2000 | What Women Want | $33,614,543 | 3,092 | $182,805,123 | $374,105,123 | 48.9% |
| Averages | $24,300,289 | 3,152 | $98,185,583 | $180,558,579 | 61.8% | |
| Totals | 3 | $294,556,749 | $541,675,738 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Screenwriter at the Domestic Box Office (Rank 501-600) | 564 | $239,944,846 |
| Top Grossing Story Creator at the Domestic Box Office (Rank 101-200) | 170 | $294,556,749 |
| Top Grossing Screenwriter at the International Box Office (Rank 701-800) | 764 | $231,818,989 |
| Top Grossing Story Creator at the International Box Office (Rank 301-400) | 353 | $247,118,989 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 601-700) | 661 | $471,763,835 |
| Top Grossing Story Creator at the Worldwide Box Office (Rank 201-300) | 265 | $541,675,738 |