New Zealand Box Office for Tully (2018)
Theatrical Performance (US$) | ||
New Zealand Box Office | $183,152 | Details |
Worldwide Box Office | $15,952,688 | Details |
Further financial details... |
Synopsis
Marlo, a mother of three including a newborn, is gifted a night nanny by her brother. Hesitant to the extravagance at first, Marlo comes to form a unique bond with the thoughtful, surprising, and sometimes challenging young nanny named Tully.
Metrics
Movie Details
New Zealand Releases: | May 11th, 2018 (Wide) |
Video Release: | July 17th, 2018 by Focus Features |
MPAA Rating: | R for language and some sexuality/nudity. (Rating bulletin 2495 (Cert #50982), 9/27/2017) |
Running Time: | 94 minutes |
Keywords: | Pregnant Women, Nanny, Sundance Film Festival 2018, Comedy Drama, Dysfunctional Family, Surprise Twist, Car Accident, Imaginary Character, Mental Illness, Non-Chronological, F-Rated |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Bron Studios, Right of Way Films, Denver & Delilah Films, Focus Features, West Egg, Creative Wealth Media Finance |
Production Countries: | United States |
Languages: | English |
2018 - Awards Season: Golden Globes - Nominations
December 6th, 2018
The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced.
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Home Market Releases for July 31st, 2018
August 1st, 2018
This is one of the worst weeks on the home market I can remember. There’s nothing here that even remotely looks like a top-notch release, at least on physical medium. This is the week that Avengers: Infinity War hits Video on Demand and it is dominating the home market in that regard and has to be the Pick of the Week. The only other releases that were close are Star Blazers: Space Battleship Yamato 2199 on Blu-ray Combo Pack and Star Wars Rebels: Season Four.
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Home Market Releases for July 17th, 2018
July 18th, 2018
It’s a shallow week in terms of the total number of releases, but a lot of films on this list are worth picking up. Rampage is the biggest and it is worth buying, if you are into popcorn action flicks. There are a lot of other releases that are worth picking up, but not quite Pick of the Week contenders, like Disobedience, The Good Place: Season Two, etc. As for true Pick of the Week contenders, we have a limited selection and I’m going with Isle of Dogs on Blu-ray Combo Pack for that title.
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Weekend Wrap-Up: Infinity War Helps 2018 Take on Guardians
May 15th, 2018
The weekend was better than expected, for the most part. All of the holdovers, including the number one film, Avengers: Infinity War, held on better than we predicted, while one of the two new releases also opened faster. Life of the Party was the only film in the top five that didn’t beat expectations. Overall, the box office still slipped 19% from last week, down to $137 million. However, this is 1.2% higher than the same weekend last year. Year-to-date, 2018 maintains a strong 5.2% / $210 million lead over 2017 at $4.24 billion to $4.03 billion.
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Weekend Wrap-Up: Infinity Tops Charts, can’t Quite Match Guardians Debut
May 8th, 2018
It was a relatively good weekend at the box office with every film in the top five matching or beating expectations. This includes Avengers: Infinity War, which had the second best second weekend of all time, earning $114.77 million. Overall, the box office fell 46% from last weekend, but $169 million is still a good total. It is 13% lower than the same weekend last year, but it had to go up against Guardians of the Galaxy Vol 2 opening weekend, so being this close is actually a positive result. Year-to-date, 2018 has pulled in $4.05 billion, which is 5.6% or $220 million higher than last year’s pace.
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Friday Estimates: Infinity War Just a Day Away from $400 million
May 5th, 2018
Infinity War dominated the Friday box office chart with $31.43 million for an 8-day total of $369.76 million. The only film with a faster pace than Infinity War is The Force Awakens. Granted, this is down just over 70% from the film’s opening Friday, but it is 9% ahead of Black Panther’s second Friday. If this film has the same internal multiplier, then it will pull in $122 million over the full weekend. That’s a little too bullish for my tastes, but $120 million is still fantastic for a sophomore stint.
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Thursday Night Previews: Overboard Overtakes Latin Lover (Plus Infinity War Update)
May 4th, 2018
Overboard opened with $675,000 during its previews last night. This is 50% higher than the $450,000 How to Be a Latin Lover managed during its previews. However, that film earned better reviews than Overboard is earning, so it likely won’t have as good legs. It should still top our $12 million prediction, barely. $13 million to $14 million is now more likely.
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Weekend Predictions: How Badly will Infinity War Beat the New Releases?
May 3rd, 2018
Last weekend, Infinity War destroyed the weekend record. This weekend, there are three new releases that are just hoping to not get embarrassed. Overboard is the biggest film in terms of buzz, but the buzz isn’t good, to be kind. Tully is the smallest film in terms of theater count, but its reviews are stellar and it has a shot at the top five. Bad Samaritan’s early reviews, are good, but its buzz is so quiet that it will likely bomb in theaters. This weekend last year, Guardians of the Galaxy Vol 2 opened with $146.51 million. There’s almost no chance 2018 will match last year’s performance. Thanks to Infinity War’s record-breaking opening, 2018 should be relatively close.
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2018 Preview: May
May 1st, 2018
April was all about Avengers: Infinity War, which earned about as much during its opening weekend as the next two biggest films, A Quiet Place and Rampage, will earn in total. However, moving Infinity War to April has left a big gap for the first two weeks of May. It isn’t until Deadpool 2 debuts that we have a potential $100 million movie, while the week after Solo: A Star Wars Story closes the month on a strong note. Fortunately, both of those films are expected to earn more than $100 million during their opening weekends alone and combined could earn over $700 million domestically. Last May, Guardians of the Galaxy Vol 2 helped the month get off to a fast start, but it was the only monster hit of the month. Infinity War opening a week early will mean the month will start slower, in terms of new releases, but Infinity War’s record-breaking debut should help 2018 come out ahead in the end.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/05/11 | 6 | $57,884 | 51 | $1,135 | $63,945 | 1 | |
2018/05/18 | 7 | $30,726 | -47% | 52 | $591 | $118,339 | 2 |
2018/05/25 | 11 | $16,281 | -47% | 43 | $379 | $150,605 | 3 |
2018/06/01 | 16 | $11,538 | -29% | 40 | $288 | $171,725 | 4 |
2018/06/08 | - | $2,130 | -82% | 20 | $107 | $182,012 | 5 |
2018/06/15 | 25 | $2,094 | -2% | 15 | $140 | $184,142 | 6 |
2018/06/22 | 24 | $1,085 | -48% | 8 | $136 | $185,649 | 7 |
2018/06/29 | 32 | $160 | -85% | 4 | $40 | $182,897 | 8 |
2018/07/06 | 36 | $153 | -4% | 2 | $77 | $184,780 | 9 |
2018/07/13 | 38 | $199 | +30% | 1 | $199 | $183,152 | 10 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 5/18/2018 | $36,301 | 0 | 0 | 0 | $47,853 | 1/1/2019 |
Australia | 5/11/2018 | $288,930 | 179 | 182 | 719 | $893,138 | 7/9/2018 |
Brazil | 5/25/2018 | $61,614 | 0 | 0 | 0 | $140,876 | 6/8/2018 |
France | 6/29/2018 | $262,216 | 0 | 0 | 0 | $685,253 | 7/27/2018 |
Italy | 6/28/2018 | $35,443 | 0 | 2 | 2 | $79,823 | 12/11/2018 |
Lithuania | 5/4/2018 | $5,914 | 77 | 77 | 100 | $10,846 | 5/18/2018 |
Mexico | 5/10/2018 | $98,115 | 0 | 0 | 0 | $118,771 | 5/14/2018 |
Netherlands | 5/11/2018 | $81,616 | 50 | 51 | 248 | $318,058 | 7/20/2018 |
New Zealand | 5/11/2018 | $57,884 | 51 | 52 | 236 | $183,152 | 7/16/2018 |
North America | 5/4/2018 | $3,282,610 | 1,353 | 1,356 | 3,718 | $9,369,755 | |
Poland | 5/11/2018 | $80,119 | 0 | 0 | 0 | $310,657 | 1/1/2019 |
Portugal | 6/8/2018 | $28,897 | 32 | 32 | 71 | $56,450 | 7/6/2018 |
Russia (CIS) | 7/12/2018 | $80,168 | 377 | 377 | 650 | $179,384 | 2/26/2019 |
South Korea | 11/22/2018 | $66,578 | 138 | 138 | 200 | $268,017 | 1/8/2019 |
Spain | 6/22/2018 | $132,294 | 125 | 129 | 338 | $403,754 | 9/6/2018 |
United Kingdom | 5/4/2018 | $187,702 | 200 | 200 | 566 | $771,942 | 6/13/2018 |
Rest of World | $2,114,959 | ||||||
Worldwide Total | $15,952,688 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Charlize Theron | Marlo |
Supporting Cast
Mackenzie Davis | Tully |
Mark Duplass | Craig |
Ron Livingston | Drew Moreau |
Asher Miles Fallica | Jonah |
Lia Frankland | Sarah |
Emily Haine | Barista |
Elaine Tan | Elyse |
Maddie Dixon-Poirier | Emmy |
Colleen Wheeler | Dr. Smythe |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jason Reitman | Director |
Diablo Cody | Screenwriter |
Aaron L. Gilbert | Producer |
Jason Reitman | Producer |
Helen Estabrook | Producer |
Mason Novick | Producer |
A.J. Dix | Producer |
Beth Kono | Producer |
Charlize Theron | Producer |
Diablo Cody | Producer |
Jason Blumenfeld | Executive Producer |
Ron McLeod | Executive Producer |
Stan Thomas | Executive Producer |
Dale Wells | Executive Producer |
Paul Tennyson | Executive Producer |
Andy Pollack | Executive Producer |
Jason Cloth | Executive Producer |
Anastasia Masaro | Production Designer |
Tricia Halloran | Music Supervisor |
Rob Simonsen | Music by |
Stefan Grube | Editor |
Eric Steelberg | Director of Photography |
Aieisha Li | Costume Designer |