Netherlands Box Office for Triple 9 (2016)
Theatrical Performance (US$) | ||
Netherlands Box Office | $470,594 | Details |
Worldwide Box Office | $25,943,792 | Details |
Home Market Performance | ||
North America DVD Sales | $2,141,044 | Details |
North America Blu-ray Sales | $2,010,361 | Details |
Total North America Video Sales | $4,151,405 | |
Further financial details... |
Synopsis
A crew of dirty cops is blackmailed by the Russian mob to execute a virtually impossible heist. The only way to pull it off is to manufacture a 999, police code for “officer down”. Their plan is turned upside down when the unsuspecting rookie they set up to die foils the attack, triggering a breakneck, action-packed finale filled with double-crosses, greed and revenge.
Metrics
Movie Details
Production Budget: | $20,000,000 |
Netherlands Releases: | April 7th, 2016 (Wide) |
Video Release: | May 31st, 2016 by Universal Home Entertainment |
MPAA Rating: | R for strong violence and language throughout, drug use and some nudity. (Rating bulletin 2409 (Cert #49882), 1/27/2016) |
Running Time: | 115 minutes |
Keywords: | Russian Mafia, Corrupt Cops, Heist, Blackmail, Action Thriller |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Anonymous Content, Sierra Films, Worldview Entertainment, Open Road Films, MadRiver Pictures, Surefire Entertianment Capital |
Production Countries: | United States |
Languages: | English |
Home Market Releases for May 31st, 2016
May 29th, 2016
It's a big week for first-run releases with four such films coming out. However, none of them are top-notch releases. Race is the best, but even then it is only worth a rental. Sadly, none of the limited releases, TV on DVD releases, catalog releases, etc. are really big releases either. Hello, My Name is Doris is a great movie, but it is only coming out on Video on Demand this week. I'm going with Veggie Tales: And Now It's Time for Silly Songs with Larry: The Complete Collection on DVD as the Pick of the Week. It really is a slow week for new releases.
More...
Weekend Wrap-Up: Zootopia Wins Weekend With Record-breaking Result of $75.06 million
March 8th, 2016
As expected Zootopia dominated the weekend box office earning $75.06 million. This is half of what The Hunger Games opened with, but it was still the fifth Biggest March Opening. It also broke a couple of smaller records, but more on that down below. Second place went to London Has Fallen, but it was way, way back with just $21.64 million. This is terrible for a film that cost more than $100 million to make. Overall, the box office was $159 million. This is 41% more than last weekend and 77% more than the same weekend last year. 2016's lead over 2015 rose to just a hair under 10% at $1.97 billion to $1.79 billion. Granted, by this time in 2015, none of the year's $1 billion hits had been released, so things can change rapidly, but this is still a great start so far.
More...
Thursday Night Previews: Zootopia Hopps to the Top - Update
March 4th, 2016
Judy Hopps and the rest of the cast of Zootopia got off to a great start earning $1.7 million during its Thursday previews. This doesn't sound like a lot compared to Deadpool, which earned more than $12 million just a few weeks ago. However, family films rarely do this well during previews. In fact, Kung Fu Panda 3 didn't even bother with previews. A good comparison is Home, which opened this month last year. That film earned $650,000 during its previews and its reviews were only mixed. As expected, Zootopia is no longer earning 100% positive reviews, but its Tomatometer Score is still a stunning 99% positive. This should help its word-of-mouth and a record-breaking run is still well within reach.
More...
Weekend Wrap-Up: Deadpool Remains Immortal pulling in $31.12 million
February 29th, 2016
As anticipated, Deadpool easily won the weekend with $31.12 million. This was more than double its nearest competitor, Gods of Egypt, which earned $14.12 million. Unfortunately, those were the only two films that earned more than $10 million over the weekend. The overall box office was $112 million, which was 21% lower than last weekend. This was still 5.1% more than the same weekend last year, while 2016's year-to-date advantage crept up ever so slightly to 3.9% at $1.78 billion to $1.71 billion. Hopefully March can continue this pace.
More...
Weekend Estimates: Deadpool Enjoys Third Weekend Win
February 28th, 2016
This is shaping up to be a triumphant weekend for 20th Century Fox. The studio will take three out of the top five spots at the box office this weekend, with Deadpool claiming a third straight win with $31.5 million, taking it to a huge (for the time of year) $285.6 million by close of business on Sunday. The studio’s Kung Fu Panda 3 will be down just 28% to $9 million in third place, for $128.5 million to date, and their new release Eddie the Eagle will land in fifth with a slightly disappointing, but not horrible, $6.3 million. Oh, and The Revenant is still in the top ten in its tenth weekend in release, and is the hot favorite to win Best Picture at the Oscars this evening (more on that in a moment).
All of which is a roundabout way of saying that Gods of Egypt had a horrible opening weekend…
More...
Friday Estimates: Deadpool Delivers a Mortal Blow to Gods of Egypt
February 27th, 2016
Deadpool will again earn first place at the box office, and with more than anticipated. It earned $8.95 million on Friday, which is 45% lower than last Friday's box office. If it maintains this run, then it will earn $31 million over the weekend for a total of $285 million. By this time next weekend, it will be over $300 million domestically. I don't think the studio was expecting $300 million worldwide when it gave the film the greenlight.
More...
Thursday Night Previews: Gods off to a Mortal Start
February 26th, 2016
Gods of Egypt had the best showing among new releases from its Thursday previews; however, best is being used as a relative term, as it only managed $800,000. By comparison, 13 Hours pulled in $900,000 earlier this year. If the film’s reviews hurt its word of mouth, and I can’t imagine they won’t, then we are looking at a domestic total of about $40 million on a $140 million production budget. In fact, it will likely make less during its opening weekend than the $15.3 million reportedly spend on TV ads leading up to its release.
More...
Weekend Predictions: Gods of Egypt Eye Top Spot
February 26th, 2016
There are three wide releases looking to overtake Deadpool at the box office. I seriously doubt any of them will be able to do so. In fact, all three combined might not top Deadpool over the weekend. Gods of Egypt is by far the biggest costing $140 million, but it likely won't earn 10% of that over the weekend. Triple 9 is a rather generic action film that bombed in its debut in the U.K., which doesn't bode well for its run here. Finally, Eddie the Eagle is a feel-good inspirational sports movie based on a real life story. Unfortunately, the sport in question is ski-jumping, which isn't popular enough to expect the movie will find an audience in theaters. This weekend last year, Focus was the top film, but Deadpool will likely beat it by $10 million over the weekend. It should be a relatively good week for 2016.
More...
2016 Preview: February
February 1st, 2016
As expected, January was dominated by holdovers with Star Wars: The Force Awakens and The Revenant leading the way. That's not to say there were no new releases that did well, as Ride Along 2 and Kung Fu Panda 3 were hits with moviegoers. Looking forward, there is only one film that looks like a sure hit, Deadpool. There's a slim chance it could be a surprise $200 million hit. There's a much better chance it will be the only $100 million hit. Conversely, last February started with a $100 million hit coming out, The SpongeBob Movie: Sponge Out of Water, while there were two other $100 million movies to come out that month, Fifty Shades of Grey and Kingsman: The Secret Service. Looks like 2016 is going to lose in the year-over-year comparison.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/04/08 | 5 | $144,864 | 51 | $2,840 | $187,604 | 1 | |
2016/04/15 | 9 | $85,170 | -41% | 50 | $1,703 | $314,760 | 2 |
2016/04/22 | 12 | $59,824 | -30% | 46 | $1,301 | $398,995 | 3 |
2016/04/29 | 17 | $39,227 | -34% | 38 | $1,032 | $470,594 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 3/4/2016 | $336,390 | 145 | 145 | 341 | $712,923 | 6/9/2016 |
Belgium | 4/13/2016 | $62,667 | 20 | 20 | 20 | $62,667 | 6/9/2016 |
Bulgaria | 3/11/2016 | $15,077 | 39 | 39 | 116 | $52,484 | 2/26/2019 |
China | 7/27/2016 | $244,704 | 0 | 0 | 0 | $944,264 | 8/27/2018 |
France | 3/16/2016 | $719,344 | 0 | 240 | 371 | $1,669,404 | 6/9/2016 |
Iraq | 3/10/2016 | $8,825 | 4 | 4 | 7 | $15,278 | 12/31/2018 |
Italy | 4/21/2016 | $605,451 | 0 | 0 | 0 | $1,296,473 | 6/9/2016 |
Kuwait | 3/10/2016 | $112,514 | 6 | 9 | 20 | $287,785 | 12/31/2018 |
Lebanon | 3/10/2016 | $29,256 | 11 | 11 | 20 | $48,661 | 12/31/2018 |
Lithuania | 3/11/2016 | $7,931 | 10 | 10 | 10 | $13,950 | 6/9/2016 |
Netherlands | 4/7/2016 | $144,864 | 51 | 51 | 185 | $470,594 | 6/9/2016 |
North America | 2/26/2016 | $6,109,085 | 2,205 | 2,205 | 5,551 | $12,639,297 | 7/28/2017 |
Oman | 3/10/2016 | $42,631 | 10 | 10 | 23 | $101,178 | 12/31/2018 |
Philippines | 2/24/2016 | $14,329 | 45 | 45 | 45 | $14,275 | 12/31/2018 |
Poland | 3/18/2016 | $93,219 | 106 | 106 | 157 | $219,088 | 12/31/2018 |
Portugal | 2/25/2016 | $35,685 | 21 | 21 | 48 | $71,416 | 6/9/2016 |
Romania | 3/9/2016 | $69,335 | 54 | 54 | 162 | $158,948 | 12/31/2018 |
Russia (CIS) | 3/4/2016 | $272,348 | 604 | 604 | 1166 | $523,156 | 12/31/2018 |
Singapore | 3/17/2016 | $44,867 | 8 | 8 | 17 | $83,197 | 6/9/2016 |
South Africa | 3/11/2016 | $24,256 | 49 | 49 | 49 | $24,256 | 6/9/2016 |
South Korea | 4/20/2016 | $5,983 | 0 | 324 | 324 | $269,362 | 9/10/2018 |
Spain | 5/6/2016 | $233,376 | 285 | 285 | 609 | $599,286 | 6/9/2016 |
Sweden | 3/18/2016 | $58,651 | 54 | 54 | 86 | $161,528 | 6/9/2016 |
Switzerland | 4/7/2016 | $98,464 | 28 | 28 | 28 | $98,464 | 6/9/2016 |
Taiwan | 4/1/2016 | $33,342 | 14 | 15 | 32 | $78,279 | 6/9/2016 |
Thailand | 3/17/2016 | $25,515 | 29 | 29 | 32 | $38,103 | 6/9/2016 |
Turkey | 3/18/2016 | $33,315 | 61 | 61 | 94 | $77,678 | 2/26/2019 |
United Arab Emirates | 3/10/2016 | $228,828 | 42 | 42 | 66 | $488,553 | 12/31/2018 |
United Kingdom | 2/19/2016 | $1,165,546 | 448 | 448 | 1144 | $2,488,219 | 6/9/2016 |
Rest of World | $2,235,026 | ||||||
Worldwide Total | $25,943,792 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Casey Affleck | Chris Allen |
Chiwetel Ejiofor | Michael Belmont |
Anthony Mackie | Marcus Atwood |
Aaron Paul | Gabe Welch |
Norman Reedus | Russel Welch |
Woody Harrelson | Sgt. Detective Jeffrey Allen |
Kate Winslet | Irina Vlaslov |
Supporting Cast
Clifton Collins, Jr. | Franco Rodriguez |
Teresa Palmer | Michelle Allen |
Michael Kenneth Williams | Sweet Pea |
Gal Gadot | Elena |
Michelle Ang | Trina Ling |
Terence Rosemore | Joshua Parks |
Luis Dasilva, Jr. | Luis Pinto |
Ian Casselberry | Gomez |
E. Roger Mitchell | Smith |
Michael Harding | Walter Sims |
Karen Kaia Livers | Shanice |
Jon Eyez | Ispuk Member |
Hakim Callender | Banger |
Mary Rachel Dudley | Police Pathologist |
Natalie Pero | Beaten Woman in Trunk |
Dean Napolitano | DHS Guard |
Christine Horn | Female Security Guard |
Jaime Sukonnik | Beaten Woman in Trunk |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
John Hillcoat | Director |
Matt Cook | Screenwriter |
Keith Redmon | Producer |
Bard Dorros | Producer |
Marc Butan | Producer |
Anthony Katagas | Producer |
Christopher Woodrow | Producer |
John Hillcoat | Producer |
Steve Golin | Executive Producer |
Paul Green | Executive Producer |
Tom Ortenberg | Executive Producer |
Peter Lawson | Executive Producer |
Molly Conners | Executive Producer |
Maria Cestone | Executive Producer |
Sarah E. Johnson | Executive Producer |
Kimberly Fox | Executive Producer |
Isabel Dos Santos | Executive Producer |
Nicolas Karakatsanis | Director of Photography |
Tim Grimes | Production Designer |
Dylan Tichenor | Editor |
Margot Wilson | Costume Designer |
Atticus Ross | Composer |
Claudia Sarne | Composer |
Leopold Ross | Composer |
Bobby Krlic | Composer |
Lisa Fincannon | Casting Director |
Craig Fincannon | Casting Director |
Michael Flynn | Co-Producer |
Jonathan Pavesi | Co-Producer |
Meryl Emmerton | Co-Producer |
Adriana Randall | Co-Producer |
Matt Cook | Co-Producer |
Jared D. Underwood | Co-Executive Producer |
Andrew C. Robinson | Co-Executive Producer |
Tracy McKnight | Music Supervisor |
Jacqueline Jacobson* | Set Decorator |
Jay Meagher | Sound Mixer |
Leslie Shatz | Sound Designer |
Leslie Shatz | Re-recording Mixer |
Michael Patterson | Re-recording Mixer |
Nicholas Renbeck | Re-recording Mixer |
Caius Man | Special Effects Coordinator |
Eran Dinur | Visual Effects Supervisor |
Richard Friedlander | Visual Effects Producer |
Glenn Allen | Visual Effects Producer |
Mickey Giacomazzi | Stunt Coordinator |
Doug Torres | Assistant Director |
Dan Bradley | Second Unit Director |
David Emmerichs | Second Unit Camera |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.