Spain Box Office for Toni Erdmann (2016)
Theatrical Performance (US$) | ||
Spain Box Office | $558,555 | Details |
Worldwide Box Office | $11,345,970 | Details |
Home Market Performance | ||
North America DVD Sales | $92,944 | Details |
North America Blu-ray Sales | $97,380 | Details |
Total North America Video Sales | $190,324 | |
Further financial details... |
Synopsis
Winfried doesn’t see much of his working daughter Ines. The suddenly student-less music teacher decides to surprise her with a visit after the death of his old dog. It’s an awkward move because serious career woman Ines is working on an important project as a corporate strategist in Bucharest. The geographical change doesn’t help the two to see more eye to eye. Practical joker Winfried loves to annoy his daughter with corny pranks. What’s worse are his little jabs at her routine lifestyle of long meetings, hotel bars and performance reports. Father and daughter reach an impasse, and Winfried agrees to return home to Germany. Enter flashy “Toni Erdmann” — Winfried’s smooth-talking alter ego. Disguised in a tacky suit, weird wig and even weirder fake teeth, Toni barges into Ines’ professional life, claiming to be her CEO’s life coach. As Toni, Winfried is bolder and doesn't hold back, but Ines meets the challenge. The harder they push, the closer they become. In all the madness, Ines begins to understand that her eccentric father might deserve some place in her life after all.
Metrics
Movie Details
Spain Releases: | January 20th, 2017 (Wide) |
Video Release: | April 11th, 2017 by Sony Pictures Home Entertainment |
MPAA Rating: | R for strong sexual content, graphic nudity, language and brief drug use. (Rating bulletin 2441 (Cert #50662), 9/7/2016) |
Running Time: | 162 minutes |
Keywords: | Dysfunctional Family, Father and Daughter, Set in Germany |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Komplizen, Coop99, KNM, Missing Link Films, SWR, WDR, Arte |
Production Countries: | Germany |
Languages: | German |
Home Market Releases for April 11th, 2017
April 12th, 2017
It is another shallow week on the home market. There are a number of Oscar-contenders on this week’s list, but the quality quickly drops off from that point. A couple of releases are contenders for Pick of the Week, but it is mostly filler. The best of this week’s list was Hidden Figures on Blu-ray and it is the Pick of the Week.
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Theater Averages: From A to Zucchini
March 1st, 2017
My Life as a Zucchini topped the per theater chart with an average of $14,529 in two theaters. The only other film in the $10,000 club was the overall number one film, Get Out, which earned an average of $12,002.
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2016 - Awards Season - And the Oscar Goes to... La La Land Moonlight!
February 26th, 2017
It’s Oscar night and we were live blogging the show. Read on the the highlights of what turned out to be a crazy night.
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2016 - Awards Season: Oscars - Nominations - Final Look
February 26th, 2017
It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between.
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2016 - Awards Season: Independent Spirit Awards - Winners - Moonlight has a Serious Night
February 26th, 2017
The Independent Spirit Awards winners were handed out last night. While they are rarely a good predictor for the Oscars, Moonlight’s performance was so dominant that its chances of winning Oscars have ticked up a couple of percentage points.
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2016 Awards Season: Oscar Nominations
January 24th, 2017
The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record.
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2016 - Awards Season: BAFTA - Nominations
January 11th, 2017
The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece.
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Theater Averages: The New Year has a Patriotic Start
January 10th, 2017
The theater average chart was dominated by holdovers, as is the norm this time of year. The top film was Patriots Day with an average of $14,972 in seven theaters. This bodes very well for its wide expansion next weekend. 20th Century Women is becoming a sleeper hit earning an average of $13,047 in ten theaters. This is one of those films that should be earning more Awards Season buzz, but I fear it has slipped between the cracks. Toni Erdmann and Paterson were neck-and-neck with averages of $10,472 and $10,205 respectively.
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Theater Averages: Hidden Stands Out with Average of $34,329
January 4th, 2017
Hidden Figures rose to first place during its first full weekend of release with an average of $34,329 in 25 theaters. It already has more than $2 million and it expands wide on Friday. 20th Century Women was next with an average of $27,800 in four theaters. It isn’t a major player during Awards Season, but it is picking up enough nominations to help it stick around in theaters. Patriots Day was down just 8% earning an average of $21,117 in seven theaters. Last week’s winner, Silence, fell to an average of $20,827 in four theaters. If it has a similar drop next week, it will put its wide release in jeopardy. The best limited release of the week was Paterson, which earned an average of $17,334 in four theaters. Toni Erdmann earned an average of $14,000 in three theaters during its first full week of release. La La Land continues to expand, but remained in the $10,000 club with an average of $12,738. The overall number one film, Rogue One: A Star Wars Story, was next with an average of $11,934, while the second place film, Sing, was right behind with an average of $10,647.
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Limited and VOD Releases: Which Releases will Make some Noise?
December 23rd, 2016
There are a number of limited releases coming out this week spread from Wednesday through Sunday. This includes several that are aiming for Awards Season glory: 20th Century Women, Hidden Figures, Silence, and others. There might be too many great films on this week's list, which means some will not live up to their box office potential.
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2016 - Awards Season: Golden Globes - Nominations
December 12th, 2016
The Golden Globes nominations were announced and we are starting to see a few names pop up over and over again. La La Land led the way with seven nominations, but Moonlight was right behind with six and Manchester by the Sea earned five. You will be hearing those three names over and over and over again this Awards Season.
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2016 - Awards Season: Independent Spirit Awards - Nominations
November 23rd, 2016
The Independent Spirit Awards nominations were announced last night and thus the 2016 Awards Season begins. There were a few surprises and some snubs to discuss, but for the most part, there’s not a lot nominations that broke the established narrative. It’s because there isn’t really an established narrative. This means films that earn nominations here have a much better chance of doing well going forward and Moonlight looks like it could rise up as a result.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/01/20 | 12 | $155,451 | 92 | $1,690 | $155,451 | 1 | |
2017/01/27 | 16 | $106,664 | -31% | 95 | $1,123 | $334,740 | 2 |
2017/02/03 | 18 | $58,332 | -45% | 78 | $748 | $444,686 | 3 |
2017/02/10 | 21 | $29,545 | -49% | 45 | $657 | $496,791 | 4 |
2017/02/17 | 27 | $10,727 | -64% | 25 | $429 | $520,754 | 5 |
2017/02/24 | 28 | $6,985 | -35% | 20 | $349 | $531,502 | 6 |
2017/03/03 | 30 | $4,927 | -29% | 11 | $448 | $538,723 | 7 |
2017/03/10 | - | $2,496 | -49% | 4 | $624 | $549,108 | 8 |
2017/03/17 | 42 | $1,820 | -27% | 2 | $910 | $556,228 | 9 |
2017/03/24 | - | $1,310 | -28% | 1 | $1,310 | $561,999 | 10 |
2017/03/31 | - | $1,225 | -6% | 1 | $1,225 | $558,555 | 11 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 2/10/2017 | $41,959 | 15 | 16 | 115 | $217,855 | 6/3/2024 |
Brazil | 2/9/2017 | $34,699 | 13 | 14 | 49 | $109,580 | 4/4/2017 |
Bulgaria | 3/31/2017 | $0 | 0 | 0 | 0 | $6,042 | 8/28/2019 |
Chile | 1/19/2017 | $0 | 0 | 2 | 4 | $12,000 | 12/20/2018 |
Colombia | 2/9/2017 | $8,755 | 13 | 13 | 31 | $17,242 | 12/20/2018 |
Czech Republic | 10/14/2016 | $0 | 0 | 15 | 34 | $26,145 | 1/1/2019 |
Dominican Republic | 2/2/2017 | $634 | 1 | 1 | 1 | $634 | 1/1/2019 |
France | 8/19/2016 | $646,988 | 0 | 0 | 0 | $2,425,518 | 8/17/2018 |
Germany | 7/15/2016 | $0 | 0 | 0 | 0 | $4,832,090 | 8/19/2018 |
Italy | 3/2/2017 | $141,801 | 0 | 0 | 0 | $345,084 | 3/22/2017 |
Lithuania | 8/26/2016 | $3,659 | 14 | 14 | 46 | $10,999 | 11/15/2016 |
Mexico | 2/24/2017 | $2,382 | 4 | 4 | 9 | $7,566 | 3/21/2017 |
Netherlands | 11/10/2016 | $88,698 | 38 | 39 | 341 | $703,486 | 2/2/2017 |
New Zealand | 2/17/2017 | $11,701 | 14 | 14 | 50 | $81,917 | 3/13/2017 |
North America | 12/25/2016 | $40,131 | 3 | 112 | 522 | $1,478,960 | |
Peru | 3/2/2017 | $1,362 | 1 | 1 | 2 | $2,289 | 12/20/2018 |
Portugal | 2/3/2017 | $1,343 | 2 | 10 | 28 | $34,280 | 3/9/2017 |
Russia (CIS) | 2/24/2017 | $60,309 | 0 | 0 | 0 | $105,657 | 1/1/2019 |
Slovakia | 10/28/2016 | $3,314 | 19 | 19 | 21 | $9,446 | 1/12/2017 |
Slovenia | 12/16/2016 | $4,720 | 7 | 7 | 19 | $28,975 | 2/6/2017 |
South Korea | 12/3/2016 | $0 | 0 | 64 | 102 | $108,377 | 12/22/2017 |
Spain | 1/20/2017 | $155,451 | 92 | 95 | 374 | $558,555 | 4/7/2017 |
Turkey | 2/3/2017 | $4,660 | 0 | 10 | 19 | $22,331 | 1/1/2019 |
United Kingdom | 2/3/2017 | $197,184 | 41 | 41 | 41 | $197,184 | 2/8/2017 |
Venezuela | 3/24/2017 | $2,324 | 2 | 2 | 3 | $3,758 | 4/4/2017 |
Worldwide Total | $11,345,970 | 6/3/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Peter Simonischek | Winfried/Toni Erdmann |
Sandra Huller | Ines |
Supporting Cast
Michael Wittenborn | Henneberg |
Thomas Loibl | Gerald |
Trystan Putter | Tim |
Hadewych Minis | Tatjana |
Lucy Russell | Steph |
Ingrid Bisu | Anca |
Vlad Ivanov | Illiescu |
Victoria Cocias | Flavia |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Maren Ade | Director |
Janine Jackowski | Producer |
Jonas Dornbach | Producer |
Maren Ade | Producer |
Michel Merkt | Producer |
Maren Ade | Screenwriter |
Parplies Heike | Editor |
Patrick Orth | Director of Photography |
Bruno Wagner | Co-Producer |
Antonin Svoboda | Co-Producer |