Bulgaria Box Office for Tomorrowland (2015)
Theatrical Performance (US$) | ||
Bulgaria Box Office | $150,631 | Details |
Worldwide Box Office | $206,627,518 | Details |
Home Market Performance | ||
North America DVD Sales | $6,534,603 | Details |
North America Blu-ray Sales | $5,678,608 | Details |
Total North America Video Sales | $12,213,211 | |
Further financial details... |
Synopsis
Bound by a shared destiny, former boy-genius Frank, jaded by disillusionment, and Casey, a bright, optimistic teen bursting with scientific curiosity, embark on a danger-filled mission to unearth the secrets of an enigmatic place somewhere in time and space known only as "Tomorrowland." What they must do there changes the world-and them-forever.
Metrics
Movie Details
Production Budget: | $170,000,000 |
Bulgaria Releases: | May 22nd, 2015 (Wide) |
Video Release: | October 13th, 2015 by Buena Vista Home Entertainment |
MPAA Rating: | PG for sequences of sci-fi action violence and peril, thematic elements, and language. (Rating bulletin 2325, 3/25/2015) |
Running Time: | 129 minutes |
Keywords: | Time Travel, Child Prodigy, Inventor, IMAX: DMR, Family Adventure, Prologue, 1960s, Robot, Exile |
Source: | Original Screenplay |
Genre: | Adventure |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | A113 |
Production Countries: | United States |
Languages: | English |
Home Market Numbers: Aladdin Shakes Things Up
November 11th, 2015
It was a strange week on the home market, as there were two new releases that could legitimately say they won on the combined DVD and Blu-ray chart for October 18th. San Andreas sold 801,000 units / $16.42 million for an opening week Blu-ray share of 40%. This put it on top of the chart; however, Aladdin arguably had the better week, as it sold 706,000 units / $13.92 million, all of which was on Blu-ray.
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Home Market Releases for October 13th, 2015
October 13th, 2015
There are two $100 million movies on this week's list of Home Market Releases: Spy, which earned more than $100 million domestically, and Tomorrowland, which merely cost more than $100 million to make. Spy is arguably the best release on this week's list, but the Blu-ray was already named Pick of the Week, so that honor is going to Aladdin's Blu-ray debut this week.
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Weekend Predictions: Is There Still an Audience for a Jurassic Film?
June 12th, 2015
Jurassic World is the only wide release this week and its box office potential is so high that it has scared away even the counter-programming. It isn't the only film playing in theaters this weekend, but it will very likely make more at the box office than the rest of them combined. Spy will be a distant second place and is hoping not to be crushed. If it can avoid falling 50%, it should have enough legs to reach the century mark. ... with a push from the studio. The only other film that is on track to earn more than $10 million over the weekend is San Andreas, which already crossed the $100 million mark. This weekend last year, two films opened wide, 22 Jump Street and How to Train Your Dragon 2. Neither film will match Jurassic World individually, but they might have the advantage if you combine their openings. Additionally, there will only be two $10 million films this weekend, while there were three last year. 2015 will win on top, but 2014 has better depth and I think 2015 will lose the year-over-year comparison... again.
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International Box Office: After Shocks for San Andreas
June 11th, 2015
San Andreas remained in first place over the weekend with $97.8 million in 69 markets for a total of $188.0 million internationally and $286.5 million worldwide. It is almost guaranteed that the film's production budget is fully covered and the film should have the legs to cover its full advertising budget before its international run is over. That means its home market run will be pure gravy. This week, its biggest market was China, where the film earned first place with $34.26 million over the weekend for a six-day opening of $51.95 million. It won't last in first place for long, as Jurassic World has already opened in that market and taken over top spot. (More on that this time next week.) Its next biggest opening was South Korea, where it also earned first place with $5.74 million on 847 screens over the weekend for a total opening of $7.25 million.
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Weekend Wrap-Up: Spy High, but not a Monster Hit
June 9th, 2015
None of the three new releases matched expectations and while the holdovers pulled their weight, it wasn't enough to help the overall box office. Spy didn't make it to $30 million during its opening weekend, but it came within a rounding error of that mark. Insidious Chapter 3 did very well compared to its production budget, but will likely be the weakest installment in the franchise. Meanwhile, if it weren't for its lower production budget, Entourage would be considered a bomb. Overall, the box office fell 4.3% from last weekend to $133 million. Worse still, the box office fell 18% from last year. Year-to-date, the overall box office has pulled in $4.39 billion, which is 1.2% above 2014's pace.
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Weekend Predictions: Will Spy Become McCarthy / Feig's Third Hit?
June 5th, 2015
There are three wide releases this week, including one that is already in theaters. The biggest of these three releases is Spy, which is the latest film from Melissa McCarthy and Paul Feig. Both of their previous films crossed $100 million with ease. Insidious Chapter 3 is the third film in the Insidious franchise, but most think it won't be the best. Entourage started out ahead of expectations, but its reviews could cause a quick decline. This weekend last year, The Fault in Our Stars opened with nearly $50 million, while Maleficent landed in second place with more than $30 million. I don't think 2015 will be strong on top, but I think it will have better depth.
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International Box Office: San Andreas Rumbles to the Top
June 4th, 2015
San Andreas opened in first place on the international chart with $63.9 million on 15,420 screens in 60 markets. Its best international market was Mexico where it earned first place with $9.97 million. It also opened in first place in Australia with $2.47 million in 449 theaters. The film generated $7.07 million in 505 theaters in the U.K. and $5.16 million on 2,256 screens in Russia. The film was also potent in Brazil with an opening of $3.2 million in 926 theaters, while it earned a nearly identical amount in France with $3.19 million in 496. It is still too soon to tell where the film will end up, but it made more worldwide than it cost to make during its opening weekend, so the studio must be happy.
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Weekend Wrap-Up: San Andreas Shakes Up Box Office
June 2nd, 2015
The post-holiday weekend was softer than the holiday weekend, which is to be expected. However, thanks to a stronger than predicted opening by San Andreas, it wasn't as bad as it could have been. On the other hand, Aloha was on the low end of expectations. The overall box office fell 9.5% from last weekend to $139 million, which is acceptable. By comparison, the overall box office fell 17% from this weekend last year, as San Andreas couldn't keep up with Maleficent's opening. Year-to-date, 2015 has pulled in $4.20 billion, putting it 1.2% ahead of 2014's pace of $4.15 million. 2015 is coming dangerously close to losing its lead over last year.
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Weekend Predictions: Will May End on a Disastrous Note?
May 28th, 2015
The weekend after a holiday is usually a bad weekend at the box office. This time around, San Andreas is the clear front-runner while Aloha might struggle, even as counter-programming. San Andreas will earn more than $30 million over the weekend, no other film is on track to hitting $20 million. On the other hand, there could be six other films that earn $10 million or more over the weekend. By comparison, this weekend last year, Maleficent opened with nearly $70 million, while X-Men: Days of Future Past earned more than $30 million. There's no way the top of the chart will match that. Even with better depth, it is very unlikely 2015 will win in the year-over-year comparison.
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International Box Office: Ultron Still Ultimate Film on International Chart
May 28th, 2015
For the fifth week in a row, The Avengers: Age of Ultron remained in first place. This week it pulled in $45.8 million in 91 markets for month-long totals of $859.8 million internationally and $1.265 billion worldwide. The film made $53.98 million in China, but that was for the full week, giving it a running tally of $209.39 million after 13 days of release. At this pace, the film should have no trouble hitting $900 million internationally and $1.3 million worldwide, likely over the weekend. Meanwhile, it has yet to open in Japan and should made $50 million, more or less, in that market alone. Will it get to $1 billion internationally? It is still too soon to tell. It should at least be close.
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Contest: Don't Wait till Tomorrow to Enter: Winning Announcement
May 27th, 2015
The winners of our Don't Wait till Tomorrow to Enter contest were determined and the entrants with the closest predictions for Tomorrowland opening weekend were...
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Weekend Wrap-Up: The Sun didn't Shine on Tomorrow
May 27th, 2015
The Memorial Day long weekend was not as strong as anticipated, as no film in the top five really topped expectations. Tomorrowland did earn first place, but it barely earned more in four days as it was expected to earn in three. Pitch Perfect 2 crossed $100 million over the weekend and The Avengers: Age of Ultron crossed $400 million, so those milestones helped cushion the blow. Even so, the overall box office fell 18% when compared to last week, falling to $152 million over the three day weekend. It was also down 19% from last year over the three day period. Over four days, the box office pulled in $191 million, which was 17% lower than the same weekend last year. This is a disappointing loss. 2015 is still ahead of 2014, albeit by a margin of just 2.1% at $4.02 billion to $3.95 billion.
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Weekend Estimates: Tomorrowland Barely Ahead of Pitch Perfect 2
May 24th, 2015
The good news this Memorial Day weekend is that five movies will gross over $20 million. The bad news is that none of them will do any better than Tomorrowland’s soft $32 million debut. Disney’s latest will barely scrape in ahead of Pitch Perfect 2 over three days, with the singing sensation expected to generate $30.3 million. Over four days, Tomorrowland may pull into a slightly larger lead, thanks to its more family-friendly nature, but it will take a much better performance overseas for the sci-fi adventure to recoup its costs.
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Weekend Predictions: Will Tomorrow be a Better Day?
May 22nd, 2015
It's Memorial Day long weekend, which is one of the best weekends of the year at the box office. There are two new releases trying to take advantage of the holiday, Tomorrowland and Poltergeist. There are also three major holdovers that will remain potent over the weekend: Mad Max: Fury Road, Pitch Perfect 2, and The Avengers: Age of Ultron. There's a chance all five of these films will made $30 million or more over the next four days. Like we've seen most weeks this summer, this weekend last year had a much bigger hit on top. X-Men: Days of Future Past opened with more than $90 million, but only one other film, Godzilla earned more than $15 million over the three-day weekend. So again, 2015 won't match 2014 at the top, but the depth should help 2015 win in the year-over-year comparison.
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Contest: Don't Wait till Tomorrow to Enter
May 15th, 2015
Next weekend is Memorial Day long weekend. When two films, Poltergeist and Tomorrowland, try to take advantage of the holidays. Tomorrowland has the significant advantage at the box office and it is the target film in this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Tomorrowland.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize. It was going to feature Strawberry Shortcake: Berry Best in Show, but the PR company ran out of copies, as there were more screener requests than they anticipated. So we are going to go with Winner's Choice of either a season of TV on DVD, two movies, or three single-disc kids shows that I previously reviewed. This could include Strawberry Shortcake: Berry Best in Show, or other DVDs from that franchise.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a second Winner's Choice Frankenprize.
Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Winner's Choice Frankenprize.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2015 Preview: May
May 1st, 2015
April is over and there was good news and bad news. Good news: Furious 7 crushed the competition, and broke records along the way. Bad news: Furious 7 crushed the competition and no other April release will earn as much in total as Furious 7 earned during its opening day. Fortunately, Furious 7 was so strong that it carried April of 2015 to a draw when compared to April of 2014. May has a lot of similarities to April. The Avengers: Age of Ultron is expected to break records during its opening weekend and even the low end has it earning more than $1 billion worldwide. Unfortunately, no other film is going to come close to that figure. There are five other films with a potential to reach $100 million at the box office. The keyword there is "potential". There's a chance less than half of those five films will get to that milestone. And like last April, last May had much better depth with five films that reached $100 million, including four that surpassed $200 million. Age of Ultron will earn more than the combined totals of Maleficent, last month's winner, and X-Men: Days of Future Past, which placed second for the month. I am a little concerned about the lack of depth this month and this could cause May to lose in the month-over-month comparison in the end.
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Tomorrowland Trailer
February 26th, 2015
Sci-fi adventure starring Britt Robertson and George Clooney, directed by Brad Bird opens May 22... Full movie details...
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/05/22 | 2 | $45,544 | 48 | $949 | $45,544 | 1 | |
2015/05/29 | 3 | $20,202 | -56% | 48 | $421 | $94,227 | 2 |
2015/06/05 | 5 | $10,053 | -50% | 21 | $479 | $118,157 | 3 |
2015/06/12 | 7 | $4,715 | -53% | 15 | $314 | $129,016 | 4 |
2015/06/19 | 8 | $4,800 | +2% | 0 | $141,671 | 5 | |
2015/06/26 | 9 | $3,010 | -37% | 0 | $144,952 | 6 | |
2015/07/03 | 11 | $1,042 | -65% | 6 | $174 | $147,696 | 7 |
2015/07/10 | 11 | $544 | -48% | 5 | $109 | $149,237 | 8 |
2015/07/17 | 16 | $181 | -67% | 3 | $60 | $150,044 | 9 |
2015/07/24 | 17 | $138 | -24% | 1 | $138 | $150,435 | 10 |
2015/07/31 | 17 | $78 | -43% | 1 | $78 | $150,631 | 11 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 5/21/2015 | $686,330 | 157 | 157 | 456 | $1,760,526 | 9/9/2015 |
Australia | 5/28/2015 | $1,210,061 | 241 | 263 | 1042 | $3,351,826 | 7/13/2015 |
Austria | 5/22/2015 | $186,753 | 62 | 63 | 320 | $443,899 | 7/15/2015 |
Azerbaijan | 5/21/2015 | $0 | 0 | 0 | 0 | $0 | |
Belgium | 5/20/2015 | $219,286 | 80 | 82 | 411 | $700,466 | 7/15/2015 |
Brazil | 6/4/2015 | $1,591,749 | 476 | 476 | 1163 | $2,784,174 | 11/7/2018 |
Bulgaria | 5/22/2015 | $45,544 | 48 | 48 | 148 | $150,631 | 12/30/2018 |
Chile | 5/21/2015 | $0 | 0 | 0 | 0 | $0 | |
China | 5/25/2015 | $7,450,000 | 29410 | 29410 | 43496 | $19,250,000 | 9/12/2018 |
Colombia | 5/21/2015 | $0 | 0 | 0 | 0 | $0 | |
Croatia | 5/21/2015 | $25,204 | 27 | 27 | 54 | $50,306 | 12/30/2018 |
Cyprus | 5/22/2015 | $0 | 0 | 0 | 0 | $0 | |
Czech Republic | 5/21/2015 | $64,378 | 61 | 65 | 209 | $133,422 | 12/30/2018 |
Denmark | 5/21/2015 | $0 | 0 | 0 | 0 | $0 | |
Ecuador | 5/22/2015 | $324,061 | 54 | 54 | 54 | $324,061 | 12/30/2018 |
Estonia | 5/29/2015 | $0 | 0 | 6 | 6 | $60,463 | 6/17/2015 |
Finland | 5/22/2015 | $64,692 | 69 | 69 | 202 | $293,189 | 8/4/2015 |
France | 5/20/2015 | $2,436,488 | 551 | 551 | 2278 | $6,535,891 | 6/23/2015 |
Germany | 5/21/2015 | $1,051,086 | 0 | 410 | 877 | $3,156,855 | 8/22/2018 |
Greece | 5/28/2015 | $0 | 0 | 67 | 85 | $283,693 | 6/17/2015 |
Hong Kong | 5/21/2015 | $295,593 | 107 | 107 | 255 | $1,860,305 | 7/1/2015 |
Hungary | 5/28/2015 | $95,273 | 58 | 58 | 174 | $184,393 | 12/30/2018 |
Iceland | 5/29/2015 | $18,007 | 10 | 10 | 15 | $41,929 | 12/30/2018 |
India | 5/22/2015 | $226,316 | 92 | 92 | 145 | $406,443 | 6/10/2015 |
Indonesia | 5/21/2015 | $1,143,897 | 241 | 241 | 245 | $2,589,931 | 12/30/2018 |
Ireland | 5/22/2015 | $0 | 0 | 0 | 0 | $0 | |
Israel | 5/21/2015 | $0 | 0 | 27 | 48 | $51,540 | 12/30/2018 |
Italy | 5/21/2015 | $1,480,553 | 542 | 542 | 864 | $3,554,211 | 7/7/2015 |
Japan | 6/6/2015 | $2,107,175 | 637 | 643 | 2522 | $9,957,025 | 7/1/2015 |
Kazakhstan | 5/21/2015 | $0 | 0 | 0 | 0 | $0 | |
Kenya | 5/22/2015 | $13,020 | 12 | 12 | 24 | $27,790 | 12/30/2018 |
Latvia | 5/29/2015 | $10,571 | 8 | 8 | 8 | $10,571 | 12/30/2018 |
Lebanon | 5/22/2015 | $54,935 | 16 | 16 | 49 | $146,289 | 12/30/2018 |
Lithuania | 5/22/2015 | $12,051 | 113 | 113 | 127 | $47,815 | 7/8/2015 |
Macedonia | 5/21/2015 | $0 | 0 | 0 | 0 | $0 | |
Malaysia | 5/21/2015 | $773,495 | 126 | 127 | 334 | $1,952,169 | 7/8/2015 |
Mexico | 5/21/2015 | $2,542,274 | 0 | 0 | 0 | $5,671,204 | 9/7/2018 |
Netherlands | 5/21/2015 | $296,040 | 94 | 94 | 327 | $811,501 | 6/22/2015 |
New Zealand | 5/21/2015 | $0 | 0 | 61 | 266 | $585,614 | 7/13/2015 |
North America | 5/22/2015 | $33,028,165 | 3,972 | 3,972 | 17,822 | $93,436,322 | 4/28/2017 |
Norway | 5/22/2015 | $0 | 0 | 48 | 85 | $37,273 | 7/7/2015 |
Pakistan | 5/22/2015 | $0 | 0 | 0 | 0 | $0 | |
Panama | 5/21/2015 | $0 | 0 | 0 | 0 | $0 | |
Peru | 5/21/2015 | $423,914 | 143 | 143 | 306 | $1,038,201 | 12/30/2018 |
Philippines | 5/22/2015 | $928,251 | 182 | 182 | 509 | $2,462,426 | 12/30/2018 |
Poland | 5/29/2015 | $244,935 | 0 | 0 | 0 | $1,079,509 | 12/30/2018 |
Portugal | 5/28/2015 | $0 | 0 | 85 | 245 | $539,593 | 7/1/2015 |
Romania | 5/22/2015 | $89,715 | 67 | 67 | 299 | $317,426 | 12/30/2018 |
Russia (CIS) | 5/21/2015 | $3,914,813 | 1990 | 1990 | 3181 | $7,296,770 | 11/19/2018 |
Serbia and Montenegro | 5/21/2015 | $9,222 | 13 | 13 | 26 | $26,438 | 12/30/2018 |
Singapore | 5/21/2015 | $845,267 | 66 | 66 | 136 | $1,931,397 | 8/18/2015 |
Slovakia | 5/22/2015 | $42,204 | 34 | 34 | 104 | $81,293 | 7/1/2015 |
Slovenia | 5/22/2015 | $11,262 | 13 | 13 | 79 | $31,831 | 7/8/2015 |
South Africa | 5/22/2015 | $99,181 | 91 | 91 | 91 | $99,181 | 5/27/2015 |
South Korea | 5/22/2015 | $2,654 | 1 | 435 | 656 | $1,891,231 | 6/22/2015 |
Spain | 5/29/2015 | $1,339,234 | 622 | 622 | 2426 | $4,845,253 | 11/28/2018 |
Sweden | 5/22/2015 | $0 | 0 | 0 | 0 | $0 | |
Taiwan | 5/22/2015 | $1,143,260 | 82 | 82 | 260 | $2,275,297 | 11/4/2018 |
Thailand | 5/21/2015 | $727,269 | 171 | 171 | 380 | $1,900,000 | 6/23/2015 |
Turkey | 5/22/2015 | $162,997 | 142 | 178 | 555 | $738,420 | 12/30/2018 |
Ukraine | 5/21/2015 | $258,390 | 228 | 228 | 318 | $555,830 | 12/30/2018 |
United Arab Emirates | 5/21/2015 | $691,073 | 68 | 68 | 140 | $1,242,964 | 12/30/2018 |
United Kingdom | 5/22/2015 | $2,295,104 | 544 | 544 | 2148 | $7,809,706 | 9/22/2015 |
Uruguay | 5/21/2015 | $33,801 | 11 | 12 | 42 | $86,279 | 12/30/2018 |
Venezuela | 5/22/2015 | $542,506 | 57 | 57 | 194 | $542,506 | 7/7/2015 |
Vietnam | 5/22/2015 | $178,805 | 264 | 264 | 372 | $590,773 | 12/30/2018 |
Rest of World | $8,593,467 | ||||||
Worldwide Total | $206,627,518 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
George Clooney | Frank |
Supporting Cast
Hugh Laurie | David Nix |
Britt Robertson | Casey |
Raffey Cassidy | Athena |
Tim McGraw | Eddie Newton |
Kathryn Hahn | Ursula |
Keegan-Michael Key | Hugo |
Christopher Bauer* | Frank’s Dad |
Thomas Robinson | Young Frank Walker |
Pierce Gagnon | Nate Newton |
Matthew MacCaull | Dave Clark |
Judy Greer | Jenny Newton |
Matthew Kevin Anderson | Bus Driver |
Michael Giacchino | Small World Operator |
D. Harlan Cutshall | Skyscraper Foreman |
Shiloh Nelson | Young Casey Newton |
Xantha Radley | History Teacher |
David Nykl | Science Teacher |
Paul McGillion | English Teacher |
Pearce Visser | Beefy Cop |
Gary Chalk | Jail Desk Jockey |
Dagan Nish | Jail Punk |
Yusuf Ahmed | Jetpack Dexter |
Alex Barima | Jetpack Buddy |
Jedidiah Goodacre | Jetpack Buddy |
Kate Crutchlow | Monorail Mother |
Priya Rajarthnam | Young Astronaut |
Parm Soor | Astronaut's Father |
Leena Manro | Astronaut's Mother |
Rick Pearce | Pickup Driver |
Tom Butler | Police Captain |
Michael Rowe | Deputy |
Tim Perez | Deputy |
Patrick Sabongui | Eiffel Tower Guard #1 |
Romuald Hivert | Eiffel Tower Guard #2 |
Mathieu Lardier | Pierre Clark |
Fraser Corbett | Jensen |
Darren Shahlavi | Tough Guard |
Aidan Gemme | Young British Recruiter |
Takayuki Oki | Guitar Player |
Natasha Davidson | GM Plant Worker |
Liliane Leila Juma | Haitian Woman |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Brad Bird | Director |
Damon Lindelof | Screenwriter |
Brad Bird | Screenwriter |
Damon Lindelof | Story Creator |
Brad Bird | Story Creator |
Jeff Jensen | Story Creator |
Damon Lindelof | Producer |
Brad Bird | Producer |
Jeffrey Chernov | Producer |
John Walker | Executive Producer |
Bernard Bellew | Executive Producer |
Jeff Jensen | Executive Producer |
Brigham Taylor | Executive Producer |
Claudio Miranda | Director of Photography |
Scott Chambliss | Production Designer |
Walter Murch | Editor |
Craig Wood | Editor |
Jeffrey Kurland | Costume Designer |
Tom Peitzman | Co-Producer |
Michael Giacchino | Composer |
Craig Hammack | Visual Effects Supervisor |
Eddie Pasquarello | Visual Effects Supervisor |
John Knoll | Visual Effects Supervisor |
April Webster | Casting Director |
Alyssa Weisberg | Casting Director |
Bernard Bellew | Unit Production Manager |
Stewart Bethune | Unit Production Manager |
Chris Castaldi | First Assistant Director |
Ian Calip | Second Assistant Director |
Misha Bukowski | Key Second Assistant Director |
Debbi Bossi | Associate Producer |
Robert Alonzo | Supervising Stunt Coordinator |
Joey Box | Co-Stunt Coordinator |
Eva Morgan | Production Supervisor |
Ramsey Avery | Supervising Art Director |
Don MacAulay | Supervising Art Director |
Todd Cherniawsky | Art Director |
Geoff Wallace | Art Director |
Jeremy Stanbridge | Art Director |
Lauren Polizzi | Art Director |
Martina Javorova | Art Director |
Kelvin Humenny | Art Director |
Lin MacDonald | Set Decorator |
James Tyson | Costume Supervisor |
Monica Huppert | Make up |
Anne Carroll | Hairstylist |
Bill Terezakis | Special Make up Effects-Makeup Effects Designer |
Kimi Webber | Script Supervisor |
David Husby | Sound Mixer |
Simon Morgan | First Assistant Editor |
David Cerf | First Assistant Editor |
Dana Mulligan | Assistant Editor |
Tom Barrett | Assistant Editor |
Walter Slater Murch | Assistant Editor |
Warren Mazutinec | Assistant Editor |
Ken L. Smith | Assistant Editor |
Kyrsten Mate | Sound Designer |
Gwendolyn Yates Whittle | Supervising Sound Editor |
Juan Peralta | Re-recording Mixer |
Gary Rydstrom | Re-recording Mixer |
Jeremy Bowker | Re-recording Mixer |
E.J. Holowicki | Re-recording Mixer |
Adam Kopald | Re-recording Mixer |
J.R. Grubbs | Sound Effects Editor |
Adam Kopald | Sound Effects Editor |
E.J. Holowicki | Sound Effects Editor |
Jeremy Bowker | Sound Effects Editor |
Cheryl Nardi | Dialogue Editor |
Brad Semenoff | Dialogue Editor |
Mike Vezina | Special Effects Coordinator |
Jeffrey Chernov | Line Producer |
William Pruss | First Assistant Director |
David Klohn | First Assistant Director |
Marvin J. Williams, Jr. | Second Assistant Director |
Tom Peitzman | Visual Effects Producer |
Rick Messina | Casting Associate |
Jesse Lafferty | Casting Assistant |
Jeffrey Lynch | Second Unit Director |
John Bernard | Line Producer |
Mark Albela | Line Producer |
Gilles Castera | Production Manager |
Kevin Cross | Set Designer |
Liz Goldwyn | Set Designer |
Jay Mitchell | Set Designer |
Andrew Reeder | Set Designer |
Peter Stratford | Set Designer |
Bryan Sutton | Set Designer |
Mira Caveno | Set Designer |
Jim Ramsay | Set Designer |
Scott Schneider | Set Designer |
Stephen Bedford | Set Designer |
Nancy Anna Brown | Set Designer |
D.A. Girling | Set Designer |
David Hadaway | Set Designer |
Sheila Millar | Set Designer |
Peter Ochotta | Set Designer |
Kris Bergthorson | Set Designer |
John G. Burke | Set Designer |
Tex Kadonaga | Set Designer |
Alex Levy | Music Editor |
Jeffrey A. Lynch | Second Unit Director |
Steve Orlando | Assistant Supervising Sound Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.