Netherlands Box Office for Todos lo saben (2018)
Theatrical Performance (US$) | ||
Netherlands Box Office | $978,894 | Details |
Worldwide Box Office | $17,791,656 | Details |
Home Market Performance | ||
North America DVD Sales | $29,181 | Details |
North America Blu-ray Sales | $8,872 | Details |
Total North America Video Sales | $38,053 | |
Further financial details... |
Synopsis
Laura and her children travel from Buenos Aires to the village where she was born, on a Spanish vineyard, to attend her sister’s wedding, but unexpected events lead this gathering toward a crisis that exposes the family’s hidden past.
Metrics
Movie Details
Netherlands Releases: | October 5th, 2018 (Wide) |
Video Release: | May 7th, 2019 by Universal Home Entertainment |
MPAA Rating: | R for some language. (Rating bulletin 2546 (Cert #51718), 9/26/2016) |
Running Time: | 132 minutes |
Keywords: | Set in Buenos Aires, Set in Spain, You Can't Go Home Again, Life in a Small Town, Family Secrets, Wedding Day, Kidnap, Ransom, Crime Drama, Dysfunctional Family, Infidelity, The Past Catching up with You |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Focus Features, Memento Films Distribution, Memento Films , Morena Films, Lucky Red, France 3 Cinema, Untitled Films, RAI Cinema, Instituto de la Cinematographia y Artes Audiovisuales, Canal Plus, France Television, Cine Plus, Movistar Plus |
Production Countries: | Spain |
Languages: | Spanish |
Home Market Releases for May 7th, 2019
May 8th, 2019
It is yet another slow week on the home market with very few first-run releases of note. There are three contenders for Pick of the Week: Better Call Saul: Season 4, The LEGO Movie 2: The Second Part on 4K Ultra HD, and My Hero Academia: Season Three, Part One. It is too close to call, so I’m declaring a three-way tie.
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Theater Averages: Climactic Results Over the Weekend
March 7th, 2019
It was a really busy week on the Theater Average Chart with a ton of films to talk about, including six films in the $10,000 club. This list was led by Climax with an average of $23,885 in five theaters. Transit was next with an average of $15,966 in two theaters. Giant Little Ones and Apollo 11 had nearly identical averages of $13,500 and $13,392 respectively, but were playing in vastly different number of theaters at 1 and 120 respectively. Furie was a surprise entry in the $10,000 club with an average of $11,151 in 14 theaters. There was only one wide release in the $10,000 club, as Tyler Perry’s A Madea Family Funeral earned an average of $11,082.
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Theater Averages: Everybody Knows it’s a Slow Time for the Theater Average Chart
February 14th, 2019
There was only one new release in the $10,000 club this week, Everybody Knows, which earned an average of $17,802 in four theaters. Last week’s winner, Never Look Away, expanded into three theaters earning an average of $12,942. The 2019 Oscar Shorts didn’t make the $10,000 club, but it did earn nearly $1 million in 270 theaters for an average of $3,476, which is a better than 30% increase compared to the previous installment and easily the best of the franchise. Granted, it was also the widest release in the franchise, but this is still a start worth celebrating.
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Weekend Estimates: Lego Tops Chart, but Fails to Match the Original
February 10th, 2019
The Lego Movie 2: The Second Part reportedly cost $99 million to make and it will earn that much domestically, so it will very likely make a profit and Warner Bros. will be fine. That said, it is estimated to only manage $34.4 million over the weekend, which is about 40% lower than expectations and almost exactly 50% lower than the first film opened with. Its reviews are 84% positive, while it managed an A minus from CinemaScore, so it really should have done better than this. This hopefully isn’t a sign that the overall box office is unhealthy, but just a sign that WB has pushed the franchise too much too soon. Internationally, the film started with $18.1 million in 63 markets. This includes a first place, $5.2 million on 1,301 screens in the U.K. It also managed first place in Russia with $1.7 million on 2,493 screens. On the other hand, it only managed fourth place in Brazil with just $707,000 on 854 screens, which is the weakest start in the franchise.
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Limited and VOD Releases: A Short List or a List of Shorts
February 8th, 2019
It is a rather long list of limited releases this week, but this is a case of quantity over quality and there’s not much here to get excited about. If you are into strange films with overly long titles, then The Man Who Killed Hitler and Then the Big Foot should be up your alley. However, the film most likely to find an audience is 2019 Oscar Shorts.
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Everybody Knows Trailer
November 16th, 2018
Drama starring Javier Bardem and Penélope Cruz opens February 8 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/10/05 | 7 | $122,322 | 36 | $3,398 | $170,411 | 1 | |
2018/10/12 | 11 | $97,978 | -20% | 37 | $2,648 | $328,866 | 2 |
2018/10/19 | 14 | $107,984 | +10% | 34 | $3,176 | $490,653 | 3 |
2018/10/26 | 17 | $99,247 | -8% | 38 | $2,612 | $642,685 | 4 |
2018/11/02 | 19 | $60,329 | -39% | 39 | $1,547 | $735,088 | 5 |
2018/11/09 | 23 | $50,733 | -16% | 35 | $1,450 | $813,839 | 6 |
2018/11/16 | 19 | $41,094 | -19% | 46 | $893 | $876,683 | 7 |
2018/11/23 | 21 | $26,423 | -36% | 37 | $714 | $913,906 | 8 |
2018/11/30 | 24 | $17,805 | -33% | 24 | $742 | $943,476 | 9 |
2018/12/07 | - | $12,792 | -28% | 20 | $640 | $971,006 | 10 |
2018/12/14 | 25 | $10,314 | -19% | 16 | $645 | $978,894 | 11 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 9/7/2018 | $167,726 | 0 | 0 | 0 | $550,558 | 1/1/2019 |
Australia | 3/8/2019 | $77,582 | 25 | 26 | 184 | $372,479 | 6/18/2019 |
Brazil | 2/22/2019 | $151,840 | 63 | 63 | 63 | $172,992 | 3/5/2019 |
Bulgaria | 12/14/2018 | $5,460 | 0 | 0 | 0 | $71,388 | 9/11/2019 |
Czech Republic | 2/22/2019 | $44,756 | 66 | 66 | 120 | $101,850 | 3/19/2019 |
France | 5/9/2018 | $2,130,000 | 0 | 0 | 0 | $6,500,931 | 6/29/2018 |
Italy | 11/8/2018 | $796,516 | 0 | 19 | 33 | $2,158,958 | 9/26/2019 |
Netherlands | 10/5/2018 | $122,322 | 36 | 46 | 362 | $978,894 | 1/3/2019 |
New Zealand | 3/1/2019 | $0 | 0 | 16 | 16 | $32,000 | 3/14/2019 |
North America | 2/8/2019 | $71,207 | 4 | 283 | 1,031 | $2,677,805 | |
Portugal | 2/15/2019 | $20,923 | 21 | 21 | 60 | $67,569 | 4/23/2019 |
Russia (CIS) | 2/21/2019 | $76,581 | 156 | 156 | 293 | $146,717 | 7/11/2019 |
Slovakia | 5/24/2019 | $3,488 | 13 | 13 | 23 | $18,133 | 6/26/2019 |
South Korea | 8/1/2019 | $41,970 | 52 | 52 | 144 | $197,698 | 9/18/2019 |
Spain | 9/14/2018 | $962,245 | 240 | 287 | 1376 | $3,306,661 | 5/6/2022 |
Turkey | 3/8/2019 | $10,396 | 37 | 37 | 139 | $59,441 | 4/18/2019 |
United Kingdom | 3/8/2019 | $153,630 | 54 | 85 | 139 | $377,582 | 3/20/2019 |
Worldwide Total | $17,791,656 | 5/6/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Javier Bardem | Paco |
Penélope Cruz | Laura |
Ricardo Darin | Alejando |
Supporting Cast
Eduard Fernandez | Fernando |
Barbara Lennie | Bea |
Inma Cuesta | Ana |
Elvira Minguez | Mariana |
Ramon Barea | Antonio |
Carla Campra | Irene |
Sara Sálamo | Rocio |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Asghar Farhadi | Director |
Asghar Farhadi | Screenwriter |
Alexandre Mallet-Guy | Producer |
Alvaro Longoria | Producer |
Jose Luis Alcaine | Cinematographer |
Maria Clara Notari | Production Designer |
Sonia Grande | Costume Designer |
Hayedeh Safiyari | Editor |
Javier Limon | Composer |
David Pareja | First Assistant Director |