Italy Box Office for La battaglia degli imperi - Dragon Blade (2015)
Theatrical Performance (US$) | ||
Italy Box Office | $963,611 | Details |
Worldwide Box Office | $122,519,874 | Details |
Further financial details... |
Synopsis
When corrupt Roman leader Tiberius arrives with a giant army to claim the Silk Road, Huo An and his group of trained warriors teams up with an elite legion of defected Roman soldiers led by General Lucius to maintain the delicate balance of power in the region. To protect his country and his new friends, Huo An gathers the warriors of thirty-six ethnic nations together to fight Tiberius in an incredible epic battle.
Metrics
Movie Details
Production Budget: | $65,000,000 |
Italy Releases: | July 1st, 2016 (Wide), released as La battaglia degli imperi - Dragon Blade |
Video Release: | September 4th, 2015 by Lionsgate Home Entertainment |
MPAA Rating: | R for bloody violence. (Rating bulletin 2373, 5/13/2015) |
Running Time: | 126 minutes |
Keywords: | Early / Simultaneous Video-on-Demand release, Ancient China, Ancient Rome, Parricide, Traitor |
Source: | Original Screenplay |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Sparkle Roll Media Corporation, Huayi Brothers Corp., Shanghai Film Group, Sparkle Roll Culture & Entertainment Development LTD. , Home Media and Entertainment Fund, Shenzhen Tencent Video Culture Communication LTD., China Film & TV Capital Alibaba Co. LTD., Yu Le Bao, Visualizer Film |
Production Countries: | China |
Languages: | English, Mandarin |
Per Theater Chart: Black Panther Tickled Pink
September 9th, 2015
There was just one film in the $10,000 club, The Black Panthers: Vanguard of the Revolution, which earned $20,215 in its lone theater over the weekend. This is even more impressive, as it was a Wednesday release and earned $28,580 over five days. While it was the only film to reach $10,000 over the three-day weekend,
Un gallo con muchos huevos did earn an average of $11,030 if you include Monday.
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Limited and VOD Releases: Before You Go to the Movies
September 4th, 2015
As bad as the overall box office looks, the list of limited releases is arguably worse. The biggest limited release in terms of buzz is Before We Go, a film that was earning zero positive reviews when I checked late last night. (A couple of positive reviews have since trickled in.) That's not to say there are no films earning overwhelmingly positive reviews. The Black Panthers: Vanguard of the Revolution and Elle L'Adore are both being praised by critics. However, as a documentary and a foreign-language film respectively, their box office chances are not strong.
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International Box Office: Shades Completes the Threepeat
March 5th, 2015
For the third weekend in a row, Fifty Shades of Grey ruled the international box office, this time pulling in $36 million in 59 markets over the weekend for totals of $337.00 million internationally and $484.40 million worldwide. It will reached $500 million early this weekend [ Copy Ed: Just heard it crossed $500 million today with $352 million internationally and $150 million domestically for a worldwide total of $502 million]. The film opened in South Korea, but struggled earning fourth place with $1.25 million on 510 screens over the weekend for a total opening of $1.80 million. It might have struggled in South Korea, because by the time it opened there, the word-of-mouth has overtaken the hype. Its biggest single market is the U.K. where it has made $46.27 million, including $3.43 million on 545 screens this past weekend.
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International Box Office: $400 million for 50 Shades
February 25th, 2015
Fifty Shades of Grey remained in first place internationally with $68.1 million on 10,323 screens in 58 markets for totals of $280.5 million internationally and $409.7 million worldwide. The film had no major market openings this weekend, but it does open in South Korea this weekend. It is already the biggest hit of the year after just ten days of release and it has made enough to justify a sequel. However, its legs are definitely weak and I'm don't think the sequel will match its box office dominance.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/07/01 | 5 | $185,591 | 0 | $185,591 | 1 | ||
2016/07/08 | 5 | $132,628 | -29% | 0 | $393,781 | 2 | |
2016/07/15 | 6 | $116,693 | -12% | 0 | $557,838 | 3 | |
2016/07/22 | 8 | $88,816 | -24% | 0 | $684,184 | 4 | |
2016/07/29 | 7 | $81,546 | -8% | 0 | $806,444 | 5 | |
2016/08/05 | 7 | $68,071 | -17% | 0 | $887,393 | 6 | |
2016/08/19 | 15 | $13,474 | 0 | $963,611 | 8 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
China | 2/18/2015 | $33,210,000 | 34834 | 34834 | 73547 | $108,650,000 | 9/3/2018 |
Hong Kong | 3/13/2015 | $68,533 | 29 | 29 | 41 | $119,333 | 11/25/2018 |
Italy | 7/1/2016 | $185,591 | 0 | 19 | 19 | $963,611 | 8/23/2016 |
North America | 9/4/2015 | $30,346 | 14 | 14 | 30 | $74,070 | 4/26/2017 |
South Korea | 3/13/2015 | $213,641 | 0 | 0 | 0 | $267,755 | 8/29/2018 |
Taiwan | 2/20/2015 | $201,058 | 50 | 50 | 105 | $506,294 | 11/2/2018 |
Turkey | 10/9/2015 | $14,201 | 46 | 46 | 138 | $29,906 | 12/31/2018 |
United Kingdom | 1/15/2016 | $243 | 5 | 5 | 5 | $243 | 6/9/2016 |
Rest of World | $11,908,662 | ||||||
Worldwide Total | $122,519,874 | 12/31/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Jackie Chan | Huo An |
John Cusack | Lucius |
Adrien Brody | Tiberius |
Lin Peng | Cold Moon |
Supporting Cast
Mika Wang | Xiu Qing |
Siwon Choi | Yin Po |
Xiao Yang | Captain |
Wang Taili | Rat |
Sammy Hung | Red Sun |
Steve Yoo | Cougar |
Lorie Pester | Parthian Queen |
Jozef Liu Waite | Publius |
Xu Xiangdong | Secretary |
Xiu Qing | Wolf |
Max Huang | Huo An Deputy |
Oz Tomer | Huo An Deputy |
Aliku | Huo An Deputy |
Guo Mingyu | Huo An Deputy |
Li Zhenqi | Tache |
Li Shaoting | Lieutenant |
Liu Jianwai | Ma Chuang |
Gregory Joseph Allen | Consul Crassus |
Ned Bellamy | Octavius |
Scotty Robert Cox | Falco |
David Alonzo Peck | Agrippa |
James Ambrose Benntt | Statius |
Paul Philip Clack | Tullus |
Philippe Joly | Decimus |
Joel Adrian Slaatto | Sertor |
Daniel John Salay | Paullus |
Brahim | Titus |
Ian Power | Hostus |
Michael Cermain Duchet | Quintus |
George Nicolas | Quintus |
Jaimr Day | Gaius |
Zhu Jiayu | Young Huo An |
Han Ziqi | Huo An's Sister |
Walisi Yisilamu | White Indians Chief |
Akbar Omar | Saklar Chief |
Allen Ng | Turk Chief |
Sengge Renqin | Uyghur Chief |
Yilmaz Emrah | Kusan Chief |
Baisha | Tache's Man |
Hongtong Batu | Tache's Man |
Gangte Muer | Tache's Man |
Xiesi Hadi | Tache's Man |
Cameos
William Feng | General Huo Qubing |
Sharni Vinson | Lady Crassus, Publius's Mother |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Daniel Lee | Director |
Daniel Lee | Screenwriter |
Jackie Chan | Producer |
Susanna Tsang | Producer |
Jackie Chan | Executive Producer |
Wang Zhongjun | Executive Producer |
Ren Zhonglun | Executive Producer |
Zhou Maofei | Executive Producer |
Qi Jianhong | Co-Executive Producer |
Wei Jie | Co-Executive Producer |
Sun Zhonghuai | Co-Executive Producer |
Joe Tam | Executive Producer |
Wang Zhonglei | Executive Producer |
Rojer Zhu | Executive Producer |
Zhao Lei | Executive Producer |
Patrick Liu | Executive Producer |
Sunny Sun | Coordinating Producer |
He Xiaodiu | Coordinating Producer |
Yin Jianhua | Coordinating Producer |
Stephen Kin | Coordinating Producer |
Ren Zhonglun | Supervising Producer |
Zhang Dajun | Supervising Producer |
Wang Yike | Supervising Producer |
Aie Yan | Co-Producer |
Chang Bin | Co-Producer |
Wang Sen | Co-Producer |
Li Shoujing | Co-Producer |
Zhang Liangwu | Co-Producer |
Bernard Yang | Associate Producer |
Helen Li | Associate Producer |
Tony Cao | Associate Producer |
Ding Yong | Associate Producer |
Sam Shia | Line Producer |
Along Sun | Line Producer |
Qian Jianping | Line Producer |
Eddy Wong | Art Director |
Thomas Chong | Production Designer |
Daniel Lee | Production Designer |
Thomas Chong | Costume Designer |
Yau Chi-Wai | Editor |
Henry Lai | Composer |
Tony Cheung | Director of Photography |
Suki Tsui Wing-Man | Production Manager |
Wang Jinghua | Production Manager |
Xuan Yuanhe | Unit Production Manager |
Nicky Shih | First Assistant Director |
Chu Wenming | Assistant Director |
Jia Qinghui | Assistant Director |
Lin Jie | Assistant Director |
Zhang Heng | Assistant Director |
Dong Weiwu | Assistant Director |
Cha Ganlu | Assistant Director |
Huo Zhiyong | Assistant Director |
Zheng Kaicai | Casting Director |
Guo Jing | Casting Director |
Fanny Lee | Script Supervisor |
Zhu Siran | Script Supervisor |
Ge Yinan | Set Decorator |
Phyllis Cheng | Re-recording Mixer |
Steve Burgess | Re-recording Mixer |
Phyllis Cheng | Sound Designer |
Steve Burgess | Sound Designer |
Kenny Mok | Dialogue Editor |
Kevin Wu | Post-Production Supervisor |
Daniel Son | Visual Effects Supervisor |
Kim Han-Joon | Visual Effects Supervisor |
Lee Sang-Woo | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.