United Kingdom Box Office for Three Identical Strangers (2018)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $100,626 | Details |
Worldwide Box Office | $13,367,948 | Details |
Home Market Performance | ||
North America DVD Sales | $147,107 | Details |
North America Blu-ray Sales | $65,676 | Details |
Total North America Video Sales | $212,783 | |
Further financial details... |
Synopsis
Three strangers are reunited by astonishing coincidence after being born identical triplets, separated at birth, and adopted by three different families. Their jaw-dropping, feel-good story instantly becomes a global sensation complete with fame and celebrity, however, the fairy-tale reunion sets in motion a series of events that unearth an unimaginable secret—a secret with radical repercussions for us all.
Metrics
Movie Details
United Kingdom Releases: | November 30th, 2018 (Limited) |
Video Release: | October 2nd, 2018 by Universal Home Entertainment |
MPAA Rating: | PG-13 for some mature thematic material. (Rating bulletin 2520 (Cert #51533), 3/28/2018) |
Running Time: | 96 minutes |
Keywords: | Separated at Birth, Twins, Adopted Family, 1980s, Set in New York City, Sundance Film Festival 2018, Social and Cultural Documentary |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | Neon Films, CNN Films, RAW, Channel 4 |
Production Countries: | United Kingdom |
Languages: | English |
2018 Awards Season: Oscar Highlight: Best Feature-Length Documentary
February 7th, 2019
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Feature-Length Documentary. Logic and evidence suggests the favorite film is Won’t You Be My Neighbor? with Three Identical Strangers coming in a close second. However, neither of them were nominated.
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2018 - Awards Season: BAFTA - Nominations
January 12th, 2019
The BAFTA nominations were announced and The Favorite led the way with 12 nominations. Sometimes the BAFTAs are a really good indicator for who will do well on Oscar night. Other times their bias to British films is too much. I think this year will be an example of the latter and I don't think The Favourite is suddenly an Oscar favorite. That said, there’s still some things you can learn here.
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2018 Awards Season: DGA - Nominations
January 9th, 2019
Directors Guild of America announced their theatrical nominations this week and we are starting to see some real patterns emerge and I think the Oscar picture is getting clearer.
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2018 - Awards Season: PGA - Nominations
January 4th, 2019
The Producers Guild of America announced their nominations in the theatrical categories today and there are some trends building. However, there are also some questions generated after these nominations were announced.
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Home Market Releases for October 2nd, 2018
October 2nd, 2018
It’s an off week on the home market with no blockbusters to deal with. There are two solid midlevel hits, The First Purge and Sicario: Day of the Soldado, but neither of those are Pick of the Week contenders. (Ant-Man and the Wasp is also coming out this week, but only on Video on Demand). There are some high quality picks: Leave No Trace, Three Identical Strangers, Molly, The Spiral Staircase, and Hyouka. It was a close race, but in the end, I went with Leave No Trace Blu-ray as Pick of the Week.
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Theater Averages: Wife has a Blazing Hot Start
August 22nd, 2018
The Wife topped the theater average chart over the weekend with an average of $27,071 in four theaters. The film’s reviews are amazing and Glenn Close is earning some Oscar buzz, so perhaps it will stick around for a while. We the Animals was next with an average of $21,119 in three theaters. Blaze was also playing in three theaters earning an average of $14,750.
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Theater Averages: Getting Smarter
August 9th, 2018
The Miseducation of Cameron Post was the only film in the $10,000 club this past weekend earning an average of $24,319 in two theaters.
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Theater Averages: Documentaries Remain in Fashion
August 2nd, 2018
Scotty and the Secret History of Hollywood dominated the theater average chart earning first place with $28,144 in one theater. The next closest film was a fellow documentary, McQueen, which earned an average of $16,692 in five theaters during its second weekend of release. The overall number one film, Mission: Impossible—Fallout, was next with an average of $13,962. The final film in the $10,000 club was Puzzle, with an average of $12,243 in five theaters.
Theater Averages: Eighth Grade Repeats a Grade
July 25th, 2018
Eighth Grade remained on top of the theater average chart with an average of $24,975 in 33 theaters over the weekend. McQueen and Blindspotting were right behind with averages of $24,718 and $24,024 in 4 and 14 theaters respectively. The re-release of Wanda opened with $10,679 in one theater. The two wide releases of the week were next with The Equalizer 2 and Mamma Mia: Here We Go Again! in a virtual tie at $10,629 and $10,537 respectively.
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Theater Averages: Eighth Grade earns an A plus
July 18th, 2018
Eighth Grade had the best theater average of the year with $65,949 , topping the previous champ, Isle of Dogs, by nearly 10%. On the other hand, Isle of Dogs opened in 27 theaters vs. 4 for Eighth Grade. Second place went to Don’t Worry, He Won’t Get Far on Foot with an average of $20,835 in four theaters. The only other member of the $10,000 club was the overall box office leader, Hotel Transylvania 3: Summer Vacation, which pulled in an average of $10,629.
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Theater Averages: Sorry isn’t a Bother
July 12th, 2018
Sorry to Bother You dominated the theater average chart this week with an average of $45,454 in 16 theaters. As I previously mentioned, this is the sixth-best opening average for a limited release this year. Ant-Man and the Wasp earned top spot on the weekend chart and second place here with an average of $18,025. Three Identical Strangers remained in the $10,000 club with an average of $13,427 in 51 theaters and should have no trouble expanding further. Ryuichi Sakamoto: Coda earned $12,827 in its lone theater, which is excellent for a documentary. Leave No Trace remained in the $10,000 club with an average of $10,892 in 37 theaters. It will continue to expand.
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Theater Averages: Triplets Top Trio of $10,000 Club Members
July 4th, 2018
Three Identical Strangers top the theater average chart with an average of $34,301 in five theaters. The only other members of the $10,000 club were wide releases, with Jurassic World: Fallen Kingdom earning an average of $13,581 and Incredibles 2 being relatively close behind with $10,525.
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Weekend Estimates: The Fallen Jurassic World Still Comes out on Top with $60.0 million
July 1st, 2018
Jurassic World: Fallen Kingdom fell like a typical blockbuster hit, down 59% to $60 million over the weekend for a two-week total of $264.8 million. This matches our prediction perfectly. The film will have no trouble crossing $300 million next weekend and should finish north of $350 million domestically. As for its international numbers, it added $56.1 million to its running tally, which now sits at $667.6 million, while its worldwide total is a hair under $1 billion at $932.4 million.
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Limited and VOD Releases: Some Gorgeous Limited Releases
June 29th, 2018
There are not many limited releases on this week’s list and almost none of them have a real shot at mainstream success. That said, there are still several that are earning absolutely amazing reviews. The film with the best shot at mainstream success is probably Leave No Trace, with its 100% positive reviews. That said, I’m going to suggest something different, GLOW: Season Two on Netflix. It just started streaming today and I may have watched half of the season while working on this column.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/11/30 | 15 | $100,626 | 22 | $4,574 | $100,626 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 8/31/2018 | $17,793 | 1 | 10 | 112 | $372,089 | 4/2/2019 |
Czech Republic | 5/31/2019 | $2,713 | 11 | 15 | 26 | $13,317 | 6/13/2019 |
Netherlands | 5/17/2019 | $81,840 | 67 | 67 | 340 | $561,071 | 7/9/2019 |
North America | 6/29/2018 | $171,503 | 5 | 433 | 2,744 | $12,320,845 | |
United Kingdom | 11/30/2018 | $100,626 | 22 | 22 | 22 | $100,626 | 12/5/2018 |
Worldwide Total | $13,367,948 | 7/9/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
Tim Wardle | Director |
Becky Read | Producer |
Grace Hughes-Hallett | Producer |
Tom Barry | Executive Producer |
Adam Hawkins | Executive Producer |
Sara Ramsden | Executive Producer |
Courtney Sexton | Executive Producer |
Amy Entelis | Executive Producer |
Dimitri Doganis | Executive Producer |
Alexandra Hannibal | Coordinating Producer |
Tim Cragg | Director of Photography |
Louise Dew | Line Producer |
Michael Harte | Editor |
Paul Saunderson | Composer |