Australia Box Office for The Theory of Everything (2014)
Theatrical Performance (US$) | ||
Australia Box Office | $4,763,852 | Details |
Worldwide Box Office | $123,327,692 | Details |
Home Market Performance | ||
North America DVD Sales | $4,161,140 | Details |
North America Blu-ray Sales | $1,897,880 | Details |
Total North America Video Sales | $6,059,020 | |
Further financial details... |
Synopsis
One of the world’s greatest living minds, the renowned astrophysicist Stephen Hawking, falls deeply in love with fellow Cambridge student Jane Wilde. Once a healthy, active young man, Hawking receives an earth-shattering diagnosis at 21 years of age. With Jane fighting tirelessly by his side, Stephen embarks on his most ambitious scientific work, studying the very thing he now has precious little of—time. Together, they defy impossible odds, breaking new ground in medicine and science, and achieving more than they could ever have dreamed.
Metrics
Movie Details
Production Budget: | $15,000,000 |
Australia Releases: | January 29th, 2015 (Wide) |
Video Release: | February 10th, 2015 by Universal Home Entertainment |
MPAA Rating: | PG-13 for some thematic elements and suggestive material. (Rating bulletin 2337, 8/27/2014) |
Running Time: | 123 minutes |
Keywords: | 2015 Oscars Best Picture Nominee, Disability, Biography, Romance, 1960s, Lou Gehrig’s Disease / ALS, Wheelchair User, Mute, Love Triangle, Biographical Drama |
Source: | Based on Factual Book/Article |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Working Title Films |
Production Countries: | United States |
Languages: | English |
DVD Sales: Eight is Enough for DVD
March 8th, 2015
Every single film in the top five of the DVD sales chart were new releases, as were eight of the top ten films. Game of Thrones: Season Four earned first place with 241,000 units / $7.23 million during its first week of release. It is hard to be upset about that start.
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Blu-ray Sales: Game of Thrones is Not Playing Around
March 8th, 2015
The top four films on this week's Blu-ray sales chart and nine of the top twenty were new releases. The number one release was Game of Thrones: Season Four, which sold 286,000 units and generated $9.98 million in sales. Its opening week Blu-ray share was 54%, which is incredible compared to the average TV on DVD release. Then again, Game of Thrones isn't the average TV show.
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Per Theater Chart: '71 is Number One
March 4th, 2015
Only two films were in the $10,000 club at the box office this past weekend, and they were in a close race. '71 led the way with an average of $13,940 in four theaters. Meanwhile, The Hunting Ground was close behind with an average of $12,054 in two theaters.
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2014 Awards Season: Oscars - And the Winner is... Birdman for Best Picture
February 22nd, 2015
The Oscar ceremony is tonight and we will be live-blogging the winners... assuming I don't get bored and wander away. On a serious note, while my job is all about movies and I love watching movies, I love paying attention to box office numbers, I even love Awards Season. I hate ceremonies. As per usual, here is the list of nominees marked according to predictions / wishes. Nominees in Bold are the ones predicted to win by our readers. If I predicted a different film, those are in Italics. Meanwhile, the nominees I want to win, but don't think will win, are Underlined. There are a few categories where the film I really think deserves the award were not even nominated, plus a few I don't have a real opinion on.
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Oscar Predictions: Boyhood and Birdman Neck and Neck for Top Two Awards
February 22nd, 2015
The polls are closed in our 18th annual Predict the Academy Awards contest, and it has turned out to be the most exciting two-horse race in the history of the contest.
After weeks of intense debate among our voters, we have a virtual tie in the biggest categories of all: Best Picture and Best Director. The predicted Best Picture winner is, in fact, a statistical dead heat. Boyhood garnered 47% of the total vote, and Birdman 46%, giving the Linklater epic the tiniest of edges.
Best Director is a clearer contest, but still close, and still a bout between Boyhood and Birdman. Richard Linklater is favorite to win Best Director, perhaps in part because he’s more “due” for the award than Alejandro Gonzalez Inarritu. As noted, though, “favorite” is strong, given the closeness of this category, with Linklater getting 55% of the votes and Inarritu taking a 46% share.
The other big story about this year’s contest is just how much of a two-horse contest it really is. With 93% of the Best Picture vote going to Birdman and Boyhood, the remaining nominees were left to split the other 7% of the vote. American Sniper, The Grand Budapest Hotel, The Imitation Game and The Theory of Everything each gathered a handful of votes from The Numbers readers, and Selma and Whiplash are given virtually no chance at all.
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2014 Awards Season: Oscar Highlight: Best Picture
February 20th, 2015
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the biggest prize, Best Picture. Like with Best Director, this is a two-horse race with the same two films at the top of the list.
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2014 Awards Season: Oscar Highlight: Best Adapted Screenplay
February 17th, 2015
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two writing categories, ending with Best Adapted Screenplay. This is also a two-horse race, but one of the horses has a significant, but not insurmountable lead.
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DVD and Blu-ray Releases for February 17th, 2015
February 16th, 2015
This is the best week on the home market in a long time. Game of Thrones is one of the best TV shows on at the moment, if not the best TV show, and its DVD and Blu-ray is Pick of the Week material. Additionally, there are a few potential Oscar winners hitting the home market this week as well. On the down side, there is not a lot of depth. Birdman, The Tale of the Princess Kaguya, and The Theory of Everything are all up for Oscars next weekend and all of them are worth picking up. Life Itself was snubbed by Oscar voters, but it too is a must have. However, in the end, I went with Game of Thrones for Pick of the Week.
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2014 Awards Season: Oscar Highlight: Best Lead Actor
February 13th, 2015
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two leading actor categories, finishing with Best Lead Actor. As I previously mentioned, three of the four actor races are not even close; however, this is the one exception and there is a two-horse race to pay attention to.
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2014 Awards Season: Oscar Highlight: Best Lead Actress
February 13th, 2015
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two leading actor categories, starting with Best Lead Actress. One actress is so far ahead of the rest of the field that there isn't even a consensus on who the second place actress should be.
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Featured Blu-ray / DVD Review: Rosewater
February 9th, 2015
Rosewater is Jon Stewart's directorial debut and it is coming out on the home market the same week John Oliver's show returned to HBO. I wonder if that is a coincidence? As for the movie itself, it opened in a very awkward theater count and it struggled at the box office, but still managed $3 million overall. Is it worth checking out for those interested in Jon Stewart's directorial debut? Is it good regardless of who was behind the camera?
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2014 - Awards Season: BAFTA - Winners
February 8th, 2015
The BAFTA winners were announced on Sunday and there were a few surprises, including the number one winner. The Grand Budapest Hotel took home five awards, while Boyhood, The Theory of Everything, and Whiplash earned three each.
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International Box Office: China Runs a New Release to the Top
February 4th, 2015
Running Man opened in top spot in both China and on the International chart with $37.05 million over the weekend in its native market. Films in China tend to have short legs, most of the time. There's still too much uncertainty to really predict the film's final box office numbers after just this weekend's results. On a side note, it wasn't that long ago that it would be unthinkable for a film opening in just China to finish first on the international chart. Now it is relatively common.
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Per Theater Chart: Future for Timbuktu Is Bright
February 3rd, 2015
Timbuktu was the only film in the $10,000 club this weekend earning an estimated average of $12,500 in four theaters. Running Man came close with an average of $9,246 in 20 theaters. Impressively, Game Of Thrones: The IMAX Experience earned 15th place on the overall chart with $1.46 million in just over 200 theaters for an average of $7,142. This is enough to expect this to happen again, but I don't know if it will be a regular thing.
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International Box Office: Hobbit Battles to the Top of China
January 29th, 2015
The Hobbit: The Battle of the Five Armies easily earned first place in China and that helped it rocket back to the top of the international chart with $54.3 million over the weekend for totals of $617.0 million internationally and $866.5 million worldwide. The film had a total opening of $50.00 million in China, which was more than the rest of the market combined.
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2014 - Awards Season: SAG - Winners
January 26th, 2015
The Screen Actors Guild winners were announced Sunday and there were some surprises, mostly in the negative. Birdman picked up the biggest prize, but there were six different winners in the six categories.
International Box Office: Taken Takes Top Spot
January 22nd, 2015
Taken 3 rose to first place during its third weekend of release earning $31.4 million in 49 markets for an international total of $99.0 million. Its biggest debut of the weekend was in the Philippines, where it earned first place with $2.5 million on 218 screens. It also earned first place in Russia, but with only $1.80 million on 1,438. Its biggest market was the U.K., where it remained in first place with $5.00 million in 500 theaters for a two-week total on $18.55 million.
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Weekend Estimates: American Sniper Shatters January Record
January 18th, 2015
American Sniper was confidently expected to top the box office charts this weekend, and to give Clint Eastwood his best weekend as a director, but no-one was predicting that the film would break the record for the biggest weekend in January by over $20 million. As of Sunday morning, that’s what Warner Bros. is projecting for the film with their official weekend estimate standing at $90,205,000 from 3,555 theaters. Since the film had already played for three weeks in exclusive engagements, it will also grab the crown for biggest fourth weekend at the box office.
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2014 Awards Season: Oscars - Nominations
January 17th, 2015
The Oscar nominations were announced early in the morning, when all sensible people were asleep. There were some surprises, as well as some results that would have been surprises had it not been for the previous Awards Season nominations. Seventeen films earned two or more nods, led by Birdman and The Grand Budapest Hotel, both of which picked up nine nominations, while The Imitation Game was right behind with eight.
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Per Theater Chart: Sniper Still Calling the Shots
January 13th, 2015
There was only one new release in the $10,000 club, which left American Sniper with an easy victory. It pulled in an average of $144,880 in four theaters, making it the first film ever to earn an per theater average of $100,000 or more for three weeks. Second place went to A Most Violent Year with an average of $29,135, also in four theaters. Taken 3 was the best of the new releases with an average of $10,908, just ahead of Song of the Sea with an average of $10,470.
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2014 - Awards Season: Golden Globes - Winners
January 12th, 2015
We are still waiting for the DGA nominations to be announced, but we had the first major awards show on Sunday. The Golden Globes winners were announced Sunday night and while there were not a lot of surprises, there are some things worth talking about. Leading the way with three wins was Boyhood, while Birdman and The Theory of Everything each picked up a pair of wins.
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2014 - Awards Season: BAFTA - Nominations
January 11th, 2015
The BAFTA nominations were announced yesterday and unlike most other Awards Season voters, the BAFTA voters gave us some real surprises. For instance, Birdman didn't lead the way. In fact, it was a comedy, The Grand Budapest Hotel, that earned the most nominations at 11. Granted, Birdman and The Theory of Everything were tied for second place with ten each, but it is still strange to see a comedy leading the way.
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2014 - Awards Season: WGA - Nominations
January 10th, 2015
The Writers Guild of America nominations were latest to be announced, but were there any real surprises? Yes. Birdman didn't get a nomination, but Guardians of the Galaxy did. More on that later. Besides those two films, there are not a lot of surprises here and the usual contenders are present, including Boyhood and The Imitation Game, but there are also some other notable films missing.
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2014 - Awards Season: PGA - Nominations
January 10th, 2015
The Producers Guild of America nominations were announced and there's not a lot of surprises among the three categories. Birdman, Boyhood, The Imitation Game, and others continue to get accolades, but there are also some films that are being passed over too often.
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Per Theater Chart: American Shoots for the Top
December 31st, 2014
American Sniper led the way on the per theater chart with an estimated average of $152,500 in four theaters. This is the second best per theater average of the year, behind just The Grand Budapest Hotel and ahead of The Imitation Game. Second place for the weekend was Selma, which earned an average of $30,076 in 19 theaters during their Oscar-qualifying run. Two Days, One Night was a surprise entry in the $10,000 club earning an average of $24,118 in two theaters. It earned amazing reviews, but it didn't have as much buzz behind it as other film's that opening on Christmas. Into the Woods was the best of the wide releases in the $10,000 club earning an average of $12,726 in 2,440 theaters. Last week's winner, Inherent Vice, was next with an estimated average of $12,500 in 16 theaters. The overall box office leader, The Hobbit: The Battle of the Five Armies, earned an average of $10,689, while The Imitation Game was right behind with $10,618. The final film in the $10,000 club was Mr. Turner with an average of $10,498 in 24 theaters.
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Per Theater Chart: Holdovers Versus Vice and Vice Versa
December 16th, 2014
Inherent Vice won top spot on the per theater chart with an average of $65,637 in five theaters. This is the fifth best per theater average for the year, which is much better than expected. Second place went to The Imitation Game with an average of $34,010 in 25 theaters. It still has plenty of room to expand. The final film in the $10,000 club was Wild with an average of $13,198 in 116 theaters. It too has some room to expand, while it has also reached some level of mainstream success.
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Weekend Estimates: Exodus Leads with Lackluster Debut
December 14th, 2014
Big budget bible epic Exodus: Gods and Kings is probably the riskiest studio bet this Holiday Season. The $140 million-budgeted film will need to do considerable business domestically and internationally to earn a profit, and biblical epics haven’t had the best of track records in recent years. Early signs aren’t great, with Fox projecting a $24.5 million opening weekend, well behind the $43.7 million earned by Noah earlier in the year. There is room for the film to recover though, as it will almost certainly be able to keep playing in a lot of theaters through the New Year. $100 million seems like the top end of domestic expectations at this point, and its international performance so far doesn’t suggest overseas coin will help make up the difference.
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2014 - Awards Season: Golden Globes - Nominations
December 11th, 2014
The Golden Globes nominations were announced this morning, at three in the morning, because the people at Golden Globes are under the delusion that news announced at 3:00 a.m. is somehow more important if it is announced before anyone is awake. As for the actual nominations, like with the Independent Spirit Awards and the SAG nominations, Birdman led the way. It earned seven nominations, while Boyhood and The Imitation Game tied for second with five apiece. Starting to notice a pattern here? This could be a really dull Awards Season with very few surprises. On the other hand, predictable means less work for me. Plus, predictable probably means the Awards Season voters are making the right choices, as surprises usually mean someone made the wrong choice.
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2014 - Awards Season: SAG - Nominations
December 10th, 2014
The Screen Actors Guild nominations were announced Wednesday morning. Are there surprises worth mentioning? Is the Oscar picture beginning to take shape? Like with the Independent Spirit Awards, Birdman led the way this time earning four nominations from six categories, while Boyhood, The Imitation Game, and The Theory of Everything had three nods each.
Per Theater Chart: Imitation Scores Game-Winning Goal
December 3rd, 2014
The Imitation Game led the way on the per theater chart with an incredible average of $119,838 in four theaters. This is the second best per theater average of the year, behind only The Grand Budapest Hotel. Second place went to The Hunger Games: Mockingjay, Part 1, with an average of $13,725 during its sophomore stint. The final film in the $10,000 is The Babadook, which earned an average of $10,002 in three theaters.
Per Theater Chart: Mockingjay Makes a Mockery of the Per Theater Chart
November 26th, 2014
The Hunger Games: Mockingjay, Part 1 not only earned first place on the overall box office, but it also led the way on the per theater chart with an average of $29,366. Foxcatcher earned an average of $19,764 in 24 theaters. It is nearly at $1 million and has room to grow further. The Theory of Everything expanded again, but still remained in the $10,000 club with an average of $10,798 in 141 theaters.
Weekend Estimates: Mockingjay Sets 2014 Record with Disappointing Debut
November 23rd, 2014
If you could sum up 2014 at the box office in one sentence, this weekend’s headline probably comes close. The Hunger Games: Mockingjay — Part 1 is the film we’ve been waiting for all year: the third film in a franchise that has already topped $150 million on each of its previous two opening frames, with the weekend before Thanksgiving all to itself, and reviews that, if not stellar, are at least very respectable for a franchise tentpole. A weekend of $150 million plus seemed a very good bet, and something bigger still couldn’t be ruled out. But, come Sunday, Lionsgate is projecting a $123 million weekend, down about 20% from previous installments. That is, of course, a fantastic weekend by most measures: it’s the 15th-best weekend of all time, and easily the biggest opening weekend in 2014. But this will now be the first year since 2010 without a $150m+ weekend, and the debate about the waning influence of theater-going on the industry will undoubtedly be re-opened.
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Per Theater Chart: None of the Competition could Catch Foxcatcher
November 19th, 2014
Foxcatcher was the latest Oscar-hopeful to top the per theater chart earning an average of $45,146 in six theaters. This practically guarantees some measure of mainstream success; however, unless it can earn some Awards Season nominations, it likely won't expand truly wide. Likewise, The Theory of Everything expanded to 41 theaters earning an average of $17,937. It also reached its first major milestone over the weekend and will earn more in the future. The overall number one film, Dumb and Dumber To, was next with an average of $11,450, while The Homesman was right behind with an average of $11,358 in four theaters.
Per Theater Chart: Everything Above All Others
November 12th, 2014
There were four films in the $10,000 club, including The Theory of Everything, which led the way with an average of $41,753 in five theaters. This is high enough to make some measure of mainstream success nearly inevitable. Up next were a pair of wide releases. Big Hero 6 earned an average of $14,947, while Interstellar was right behind with an average of $13,342. The final film in the $10,000 club was National Gallery, which earned $10,049 in one theater over the weekend for a total opening of $13,165.
Everything is a Limited Release
November 7th, 2014
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/01/23 | 17 | $109,403 | 13 | $8,416 | $109,403 | 2 | |
2015/01/30 | 2 | $1,064,607 | +873% | 241 | $4,417 | $1,202,123 | 1 |
2015/02/06 | 3 | $754,326 | -29% | 232 | $3,251 | $2,376,289 | 2 |
2015/02/13 | 4 | $514,550 | -32% | 214 | $2,404 | $3,167,016 | 3 |
2015/02/20 | 5 | $376,144 | -27% | 225 | $1,672 | $3,740,298 | 4 |
2015/02/27 | 7 | $259,966 | -31% | 194 | $1,340 | $4,220,553 | 5 |
2015/03/06 | 10 | $208,418 | -20% | 141 | $1,478 | $4,465,083 | 6 |
2015/03/13 | 19 | $70,263 | -66% | 105 | $669 | $4,548,605 | 7 |
2015/03/20 | 19 | $46,170 | -34% | 65 | $710 | $4,696,297 | 8 |
2015/03/27 | 27 | $12,114 | -74% | 19 | $638 | $4,726,763 | 9 |
2015/04/03 | 41 | $3,573 | -71% | 7 | $510 | $4,671,492 | 10 |
2015/04/10 | 44 | $4,621 | +29% | 5 | $924 | $4,697,623 | 11 |
2015/04/17 | 54 | $2,101 | -55% | 5 | $420 | $4,763,852 | 12 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 1/29/2015 | $109,403 | 13 | 241 | 1466 | $4,763,852 | 7/1/2015 |
Belgium | 1/21/2015 | $0 | 0 | 5 | 5 | $603,388 | 6/25/2015 |
Brazil | 1/30/2015 | $353,052 | 0 | 61 | 91 | $3,755,878 | 11/6/2018 |
Finland | 2/6/2015 | $0 | 0 | 15 | 15 | $639,269 | 6/25/2015 |
France | 1/21/2015 | $520,000 | 213 | 213 | 213 | $1,545,536 | 8/21/2018 |
Germany | 12/25/2014 | $0 | 0 | 1 | 1 | $4,142,125 | 10/6/2015 |
Hong Kong | 12/5/2014 | $0 | 0 | 15 | 56 | $1,026,793 | 11/26/2018 |
Italy | 1/15/2015 | $1,610,356 | 0 | 367 | 368 | $3,500,000 | 11/6/2018 |
Japan | 3/13/2015 | $239,558 | 0 | 59 | 59 | $1,140,385 | 8/23/2018 |
Mexico | 1/8/2015 | $208,922 | 0 | 90 | 90 | $2,339,015 | 8/30/2018 |
Netherlands | 1/15/2015 | $195,564 | 57 | 59 | 347 | $873,600 | 11/21/2018 |
New Zealand | 2/5/2015 | $0 | 0 | 0 | 0 | $0 | |
North America | 11/7/2014 | $208,763 | 5 | 1,220 | 10,903 | $35,893,537 | |
Poland | 1/30/2015 | $146,506 | 0 | 0 | 0 | $602,276 | 12/30/2018 |
Russia (CIS) | 2/27/2015 | $259,340 | 111 | 111 | 360 | $809,738 | 11/19/2018 |
Spain | 1/16/2015 | $983,801 | 233 | 265 | 2049 | $3,752,911 | 11/27/2018 |
Taiwan | 12/5/2014 | $0 | 0 | 0 | 0 | $435,637 | 11/2/2018 |
Turkey | 2/27/2015 | $121,140 | 50 | 50 | 168 | $444,818 | 12/30/2018 |
United Kingdom | 1/1/2015 | $5,747,893 | 0 | 533 | 1110 | $31,923,036 | 8/27/2018 |
Uruguay | 12/25/2014 | $0 | 0 | 1 | 1 | $94,544 | 6/26/2015 |
Rest of World | $25,041,354 | ||||||
Worldwide Total | $123,327,692 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Eddie Redmayne | Stephen Hawking |
Felicity Jones | Jane Wilde |
Supporting Cast
Charlie Cox | Jonathan Hellyer Jones |
Emily Watson | Beryl Wilde |
Simon McBurney | Frank Hawking |
David Thewlis | Dennis Sicama |
Maxine Peake | Elaine Mason |
Harry Lloyd | Brian |
Tom Prior | Robert Hawking (Age 17) |
Thomas Morrison | Carter |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
James Marsh | Director |
Anthony McCarten | Producer |
Lisa Bruce | Producer |
Tim Bevan | Producer |
Eric Fellner | Producer |
Anthony McCarten | Screenwriter |
Jane Hawking | Story Creator |
Amelia Granger | Executive Producer |
Liza Chasin | Executive Producer |
David Kosse | Executive Producer |
Richard Hewitt | Co-Producer |
Benoit Delhomme | Director of Photography |
John Paul Kelly | Production Designer |
Jinx Godfrey | Editor |
Jan Sewell | Hair, Make-Up and Prosthetic Designer |
Steven Noble | Costume Designer |
Jóhann Jóhannsson | Composer |
Nina Gold | Casting Director |
Mark Holt | Special Effects Supervisor |
Claire Freeman | Music Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.