Russia (CIS) Box Office for That Sugar Film (2015)

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That Sugar Film poster
Theatrical Performance (US$)
Russia (CIS) Box Office $26,702Details
Worldwide Box Office $2,382,983Details
Home Market Performance
North America DVD Sales $1,004,923 Details
Total North America Video Sales $1,004,923
Further financial details...

Synopsis

One man’s journey to discover the bitter truth about sugar. Damon Gameau embarks on an experiment to document the effects of a high-sugar diet on a healthy body, consuming only foods that are commonly perceived as “healthy.” Through this journey, Damon highlights some of the issues that plague the sugar industry, and where sugar lurks on supermarket shelves.

Metrics

Movie Details

Russia (CIS) Releases: March 11th, 2016 (Wide)
April 11th, 2024 (Limited), released as That Sugar Film (Сахар)
Video Release: September 1st, 2015 by Samuel Goldwyn
MPAA Rating: Not Rated
Running Time: 90 minutes
Keywords: Food, Agitprop, Directing Yourself, Gratuitous Cameos
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Samuel Goldwyn Films, Madman Production Company, Screen Australia
Production Countries: Australia
Languages: English

Per Theater Chart: Strong Beginning for The End

August 4th, 2015

The End of the Tour

The End of the Tour is the latest success for A24, as it topped the per theater chart with an average of $30,810 in four theaters. Up next were a pair of documentaries, Best of Enemies and Listen to Me Marlon, with averages of $16,913 and $15,034 respectively. The overall number one film was next, as Mission: Impossible - Rogue Nation earned an average of $14,034. The final film in the $10,000 club was Phoenix. Its theater count doubled, but its per theater average dropped just 20% to $12,004. That's amazing and it could be an omen that it will expand wide enough to earn some measure of mainstream success. More...

Limited and VOD Releases: Summer is Coming to an End

July 30th, 2015

The End of the Tour

It is a bad time of the year to release a limited release. It is too late into summer to think a limited release can expand wide enough to gain mainstream success before summer ends. At the same time, it is far too early for Awards Season buzz to have an effect at the box office. This partially explains why there are so few films on this week's list and fewer still have any chance at box office success. There are only two films on this week's list with strong buzz and overwhelmingly positive reviews. Best of Enemies and The End of the Tour. Both could do well on the Per Theater Chart this weekend, but The End of the Tour is the only film with a shot at expanding significantly. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/1/2015 $6,023 3 54 383 $1,139,842 8/3/2015
Austria 10/30/2015 $7,678 14 14 52 $39,309 6/9/2016
Germany 10/29/2015 $0 0 35 35 $51,094 11/10/2015
New Zealand 5/7/2015 $21,349 21 35 264 $291,476 1/12/2016
North America 7/31/2015 $3,500 10 10 10 $3,500 9/23/2021
Russia (CIS) 3/11/2016 $2,709 0 0 0 $26,702 11/13/2018
 
Rest of World $831,060
 
Worldwide Total$2,382,983 9/23/2021

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Narrator(s)

Damon Gameau Narrator/Himself

Interviewee(s)

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Damon Gameau Director
Damon Gameau Screenwriter
Nick Batzias Producer
Paul Wiegard Executive Producer
Jason Sourasis Executive Producer
Seth Larney Executive Producer
Virginia Whitwell Co-Producer
Jojo Petrina Composer
Gareth Davies Production Designer
Seth Larney Visual Effects Supervisor
Jane Usher Editor
Judd Overton Director of Photography