Austria Box Office for That Sugar Film (2015)
| Theatrical Performance (US$) | ||
| Austria Box Office | $39,309 | Details |
| Worldwide Box Office | $2,382,983 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,004,923 | Details |
| Total North America Video Sales | $1,004,923 | |
| Further financial details... | ||
Synopsis
One man’s journey to discover the bitter truth about sugar. Damon Gameau embarks on an experiment to document the effects of a high-sugar diet on a healthy body, consuming only foods that are commonly perceived as “healthy.” Through this journey, Damon highlights some of the issues that plague the sugar industry, and where sugar lurks on supermarket shelves.
Metrics
Movie Details
| Austria Releases: | October 30th, 2015 (Wide) |
| Video Release: | September 1st, 2015 by Samuel Goldwyn |
| MPAA Rating: | Not Rated |
| Running Time: | 90 minutes |
| Keywords: | Food, Agitprop, Directing Yourself, Gratuitous Cameos |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Samuel Goldwyn Films, Madman Production Company, Screen Australia |
| Production Countries: | Australia |
| Languages: | English |
Per Theater Chart: Strong Beginning for The End
August 4th, 2015
The End of the Tour is the latest success for A24, as it topped the per theater chart with an average of $30,810 in four theaters. Up next were a pair of documentaries, Best of Enemies and Listen to Me Marlon, with averages of $16,913 and $15,034 respectively. The overall number one film was next, as Mission: Impossible - Rogue Nation earned an average of $14,034. The final film in the $10,000 club was Phoenix. Its theater count doubled, but its per theater average dropped just 20% to $12,004. That's amazing and it could be an omen that it will expand wide enough to earn some measure of mainstream success.
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Limited and VOD Releases: Summer is Coming to an End
July 30th, 2015
It is a bad time of the year to release a limited release. It is too late into summer to think a limited release can expand wide enough to gain mainstream success before summer ends. At the same time, it is far too early for Awards Season buzz to have an effect at the box office. This partially explains why there are so few films on this week's list and fewer still have any chance at box office success. There are only two films on this week's list with strong buzz and overwhelmingly positive reviews. Best of Enemies and The End of the Tour. Both could do well on the Per Theater Chart this weekend, but The End of the Tour is the only film with a shot at expanding significantly.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2015/10/30 | 19 | $7,678 | 14 | $548 | $7,678 | 1 | |
| 2015/11/06 | 21 | $3,751 | -51% | 13 | $289 | $18,000 | 2 |
| 2015/11/13 | 24 | $1,865 | -50% | 7 | $266 | $23,110 | 3 |
| 2015/11/20 | 29 | $1,153 | -38% | 4 | $288 | $25,889 | 4 |
| 2015/11/27 | 34 | $164 | -86% | 2 | $82 | $27,529 | 5 |
| 2015/12/04 | 33 | $375 | +129% | 1 | $375 | $28,239 | 6 |
| 2015/12/11 | 41 | $71 | -81% | 2 | $36 | $30,117 | 7 |
| 2015/12/18 | 23 | $2,359 | +3,223% | 3 | $786 | $33,574 | 8 |
| 2016/01/01 | 40 | $72 | 1 | $72 | $35,793 | 10 | |
| 2016/01/08 | 36 | $1,233 | +1,613% | 1 | $1,233 | $37,141 | 11 |
| 2016/01/15 | 47 | $143 | -88% | 1 | $143 | $37,362 | 12 |
| 2016/01/22 | 61 | $63 | -56% | 1 | $63 | $37,601 | 13 |
| 2016/01/29 | 57 | $259 | +311% | 1 | $259 | $38,407 | 14 |
| 2016/02/12 | 45 | $816 | 1 | $816 | $39,309 | 16 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/1/2015 | $6,023 | 3 | 54 | 383 | $1,139,842 | 8/3/2015 |
| Austria | 10/30/2015 | $7,678 | 14 | 14 | 52 | $39,309 | 6/9/2016 |
| Germany | 10/29/2015 | $0 | 0 | 35 | 35 | $51,094 | 11/10/2015 |
| New Zealand | 5/7/2015 | $21,349 | 21 | 35 | 264 | $291,476 | 1/12/2016 |
| North America | 7/31/2015 | $3,500 | 10 | 10 | 10 | $3,500 | 9/23/2021 |
| Russia (CIS) | 3/11/2016 | $2,709 | 0 | 0 | 0 | $26,702 | 11/13/2018 |
| Rest of World | $831,060 | ||||||
| Worldwide Total | $2,382,983 | 9/23/2021 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Narrator(s)
| Damon Gameau | Narrator/Himself |
Interviewee(s)
| Brenton Thwaites | Himself |
| Isabel Lucas | Herself |
| Jessica Marais | Herself |
| Stephen Fry | Himself |
| Zoe Tuckwell-Smith | Herself |
| David Gillespie | Himself |
| Debbie Herbst | Herself |
| Sharon Johnston | Herself |
| Ken Sikaris | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Damon Gameau | Director |
| Damon Gameau | Screenwriter |
| Nick Batzias | Producer |
| Paul Wiegard | Executive Producer |
| Jason Sourasis | Executive Producer |
| Seth Larney | Executive Producer |
| Virginia Whitwell | Co-Producer |
| Jojo Petrina | Composer |
| Gareth Davies | Production Designer |
| Seth Larney | Visual Effects Supervisor |
| Jane Usher | Editor |
| Judd Overton | Director of Photography |