South Korea Box Office for Thank You for Your Service (2017)

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Thank You for Your Service
Theatrical Performance (US$)
South Korea Box Office $8,467Details
Worldwide Box Office $9,985,316Details
Home Market Performance
North America DVD Sales $1,242,932 Details
North America Blu-ray Sales $1,091,897 Details
Total North America Video Sales $2,334,829
Further financial details...

Synopsis

A group of U.S. soldiers returning from Iraq struggle to integrate back into family and civilian life, while living with the memory of a war that threatens to destroy them long after they’ve left the battlefield.

Metrics

Movie Details

Production Budget:$20,000,000
South Korea Releases: December 8th, 2017 (Wide)
Video Release: January 9th, 2018 by Universal Home Entertainment
MPAA Rating: R for strong violent content, language throughout, some sexuality, drug material and brief nudity.
(Rating bulletin 2468 (Cert #50975), 3/22/2017)
Running Time: 108 minutes
Keywords: Iraq War, Returning Soldiers, PTSD, Ensemble, Biographical Drama, Biography, Suicide, Mental Illness
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: DreamWorks Pictures, Reliance Entertainment, Rahway Road
Production Countries: United States
Languages: English

Home Market Releases for January 23rd, 2018

January 22nd, 2018

Jane

It’s a really slow week on the home market. There are only a few releases that went anywhere at the box office, led by Jigsaw, which is a bad movie. Meanwhile, Geostorm is so bad it’s good. It’s fun, if you are into B movies, but it’s not Pick of the Week material. The only real contenders are Jane, which is only coming out on Video on Demand, and Attack of the Killer Tomatoes, which is getting a Two-Disc Special Edition. In the end, I went with Attack of the Killer Tomatoes, mainly because Jane doesn’t come out on DVD / Blu-ray until next month. More...

Home Market Releases for January 9th, 2018

January 9th, 2018

It

Usually this is a terrible time of year on the home market, because it is too late for the summer blockbusters, but too early for the holiday hits. However, the home market is terrible this week, because It comes out and it destroyed records at the box office and is scaring away nearly all of the competition. Fortunately, its reviews were very good, so it is a contender for Pick of the Week. Its main competition are two classics, Inherit the Wind and Young Mr. Lincoln. All three are worth picking up, but I’m giving the title to It, because of its wider appeal. More...

Weekend Wrap-Up: Thor Hammers Competition with $122.74 million

November 7th, 2017

Thor: Ragnarok

Thor: Ragnarok beat predictions by a substantial margin earning the fourth biggest opening weekend of the year. Its opening weekend haul of $122.74 million helped this weekend rise 135% compared to last weekend hitting $179 million. Unfortunately, while Thor: Ragnarok was a monster hit, the rest of the box office wasn’t able to make much of an impact, leaving the overall box office down 6.6% from this weekend last year. Year-to-date, 2017 has pulled in $8.77 billion, putting it behind 2016's pace at 4.9% or $450 million. More...

Weekend Wrap-Up: Box Office is Cut to Pieces, Earning Just $75 million

October 31st, 2017

Jigsaw

It was a terrible weekend at the box office with only two films cracking $10 million, Jigsaw and Tyler Perry’s Boo 2: A Madea Halloween. Geostorm earned third place with just $5.90 million. Overall, the box office fell 21% from last weekend to just $75 million. More importantly, this is 15% lower than the same weekend last year. Year-to-date, 2017 continues to struggle with a running tally of $8.57 billion. This is $470 million or $5.2% below last year’s pace, meaning we fell behind last year’s pace by a further 0.2 percentage points. The box office really needed to be eating into the deficit during the month of October, but that hasn’t been the case. More...

Friday Estimates: Jigsaw Cuts Its Way to the Top with $7.17 million

October 28th, 2017

Jigsaw

As predicted, Jigsaw led the way on Friday. However, it didn’t do as well as previews suggested, as it earned $7.17 million during its opening day. I don’t expect its legs to improve during the rest of the weekend, as its reviews are just 37% positive, and it earned a B from CinemaScore. It will still do better than our $14 million prediction, but not by as much as we thought it would yesterday. Look for $17 million over the weekend, which is the second weakest opening in the franchise and the weakest in terms of ticket sales. I really think Lionsgate will end this franchise, at least for a while. Perhaps, in ten years or so, we will get a remake. More...

Thursday Night Previews: Jigsaw Grabs a $1.6 million Piece of the Box Office

October 27th, 2017

Jigsaw

Jigsaw earned $1.6 million during its midnight previews last night. Happy Death Day earned an even $1 million during its previews on its way to a $26 million opening. However, there are many factors that will result in shorter legs. For instance, Happy Death Day earned better reviews, while Jigsaw is the latest installment in a long-running franchise. Finally, Happy Death Day’s target audience skewed female, while Jigsaw skews male and men are more likely to rush out to see a movie than women are. That said, this is a great start and the film should easily top our prediction with at least $20 million during its opening weekend. More...

Weekend Predictions: Can Jigsaw Still Fit at the Box Office?

October 26th, 2017

Jigsaw

There are three wide releases coming out this week, although only Jigsaw is expected to make any real impact at the box office. The other two, Suburbicon and Thank You for Your Service, are opening in barely more than 2,000 theaters and neither of them are expected to do well at the box office. Meanwhile, Tyler Perry’s Boo 2: A Madea Halloween, has an actual shot at repeating in first place, mostly because of the weak competition. This is terrible news for the overall box office, as it means we are going to have a hard time matching last year’s box office, even though last year there was only one wide release, Inferno. More...

2017 Preview: October

October 1st, 2017

Blade Runner 2049

September destroyed the previous September monthly record for total box office take, with $800 million or so (we won’t know the exact figure until after the weekend), which tops 2016’s record of $616 million. Granted, this is almost entirely due to It’s record breaking run, and the rest of the month was merely average. Kingsman: The Golden Circle was the only other film to come close to $100 million. October doesn’t look any better, as far as depth is concerned. Blade Runner 2049 is widely expected to be the biggest hit of the month, but it is the only film expected to reach $100 million domestically. Boo 2 should be the second biggest hit of the month, while there are only a couple of other films that have a shot at $50 million. Part of the problem is the level of competition, as there are 16 films opening during the four October weekends. (Needless to say, some of the predictions below will be a little short, as there’s not much to say about a film that will barely open in the top ten and disappear two weeks later.) That’s way too many and most will be buried by the competition. Last October was a flop, as no film earned more than $100 million at the box office. There were a few films that came close, including the original Boo! movie. As long as Blade Runner 2049 matches expectations, 2017 should win the year-over-year comparison by a small margin. If we get one surprise hit, then 2017 has a real shot at closing the gap with 2016 by a significant margin. I choose to be cautiously optimistic. More...

Thank You for Your Service Trailer

June 20th, 2017

Drama starring Miles Teller and Haley Bennett opens October 27 ... Full Movie Details. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Netherlands 11/24/2017 $66,023 38 38 127 $191,524 12/20/2017
North America 10/27/2017 $3,817,700 2,054 2,083 5,753 $9,479,390 8/14/2018
South Korea 12/8/2017 $6,291 0 0 0 $8,467 10/14/2018
Spain 2/16/2018 $47,417 102 102 102 $47,417 2/23/2018
 
Rest of World $258,518
 
Worldwide Total$9,985,316 10/14/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Miles Teller Adam Schumann

Supporting Cast

Haley Bennett Saskia Schumann
Joe Cole Billy Waller
Amy Schumer Amanda Doster
Beulah Koale Tausolo Aeiti
Scott Haze Michael Emory
Keisha Castle-Hughes Alea Aieti
Brad Beyer Sergeant James Doster
Omar Dorsey Dante
Kate Lyn Sheil Bell
Kerry Cahill Anna Waller
Stella La’ren Pileggi Zoe Schumann
David Morse Fred Gusman
Adam Schumann Staff Sgt. on Tarmac
Tony Winters Taxi Driver
Han Soto Doctor
John Clark Speedway Announcer
Erin Darke Tracey
Michael Adam Emory Waiting Veteran
Donna Duplantier VA Receptionist
Jayson Warner Smith VA Receptionist
Jake Weber Col. Plymouth
Tony Nevada Veteran Preacher
Allison King Linda Sanders
Sean Bridgers Sergeant Mozer
Deneen Tyler Patty Walker
John Way Street Corner Kid
Valerie Boucvalt Police Officer
Dennis L.A. White Dante’s Friend
Bre Blair Maternity Liaison
Joshua J. Boksuntiea Karaoke Soldier
Mark Wachter Staff Sergeant Wachter
Patrick Michael Brown Sergeant White
Stefano Smith FOB Medic
Alex Coker Honor Guard Leader
Alusain Sillah Detail Leader
Ella Hall Hannah Doster
Bowie Hall Emma Doster

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jason Hall Director
Jason Hall Screenwriter
David Finkel Story based on the book by
Jon Kilik Producer
Ann Ruark Executive Producer
Jane Evans Executive Producer
Roman Vasyanov Director of Photography
Keith P. Cunningham Production Designer
Jay Cassidy Editor
Hope Hanafin Costume Designer
Susan Jacobs Music Supervisor
Thomas Newman Composer
Ronna Kress Casting Director
Monty L. Simons* Stunt Coordinator
Ann Ruark Unit Production Manager
Doug Torres First Assistant Director
Amir R. Khan Second Assistant Director
Holly Bario Co-Producer
Alex G Scott Co-Producer
Dino Jonsater Additional Editor
Brendan Taylor Visual Effects Supervisor
Skip Lievsay Sound Supervisor
Skip Lievsay Re-recording Mixer
Larry Zipf Re-recording Mixer
Larry Zipf Sound Editor
Erik Polczwartek Art Director
Karen O'Hara Set Decorator
Vincent Bates Assistant Art Director
Jay Meagher Sound Mixer
David Fletcher Special Effects Supervisor
Monique Younger Costume Supervisor
Kimberly Jones Make up
Leighann Yandle Make up
Rita Parillo Hairstylist
Elizabeth Robinson Hairstylist
Scott Peterson Script Supervisor
John Latenser Location Manager
Alex G Scott Production Supervisor
Ahmed Jimmy Abounouom Line Producer
Donald Sabourin Production Manager
Sana Elkilali Production Manager
Stuart MacPhee Post-Production Supervisor
Rebekah Hernandez Post-Production Supervisor
Craig Henighan Sound Designer
Michael Feuser Dialogue Editor
Jac Rubenstein Dialogue Editor
Greg Behrens Visual Effects Producer
Larry Mah Music Editor
Chad Birmingham Music Editor
Missy Cohen Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.