Netherlands Box Office for Thank You for Your Service (2017)
Theatrical Performance (US$) | ||
Netherlands Box Office | $191,524 | Details |
Worldwide Box Office | $9,985,316 | Details |
Home Market Performance | ||
North America DVD Sales | $1,242,932 | Details |
North America Blu-ray Sales | $1,091,897 | Details |
Total North America Video Sales | $2,334,829 | |
Further financial details... |
Synopsis
A group of U.S. soldiers returning from Iraq struggle to integrate back into family and civilian life, while living with the memory of a war that threatens to destroy them long after they’ve left the battlefield.
Metrics
Movie Details
Production Budget: | $20,000,000 |
Netherlands Releases: | November 24th, 2017 (Wide) |
Video Release: | January 9th, 2018 by Universal Home Entertainment |
MPAA Rating: | R for strong violent content, language throughout, some sexuality, drug material and brief nudity. (Rating bulletin 2468 (Cert #50975), 3/22/2017) |
Running Time: | 108 minutes |
Keywords: | Iraq War, Returning Soldiers, PTSD, Ensemble, Biographical Drama, Biography, Suicide, Mental Illness |
Source: | Based on Factual Book/Article |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | DreamWorks Pictures, Reliance Entertainment, Rahway Road |
Production Countries: | United States |
Languages: | English |
Home Market Releases for January 23rd, 2018
January 22nd, 2018
It’s a really slow week on the home market. There are only a few releases that went anywhere at the box office, led by Jigsaw, which is a bad movie. Meanwhile, Geostorm is so bad it’s good. It’s fun, if you are into B movies, but it’s not Pick of the Week material. The only real contenders are Jane, which is only coming out on Video on Demand, and Attack of the Killer Tomatoes, which is getting a Two-Disc Special Edition. In the end, I went with Attack of the Killer Tomatoes, mainly because Jane doesn’t come out on DVD / Blu-ray until next month.
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Home Market Releases for January 9th, 2018
January 9th, 2018
Usually this is a terrible time of year on the home market, because it is too late for the summer blockbusters, but too early for the holiday hits. However, the home market is terrible this week, because It comes out and it destroyed records at the box office and is scaring away nearly all of the competition. Fortunately, its reviews were very good, so it is a contender for Pick of the Week. Its main competition are two classics, Inherit the Wind and Young Mr. Lincoln. All three are worth picking up, but I’m giving the title to It, because of its wider appeal.
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Weekend Wrap-Up: Thor Hammers Competition with $122.74 million
November 7th, 2017
Thor: Ragnarok beat predictions by a substantial margin earning the fourth biggest opening weekend of the year. Its opening weekend haul of $122.74 million helped this weekend rise 135% compared to last weekend hitting $179 million. Unfortunately, while Thor: Ragnarok was a monster hit, the rest of the box office wasn’t able to make much of an impact, leaving the overall box office down 6.6% from this weekend last year. Year-to-date, 2017 has pulled in $8.77 billion, putting it behind 2016's pace at 4.9% or $450 million.
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Weekend Wrap-Up: Box Office is Cut to Pieces, Earning Just $75 million
October 31st, 2017
It was a terrible weekend at the box office with only two films cracking $10 million, Jigsaw and Tyler Perry’s Boo 2: A Madea Halloween. Geostorm earned third place with just $5.90 million. Overall, the box office fell 21% from last weekend to just $75 million. More importantly, this is 15% lower than the same weekend last year. Year-to-date, 2017 continues to struggle with a running tally of $8.57 billion. This is $470 million or $5.2% below last year’s pace, meaning we fell behind last year’s pace by a further 0.2 percentage points. The box office really needed to be eating into the deficit during the month of October, but that hasn’t been the case.
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Friday Estimates: Jigsaw Cuts Its Way to the Top with $7.17 million
October 28th, 2017
As predicted, Jigsaw led the way on Friday. However, it didn’t do as well as previews suggested, as it earned $7.17 million during its opening day. I don’t expect its legs to improve during the rest of the weekend, as its reviews are just 37% positive, and it earned a B from CinemaScore. It will still do better than our $14 million prediction, but not by as much as we thought it would yesterday. Look for $17 million over the weekend, which is the second weakest opening in the franchise and the weakest in terms of ticket sales. I really think Lionsgate will end this franchise, at least for a while. Perhaps, in ten years or so, we will get a remake.
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Thursday Night Previews: Jigsaw Grabs a $1.6 million Piece of the Box Office
October 27th, 2017
Jigsaw earned $1.6 million during its midnight previews last night. Happy Death Day earned an even $1 million during its previews on its way to a $26 million opening. However, there are many factors that will result in shorter legs. For instance, Happy Death Day earned better reviews, while Jigsaw is the latest installment in a long-running franchise. Finally, Happy Death Day’s target audience skewed female, while Jigsaw skews male and men are more likely to rush out to see a movie than women are. That said, this is a great start and the film should easily top our prediction with at least $20 million during its opening weekend.
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Weekend Predictions: Can Jigsaw Still Fit at the Box Office?
October 26th, 2017
There are three wide releases coming out this week, although only Jigsaw is expected to make any real impact at the box office. The other two, Suburbicon and Thank You for Your Service, are opening in barely more than 2,000 theaters and neither of them are expected to do well at the box office. Meanwhile, Tyler Perry’s Boo 2: A Madea Halloween, has an actual shot at repeating in first place, mostly because of the weak competition. This is terrible news for the overall box office, as it means we are going to have a hard time matching last year’s box office, even though last year there was only one wide release, Inferno.
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2017 Preview: October
October 1st, 2017
September destroyed the previous September monthly record for total box office take, with $800 million or so (we won’t know the exact figure until after the weekend), which tops 2016’s record of $616 million. Granted, this is almost entirely due to It’s record breaking run, and the rest of the month was merely average. Kingsman: The Golden Circle was the only other film to come close to $100 million. October doesn’t look any better, as far as depth is concerned. Blade Runner 2049 is widely expected to be the biggest hit of the month, but it is the only film expected to reach $100 million domestically. Boo 2 should be the second biggest hit of the month, while there are only a couple of other films that have a shot at $50 million. Part of the problem is the level of competition, as there are 16 films opening during the four October weekends. (Needless to say, some of the predictions below will be a little short, as there’s not much to say about a film that will barely open in the top ten and disappear two weeks later.) That’s way too many and most will be buried by the competition. Last October was a flop, as no film earned more than $100 million at the box office. There were a few films that came close, including the original Boo! movie. As long as Blade Runner 2049 matches expectations, 2017 should win the year-over-year comparison by a small margin. If we get one surprise hit, then 2017 has a real shot at closing the gap with 2016 by a significant margin. I choose to be cautiously optimistic.
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Thank You for Your Service Trailer
June 20th, 2017
Drama starring Miles Teller and Haley Bennett opens October 27 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/11/24 | 16 | $66,023 | 38 | $1,737 | $72,968 | 1 | |
2017/12/01 | 20 | $40,844 | -38% | 38 | $1,075 | $138,748 | 2 |
2017/12/08 | 20 | $23,384 | -43% | 31 | $754 | $175,331 | 3 |
2017/12/15 | 28 | $10,996 | -53% | 20 | $550 | $191,524 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Netherlands | 11/24/2017 | $66,023 | 38 | 38 | 127 | $191,524 | 12/20/2017 |
North America | 10/27/2017 | $3,817,700 | 2,054 | 2,083 | 5,753 | $9,479,390 | 8/14/2018 |
South Korea | 12/8/2017 | $6,291 | 0 | 0 | 0 | $8,467 | 10/14/2018 |
Spain | 2/16/2018 | $47,417 | 102 | 102 | 102 | $47,417 | 2/23/2018 |
Rest of World | $258,518 | ||||||
Worldwide Total | $9,985,316 | 10/14/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Miles Teller | Adam Schumann |
Supporting Cast
Haley Bennett | Saskia Schumann |
Joe Cole | Billy Waller |
Amy Schumer | Amanda Doster |
Beulah Koale | Tausolo Aeiti |
Scott Haze | Michael Emory |
Keisha Castle-Hughes | Alea Aieti |
Brad Beyer | Sergeant James Doster |
Omar Dorsey | Dante |
Kate Lyn Sheil | Bell |
Kerry Cahill | Anna Waller |
Stella La’ren Pileggi | Zoe Schumann |
David Morse | Fred Gusman |
Adam Schumann | Staff Sgt. on Tarmac |
Tony Winters | Taxi Driver |
Han Soto | Doctor |
John Clark | Speedway Announcer |
Erin Darke | Tracey |
Michael Adam Emory | Waiting Veteran |
Donna Duplantier | VA Receptionist |
Jayson Warner Smith | VA Receptionist |
Jake Weber | Col. Plymouth |
Tony Nevada | Veteran Preacher |
Allison King | Linda Sanders |
Sean Bridgers | Sergeant Mozer |
Deneen Tyler | Patty Walker |
John Way | Street Corner Kid |
Valerie Boucvalt | Police Officer |
Dennis L.A. White | Dante’s Friend |
Bre Blair | Maternity Liaison |
Joshua J. Boksuntiea | Karaoke Soldier |
Mark Wachter | Staff Sergeant Wachter |
Patrick Michael Brown | Sergeant White |
Stefano Smith | FOB Medic |
Alex Coker | Honor Guard Leader |
Alusain Sillah | Detail Leader |
Ella Hall | Hannah Doster |
Bowie Hall | Emma Doster |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jason Hall | Director |
Jason Hall | Screenwriter |
David Finkel | Story based on the book by |
Jon Kilik | Producer |
Ann Ruark | Executive Producer |
Jane Evans | Executive Producer |
Roman Vasyanov | Director of Photography |
Keith P. Cunningham | Production Designer |
Jay Cassidy | Editor |
Hope Hanafin | Costume Designer |
Susan Jacobs | Music Supervisor |
Thomas Newman | Composer |
Ronna Kress | Casting Director |
Monty L. Simons* | Stunt Coordinator |
Ann Ruark | Unit Production Manager |
Doug Torres | First Assistant Director |
Amir R. Khan | Second Assistant Director |
Holly Bario | Co-Producer |
Alex G Scott | Co-Producer |
Dino Jonsater | Additional Editor |
Brendan Taylor | Visual Effects Supervisor |
Skip Lievsay | Sound Supervisor |
Skip Lievsay | Re-recording Mixer |
Larry Zipf | Re-recording Mixer |
Larry Zipf | Sound Editor |
Erik Polczwartek | Art Director |
Karen O'Hara | Set Decorator |
Vincent Bates | Assistant Art Director |
Jay Meagher | Sound Mixer |
David Fletcher | Special Effects Supervisor |
Monique Younger | Costume Supervisor |
Kimberly Jones | Make up |
Leighann Yandle | Make up |
Rita Parillo | Hairstylist |
Elizabeth Robinson | Hairstylist |
Scott Peterson | Script Supervisor |
John Latenser | Location Manager |
Alex G Scott | Production Supervisor |
Ahmed Jimmy Abounouom | Line Producer |
Donald Sabourin | Production Manager |
Sana Elkilali | Production Manager |
Stuart MacPhee | Post-Production Supervisor |
Rebekah Hernandez | Post-Production Supervisor |
Craig Henighan | Sound Designer |
Michael Feuser | Dialogue Editor |
Jac Rubenstein | Dialogue Editor |
Greg Behrens | Visual Effects Producer |
Larry Mah | Music Editor |
Chad Birmingham | Music Editor |
Missy Cohen | Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.