Czech Republic Box Office for Máš ji! (2018)
Theatrical Performance (US$) | ||
Czech Republic Box Office | $184,163 | Details |
Worldwide Box Office | $77,024,944 | Details |
Home Market Performance | ||
North America DVD Sales | $4,609,011 | Details |
North America Blu-ray Sales | $3,314,621 | Details |
Total North America Video Sales | $7,923,632 | |
Further financial details... |
Synopsis
For one month every year, five highly competitive friends hit the ground running in a no-holds-barred game of tag they’ve been playing since the first grade—risking their necks, their jobs and their relationships to take each other down with the battle cry: “You’re It!” This year, the game coincides with the wedding of their only undefeated player, which should finally make him an easy target. But he knows they’re coming…and he’s ready.
Metrics
Movie Details
Production Budget: | $28,000,000 |
Czech Republic Releases: | June 15th, 2018 (Wide), released as Máš ji! |
Video Release: | August 28th, 2018 by Warner Home Video |
MPAA Rating: | R for language throughout, crude sexual content, drug use and brief nudity. (Rating bulletin 2526 (Cert #51581), 5/9/2018) |
Running Time: | 100 minutes |
Keywords: | Delayed Adulthood, Ensemble, Miscellaneous Sports, Wedding Day, Wedding Day Disasters, Action Comedy |
Source: | Based on Factual Book/Article |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | New Line Cinema, Broken Road |
Production Countries: | United States |
Languages: | English |
Home Market Releases for August 28th, 2018
August 29th, 2018
It is a very busy week with a flood of TV on DVD releases. Because of that, each entry has to be a little shorter than usual, especially the TV on DVD releases. There are some titles that are worth more attention, like American Animals, Bound, RBG, and others. It was a close race for Pick of the Week, but in the end I went with Bound on Blu-ray.
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Weekend Predictions: Putting a Hit out on the Box Office
June 28th, 2018
After two monster hits in a row, the weekend crashes back down to Earth. Neither Sicario: Day of the Soldado nor Uncle Drew are expected to do much at the box office, but they are expected to open with similar amounts and there’s no consensus which film will do better, so at least there’s something to talk about. This weekend last year, Despicable Me 3 opened with $72.43 million. We will be relying almost entirely on holdovers to win in the year-over-year comparison. I think we’ve got an excellent shot of doing that by a significant margin.
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Weekend Wrap-Up: Jurassic World and Incredibles Combine for Biggest June Weekend
June 26th, 2018
Jurassic World: Fallen Kingdom beat expectations with $148.02 million over the weekend, but it wasn’t the only monster hit in theaters. Incredibles 2 added $80.35 million during its second weekend of release, which helped the overall box office become the biggest June weekend of all time. The overall box office rose just 2.3%, but that was enough to break the record with $277 million. This is also 98% higher than the same weekend last year. 2018 has had a string of hits that have dominated their 2017 counterparts, even if they missed expectations, so it is no surprise that 2018 has a lead over 2017 in the year-over-year comparison. However, that lead is surprisingly larger. It has grown to 9.1% or $490 million at $5.85 billion to $5.36 billion. No year has started as fast as 2018 has, and even its estimated ticket sales are the best in the 2010s.
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Weekend Estimates: Fallen Starts Out on Top
June 24th, 2018
Sequels usually start faster but fall quicker, when compared to their predecessor. However, no one expected Jurassic World: Fallen Kingdom to follow suit. In fact, many thought it would collapse. That wasn’t the case, as Fallen Kingdom opened with $150 million over the weekend. Granted, this is nearly 30% lower than Jurassic World’s opening weekend, but it could have been much worse. On the downside, its reviews are almost exactly 50% positive, which suggests weak legs. It did earn an A minus from CinemaScore, so audiences did like the film more than critics did, so we have mixed signals about what the movie will do going forward. Internationally, the film added $106.7 million over the weekend for a three-week total of $561.5 million. This includes a $12.3 million debut in Mexico.
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Weekend Predictions: Can Dinosaurs Stomp the Competition?
June 21st, 2018
Jurassic World: Fallen Kingdom is the only wide release of the week and it was expected to dominate the box office. That was until Incredibles 2 broke records last weekend. Furthermore, Fallen Kingdom’s reviews have fallen below the overall positive level. Now there might be a race at the box office, at least on the daily charts. Meanwhile, this weekend last year, Transformers: The Last Knight missed expectations with just $45 million over the weekend and $70 million in five days. Fallen Kingdom had better earn $45 million on Friday alone, or it is in serious trouble.
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Weekend Wrap-Up: Incredible Doesn’t Even Begin to Describe It
June 18th, 2018
Incredibles 2 became the first potential monster hit since Infinity War to beat tracking numbers, opening with a mind-numbing $182.69 million. It is hard to describe how amazing this opening is. It has rewritten the record book when it comes to animated films and it gives Disney the top three openings of 2018 and four of the top five. This is twice as much as the rest of the box office earned over the entire weekend. There were other new releases this week, with Tag doing fine. Its $14.95 million opening is nothing special, but it should break even sometime on the home market. SuperFly, on the other hand, was a disappointment. The overall box office grew by 126% from last weekend, with Incredibles 2 earning about 50% more than the entire box office pulled in last weekend. The film was just shy of the same weekend last year, while the overall box office rose by 43%. Year-to-date, 2018 continues to have a lead over 2017, and it has grown to a commanding lead of 6.6% or $340 million at $5.44 billion to $5.10 billion. Granted, we are barely halfway through the year, but 2018 is in a great position to break the all-time yearly box office record.
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Weekend Estimates: $180 million Opening is Beyond Incredible
June 17th, 2018
Incredibles 2 was widely expected to dominate the box office over the weekend, but after the two previous potential monster hits missed high expectations, I thought it was wise to be a little more pessimistic. I was wrong. Incredibles 2 opened with an estimated $180 million. This is not only the best opening for a Pixar film, and an animated film in general, it is the 8th biggest opening weekend of all time. (It could slip a little in tomorrow’s final numbers, putting it in 9th place behind Captain America: Civil War.) The film is already the 50th biggest animated hit of all time and unless its legs are shorter than expected, it will quickly race to the top of that chart. Speaking of legs, Incredibles 2 has the best reviews in the top ten and earned a stunning A plus from CinemaScore. To be frank, perhaps stunning isn’t the right word. Perhaps “expected” is a better term, as Pixar has earned 7 A plus ratings out of its 20 films and has never once slipped below an A minus. Internationally, the film opened in second place with $51.5 million in 25 markets and earned a Pixar-best opening in Mexico ($12.3 million) and Argentina ($3.0 million). In fact, it was outstanding in all of Latin America. It is also the fasting opening Pixar film in Australia with $7.7 million, while it managed the studio’s second biggest opening in Russia with $5.4 million. Granted, the film is not doing as well internationally as it is domestically; however, it is still on pace for $1 billion worldwide, so there’s no way the studio isn’t celebrating this opening.
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Friday Estimates: Incredibles Smashes Animated Records
June 16th, 2018
Incredibles 2 opened with $71.55 million on Friday. To put this in perspective, it is already the biggest digital animation of 2018 and even if it doesn’t sell a single ticket on Saturday and Sunday, this would still be the fifth biggest opening weekend for a Pixar film and the 13th biggest opening for an animated film. Assuming its 93% positive reviews and its A plus from CinemaScore help its legs, it could top Solo: A Star Wars Story’s running tally by the end of the weekend. On the other hand, an opening weekend of $180 million seems like a solid goal after an opening day like this and that will put it on pace for over $500 million domestically.
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Thursday Night Previews: Incredibles Doubles Dory’s Record with $18.5 million
June 15th, 2018
Incredibles 2 earned $18.5 million on preview night, which is double the previous record for an animated film of $9.2 million held by Finding Dory. However, and this is massively important, we’ve seen a number of really impressive previews turn into disappointing opening weekends, so I think it is wise to wait until Friday’s full numbers are in before we get excited about the movie’s weekend results. Even with 93% positive reviews, it could still be front-loaded and it might not necessarily break Dory’s and Pixar’s opening weekend record of $135.06 million. Normally I would be really enthusiastic about this result, but recent events have made it clear that being more cautious is better.
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Weekend Predictions: How Incredible can the Incredibles Open?
June 14th, 2018
Incredibles 2 leads a group of three wide releases coming out in theaters this week. It should open with more than the rest of the box office combined. Tag is a film that many will find a little unbelievable, even though it is based on real-life events. Its reviews suggest a moderate opening, but nothing too special. The buzz surrounding SuperFly is really quiet, but it is being aimed at its target audience in a much more focused ad campaign, which makes judging said campaign’s effectiveness more difficult. Ocean’s 8 should have no trouble earning second place, while it could avoid falling 50%. Meanwhile, this weekend last year, Cars 3 opened with $53.69 million, while Wonder Woman added $41.27 million over the same weekend. I would be shocked if Incredibles 2 doesn’t open with more than those two films earned combined. 2018 should win in the year-over-year comparison with relative ease.
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Tag Trailer
June 6th, 2018
Comedy starring Ed Helms, Jake Johnson, Hannibal Buress, Jon Hamm, and Jeremy Renner opens June 15 ... Full Movie Details.
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2018 Preview: June
June 1st, 2018
This May was an odd month, as Avengers: Infinity War opened on the last weekend of April, rather than the first weekend of May. This meant May started out slowly, but Deadpool 2 and Solo: A Star Wars Story did well enough to give 2018 a healthy lead over 2017. Looking forward, there are two potential monster hits this month, Incredibles 2 and Jurassic World: Fallen Kingdom, and another $100 million hit, Ocean’s 8. Last June, there were four $100 million hits, led by Wonder Woman, which pulled in over $400 million. I think 2018 and 2017 will be an even match at the top, so 2018 will have to rely on depth to improve upon its lead over 2017.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/06/15 | 3 | $54,241 | 85 | $638 | $54,241 | 1 | |
2018/06/22 | 7 | $41,789 | -23% | 41 | $1,019 | $120,432 | 2 |
2018/06/29 | 9 | $26,009 | -38% | 29 | $897 | $164,512 | 3 |
2018/07/06 | 16 | $4,587 | -82% | 10 | $459 | $180,423 | 4 |
2018/07/13 | 19 | $2,230 | -51% | 3 | $743 | $184,163 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 6/29/2018 | $72,241 | 0 | 0 | 0 | $111,302 | 1/1/2019 |
Australia | 6/15/2018 | $833,244 | 266 | 266 | 1003 | $2,563,635 | 8/14/2023 |
Bulgaria | 6/29/2018 | $19,289 | 0 | 0 | 0 | $88,593 | 2/26/2019 |
Czech Republic | 6/15/2018 | $54,241 | 85 | 85 | 168 | $184,163 | 1/1/2019 |
Germany | 7/27/2018 | $345,145 | 0 | 0 | 0 | $818,313 | 8/9/2018 |
Italy | 7/5/2018 | $165,699 | 0 | 0 | 0 | $379,731 | 7/23/2018 |
Lithuania | 6/29/2018 | $24,712 | 114 | 114 | 216 | $81,515 | 8/15/2018 |
Mexico | 7/20/2018 | $277,523 | 0 | 0 | 0 | $329,886 | 7/23/2018 |
Netherlands | 6/29/2018 | $261,837 | 99 | 100 | 544 | $1,656,739 | 9/12/2018 |
New Zealand | 6/15/2018 | $179,951 | 63 | 63 | 260 | $430,176 | 8/7/2023 |
North America | 6/15/2018 | $14,947,396 | 3,382 | 3,382 | 14,706 | $54,730,625 | |
Poland | 7/6/2018 | $149,924 | 0 | 0 | 0 | $718,885 | 1/1/2019 |
Portugal | 7/6/2018 | $69,491 | 58 | 60 | 166 | $259,411 | 8/20/2019 |
Russia (CIS) | 6/29/2018 | $1,037,074 | 1293 | 1293 | 3418 | $2,444,203 | 2/26/2019 |
Slovakia | 6/15/2018 | $40,014 | 67 | 67 | 128 | $112,196 | 9/7/2018 |
Taiwan | 6/22/2018 | $355,000 | 0 | 0 | 0 | $1,100,000 | 7/31/2018 |
Turkey | 6/29/2018 | $65,934 | 208 | 208 | 445 | $186,413 | 2/26/2019 |
United Arab Emirates | 6/15/2018 | $255,000 | 62 | 62 | 62 | $634,000 | 1/1/2019 |
United Kingdom | 6/29/2018 | $627,389 | 446 | 453 | 1160 | $1,900,000 | 8/2/2023 |
Rest of World | $8,295,158 | ||||||
Worldwide Total | $77,024,944 | 8/14/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Ed Helms | Hogan “Hoagie” Malloy |
Jake Johnson | Randy “Chili” Cilliano |
Hannibal Buress | Kevin Sable |
Jon Hamm | Bob Callahan |
Jeremy Renner | Jerry Pierce |
Supporting Cast
Annabelle Wallis | Rebecca Crosby |
Isla Fisher | Anna Malloy |
Rashida Jones | Cheryl Deakins |
Leslie Bibb | Susan Rollins |
Nora Dunn | Linda Malloy |
Lil Rel Howery | Reggie |
Steve Berg | Lou Seibert |
Indiana Sifuentes | Mexican Jerry |
Trayce Malachi | Young Boy in Mall |
Jock McKissic | Security Guard at Mall |
Thomas Middleditch | Dave |
Al Mitchell | AA Member |
Kate Kneeland | Wedding Caterer |
Vince Pisani | Wedding Planner |
Kurt Yue | Doctor Yuen |
Brayden Benson | Jerry 9-years old |
Tyler Crumley | Chili 9-years old |
Legend Williams | Sable 9-years old |
Braxton Bjerken | Hoagie 9-years old |
Braxton Alexander | Callahan 9-years old |
Th’yana Star | Cheryl 9-years old |
Maxwell Ross | Jerry 18-years old |
Xavion Shelton | Sable 18-years old |
Jaren Lewison | Hoagie 18-years old |
Elijah Marcano | Callahan 18-years old |
Kella Raines | Cheryl 18-years old |
Kevin Moody | Chili 18-years old |
Jim Esposito | Martin-Neighbor |
Loren Lott | Sable’s Girlfriend |
Andrew Tran | Boy Attacker |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jeff Tomsic | Director |
Rob McKittrick | Screenwriter |
Mark G. Steilen | Screenwriter |
Mark G. Steilen | Screen Story by |
Russell Adams | Story based on the Wall Street Journal Article entitled “It Takes Planning, Caution to Avoid Being It” by |
Todd Garner | Producer |
Mark G. Steilen | Producer |
Richard Brener | Executive Producer |
Walter Hamada | Executive Producer |
Dave Neustadter | Executive Producer |
Hans Ritter | Executive Producer |
Josh Crockett | Editor |
Germaine Franco | Composer |
Larry Blanford | Director of Photography |
Eric Linden | Stunt Coordinator |
Jayson Dumenigo | Stunt Coordinator |
Gabe Hilfer | Music Supervisor |
Sean Robins | Co-Producer |
Denise Wingate | Costume Designer |
Rich Delia | Casting Director |
Will Greenfield | Unit Production Manager |
Jeffrey Wetzel | First Assistant Director |
Ben White | Second Assistant Director |
Priscilla Elliott | Art Director |
Helen Britten | Set Decorator |
Matthew Nicolay | Sound Mixer |
Sara Romilly | Post-Production Supervisor |
Dan DiPrima | Music Editor |
Louie Schultz | Music Editor |
Mark Mangini | Supervising Sound Editor |
Kevin O'Connell | Re-recording Mixer |
Mark Mangini | Re-recording Mixer |
Dave McMoyler | Supervising Dialogue/ADR Editor |
Gregory Hedgepath | Sound Effects Editor |
Ezra Dweck | Sound Effects Editor |
Charlie Campagna | Sound Effects Editor |
Jeffrey A. Pitts | Sound Effects Editor |
Frederick H. Stahly | Dialogue Editor |
Shane Hayes | Dialogue Editor |
Jack Heeren | Foley Mixer |
Don White | Foley Mixer |
Kevin Schultz | Foley Mixer |
Andrew Ullman | Location Manager |
Melissa Yount | Script Supervisor |
Kate Samhat | Costume Supervisor |
Kimberly Jones | Make up |
Mi Young | Make up |
Shunika Terry | Hairstylist |
Elizabeth Robinson | Hairstylist |
Yolande Thame | Set Designer |
Russell William Tyrrell | Special Effects Supervisor |
Dean Tyrrell | Special Effects Coordinator |
Chris LeDoux | Visual Effects Supervisor |
Wes Dorough | Visual Effects Producer |
David Boucher | Score Recordist |
Alvin Wee | Score Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.