Russia (CIS) Box Office for СИНОНИМЫ (2019)
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| Theatrical Performance (US$) | ||
| Russia (CIS) Box Office | $114,465 | Details |
| Worldwide Box Office | $500,259 | Details |
| Further financial details... | ||
Synopsis
Yoav, a young Israeli man, has just moved to Paris with great expectations that France will save him from what he sees as the madness of his country. Things don’t get off to a great start as he discovers that the flat he’s supposed to stay in is unfurnished and completely empty, and, while taking a bath there, has his belongings stolen Not deterred easily and desperate to erase his origins, he refuses to speak Hebrew, relying on a French dictionary as his constant companion, and to communicate with the various people he encounters.
Metrics
Movie Details
| Russia (CIS) Releases: | April 25th, 2019 (Wide), released as СИНОНИМЫ |
| Video Release: | February 25th, 2020 by Kino Lorber |
| MPAA Rating: | Not Rated |
| Running Time: | 123 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | SBS Productions, Pie Films, Komplizen, Kino Lorber |
| Production Countries: | France, Germany, Israel |
| Languages: | French |
Theater Averages: Most New Releases Struggle, but Holdovers Thrive
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There was only one new release in the $10,000 club, No Safe Spaces, which earned $45,548 in its lone theater. While this is a great start, its reviews suggest it won’t stick around long, as the film is preaching to the choir. Jojo Rabbit expanded from five to 55 theaters, but still managed an impressive average of $18,983. Parasite was next with an average $14,158 in 129 theaters during its third weekend of release. Jay and Silent Bob Reboot expanded to 17 theaters, and earned an average of $12,774. It will likely continue to expand, as a lot of shows on its road tour were sold out weeks in advance.
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Limited and VOD Releases: Who Will be The Boss of Limited Releases This Week?
October 25th, 2019
There are several films on this week’s list earning merely good reviews, which probably isn’t good enough to thrive in limited release. There are exceptions, including Making Waves: The Art of Cinematic Sound, which is earning some of the best reviews on this week’s list. However, Western Stars appears to have much louder buzz to go with its reviews.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/04/26 | 16 | $43,136 | 134 | $322 | $43,136 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 11/15/2019 | $15,712 | 13 | 13 | 17 | $35,372 | 2/29/2020 |
| France | 3/29/2019 | $126,179 | 54 | 54 | 54 | $126,179 | 4/7/2019 |
| Lithuania | 6/12/2020 | $0 | 0 | 1 | 1 | $96 | 7/1/2020 |
| North America | 10/25/2019 | $17,891 | 2 | 13 | 82 | $206,003 | |
| Portugal | 5/17/2019 | $3,683 | 9 | 9 | 25 | $10,673 | 6/18/2019 |
| Russia (CIS) | 4/25/2019 | $43,136 | 134 | 134 | 257 | $114,465 | 10/19/2022 |
| Turkey | 9/13/2019 | $3,142 | 22 | 22 | 41 | $7,471 | 10/19/2022 |
| Worldwide Total | $500,259 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Tom Mercier | Yoav |
Supporting Cast
| Quentin Dolmaire | Emile |
| Louise Chevillotte | Caroline |
| Lea Drucker | French Teacher |
| Olivier Loustau | Michel |
| Uria Hayik | Yaron |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Nadav Lapid | Director |
| Nadav Lapid | Screenwriter |
| Haim Lapid | Screenwriter |
| Said Ben Said | Producer |
| Michel Merkt | Producer |
| Osnat Handelsman-Keren | Co-Producer |
| Talia Kleinhendler | Co-Producer |
| Janine Jackowski | Co-Producer |
| Jonas Dornbach | Co-Producer |
| Maren Ade | Co-Producer |
| Marianne Germain | Production Manager |
| Justinien Schricke | First Assistant Director |
| Shai Goldman | Cinematographer |
| Era Lapid | Editor |
| Francois Gedigier | Editor |
| Neta Braun | Editor |
| Marina Kertész | Sound Mixer |
| Sandy Notarianni | Sound Mixer |
| Christophe Vingtrinier | Sound Mixer |
| Khadija Zeggai | Costume Designer |