Netherlands Box Office for Superfly (2018)
Theatrical Performance (US$) | ||
Netherlands Box Office | $66,663 | Details |
Worldwide Box Office | $20,739,323 | Details |
Home Market Performance | ||
North America DVD Sales | $1,196,869 | Details |
North America Blu-ray Sales | $734,405 | Details |
Total North America Video Sales | $1,931,274 | |
Further financial details... |
Synopsis
The film that helped define a genre in its characters, look, sound, and feel—is re-imagined.
Metrics
Movie Details
Production Budget: | $16,000,000 |
Netherlands Releases: | September 14th, 2018 (Wide) |
Video Release: | August 28th, 2018 by Sony Pictures Home Entertainment |
MPAA Rating: | R for violence and language throughout, strong sexuality, nudity, and drug content (Rating bulletin 2530 (Cert #51442), 6/6/2018) |
Running Time: | 116 minutes |
Keywords: | African Americans, Black Urban, Blaxploitation, Crime, Crime Thriller, Remake, Hood Film |
Source: | Remake |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Columbia Pictures, Silver Pictures |
Production Countries: | United States |
Languages: | English |
Home Market Releases for September 11th, 2018
September 10th, 2018
It is not a very busy week on the home market. Ocean’s 8 is the biggest release of the week, but it is not a Pick of the Week contender. In fact, there was only one real contender for that title, Hearts Beat Loud on Blu-ray. That said, Ocean’s 8 is worth picking up, as is Modern Family: Season Nine.
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Home Market Releases for August 28th, 2018
August 29th, 2018
It is a very busy week with a flood of TV on DVD releases. Because of that, each entry has to be a little shorter than usual, especially the TV on DVD releases. There are some titles that are worth more attention, like American Animals, Bound, RBG, and others. It was a close race for Pick of the Week, but in the end I went with Bound on Blu-ray.
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Weekend Wrap-Up: Jurassic World and Incredibles Combine for Biggest June Weekend
June 26th, 2018
Jurassic World: Fallen Kingdom beat expectations with $148.02 million over the weekend, but it wasn’t the only monster hit in theaters. Incredibles 2 added $80.35 million during its second weekend of release, which helped the overall box office become the biggest June weekend of all time. The overall box office rose just 2.3%, but that was enough to break the record with $277 million. This is also 98% higher than the same weekend last year. 2018 has had a string of hits that have dominated their 2017 counterparts, even if they missed expectations, so it is no surprise that 2018 has a lead over 2017 in the year-over-year comparison. However, that lead is surprisingly larger. It has grown to 9.1% or $490 million at $5.85 billion to $5.36 billion. No year has started as fast as 2018 has, and even its estimated ticket sales are the best in the 2010s.
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Weekend Wrap-Up: Incredible Doesn’t Even Begin to Describe It
June 18th, 2018
Incredibles 2 became the first potential monster hit since Infinity War to beat tracking numbers, opening with a mind-numbing $182.69 million. It is hard to describe how amazing this opening is. It has rewritten the record book when it comes to animated films and it gives Disney the top three openings of 2018 and four of the top five. This is twice as much as the rest of the box office earned over the entire weekend. There were other new releases this week, with Tag doing fine. Its $14.95 million opening is nothing special, but it should break even sometime on the home market. SuperFly, on the other hand, was a disappointment. The overall box office grew by 126% from last weekend, with Incredibles 2 earning about 50% more than the entire box office pulled in last weekend. The film was just shy of the same weekend last year, while the overall box office rose by 43%. Year-to-date, 2018 continues to have a lead over 2017, and it has grown to a commanding lead of 6.6% or $340 million at $5.44 billion to $5.10 billion. Granted, we are barely halfway through the year, but 2018 is in a great position to break the all-time yearly box office record.
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Weekend Estimates: $180 million Opening is Beyond Incredible
June 17th, 2018
Incredibles 2 was widely expected to dominate the box office over the weekend, but after the two previous potential monster hits missed high expectations, I thought it was wise to be a little more pessimistic. I was wrong. Incredibles 2 opened with an estimated $180 million. This is not only the best opening for a Pixar film, and an animated film in general, it is the 8th biggest opening weekend of all time. (It could slip a little in tomorrow’s final numbers, putting it in 9th place behind Captain America: Civil War.) The film is already the 50th biggest animated hit of all time and unless its legs are shorter than expected, it will quickly race to the top of that chart. Speaking of legs, Incredibles 2 has the best reviews in the top ten and earned a stunning A plus from CinemaScore. To be frank, perhaps stunning isn’t the right word. Perhaps “expected” is a better term, as Pixar has earned 7 A plus ratings out of its 20 films and has never once slipped below an A minus. Internationally, the film opened in second place with $51.5 million in 25 markets and earned a Pixar-best opening in Mexico ($12.3 million) and Argentina ($3.0 million). In fact, it was outstanding in all of Latin America. It is also the fasting opening Pixar film in Australia with $7.7 million, while it managed the studio’s second biggest opening in Russia with $5.4 million. Granted, the film is not doing as well internationally as it is domestically; however, it is still on pace for $1 billion worldwide, so there’s no way the studio isn’t celebrating this opening.
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Friday Estimates: Incredibles Smashes Animated Records
June 16th, 2018
Incredibles 2 opened with $71.55 million on Friday. To put this in perspective, it is already the biggest digital animation of 2018 and even if it doesn’t sell a single ticket on Saturday and Sunday, this would still be the fifth biggest opening weekend for a Pixar film and the 13th biggest opening for an animated film. Assuming its 93% positive reviews and its A plus from CinemaScore help its legs, it could top Solo: A Star Wars Story’s running tally by the end of the weekend. On the other hand, an opening weekend of $180 million seems like a solid goal after an opening day like this and that will put it on pace for over $500 million domestically.
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Thursday Night Previews: Incredibles Doubles Dory’s Record with $18.5 million
June 15th, 2018
Incredibles 2 earned $18.5 million on preview night, which is double the previous record for an animated film of $9.2 million held by Finding Dory. However, and this is massively important, we’ve seen a number of really impressive previews turn into disappointing opening weekends, so I think it is wise to wait until Friday’s full numbers are in before we get excited about the movie’s weekend results. Even with 93% positive reviews, it could still be front-loaded and it might not necessarily break Dory’s and Pixar’s opening weekend record of $135.06 million. Normally I would be really enthusiastic about this result, but recent events have made it clear that being more cautious is better.
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Weekend Predictions: How Incredible can the Incredibles Open?
June 14th, 2018
Incredibles 2 leads a group of three wide releases coming out in theaters this week. It should open with more than the rest of the box office combined. Tag is a film that many will find a little unbelievable, even though it is based on real-life events. Its reviews suggest a moderate opening, but nothing too special. The buzz surrounding SuperFly is really quiet, but it is being aimed at its target audience in a much more focused ad campaign, which makes judging said campaign’s effectiveness more difficult. Ocean’s 8 should have no trouble earning second place, while it could avoid falling 50%. Meanwhile, this weekend last year, Cars 3 opened with $53.69 million, while Wonder Woman added $41.27 million over the same weekend. I would be shocked if Incredibles 2 doesn’t open with more than those two films earned combined. 2018 should win in the year-over-year comparison with relative ease.
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2018 Preview: June
June 1st, 2018
This May was an odd month, as Avengers: Infinity War opened on the last weekend of April, rather than the first weekend of May. This meant May started out slowly, but Deadpool 2 and Solo: A Star Wars Story did well enough to give 2018 a healthy lead over 2017. Looking forward, there are two potential monster hits this month, Incredibles 2 and Jurassic World: Fallen Kingdom, and another $100 million hit, Ocean’s 8. Last June, there were four $100 million hits, led by Wonder Woman, which pulled in over $400 million. I think 2018 and 2017 will be an even match at the top, so 2018 will have to rely on depth to improve upon its lead over 2017.
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Superfly Trailer
April 10th, 2018
Action movie starring Trevor Jackson opens June 15 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/09/14 | 24 | $23,197 | 23 | $1,009 | $39,763 | 1 | |
2018/09/21 | - | $10,168 | -56% | 18 | $565 | $59,394 | 2 |
2018/09/28 | - | $3,049 | -70% | 4 | $762 | $66,663 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 8/10/2018 | $39,717 | 51 | 51 | 87 | $64,480 | 9/11/2018 |
Netherlands | 9/14/2018 | $23,197 | 23 | 23 | 45 | $66,663 | 10/2/2018 |
New Zealand | 7/27/2018 | $7,955 | 10 | 10 | 18 | $13,550 | 8/28/2018 |
North America | 6/13/2018 | $6,870,740 | 2,220 | 2,220 | 6,447 | $20,537,137 | 2/19/2021 |
Norway | 8/3/2018 | $186 | 2 | 2 | 3 | $495 | 8/14/2018 |
South Africa | 8/10/2018 | $1,948 | 5 | 7 | 15 | $6,315 | 8/28/2018 |
United Kingdom | 9/14/2018 | $20,544 | 95 | 95 | 98 | $34,941 | 9/25/2018 |
Rest of World | $15,742 | ||||||
Worldwide Total | $20,739,323 | 2/19/2021 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Trevor Jackson Campbell | Youngblood Priest |
Supporting Cast
Jason Mitchell | Eddie |
Michael Kenneth Williams | Scatter |
Lex Scott Davis | Georgia |
Jennifer Morrison | Detective Mason |
Kaalan Rashad Walker | Juji |
Esai Morales | Adalberto Gonzalez |
Big Bank Black | “Q” |
Big Boi | Mayor Atkins |
Jacob Ming-Trent | Freddie |
Andrea Londo | Cynthia |
Brian F. Durkin | Officer Turk Franklin |
Dominique Madison | Rochelle |
Angel Love | Hot Coco |
Terayle Hill | Dee |
Dawntavia Bullard | Monique |
Kia Shine | Big Man |
Al Nuke | Litty’s Muscle |
Atkins Estimond | Barber |
Adriyan Rae | Candice |
Lisa Rayam | TV Reporter |
Kurt Yue | Developer |
Renee Victor | Esmeralda Gonzalez |
Allen Maldonado | Litty |
Ahmed Lucan | Diplomatic Official |
Michael Beasley | Litty’s Security |
Adam Boyer | Investigator |
Rick Ross | Racks |
Samantha Sander | Dinner Server |
Kevin Young | Cryptocurrency Supervisor |
Ivan Leung | Cryptocurrency Miner |
L. Warren Young | Funeral Director |
Lasana B. Smith | Racks’ Muscle |
Amelia Sanchez | Bottle Service Girl |
Zaytoven | Artist |
Ebonie Barton | Art Gallery Patron |
Roddy White | Football Star |
Ezama Loi | Pole Dancer |
Sharae Monique Williams | Pole Dancer |
Fareedah Aleem | Aerial Dancer |
Marilyn Leigh Chen | Aerial Dancer |
Patricia Michelle Bushrod | Masquerade Dancer |
Cherokee M. Hall | Masquerade Dancer |
Cmayla Neal | Masquerade Dancer |
Sean Garrett Hamler | Funeral Singer |
Crystal Nichole Johnson | Funeral Singer |
Lecrae Moore | Funeral Rapper |
Joshua Bias | Funeral Choir Member |
Augusta Thomas | Funeral Choir Member |
Keisha Archer | Funeral Choir Member |
Joshua Knauls | Funeral Choir Member |
Harold Derrick Lee | Funeral Choir Member |
Tiffany Williams | Funeral Choir Member |
Jeremiah Renaldo Bethea | Funeral Choir Member |
Linda Copeland | Funeral Choir Member |
Natasha Mosley | Funeral Choir Member |
Artia Emelia Lockett | Funeral Choir Member |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Director X | Director |
Alex Tse | Screenwriter |
Phillip Fenty | Based on ‘Super Fly’ by |
Joel Silver | Producer |
Future | Producer |
Hal Sadoff | Executive Producer |
Aaron Auch | Executive Producer |
Ethan Erwin | Executive Producer |
Matthew Hirsch | Executive Producer |
Anthony Saleh | Executive Producer |
Taj Critchlow | Executive Producer |
Steven R. Shore | Executive Producer |
Amir Mokri | Director of Photography |
Graham Grace Walker | Production Designer |
Ann-Carolin Biesenbach | Editor |
Tamara-Lee Notcutt | Casting Director |
Antoinette Messam | Costume Designer |
Future | Song Writer |
Josh Atchley | Composer |
Randall Poster | Music Supervisor |
Markos Rounthwaite | Stunt Coordinator |
Jennifer Radzikowski | Unit Production Manager |
Will Greenfield | Unit Production Manager |
Brett Robinson | First Assistant Director |
Chris O’ Hara | Second Assistant Director |
Magdalena Munao | Associate Producer |
Kristen D. Walker | Set Decorator |
Lori Grabowski | Script Supervisor |
Shilla Benning | Costume Supervisor |
Tracy Ewell | Make up |
Jack Lazzaro | Make up |
Andrea C. Brotherton | Hairstylist |
Talya R. Melvey | Hairstylist |
Jay Meagher | Production Designer |
David Fletcher | Special Effects Supervisor |
Kai Thorup | Location Manager |
John H. Findley III | Location Manager |
Ricky Aguirre | Set Designer |
Markos Rounthwaite | Second Unit Director |
Tracey Wadmore-Smith | Additional Editor |
Kevin Stermer | Additional Editor |
Michael S. Smith | First Assistant Editor |
Sharia Lynn Davis | Assistant Editor |
Michael Goldberg | Assistant Editor |
Kevin O'Connell | Re-recording Mixer |
Greg Orloff | Re-recording Mixer |
Steven Ticknor | Supervising Sound Editor |
Kevin O'Connell | Supervising Sound Editor |
Tony Lamberti | Sound Designer |
Steve Urban | Sound Effects Editor |
Joe Iemola | Sound Effects Editor |
Robert Troy | Dialogue Editor |
Jeanette Surga | Music Editor |
Tom Kramer | Music Editor |
Amanda Goodpaster | Music Editor |
Russell Emanuel | Executive Score Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.