Tom Kramer
Best known as a Music Editor based on credits in that role in 13 films, with $2,385,810,260 worldwide aggregate box office (rank #29) |
Best-known technical roles: Captain Marvel (Music Editor), San Andreas (Music Editor), Non-Stop (Music Editor), The DUFF (Music Editor), The 5th Wave (Music Editor) |
Most productive collaborators: Samuel L. Jackson, Brie Larson, Anna Boden, Ryan Fleck, Ben Mendelsohn |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Music Editor | 13 | $959,090,025 | $1,426,720,235 | $2,385,810,260 |
Music Supervisor | 1 | $94,029,472 | $0 | $94,029,472 | |
Score Producer | 1 | $26,017,685 | $36,090,902 | $62,108,587 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Music Editor at the Domestic Box Office | 30 | $959,090,025 |
Top Grossing Music Supervisor at the Domestic Box Office (Rank 101-200) | 148 | $94,029,472 |
Top Grossing Music Editor at the International Box Office | 28 | $1,426,720,235 |
Top Grossing Music Editor at the Worldwide Box Office | 29 | $2,385,810,260 |
Top Grossing Music Supervisor at the Worldwide Box Office (Rank 101-200) | 192 | $94,029,472 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Mar 8, 2019 | Captain Marvel | Music Editor | $426,829,839 | $702,746,255 | $1,129,576,094 |
Jun 13, 2018 | Superfly | Music Editor | $20,537,137 | $202,186 | $20,739,323 |
Feb 26, 2016 | Eddie the Eagle | Music Editor | $15,789,389 | $29,243,048 | $45,032,437 |
Jan 22, 2016 | The 5th Wave | Music Editor | $34,912,982 | $76,423,416 | $111,336,398 |
May 29, 2015 | San Andreas | Music Editor | $155,190,832 | $301,067,707 | $456,258,539 |
Feb 20, 2015 | The DUFF | Music Editor | $34,030,343 | $9,498,291 | $43,528,634 |
Sep 19, 2014 | A Walk Among the Tombstones | Score Producer Music Editor |
$26,017,685 | $36,090,902 | $62,108,587 |
Feb 28, 2014 | Non-Stop | Music Editor | $91,742,160 | $130,640,895 | $222,383,055 |
Jul 28, 2006 | Miami Vice | Music Editor | $63,478,838 | $101,441,238 | $164,920,076 |
Sep 9, 2005 | The Man | Music Editor | $8,330,720 | $2,062,976 | $10,393,696 |
Jan 11, 2002 | Orange County | Music Editor | $41,059,716 | $2,248,991 | $43,308,707 |
Dec 25, 1997 | Jackie Brown | Music Editor | $39,673,162 | $35,054,330 | $74,727,492 |
Dec 3, 1993 | A Dangerous Woman | Music Editor | $1,497,222 | $1,497,222 | |
Dec 18, 1985 | The Color Purple | Music Supervisor | $94,029,472 | $94,029,472 | |
Averages | $75,222,821 | $118,893,353 | $177,131,409 | ||
Totals | 14 | $1,053,119,497 | $1,426,720,235 | $2,479,839,732 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Music Editor at the Domestic Box Office | 30 | $959,090,025 |
Top Grossing Music Supervisor at the Domestic Box Office (Rank 101-200) | 148 | $94,029,472 |
Top Grossing Music Editor at the International Box Office | 28 | $1,426,720,235 |
Top Grossing Music Editor at the Worldwide Box Office | 29 | $2,385,810,260 |
Top Grossing Music Supervisor at the Worldwide Box Office (Rank 101-200) | 192 | $94,029,472 |