Australia Box Office for Super 30 (2019)
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| Theatrical Performance (US$) | ||
| Australia Box Office | $254,212 | Details |
| Worldwide Box Office | $2,726,393 | Details |
| Further financial details... | ||
Synopsis
Anand Kumar, a Mathematics genius from a modest family in Bihar who is made to believe that only a King’s son can become a king is on a mission to prove that even the poor man can create some of the world’s most genius minds. He starts a training program named ‘Super 30’ to help 30 IIT aspirants crack the entrance test and make them highly successful professionals.
Metrics
Movie Details
| Australia Releases: | July 12th, 2019 (Wide) |
| MPAA Rating: | Not Rated |
| Running Time: | 155 minutes |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Reliance Entertainment, HRX Films, Nadiadwala Grandson Entertainment, Phantom Films |
| Production Countries: | India |
| Languages: | Hindi |
Theater Averages: Lion King Can’t Be Dethroned
July 31st, 2019
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The Lion King remained in first place on the overall chart and the theater average chart. It managed an average of $16,216 on the latter, putting it ahead of Honeyland, which landed in second place with an average of $15,000 in two theaters. The Farewell remained in the $10,000 club with an average of $11,246 in 135 theaters. Once Upon a Time... in Hollywood was the final film in the $10,000 club with an average of $11,228.
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Theater Averages: Lion King Says Goodbye to the Competition
July 25th, 2019
The Lion King not only earned first place on the overall chart, but it topped the theater average chart with an average of $40,586. Last week’s winner, The Farewell, landed in second place with an average of $32,723. David Crosby: Remember My Name was the final film in the $10,000 club earning an average of $10,871 in four theaters.
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Theater Averages: Endgame Bids Farewell to One of Its Records
July 18th, 2019
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The Farewell topped the theater average chart with an average of $87,833 in four theaters. This was not only the best of the weekend, it overtook Avengers: Endgame for the best theater average of the year. Anytime a film does better than Endgame, it is serious reason to celebrate. The Art of Self-Defense was well back with an average of $16,339 in seven theaters. This is still a good start, but I don’t know if it is good enough for its planned wide expansion. The final film in the $10,000 club was Sword of Trust with an average of $11,256 in two theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/07/12 | 14 | $125,073 | 53 | $2,360 | $125,073 | 1 | |
| 2019/07/19 | 18 | $50,115 | -60% | 24 | $2,088 | $227,752 | 2 |
| 2019/07/26 | - | $15,116 | -70% | 16 | $945 | $253,643 | 3 |
| 2019/08/02 | - | $1,853 | -88% | 6 | $309 | $253,794 | 4 |
| 2019/08/09 | - | $1,309 | -29% | 5 | $262 | $255,643 | 5 |
| 2019/08/30 | - | $787 | 1 | $787 | $254,212 | 8 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 7/12/2019 | $125,073 | 53 | 53 | 105 | $254,212 | 9/5/2019 |
| New Zealand | 7/12/2019 | $0 | 0 | 1 | 1 | $74,931 | 10/19/2022 |
| North America | 7/12/2019 | $870,726 | 317 | 317 | 711 | $2,269,878 | |
| Portugal | 7/13/2019 | $1,616 | 3 | 3 | 3 | $1,616 | 7/16/2019 |
| United Kingdom | 7/12/2019 | $125,756 | 85 | 85 | 85 | $125,756 | 7/17/2019 |
| Worldwide Total | $2,726,393 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Hrithik Roshan | Anand Kumar |
Supporting Cast
| Mrunal Thakur | Ritu Rashmi |
| Nandish Singh | Pranav Kumar |
| Virendra Saxena | Rajendra Kumar |
| Pankaj Tripathi | Devraj Jagan Safdurjang |
| Johnny Lever | Lakhan Bhai |
| Aditya Shrivastava |
Narrator(s)
| Amit Sadh | Narrator |
Cameos
| Karishma Sharma | Item Number |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Vikas Bahl | Director |
| Vivek B. Agrawal | Co-Producer |
| Sanjeev Dutta | Screenwriter |
| Anay Goswamy | Director of Photography |
| Ajay Atul | Composer |
| Sreekar Prasad | Editor |
| Amit Ray | Production Designer |
| Subrata Chakraborty | Production Designer |
| Sanjay Maurya | Sound Designer |
| Allwin Rego | Sound Designer |
| Subodh Srivastava | Costume Designer |
| Niharikha Bhasin Khan | Costume Designer |
| Mukesh Chhabra | Casting Director |
| Tanvi Gandhi | Executive Producer |
| Ghanteshwar Guru | Line Producer |
| Nadeem Shah | First Assistant Director |