Italy Box Office for Suburbicon (2017)
Theatrical Performance (US$) | ||
Italy Box Office | $1,056,779 | Details |
Worldwide Box Office | $15,521,619 | Details |
Home Market Performance | ||
North America DVD Sales | $473,636 | Details |
North America Blu-ray Sales | $557,962 | Details |
Total North America Video Sales | $1,031,598 | |
Further financial details... |
Synopsis
Suburbicon is a peaceful, idyllic suburban community with affordable homes and manicured lawns …the perfect place to raise a family, and in the summer of 1959, the Lodge family is doing just that. But the tranquil surface masks a disturbing reality, as husband and father Gardner Lodge must navigate the town’s dark underbelly of betrayal, deceit, and violence. This is a tale of very flawed people making very bad choices. This is Suburbicon.
Metrics
Movie Details
Production Budget: | $25,000,000 |
Italy Releases: | December 6th, 2017 (Wide) |
Video Release: | January 23rd, 2018 by Paramount Home Video |
MPAA Rating: | R for violence, language and some sexuality. (Rating bulletin 2476 (Cert #51059), 5/17/2017) |
Running Time: | 105 minutes |
Keywords: | Crime Caper, Death of a Spouse or Fiancée / Fiancé, Young Child Dealing with the Death of a Parent, Infidelity, Life in a Small Town, 1950s, Suburbs, Loan Shark, Money Troubles, Organized Crime, Twins, Dysfunctional Family, Same Actor, Multiple Roles, Insurance Fraud, Relationships Gone Wrong, Familial Murder, Bigotry, African Americans |
Source: | Original Screenplay |
Genre: | Black Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Black Bear, Silver Pictures, Smoke House Pictures |
Production Countries: | United States |
Languages: | English |
Home Market Releases for February 6th, 2018
February 7th, 2018
There are not a lot of big titles on this week’s list of home market releases and there won’t be for at least a couple more weeks. That’s not to say there is nothing worth picking up. Both Blame (DVD) and Only the Brave (Blu-ray) are Pick of the Week contenders. In the end, Duckman: The Compete Series is the Pick of the Week winner and worth picking up, unless you own the previous DVD releases.
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Home Market Releases for January 23rd, 2018
January 22nd, 2018
It’s a really slow week on the home market. There are only a few releases that went anywhere at the box office, led by Jigsaw, which is a bad movie. Meanwhile, Geostorm is so bad it’s good. It’s fun, if you are into B movies, but it’s not Pick of the Week material. The only real contenders are Jane, which is only coming out on Video on Demand, and Attack of the Killer Tomatoes, which is getting a Two-Disc Special Edition. In the end, I went with Attack of the Killer Tomatoes, mainly because Jane doesn’t come out on DVD / Blu-ray until next month.
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Weekend Wrap-Up: Thor Hammers Competition with $122.74 million
November 7th, 2017
Thor: Ragnarok beat predictions by a substantial margin earning the fourth biggest opening weekend of the year. Its opening weekend haul of $122.74 million helped this weekend rise 135% compared to last weekend hitting $179 million. Unfortunately, while Thor: Ragnarok was a monster hit, the rest of the box office wasn’t able to make much of an impact, leaving the overall box office down 6.6% from this weekend last year. Year-to-date, 2017 has pulled in $8.77 billion, putting it behind 2016's pace at 4.9% or $450 million.
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Weekend Wrap-Up: Box Office is Cut to Pieces, Earning Just $75 million
October 31st, 2017
It was a terrible weekend at the box office with only two films cracking $10 million, Jigsaw and Tyler Perry’s Boo 2: A Madea Halloween. Geostorm earned third place with just $5.90 million. Overall, the box office fell 21% from last weekend to just $75 million. More importantly, this is 15% lower than the same weekend last year. Year-to-date, 2017 continues to struggle with a running tally of $8.57 billion. This is $470 million or $5.2% below last year’s pace, meaning we fell behind last year’s pace by a further 0.2 percentage points. The box office really needed to be eating into the deficit during the month of October, but that hasn’t been the case.
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Friday Estimates: Jigsaw Cuts Its Way to the Top with $7.17 million
October 28th, 2017
As predicted, Jigsaw led the way on Friday. However, it didn’t do as well as previews suggested, as it earned $7.17 million during its opening day. I don’t expect its legs to improve during the rest of the weekend, as its reviews are just 37% positive, and it earned a B from CinemaScore. It will still do better than our $14 million prediction, but not by as much as we thought it would yesterday. Look for $17 million over the weekend, which is the second weakest opening in the franchise and the weakest in terms of ticket sales. I really think Lionsgate will end this franchise, at least for a while. Perhaps, in ten years or so, we will get a remake.
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Thursday Night Previews: Jigsaw Grabs a $1.6 million Piece of the Box Office
October 27th, 2017
Jigsaw earned $1.6 million during its midnight previews last night. Happy Death Day earned an even $1 million during its previews on its way to a $26 million opening. However, there are many factors that will result in shorter legs. For instance, Happy Death Day earned better reviews, while Jigsaw is the latest installment in a long-running franchise. Finally, Happy Death Day’s target audience skewed female, while Jigsaw skews male and men are more likely to rush out to see a movie than women are. That said, this is a great start and the film should easily top our prediction with at least $20 million during its opening weekend.
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Weekend Predictions: Can Jigsaw Still Fit at the Box Office?
October 26th, 2017
There are three wide releases coming out this week, although only Jigsaw is expected to make any real impact at the box office. The other two, Suburbicon and Thank You for Your Service, are opening in barely more than 2,000 theaters and neither of them are expected to do well at the box office. Meanwhile, Tyler Perry’s Boo 2: A Madea Halloween, has an actual shot at repeating in first place, mostly because of the weak competition. This is terrible news for the overall box office, as it means we are going to have a hard time matching last year’s box office, even though last year there was only one wide release, Inferno.
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2017 Preview: October
October 1st, 2017
September destroyed the previous September monthly record for total box office take, with $800 million or so (we won’t know the exact figure until after the weekend), which tops 2016’s record of $616 million. Granted, this is almost entirely due to It’s record breaking run, and the rest of the month was merely average. Kingsman: The Golden Circle was the only other film to come close to $100 million. October doesn’t look any better, as far as depth is concerned. Blade Runner 2049 is widely expected to be the biggest hit of the month, but it is the only film expected to reach $100 million domestically. Boo 2 should be the second biggest hit of the month, while there are only a couple of other films that have a shot at $50 million. Part of the problem is the level of competition, as there are 16 films opening during the four October weekends. (Needless to say, some of the predictions below will be a little short, as there’s not much to say about a film that will barely open in the top ten and disappear two weeks later.) That’s way too many and most will be buried by the competition. Last October was a flop, as no film earned more than $100 million at the box office. There were a few films that came close, including the original Boo! movie. As long as Blade Runner 2049 matches expectations, 2017 should win the year-over-year comparison by a small margin. If we get one surprise hit, then 2017 has a real shot at closing the gap with 2016 by a significant margin. I choose to be cautiously optimistic.
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Suburbicon Trailer
July 27th, 2017
Black comedy starring Matt Damon and Julianne Moore, directed by George Clooney, written by Joel and Ethan Coen, opens October 27 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/12/08 | 5 | $574,367 | 0 | $607,894 | 1 | ||
2017/12/15 | 10 | $180,145 | -69% | 0 | $900,583 | 2 | |
2017/12/22 | 14 | $36,416 | -80% | 0 | $981,071 | 3 | |
2017/12/29 | 20 | $13,798 | -62% | 0 | $1,056,779 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 11/24/2017 | $47,242 | 0 | 0 | 0 | $65,692 | 1/1/2019 |
Australia | 10/27/2017 | $285,290 | 223 | 223 | 552 | $615,298 | 11/23/2017 |
Brazil | 12/22/2017 | $62,565 | 0 | 0 | 0 | $62,565 | 6/26/2018 |
Bulgaria | 11/17/2017 | $0 | 0 | 0 | 0 | $19,289 | 2/26/2019 |
China | 1/12/2018 | $680,000 | 9082 | 9082 | 9082 | $880,805 | 8/7/2018 |
Czech Republic | 11/10/2017 | $16,052 | 88 | 88 | 88 | $16,052 | 1/1/2019 |
France | 12/8/2017 | $660,721 | 0 | 0 | 0 | $1,104,017 | 6/28/2018 |
Italy | 12/6/2017 | $574,367 | 0 | 0 | 0 | $1,056,779 | 1/8/2018 |
Lithuania | 12/1/2017 | $7,932 | 52 | 52 | 74 | $15,887 | 12/29/2017 |
Mexico | 11/24/2017 | $184,665 | 0 | 0 | 0 | $184,665 | 11/28/2017 |
Netherlands | 11/17/2017 | $63,042 | 56 | 56 | 201 | $251,840 | 9/12/2018 |
North America | 10/27/2017 | $2,840,246 | 2,046 | 2,046 | 4,373 | $5,775,178 | 5/8/2023 |
Poland | 11/10/2017 | $87,456 | 0 | 0 | 0 | $96,108 | 1/1/2019 |
Portugal | 12/29/2017 | $68,678 | 39 | 39 | 104 | $176,584 | 1/31/2018 |
Russia (CIS) | 11/17/2017 | $254,201 | 433 | 433 | 677 | $488,676 | 1/1/2019 |
Slovakia | 11/10/2017 | $5,980 | 42 | 42 | 42 | $5,980 | 11/15/2017 |
South Korea | 7/4/2018 | $0 | 0 | 98 | 143 | $94,157 | 8/8/2018 |
Spain | 12/8/2017 | $350,292 | 174 | 174 | 452 | $756,701 | 1/4/2018 |
Turkey | 12/8/2017 | $22,589 | 49 | 49 | 71 | $46,643 | 2/26/2019 |
United Kingdom | 11/24/2017 | $308,590 | 364 | 364 | 364 | $308,590 | 11/29/2017 |
Rest of World | $3,500,113 | ||||||
Worldwide Total | $15,521,619 | 5/8/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Matt Damon | Gardner Lodge |
Julianne Moore | Margaret Lodge |
Oscar Isaac | Roger |
Supporting Cast
Noah Jupe | Nicky |
Glenn Fleshler | Hitman |
Megan Ferguson | June |
Jack Conley | Hightower |
Gary Basaraba | Uncle Mitch |
Michael D. Cohen | Stretch |
Alex Hassell | Louis |
Tony Espinosa | Andy |
Karimah Westbrook | Mrs. Meyer |
Marah Fairclough | Shopping Woman |
Diane Dehn | Virginia |
Tim Neff | Protestor #4 |
Emily Goss | Clinic Mom |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
George Clooney | Director |
Joel Coen | Screenwriter |
Ethan Coen | Screenwriter |
George Clooney | Screenwriter |
Grant Heslov | Screenwriter |
Joel Silver | Producer |
George Clooney | Producer |
Grant Heslov | Producer |
Teddy Schwartzman | Producer |
Joel Silver | Executive Producer |
Hal Sadoff | Executive Producer |
Ethan Erwin | Executive Producer |
Barbara A. Hall | Executive Producer |
Dan Steinman | Executive Producer |
Robert Elswit | Director of Photography |
James D. Bissell | Production Designer |
Stephen Mirrione | Editor |
Jenny Eagan | Costume Designer |
Alexandre Desplat | Composer |
Ellen Chenoweth | Casting Director |
Michael Gowen | Assistant Art Director |
Mitchell Kenney | Costume Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.