South Korea Box Office for STORKS (2016)
Theatrical Performance (US$) | ||
South Korea Box Office | $2,125,078 | Details |
Worldwide Box Office | $183,353,431 | Details |
Home Market Performance | ||
North America DVD Sales | $14,371,897 | Details |
North America Blu-ray Sales | $13,692,623 | Details |
Total North America Video Sales | $28,064,520 | |
Further financial details... |
Synopsis
Storks deliver babies… or at least they used to. Now they deliver packages for global internet giant Cornerstore. Junior, the company’s top delivery stork, is about to be promoted when he accidentally activates the Baby Making Machine, producing an adorable and wholly unauthorized baby girl. Desperate to deliver this bundle of trouble before the boss gets wise, Junior and his friend Tulip, the only human on Stork Mountain, race to make their first-ever baby drop—in a wild and revealing journey that could make more than one family whole and restore the storks’ true mission in the world.
Metrics
Movie Details
Production Budget: | $70,000,000 |
South Korea Releases: | November 24th, 2016 (Wide), released as STORKS |
Video Release: | December 6th, 2016 by Warner Home Video February 6th, 2017 by Warner Home Video |
MPAA Rating: | PG for mild action and some thematic elements. (Rating bulletin 2431 (Cert #50351), 6/29/2016) |
Running Time: | 100 minutes |
Keywords: | Animal Lead, Talking Animals, Unexpected Families, 3-D, 3-D - Shot in 3-D, IMAX: DMR, Family Adventure, Fired, Adopted Family |
Source: | Original Screenplay |
Genre: | Adventure |
Production Method: | Digital Animation |
Creative Type: | Kids Fiction |
Production/Financing Companies: | RatPac Entertainment, Dune Entertainment, Warner Animation Group |
Production Countries: | United States |
Languages: | English |
Home Market Releases for January 17th, 2017
January 17th, 2017
The are not many major releases on this week’s home market release list. The Girl on the Train is the biggest, but it is not the best. It is not even close to being the best. The race for best was mostly a two-way race between Long Way North and Ouija: Origin of Evil, with Ixcanul and Train to Busan being close behind. In the end, I went with Long Way North on Blu-ray Combo Pack as the Pick of the Week, but all four are worth owning.
More...
Home Market Releases for December 20th, 2016
December 19th, 2016
It’s the final Tuesday before Christmas and there are a few big releases that are trying to become last minute gifts. Sully is the best of the big releases, but according to Amazon.com, Dolly Parton's Christmas of Many Colors: Circle of Love is the best-selling new release of the week. I guess a very recent Christmas TV special makes sense near the top, but appearing at the very top it is surprising. As for the Pick of the Week, it is a coin-toss between Sully and Hitchcock/Truffaut on DVD or Blu-ray. Sully won the coin-toss.
More...
Home Market Releases for December 6th, 2016
December 5th, 2016
There are a few releases on this week’s list that are worth picking up. The Secret Life of Pets is by far the biggest release of the week. That said, Don’t Think Twice is the best and the Blu-ray is our Pick of the Week.
More...
Weekend Estimates: Doctor Strange’s $85 Million Gives Industry a Much-Needed Boost
November 6th, 2016
After a couple of months of weak box office, and some very disappointing openings, Doctor Strange, Trolls and Hacksaw Ridge are each, in their own way, putting things back on track. Doctor Strange is grabbing the headlines of course, with an impressive $84,989,000 opening projected by Disney on Sunday morning. That’s almost identical to the opening weekend enjoyed by Thor: The Dark World on this weekend back in 2013, and comes without the benefit of being part of an established franchise (putting aside its place in the Marvel Cinematic Universe).
More...
Thursday Night Previews: Strange Trolls the Competition with $9.4 million
November 4th, 2016
Doctor Strange earned $9.4 million during its previews, which is the best preview performance since Suicide Squad pulled in $20.5 million in August. However, August is a very different month, so it would be better to compare this result to other November releases. $9.4 million is better than the $5.25 million Spectre earned, but well below the $16.0 million The Hunger Games: Mockingjay—Part 2 managed. That leaves us with a lot of mixed signals. The film’s 90% positive reviews are better than all three of those films, so it should have better legs. On the low end, it could earn $65 million, while on the high end, it could still match our prediction of $85 million.
More...
Weekend Wrap-Up: Only Girl isn’t a Train Wreck earning $24.54 million
October 11th, 2016
Over the weekend was Columbus Day, or as it is known in more and more places, Indigenous People’s Day. It’s also Thanksgiving Day up here in Canada and it would make more sense for Americans to celebrate Canadian Thanksgiving than Columbus Day. Canadian Thanksgiving is where you give thanks to all the Canadians that make your life better. For example, both Ryan Gosling and Ryan Reynolds are Canadian. Anyhoo... The weekend box office numbers were not buoyed by the semi-holiday on Monday as none of the new releases matched expectations. The Girl on the Train led the way by a wide margin with $24.54 million compared to $15.14 million for Miss Peregrine’s Home for Peculiar Children. Neither The Birth of a Nation nor Middle School: The Worst Years of My Life made it into the top five. The overall box office fell 9.5% from last weekend dropping to $103 million. That was 13% lower than the same weekend last year. Year-to-date, 2016 has earned $8.64 billion, putting it 4.4% / $370 million ahead of 2015. A couple of more weeks like this and we will have reason to hit the panic button.
More...
Weekend Predictions: Will Girl be the Rebirth of the Box Office?
October 6th, 2016
October begins with a trio of wide releases, led by The Girl on the Train. The film’s reviews are mixed, which is not ideal, but also not fatal. The Birth of a Nation was looking to become an Awards Season player, but its reviews are not quite at that level. Finally there’s Middle School: The Worst Years of My Life. There are still no reviews and the buzz is as quiet as you can get for a wide release. This weekend last year, the only wide release was Pan and it bombed hard. However, The Martian remained on top with $37.01 million over the weekend. There’s almost no way The Girl on the Train will match that and last year had better depth as well. 2016’s slump will continue.
More...
Weekend Wrap-Up: Miss Peregrine finds a Home at the top with $28.87 million
October 4th, 2016
The overall box office was about as strong as expected, as Miss Peregrine’s Home for Peculiar Children beat expectations by the same amount as Deepwater Horizon missed expectations. This helped the overall box office grow 10% from last weekend to $114 million. However, this is still 24% lower than this weekend last year. Year-to-date, 2016 still has a lead over 2015, but that lead has shrunk to 4.9% or $390 million at $8.50 billion to $8.10 billion. If 2016’s lead falls below $325 million, then we will need to panic. Remember, last year ended with Star Wars: The Force Awakens, which earned $650 million before the end of the year. Rogue One isn’t expected to earn half of that, so 2016 is going to need a $325 million lead or it will need better depth in order to come out ahead. I would prefer the former.
More...
Weekend Predictions: Will September end on a Disastrous Note?
September 29th, 2016
Three wide releases come out this week: Deepwater Horizon, Miss Peregrine’s Home for Peculiar Children, and Masterminds. Deepwater Horizon’s reviews are better than expected and that should help it at the box office. Miss Peregrine’s reviews are on the razor’s edge of the overall positive level. Meanwhile, there are not enough reviews to really judge Masterminds, but the early signs don’t look good. This weekend last year was the first weekend of October. The Martian nearly broke the record for biggest October weekend. There’s a chance all three wide releases this week won’t match The Martian’s opening weekend. Add in last year’s depth and there’s almost no chance 2016 will come out ahead on the year-over-year comparison.
More...
International Box Office: Bridget Jones Celebrates Second Weekend on Top with $22.1 million
September 29th, 2016
Bridget Jones’s Baby remained in first place with $22.1 million on 5,092 screens in 47 markets for totals of $67.42 million internationally and $84.01 million worldwide. At this pace, the film will have no trouble getting to $100 million internationally and perhaps $150 million worldwide. That's enough to pay for its $35 million production budget and perhaps all of its advertising budget as well. The film’s best new opening of the week was Italy, where it managed second place with $1.9 million on 421 screens. Its biggest market overall was the U.K. where it remained in first place with $8.39 million in 648 theaters for a two-week total of $27.59 million. It is now the biggest September release of all time in that market, topping Calendar Girls’ 13-year old record.
More...
Weekend Wrap-Up: Magnificent Wins Weekend with $34.70 million, but Box Office Slump Continues
September 27th, 2016
Is it time to panic? Not yet, but we are definitely getting concerned. The overall box office was soft due to the weaker than expected openings of The Magnificent Seven and Storks. Neither bombed exactly, but they weren’t particular strong either. The overall box office rose 16% from last weekend, but was down 25% from this weekend last year. Ouch. You usually only see that large a change in the year-over-year comparison when there is a misalignment in holidays. Year-to-date, 2016’s lead over 2015 dropped to 6.3% or $490 million at $8.35 billion to $7.86 billion.
More...
Weekend Estimates: Magnificent Seven Rides to $35 Million Opening
September 25th, 2016
The Magnificent Seven will almost exactly match Sully’s debut two weeks ago by posting a $35 million opening, according to Sony’s Sunday projection. To us, it looks as though the film will fall fractionally short of that number, but it should still have the sixth-best September opening of all time (not adjusted for inflation). Those two films alone have given the box office enough of a boost that the industry will wrap up the month in fairly healthy condition.
More...
Friday Estimates: Magnificent was Merely Okay with $12.7 million
September 24th, 2016
The Friday box office was not particularly good, as The Magnificent Seven led the way with just $12.7 million. This isn’t terrible. In fact, it is nearly the record for biggest opening day in September for a non-sequel. (Sweet Home Alabama still holds that record.) However, this is far below the nearly $20 million a lot were expecting. There are some positive signs going forward. The film’s reviews are good and it did earn an A- from CinemaScore, so that should help its legs. Likewise, Denzel Washington’s films do tend to have long legs. A $35 million opening weekend is likely on the cards and that could be enough to get to the century mark domestically. I’m not saying $100 million is likely, but I also wouldn’t bet against it.
More...
Thursday Night Previews: Magnificent Can’t Live Up to Name, but still Starts well with $1.75 million - Updated with Storks' Start
September 23rd, 2016
The Magnificent Seven earned $1.75 million during Thursday’s previews. This is not terrible; it is better than the $1.5 million The Equalizer made in 2014 and the $1.35 million Sully made two weeks ago. However, it is not as strong as most were expecting. Perhaps it will still match predictions, if the audience reaction is significantly better than its reviews. I wouldn’t bet on it. It will still likely earn first place, but now just under $40 million looks more likely than $50 million.
More...
Weekend Predictions: Will the New Releases be Magnificent?
September 22nd, 2016
It is a perfect weekend at the box office, as there are only two wide releases and there are almost no crossover audiences between them. The Magnificent Seven is a remake of a remake and its solid, but not spectacular. Storks is a digitally animated kids movie that is earning mixed reviews, but that’s fine for a kids movie. Those two movies will likely earn more than the rest of the box office combined pulls in. This is both good news and bad news, as it is a combination of their strength and the rest of the box office’s weakness that is the cause. This weekend last year, Hotel Transylvania 2 debuted with $48 million, which is the record for a September weekend. I think The Magnificent Seven will top that, while Storks will double the second place film, The Intern. Unfortunately, last year there were three other films that earned more than $10 million, while this year there will be only one. 2016 is better on top, but 2015 had better depth. Perhaps 2016 will still come out ahead in the year-over-year comparison, but I don't think it will quite make it.
More...
Contest: Magnificent Prizes
September 16th, 2016
There are a pair of wide releases coming out next week, The Magnificent Seven and Storks. Both films have a shot at $100 million domestically, but because Storks is a family film, The Magnificent Seven should get off to a faster start. Therefore, The Magnificent Seven is the better choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for The Magnificent Seven.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Twin Peaks: The Original Series, Fire Walk With Me & The Missing Pieces on Blu-ray.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a previously reviewed TV on DVD release.
Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a previously reviewed TV on DVD release.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
More...
2016 Preview: September
September 1st, 2016
August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/12/09 | 5 | $968,630 | 538 | $1,800 | $1,085,012 | 3 | |
2016/12/16 | 5 | $596,300 | -38% | 475 | $1,255 | $1,827,517 | 4 |
2016/12/23 | 8 | $112,817 | -81% | 136 | $830 | $2,056,451 | 5 |
2016/12/30 | - | $4,327 | -96% | 10 | $433 | $2,038,093 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 9/23/2016 | $172,138 | 257 | 288 | 1416 | $3,238,388 | 11/30/2018 |
Australia | 9/23/2016 | $1,012,197 | 251 | 270 | 1730 | $6,182,727 | 9/14/2021 |
Brazil | 9/22/2016 | $1,500,000 | 810 | 810 | 2441 | $5,448,039 | 11/16/2018 |
Bulgaria | 9/23/2016 | $71,221 | 0 | 0 | 0 | $295,799 | 2/26/2019 |
China | 9/23/2016 | $5,220,000 | 37672 | 37672 | 49111 | $11,461,078 | 8/27/2018 |
Czech Republic | 9/23/2016 | $88,136 | 115 | 115 | 428 | $357,282 | 12/31/2018 |
France | 10/14/2016 | $1,100,000 | 487 | 487 | 487 | $7,164,637 | 8/17/2018 |
Germany | 10/28/2016 | $513,000 | 470 | 470 | 470 | $513,000 | 11/7/2016 |
Italy | 10/21/2016 | $699,537 | 0 | 0 | 0 | $1,411,429 | 11/9/2016 |
Lithuania | 9/23/2016 | $63,030 | 214 | 214 | 780 | $240,254 | 12/14/2016 |
Mexico | 9/23/2016 | $2,429,101 | 0 | 0 | 0 | $7,965,868 | 11/2/2016 |
Netherlands | 9/28/2016 | $267,333 | 125 | 125 | 1038 | $1,505,107 | 11/29/2016 |
New Zealand | 9/23/2016 | $96,205 | 100 | 100 | 667 | $1,018,530 | 11/28/2016 |
North America | 9/23/2016 | $21,311,407 | 3,922 | 3,922 | 21,929 | $72,679,278 | 11/6/2018 |
Poland | 10/14/2016 | $605,646 | 0 | 0 | 0 | $2,277,744 | 12/31/2018 |
Portugal | 9/30/2016 | $144,200 | 67 | 81 | 454 | $740,524 | 12/22/2016 |
Russia (CIS) | 9/23/2016 | $1,697,174 | 1141 | 1141 | 4408 | $4,900,684 | 12/31/2018 |
Slovakia | 9/23/2016 | $83,319 | 63 | 63 | 383 | $420,083 | 2/24/2017 |
Slovenia | 9/30/2016 | $22,151 | 20 | 20 | 117 | $106,771 | 12/7/2016 |
South Korea | 11/24/2016 | $0 | 0 | 538 | 1159 | $2,125,078 | 2/17/2017 |
Spain | 9/30/2016 | $1,431,321 | 405 | 405 | 2768 | $6,724,572 | 1/14/2017 |
Turkey | 9/23/2016 | $233,101 | 263 | 268 | 1179 | $780,004 | 2/26/2019 |
United Kingdom | 10/13/2016 | $2,738,954 | 528 | 555 | 3955 | $8,607,605 | 1/11/2017 |
Rest of World | $37,188,950 | ||||||
Worldwide Total | $183,353,431 | 9/14/2021 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Andy Samberg | Junior |
Kelsey Grammer | Hunter |
Katie Crown | Tulip |
Keegan-Michael Key | Alpha Wolf |
Jordan Peele | Beta Wolf |
Jennifer Aniston | Sarah Gardner |
Ty Burrell | Henry Gardner |
Danny Trejo | Jasper |
Anton Starkman | Nate Gardner |
Stephen Kramer Glickman | Pigeon Toady/Additional Voice |
Supporting Cast
Chris Smith | Dougland |
Awkwafina* | Quail |
Ike Barinholtz | Miscellaneous Stork |
Jorma Taccone | Miscellaneous Stork |
Amanda Lund | Miscellaneous Stork |
Doug Sweetland | Additional Voice |
John Venzon | Additional Voice |
Craig Berry | Additional Voice |
Rossana Bee | Additional Voice |
Charlie Flynn | Additional Voice |
Matt Flynn | Additional Voice |
Jess Fulton | Additional Voice |
Brad Lewis | Additional Voice |
Douglas Schwartz | Additional Voice |
Justin Shelton | Additional Voice |
Frederica Stoller | Additional Voice |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Nicholas Stoller | Director |
Doug Sweetland | Director |
Nicholas Stoller | Screenwriter |
Nicholas Stoller | Producer |
Brad Lewis | Producer |
Glen Ficcara | Executive Producer |
Phil Lord | Executive Producer |
Chris Miller | Executive Producer |
John Requa | Executive Producer |
Jared Stern | Executive Producer |
Steven Mnuchin | Executive Producer |
Jeff Danna | Composer |
Mychael Danna | Composer |
John Venzon | Editor |
Craig Berry | Head of Story |
Matt Flynn | Head of Story |
Paul Lasaine | Production Designer |
Simon Dunsdon | Photography Director |
David Alexander Smith | Visual Effects Supervisor |
Joshua Beveridge | Animation Supervisor |
John Kreidman | Associate Producer |
Ruth Lambert | Casting Director |
Michael Babcock | Supervising Sound Editor |
Michael Babcock | Sound Designer |
Jurgen Gross | Story Artist |
Delia Gosman | Story Artist |
Yoriaki Mochizuki | Story Artist |
Steven Liu | Associate Editor |
Chris Cartagena | Associate Editor |
Noelleen Westcombe | First Assistant Editor |
Jess Fulton | First Assistant Editor |
Stephen Meek | First Assistant Editor |
Julie M Groll | 3-D and Digital Image Producer |
Alan Camilo | Supervising Animator |
Martin Esnaola Scotto | Supervising Animator |
Robin George | Supervising Animator |
Valerie Morrison | Supervising Animator |
Jeff Panko | Supervising Animator |
Philip Rudolph | Supervising Animator |
William Moten | Crowds Animation Lead |
Randall James Bol | Post-Production Supervisor |
Michael Babcock | Re-recording Mixer |
Tim LeBlanc | Re-recording Mixer |
Jeremy Peirson | Sound Designer |
Vanessa Lapato | Dialogue Editor |
Jeff Sawyer | Sound Effects Editor |
Jamey Scott | Sound Effects Editor |
Chris Diebold | Sound Effects Editor |
John Fee | Additional Music |
Nicholas Skalba | Additional Music |
Erich Stratmann | Supervising Music Editor |
Brett Snacky Pierce* | Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.