Central America Box Office for The Star (2017)

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The Star
Theatrical Performance (US$)
Central America Box Office $171,339Details
Worldwide Box Office $62,606,549Details
Home Market Performance
North America DVD Sales $8,436,359 Details
North America Blu-ray Sales $3,949,098 Details
Total North America Video Sales $12,385,457
Further financial details...

Synopsis

A small but brave donkey named Bo yearns for a life beyond his daily grind at the village mill. One day he finds the courage to break free, and finally goes on the adventure of his dreams. On his journey, he teams up with Ruth, a lovable sheep who has lost her flock and Dave, a dove with lofty aspirations. Along with three wisecracking camels and some eccentric stable animals, Bo and his new friends follow the Star and become unlikely heroes in the greatest story ever told—the first Christmas.

Metrics

Movie Details

Production Budget:$20,000,000
Central America Releases: December 7th, 2017 (Wide)
Video Release: February 6th, 2018 by Sony Pictures Home Entertainment
MPAA Rating: PG for some thematic elements.
(Rating bulletin 2495 (Cert #50947), 9/27/2017)
Running Time: 86 minutes
Keywords: Faith-Based Film, Animal Lead, Talking Animals, Christmas, Christmas in November, Religious, Family Adventure
Source:Based on Religious Text
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Sony Pictures Animation, Franklin Entertainment, Walden Media, Jim Henson Productions
Production Countries: United States
Languages: English

Home Market Releases for February 20th, 2018

February 19th, 2018

The Florida Project

It’s another slow week; however, I prefer to think of it as the calm before the storm, as there are several blockbusters and Oscar contenders coming out over the next few weeks. That’s not to say there are no big hits or Oscar contenders on this week’s list. The Florida Project and Loving Vincent are both up for an Oscar, while there are some massive hits coming out on VOD, like Thor: Ragnarok. As for the Pick of the Week, it was an easy choice: The Florida Project on Blu-ray. More...

Home Market Releases for February 6th, 2018

February 7th, 2018

Duckman: The Complete Series

There are not a lot of big titles on this week’s list of home market releases and there won’t be for at least a couple more weeks. That’s not to say there is nothing worth picking up. Both Blame (DVD) and Only the Brave (Blu-ray) are Pick of the Week contenders. In the end, Duckman: The Compete Series is the Pick of the Week winner and worth picking up, unless you own the previous DVD releases. More...

2017 - Awards Season: Golden Globes - Nominations

December 11th, 2017

The Shape of Water

The Golden Globes nominations are the second major Awards Season set to come out. Sort of. (WGA announced the nominations for TV, radio, etc., but not their theatrical nods.) It is still very early in the year, so it is hard to say if there are any real snubs, or if there are any real favorites. The Shape of Water led the way with seven nominations, while The Post and Three Billboards Outside Ebbing, Missouri were right behind with six a piece. More...

Weekend Wrap-Up: Justice is Leagues ahead of Competition, but Misses Expectations with $93.84 million

November 21st, 2017

Justice League

Justice League easily won the race for first place on the weekend box office chart. However, it only managed $93.84 million, which is substantially lower than it was expected to open with. In fact, it’s the first film in the DCEU to not open with more than $100 million. (To be fair, it is doing better internationally.) Wonder was a surprising hit in second place and it helped the box office rise 32% from last weekend to $199 million. More importantly, this weekend was 26% higher than the same weekend last year. 2017 ended its most recent slump, but it is still 4.5% or $430 million behind last year’s pace at $9.21 billion to $9.65 billion. More...

Friday Estimates: Justice Prevails on Friday with $38.8 Million, but the DCEU in Peril

November 18th, 2017

Justice League

As predicted, Justice League dominated the Friday box office chart, earning four times its nearest competitor. However, it only managed $38.8 million on Friday, which is well below expectations. In fact, tracking has been dropping and the film is now widely expected to open with less than $100 million over the weekend, making it the only film in the DCEU to fail to reach the century mark during its opening weekend. There are a number of reasons why this film is struggling. Firstly, except for Wonder Woman, no film in the franchise has earned good reviews and mainstream audiences may have given up on the franchise. Secondly, the troubled production meant a lot of people who were part of the target audience, but not hardcore D.C. Comics fans, are taking a wait-and-see approach here. Since its reviews are bad, these people are staying home. Its CinemaScore is just a B plus, so it won’t have great legs going forward. Finally, there’s Thor: Ragnarok. That film is proving to be stronger than expected competition, as it started faster and is holding up better than most similar films. I think Warner Bros. is going to have to rethink the entire DCEU before going forward. Aquaman is already in post-production and Wonder Woman 2 is definitely going forward. After that, I’m not sure what films will or will not be made. More...

Thursday Night Previews: Justice League’s $13 million Doesn’t Top Thor

November 17th, 2017

Justice League

Justice League will have no trouble earning first place this weekend, but it looks like it won’t match Thor: Ragnarok’s opening. The latest in the DCEU opened with $13 million in previews, compared to $14.5 million for Thor: Ragnarok. Assuming the films have the same legs, then Justice League will earn $110 million during its opening weekend, which is a little lower than our prediction. Unfortunately, its reviews are significantly weaker than the Ragnarok’s and that’s going to hurt its legs. I still think it will top $100 million, but it will be closer to Wonder Woman’s $103 million opening weekend than to our original prediction. More...

Weekend Predictions: Will Justice Reign at the Box Office?

November 16th, 2017

Justice League

Justice League is hoping to be the biggest hit of the month, but two things could get in the way of that goal. Firstly, Thor: Ragnarok got off to a faster than expected start. Secondly, Justice League’s reviews are significantly weaker. There are two other films coming out this week, The Star and Wonder, both of whom are simply hoping not to be lost in a crowded marketplace. This crowded marketplace should help 2017 end its slump against 2016. This weekend last year, Fantastic Beasts and Where to Find Them opened in first place with just under $75 million, while there were three other films that earned between $10 million and $20 million. This year, Justice League should top $100 million with ease, while Thor: Ragnarok will earn more than $25 million. The top two films this year should do better than the top five films from last year and that should lead to 2017 earning a comfortable win over 2016 in the year-over-year comparison. More...

2017 Preview: November

November 1st, 2017

Thor: Ragnarok

October wasn’t a good month; then again, outside of a few bright spots, the overall box office has been a disaster since early summer. I would love to say November will turn things around, but, while it should be better, in this case “better” is a relative term. There are two films on this list with a chance at $300 million, Thor: Ragnarok and Justice League, while Coco is nearly a guarantee for $200 million. By comparison, last November had a similar result with three films earning between $200 million and $300 million, but none topping that figure. This means, if Thor: Ragnarok and Justice League both get to that milestone, then 2017 could cut into 2016’s lead during the month. It will still take a minor miracle for 2017 to catch up in the end, but just cutting the lead in half by the end of December would be a reason to celebrate at this point. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/12/08 - $82,011   106 $774   $82,011 1
2017/12/15 - $26,045 -68% 47 $554   $145,261 2
2017/12/29 - $784   4 $196   $170,640 4
2018/01/05 - $253 -68% 1 $253   $171,162 5
2018/01/12 - $47 -81% 1 $47   $171,238 6
2018/01/19 - $92 +96% 1 $92   $171,339 7

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 12/7/2017 $147,614 157 157 419 $542,731 1/1/2019
Aruba 11/16/2017 $1,717 5 5 12 $8,802 1/1/2019
Australia 12/1/2017 $155,682 56 84 284 $712,665 12/11/2023
Austria 12/22/2017 $0 0 44 143 $262,617 2/6/2018
Bolivia 12/21/2017 $0 0 12 15 $74,825 1/1/2019
Brazil 11/30/2017 $467,271 419 434 1399 $1,844,091 1/17/2018
Central America 12/7/2017 $82,011 106 106 160 $171,339 1/25/2018
Chile 12/14/2017 $13,250 22 22 26 $38,087 1/1/2019
Colombia 12/7/2017 $93,216 192 192 299 $169,641 1/1/2019
Curacao 11/16/2017 $1,685 2 2 6 $7,832 1/1/2019
Dominican Republic 12/14/2017 $5,024 28 28 43 $18,028 1/1/2019
Ecuador 12/8/2017 $73,112 60 60 185 $262,372 1/1/2019
France 11/15/2017 $633,361 189 498 2057 $3,649,202 1/17/2018
Germany 12/7/2017 $382,432 371 387 1359 $1,572,435 2/1/2018
Iraq 11/16/2017 $2,818 6 6 11 $5,055 1/1/2019
Italy 11/30/2017 $625,941 0 182 292 $2,621,644 2/13/2018
Jamaica 12/8/2017 $3,854 4 4 4 $3,854 1/1/2019
Lebanon 11/16/2017 $27,688 18 18 50 $85,737 1/1/2019
Mexico 12/8/2017 $202,574 0 316 464 $578,022 1/25/2018
New Zealand 12/1/2017 $17,405 29 35 134 $102,277 1/25/2018
North America 11/17/2017 $9,812,674 2,837 2,976 15,954 $40,847,995 7/10/2018
Norway 11/24/2017 $73,021 109 127 436 $369,804 1/3/2018
Paraguay 12/21/2017 $0 0 11 18 $16,672 1/1/2019
Peru 12/7/2017 $68,321 105 105 130 $96,455 1/1/2019
Philippines 12/6/2017 $52,800 150 150 183 $60,322 1/1/2019
Poland 12/1/2017 $401,606 166 180 757 $2,030,955 1/1/2019
Portugal 11/30/2017 $179,382 67 160 510 $1,128,998 12/27/2018
Romania 2/2/2018 $84,864 70 70 365 $374,801 1/1/2019
Singapore 11/30/2017 $8,562 6 6 19 $35,105 1/3/2018
South Africa 11/17/2017 $21,440 25 28 70 $66,668 12/19/2017
South Korea 12/14/2017 $0 0 158 241 $453,885 1/22/2018
Spain 12/15/2017 $572,219 321 348 1323 $1,998,808 3/20/2018
Suriname 11/16/2017 $607 1 1 4 $1,814 1/1/2019
Switzerland 12/14/2017 $4,640 5 7 12 $20,174 1/3/2018
Syria 11/16/2017 $1,472 2 2 5 $2,960 1/1/2019
Trinidad 12/6/2017 $19,064 17 17 40 $54,317 1/1/2019
United Kingdom 11/24/2017 $272,699 421 447 2289 $1,533,754 2/21/2018
Uruguay 12/14/2017 $9,373 16 16 33 $27,743 1/1/2019
Venezuela 12/1/2017 $31,654 43 43 90 $100,329 1/17/2018
 
Rest of World $653,734
 
Worldwide Total$62,606,549 12/11/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Steven Yeun Bo the Donkey
Gina Rodriguez Mary
Zachary Levi Joseph
Keegan-Michael Key Dave the Dove
Kelly Clarkson Leah the Horse
Patricia Heaton Edith the cow
Kristin Chenoweth Mouse
Tracy Morgan Felix the camel
Tyler Perry Cyrus the camel
Oprah Winfrey Deborah the camel

Supporting Cast

Aidy Bryant Ruth the Sheep
Christopher Plummer King Herod
Ving Rhames Thaddeus the dog
Gabriel Iglesias Rufus the dog
Anthony Anderson Zach the goat
Kris Kristofferson Old Donkey
Mariah Carey Rebecca
Joel Osteen Caspar
Delilah Elizabeth
Joel McCrary Angel, Zechariah
Phil Morris Balthazar, Miller
Fred Tatasciore Melchoir, Inn Keeper #1, Pottery Vendor
Lex Lang Hunter
Roger Craig Smith Chamberlain, Inn Keeper #5
Joe Whyte Scribe, Inn Keeper #2
William Townsend Horse, Goat
Gregg Berger Inn Keeper #3
Melissa Sturm Inn Keeper #4
Stephen F. Apostolina Additional Voice
Kirk Baily Additional Voice
David Cowgill Additional Voice
June Christopher Additional Voice
Eddie Frierson Additional Voice
Grant George Additional Voice
Jackie Gonneau Additional Voice
Kerry Gutierrez Additional Voice
Bridget Hoffman Additional Voice
Rif Hutton Additional Voice
Mona Marshall Additional Voice
Caitlin McKenna Additional Voice
Scott Menville Additional Voice
Juan Pacheco Additional Voice
Devika Parikh Additional Voice
Ashley Peldon Additional Voice
Jessica Pennington Additional Voice
Moira Quirk Additional Voice
Michelle Ruff Additional Voice
Joseph Sanfelippo Additional Voice
Justin Shenkarow Additional Voice
Dennis Singletary Additional Voice
Warren Sroka Additional Voice
Pepper Sweeney Additional Voice
Shane Sweet Additional Voice
Kari Wahlgren Additional Voice
Lynnanne Zager Additional Voice

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Timothy Reckart Director
Carlos Kotkin Screenwriter
Carlos Kotkin Story by
Simon Moore Story by
Jenni Magee Cook Producer
DeVon Franklin Executive Producer
Brian Henson Executive Producer
Lisa Henson Executive Producer
John Paesano Composer
Pamela Ziegenhagen-Shefland Editor
Craig Elliott Production Designer
Sean Eckols Art Director
Dave Colman Character Designer
Patrick Mate Character Designer
Louie del Carmen Head of Story
John Bermudes Layout Supervisor
Yuriko Senoo Animation Supervisor
Jessica Berri Production Manager
Marceline Tanguay Character Designer
Wouter Tulp Character Designer
Raffaello Vecchione Character Designer
Ralph Zondag Character Designer
Jennifer Dolce Associate Editor
Joyce Arrastia Additional Editor
James D. Kirkpatrick First Assistant Editor
Tony Ferdinand Assistant Editor
Robert Lemos Assistant Editor
Tim Reese Assistant Editor
Victoria Itow-Tsering Line Producer
Chris Kazmier Visual Effects Supervisor
L. Cliff Brett Character CG Supervisor
Ryan Yee Animation Supervisor
Ozen Sayidof Production Manager
Jessica Smialek Post-Production Supervisor
Monica Kelly Post-Production Supervisor
Tim Chau Re-recording Mixer
Kevin O'Connell Re-recording Mixer
Clayton Weber Sound Designer
Tim Chau Sound Designer
Tim Chau Supervising Sound Editor
Greg Vines Music Editor
Nick Wollage Score Recordist
Dennis Sands Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.