Spain Box Office for Sherlock Gnomes (2018)
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| Theatrical Performance (US$) | ||
| Spain Box Office | $3,202,981 | Details |
| Worldwide Box Office | $97,459,106 | Details |
| Home Market Performance | ||
| North America DVD Sales | $3,606,522 | Details |
| North America Blu-ray Sales | $3,665,834 | Details |
| Total North America Video Sales | $7,272,356 | |
| Further financial details... | ||
Synopsis
Get ready for a phe-gnome-nal adventure inside the secret world of garden gnomes! When Gnomeo and Juliet discover their friends and family have gone missing, there’s only one gnome to call – the legendary detective Sherlock Gnomes. Working together, the mystery takes them beyond the garden walls and across the city on an unforgettable journey to save the day and bring the gnomes home.
Metrics
Movie Details
| Production Budget: | $59,000,000 |
| Spain Releases: | May 11th, 2018 (Wide) |
| Video Release: | June 5th, 2018 by Paramount Home Video |
| MPAA Rating: | PG for some rude and suggestive humor. (Rating bulletin 2516 (Cert #51360), 2/28/2018) |
| Running Time: | 86 minutes |
| Franchise: | Gnomeo and Juliet |
| Keywords: | Private Investigator, Romance, Animated Inanimate Objects, Delayed Sequel, Missing Person, 3-D, 3-D - Shot in 3-D, Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Metro-Goldwyn-Mayer Pictures, Rocket Pictures, Paramount Pictures |
| Production Countries: | United States |
| Languages: | English |
Home Market Releases for June 12th, 2018
June 12th, 2018
There are not many big releases on this week’s list. Tomb Raider, Sherlock Gnomes, The Strangers: Prey at Night, and Love, Simon were, at best, midlevel hits domestically. Worse still, only the last one earned good reviews. Fortunately, the film is good enough that the DVD, Blu-ray Combo Pack, or 4K Ultra HD Combo Pack is worthy as Pick of the Week.
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International Box Office: Avengers Win War in China with over $200 million
May 15th, 2018
Avengers: Infinity War became the second fastest film to opened in China earning $190.68 million over the weekend for a total opening of $200.02 million, including previews. This is the highest ever opening in terms of American currency. In local currency, The Fate of the Furious still holds the record at RMB1.352 billion to RMB1.266 billion. Overall, Infinity War earned $281.3 million in 55 markets for totals of $1.059 billion internationally and $1.607 billion worldwide. It became the first film in the MCU to reach $1 billion internationally and it is already the highest grossing film in the franchise worldwide. It is in fifth place on the all-time international chart and will be in third place by this time next week. Meanwhile, it is also in fifth place on the worldwide chart and is aiming for third place there as well, although it will take a little while longer to get there.
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Weekend Wrap-Up: Spielberg’s Decade Best Can’t Save Overall Box Office
April 3rd, 2018
Ready Player One not only opened in first place over the weekend, but its three-day total of $41.77 million was Steven Spielberg’s best opening weekend as a director in almost exactly a decade. Acrimony was a solid second place finisher with $17.17 million. God’s Not Dead: A Light in Darkness missed the top ten. Overall, the box office rose 4.9% from last weekend hitting $136 million, but this was still 20% lower than the same weekend last year. 2018 is now 4.9% or $150 million behind 2017’s pace at $2.84 billion to $2.99 billion.
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Weekend Wrap-Up: Uprising Wins, but Falls Compared to Original
March 27th, 2018
Pacific Rim: Uprising opened in first place over the weekend. In fact, it opened better than expected with $28.12 million. Unfortunately, that’s nowhere near enough compared to its production budget, so it will need international numbers to thrive. Black Panther was finally removed from top spot, but it also held on better than expected with $17.10 million. As for the rest of the new releases, they ranged from serious disappointments like Sherlock Gnomes and Paul, Apostle of Christ, to complete bombs like Midnight Sun and Unsane. The overall box office slipped just 2.0% from last week earning $129 million. However, this is 36% lower than the same weekend last year. 2018’s lead has completely evaporated and it is now $60 million or $2.1% behind 2017’s pace at $2.64 billion to $2.69 billion. I don’t see that improving this coming weekend.
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Weekend Estimates: Pacific Rim Leads Weak Field of Openers
March 25th, 2018
Black Panther’s run at the top of the domestic chart will finally come to an end this weekend, with Pacific Rim: Uprising taking over as the most popular film in the US and Canada. The switch over is mostly due to Panther beginning to run out of steam, rather than Uprising showing any particular strength though. Universal’s sci-fi action movie will pick up $28.005 million over its opening weekend in North America, about in line with expectations, but disappointing for a film that cost $150 million to make. Overseas markets, particularly in Asia, are where the box office action is at for this one.
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Friday Estimates: Pacific Rim Rises to Meet Expectations
March 24th, 2018
As expected, Pacific Rim: Uprising earned first place on Friday. In fact, its opening day box office of $10.36 million is actually a little better than expected and it is on pace for a $26 million opening weekend. Granted, this is a terrible opening compared to the film’s production budget, which is reportedly in the $155 million to $175 million range. Neither its reviews, nor its B-rating from CinemaScore will help its legs, but this film was never made to win over domestic audiences. It was made to shine in Asia, specifically China. It is too soon to tell for sure if that’s a viable strategy, or if Universal is going to have to suck up massive losses. Based on Friday numbers, the studio is predicting a $65 million opening weekend China alone and a $120.5 million international debut. That’s obviously better than here, but the film will need at least $400 million internationally to break even any time soon.
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Thursday Night Previews: Pacific Rim Rises with $2.35 million from Previews
March 23rd, 2018
Pacific Rim: Uprising got off to an okay start with $2.35 million from Thursday previews. Given its reviews and the recent results of films like Tomb Raider and last year’s Power Rangers that puts the film’s projected weekend haul at $26 million. That’s a little higher than we predicted, but close enough to call it a victory.
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Weekend Predictions: Kaiju vs. Panther
March 22nd, 2018
Black Panther will finally give up its hold on first place, that is unless something goes horribly wrong for Pacific Rim: Uprising. There are four other wide or semi-wide releases hitting theaters this weekend, which is at least two too many. Sherlock Gnomes and Paul, Apostle of Christ are the only two that have a legitimate shot at the top five. Meanwhile, Midnight Sun and Unsane are just hoping to not miss the top ten. This weekend last year, there were three wide releases that earned a combined $60 million. This is more than the five wide releases this year will earn. Also, Beauty and the Beast remained in second place with $90 million. 2018 has already lost its lead over 2017 and this weekend it is going to get crushed in the year-over-year comparison.
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2018 Preview: March
March 1st, 2018
February was an amazing month, thanks mainly to Black Panther, but Fifty Shades Freed and Peter Rabbit were also significant hits and overall the month was a massive improvement over last February. Looking forward, there’s nothing opening in March that will earn as much in total as Black Panther did during its opening weekend. That said, A Wrinkle in Time and Ready Player One should have no trouble getting to $100 million, while Tomb Raider has a 50/50 chance of getting there. Unfortunately, compared to last March, this is still a pittance. There’s a chance that no film opening this March will earn as much in total as Beauty and the Beast opened with last march. We will need Black Panther to have good legs to keep 2018 ahead of 2017 by the end of the month.
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Sherlock Gnomes Trailer
February 22nd, 2018
Animated adventure with the voices of Johnny Depp, James McAvoy, and Emily Blunt opens March 29 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/05/11 | 4 | $742,732 | 324 | $2,292 | $742,732 | 1 | |
| 2018/05/18 | 5 | $522,607 | -30% | 340 | $1,537 | $1,428,200 | 2 |
| 2018/05/25 | 5 | $402,509 | -23% | 336 | $1,198 | $1,930,733 | 3 |
| 2018/06/01 | 4 | $364,368 | -9% | 336 | $1,084 | $2,397,546 | 4 |
| 2018/06/08 | 5 | $260,593 | -28% | 303 | $860 | $2,751,267 | 5 |
| 2018/06/15 | 7 | $108,927 | -58% | 287 | $380 | $2,883,600 | 6 |
| 2018/06/22 | 11 | $67,107 | -38% | 229 | $293 | $3,008,719 | 7 |
| 2018/06/29 | 19 | $28,302 | -58% | 142 | $199 | $3,120,411 | 8 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 3/30/2018 | $201,904 | 0 | 0 | 0 | $490,253 | 1/1/2019 |
| Australia | 4/6/2018 | $601,845 | 281 | 281 | 1822 | $5,226,392 | 9/26/2018 |
| Brazil | 6/1/2018 | $1,100,000 | 0 | 0 | 0 | $2,013,384 | 7/20/2018 |
| China | 7/20/2018 | $1,030,000 | 26733 | 26733 | 26733 | $1,513,341 | 8/23/2018 |
| Colombia | 3/23/2018 | $125,000 | 0 | 0 | 0 | $125,000 | 12/20/2018 |
| Czech Republic | 3/30/2018 | $74,919 | 130 | 130 | 410 | $138,595 | 1/1/2019 |
| France | 4/13/2018 | $868,000 | 0 | 0 | 0 | $3,430,583 | 6/13/2018 |
| Germany | 5/3/2018 | $211,607 | 465 | 465 | 925 | $1,559,567 | 7/19/2018 |
| Hong Kong | 3/30/2018 | $0 | 0 | 0 | 0 | $0 | |
| Indonesia | 3/23/2018 | $204,508 | 0 | 0 | 0 | $7 | 1/1/2019 |
| Italy | 4/12/2018 | $383,600 | 0 | 0 | 0 | $920,901 | 6/13/2018 |
| Mexico | 3/30/2018 | $876,836 | 740 | 740 | 741 | $2,651,361 | 6/14/2018 |
| Netherlands | 4/19/2018 | $45,992 | 129 | 131 | 1336 | $1,409,642 | 7/20/2018 |
| New Zealand | 4/13/2018 | $72,554 | 81 | 88 | 505 | $828,682 | 6/18/2018 |
| North America | 3/23/2018 | $10,604,774 | 3,662 | 3,662 | 16,784 | $43,242,871 | 1/10/2023 |
| Poland | 3/16/2018 | $388,902 | 0 | 0 | 0 | $1,223,014 | 1/1/2019 |
| Portugal | 3/23/2018 | $113,513 | 80 | 80 | 369 | $583,587 | 6/20/2018 |
| Russia (CIS) | 3/15/2018 | $1,370,756 | 1303 | 1320 | 3676 | $2,223,243 | 2/26/2019 |
| Slovakia | 3/30/2018 | $22,199 | 55 | 55 | 162 | $43,751 | 5/22/2018 |
| South Korea | 10/3/2018 | $9,037 | 0 | 414 | 571 | $603,625 | 11/20/2018 |
| Spain | 5/11/2018 | $742,732 | 324 | 340 | 2297 | $3,202,981 | 7/20/2018 |
| Taiwan | 3/23/2018 | $0 | 0 | 0 | 0 | $167,886 | 9/13/2018 |
| Turkey | 6/1/2018 | $99,184 | 302 | 302 | 1044 | $3,591,612 | 2/26/2019 |
| United Arab Emirates | 3/23/2018 | $159,000 | 0 | 0 | 0 | $159,000 | 12/20/2018 |
| United Kingdom | 5/11/2018 | $3,417,345 | 571 | 635 | 6921 | $12,178,373 | 11/21/2018 |
| Rest of World | $9,931,455 | ||||||
| Worldwide Total | $97,459,106 | 1/10/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Johnny Depp | Sherlock Gnomes |
| James McAvoy | Gnomeo |
| Emily Blunt | Juliet |
| Matt Lucas | Benny |
| Kelly Asbury | Goons |
| Julio Bonet | Mankini |
| Ashley Jensen | Nanette |
| Stephen Merchant | Paris |
Supporting Cast
| Chiwetel Ejiofor | Gnome Watson |
| Michael Caine | Lord Redbrick |
| Maggie Smith | Lady Bluebury |
| Mary J. Blige | Irene |
| Jamie Demetriou | Moriarty |
| Julie Walters | Ms. Montague |
| Richard Wilson | Mr. Capulet |
| Ozzy Osbourne | Fawn |
| John Stevenson | Big Boy Gorilla |
| Dan Starkey | Teddy Gregson |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| John Stevenson | Director |
| Ben Zazove | Screenwriter |
| Kathy Greenburg | Story by |
| Emily Cook | Story by |
| Kevin Cecil | Story by |
| Andy Riley | Story by |
| Carolyn Soper | Producer |
| David Furnish | Producer |
| Steve Hamilton Shaw | Producer |
| Elton John | Executive Producer |
| Mark Solomon | Editor |
| Prakash Patel | Editor |
| Karen DeJong | Editor |
| Chris Bacon | Composer |
| Nick Angel | Music Supervisor |
| Nina Gold | Casting Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.