Australia Box Office for See How They Run (2022)
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| Theatrical Performance (US$) | ||
| Australia Box Office | $1,564,863 | Details |
| Worldwide Box Office | $20,851,675 | Details |
| Further financial details... | ||
Synopsis
In the West End of 1950s London, plans for a movie version of a smash-hit play come to an abrupt halt after a pivotal member of the crew is murdered. When world-weary Inspector Stoppard and eager rookie Constable Stalker take on the case, the two find themselves thrown into a puzzling whodunit within the glamorously sordid theater underground, investigating the mysterious homicide at their own peril.
Metrics
Movie Details
| Australia Releases: | September 29th, 2022 (Wide) |
| Video Release: | November 1st, 2022 by Searchlight Pictures |
| MPAA Rating: | PG-13 for some violence/bloody images and a sexual reference. (Rating bulletin 2726 (cert #53669), 4/6/2022) |
| Running Time: | 98 minutes |
| Keywords: | Ensemble, Murder Mystery, 1950s, Set in London, Set in England, Crime Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Searchlight Pictures , DJ Films |
| Production Countries: | United States |
| Languages: | English |
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In the West End of 1950s London, plans for a movie version of a smash-hit play come to an abrupt halt after a pivotal member of the crew is murdered. When world-weary Inspector Stoppard and eager rookie Constable Stalker take on the case, the two find themselves thrown into a puzzling whodunit within the glamorously sordid theater underground, investigating the mysterious homicide at their own peril.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/09/30 | 5 | $450,061 | 315 | $1,429 | $500,008 | 1 | |
| 2022/10/07 | 8 | $254,383 | -43% | 283 | $899 | $990,027 | 2 |
| 2022/10/14 | 9 | $132,471 | -48% | 272 | $487 | $1,173,851 | 3 |
| 2022/10/21 | 11 | $73,892 | -44% | 175 | $422 | $1,298,769 | 4 |
| 2022/10/28 | 19 | $33,380 | -55% | 69 | $484 | $1,398,897 | 5 |
| 2022/11/04 | - | $18,454 | -45% | 53 | $348 | $1,437,765 | 6 |
| 2022/11/11 | - | $12,693 | -31% | 37 | $343 | $1,467,997 | 7 |
| 2022/11/18 | - | $6,826 | -46% | 21 | $325 | $1,520,752 | 8 |
| 2022/11/25 | - | $4,235 | -38% | 12 | $353 | $1,549,854 | 9 |
| 2022/12/02 | - | $1,988 | -53% | 9 | $221 | $1,569,846 | 10 |
| 2022/12/09 | - | $572 | -71% | 6 | $95 | $1,583,196 | 11 |
| 2022/12/16 | - | $1,091 | +91% | 3 | $364 | $1,559,052 | 12 |
| 2022/12/23 | - | $143 | -87% | 2 | $72 | $1,559,350 | 13 |
| 2022/12/30 | - | $858 | +500% | 2 | $429 | $1,564,863 | 14 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 9/22/2022 | $0 | 0 | 0 | 0 | $21,703 | 10/22/2022 |
| Australia | 9/29/2022 | $450,061 | 315 | 315 | 1259 | $1,564,863 | 1/2/2023 |
| Belgium | 9/14/2022 | $40,208 | 0 | 0 | 0 | $97,564 | 11/8/2022 |
| Brazil | 9/20/2022 | $0 | 0 | 0 | 0 | $0 | |
| Chile | 10/20/2022 | $5,672 | 0 | 0 | 0 | $8,973 | 10/31/2022 |
| Czech Republic | 10/27/2022 | $23,119 | 77 | 77 | 134 | $44,068 | 11/22/2022 |
| Denmark | 10/27/2022 | $23,566 | 0 | 0 | 0 | $70,945 | 12/13/2022 |
| Finland | 10/21/2022 | $29,396 | 52 | 52 | 94 | $99,648 | 12/13/2022 |
| France | 9/7/2022 | $2,813 | 0 | 0 | 0 | $893,554 | 12/5/2022 |
| Germany | 10/27/2022 | $102,387 | 0 | 0 | 0 | $355,809 | 12/13/2022 |
| Hong Kong | 9/29/2022 | $61,746 | 0 | 0 | 0 | $117,680 | 11/8/2022 |
| Italy | 9/29/2022 | $237,995 | 0 | 0 | 0 | $609,778 | 12/13/2022 |
| Malaysia | 9/29/2022 | $8,520 | 0 | 0 | 0 | $20,480 | 10/24/2022 |
| Mexico | 9/29/2022 | $106,518 | 0 | 0 | 0 | $151,397 | 10/24/2022 |
| Netherlands | 9/15/2022 | $156,544 | 95 | 95 | 401 | $602,008 | 12/13/2022 |
| New Zealand | 9/15/2022 | $58,703 | 90 | 98 | 438 | $283,909 | 12/12/2022 |
| North America | 9/16/2022 | $3,007,657 | 2,404 | 2,502 | 8,296 | $9,586,237 | |
| Norway | 10/28/2022 | $9,945 | 0 | 0 | 0 | $34,976 | 11/28/2022 |
| Poland | 9/16/2022 | $43,774 | 0 | 0 | 0 | $126,875 | 12/5/2022 |
| Romania | 10/7/2022 | $29,081 | 67 | 67 | 181 | $88,816 | 12/7/2022 |
| Singapore | 9/29/2022 | $23,903 | 0 | 0 | 0 | $73,772 | 11/22/2022 |
| Slovakia | 9/29/2022 | $10,117 | 59 | 59 | 98 | $24,436 | 11/23/2022 |
| Spain | 10/21/2022 | $119,247 | 168 | 168 | 360 | $286,861 | 12/5/2022 |
| Sweden | 9/30/2022 | $16,364 | 0 | 0 | 0 | $59,586 | 11/28/2022 |
| Taiwan | 9/16/2022 | $53,478 | 0 | 0 | 0 | $115,656 | 10/24/2022 |
| United Kingdom | 9/9/2022 | $1,349,594 | 690 | 717 | 3272 | $5,512,081 | 12/5/2022 |
| Worldwide Total | $20,851,675 | 1/2/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Sam Rockwell | Inspector Stoppard |
| Saoirse Ronan | Constable Stalker |
| Adrien Brody | Leo Köpernick |
| Ruth Wilson | Petula Spencer |
| Reece Shearsmith | John Woolf |
| Harris Dickinson | Dickie Attenborough |
| Charlie Cooper | Dennis The Usher |
| Pippa Bennett-Warner | Ann Saville |
| Pearl Chanda | Sheila Sim |
| Sian Clifford | Edana Romney |
| Jacob Fortune-Lloyd | Giovanni Bigotti |
| David Oyelowo | Mervyn Cocker-Norris |
| Shirley Henderson | Agatha Christie |
| Paul Chahidi | Fellowes |
Supporting Cast
| Ania Marson | Mignon Saunders |
| Tim Key | Harold Scott |
| Lucian Msamati | Max Mallowan |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Tom George | Director |
| Mark Chappell | Screenwriter |
| Damian Jones | Producer |
| Gina Carter | Producer |
| Jamie Ramsay | Director of Photography |
| Gary Dollner | Editor |
| Peter Lambert | Editor |
| Nadia Stacey | Make-up and Hair Designer |
| Amanda McArthur | Production Designer |
| Daniel Pemberton | Composer |
| Sarah Bridge | Music Supervisor |